It’s a sombre August afternoon beneath overcast, grey skies; I walk to the railway station. The heat and bright sunshine that greeted the first match of the football season have gone and with three games played Ipswich have still not won. But it’s warm.
On the platform at the railway station a poster entreats me not to get on the train if I feel unwell, but I’m okay, it’s too early in the season to feel ill at the thought of another match. The train arrives and is a minute later than it was a fortnight ago; the timetable seems to have changed. On the other side of the carriage sits a young woman with a flourish of wild blond hair and dark eyebrows. She checks her make-up using her mobile phone. I look out of the window.
In Ipswich a group of Aston Villa fans look over the bridge parapet opposite the railway station; perhaps they will jump into the river below if their team loses, or maybe it’s just their way of joining in with Maritime Ipswich. Portman Road is busy with people indulging in pre-match hanging about; two lads, one in an Ipswich shirt, one in a Villa shirt create a pleasing tableau of inter-club friendliness beneath the statue of Sir Alf Ramsey.
I buy a programme (£3.00) and walk on to St Jude’s Tavern where Mick has arrived, seconds before; he buys me a pint of Colchester Brewery Metropolis (£3.00), which I choose because of Fritz Lang’s 1926 film of the same name. Mick has a pint of peach flavoured beer, which he discovers he doesn’t really like (£3.00). We sit at a small table, the only one that is free; the pub is busy. We talk of football, of what my wife and I might do on a forthcoming trip to Paris, of how we perceive our lives and the reality of them, of what Mick will do now he has split with his partner of the past fourteen years and what he really does in his shed. I buy a second pint of beer, Colchester Brewery Sweeney Todd (£3.00), whilst Mick has a half of Earl Soham Victoria Bitter (£1.50).
An hour gone and glasses drained we leave with a host of others bound for the match. Mick and I part at the corner of Portman Road and St Matthews Street, he will be going to
Sainsbury’s. Down in Portman Road there are queues for the turnstiles, which is surprising. I assess which queue is shortest and join it, it is very short and I am soon inside the Sir Alf Ramsey Stand. I thank the turnstile operator, drain off some excess liquid and head for my seat near Pat from Clacton and ever-present Phil who never misses a game, and who today has his son Elwood with him. The teams appear to the strains of Neil Diamond’s Sweet Caroline, I don’t know why, but apparently people voted for it, like Brexit.
The game begins; Ipswich kicking off and playing towards me and Phil, Elwood and Pat.
Ipswich sport their new kit for this season; blue shirts with white sleeves evoking a memory of the shirts of the 1950’s and early 1960’s, but with added Addidas branded stripes in red to make sure we don’t miss them. Ipswich’s Polish goalkeeper Bartosz Bialkowski looks like a huge ‘Mivvi’ in all-orange. Aston Villa wear white shirts and maroon shorts and socks. Boots come in many colours, a rainbow of feet.
Inside Portman Road it is quite noisy today, mostly thanks to the 2,027 Aston Villa supporters but the Town fans are doing their best to contribute in a week when a new group of supporters ‘Blue Action’ has launched itself on social media with its stated aim to “…ignite and unite the support”. Its name might sound like a washing powder but the aim of the group seems laudable provided nothing gets burnt. The Villa fans sing a song about empty seats, which is hard to decipher and then their star player Jack Grealish falls to the ground, the first of many, many times which he will do this this afternoon; for someone with such big legs, he seems incredibly frail. “He’s dead again” says the old fella behind me “Get up you creep” – well it sounded like creep. Town’s Trevoh Chalobah then receives treatment after he is fouled and I have time to check on the buddleia on the roof of the stand; it’s still there. In the first ten minutes ten free-kicks are awarded by referee Mr Tim Robinson for fouls. Town manager Paul Hurst watches on, arms folded across his chest. “Shall we sing, shall we sing, shall we sing a song for you?” sing the Aston Villa fans. It’s lovely of them to offer to do requests like that I think to myself, but then disappointingly they don’t bother; something from Bizet’s Carmen would have been nice.
It’s not 3.15 yet and Town’s Gwion Edwards hits the Aston Villa cross bar at the end of a flowing move across the pitch from one side to the other and back, which started with him dribbling the ball away from the Town penalty area. This is the stuff. Town fans sing and clap a bit, but not for long and within minutes Villa fans are chanting “No noise from the Tractor Boys”. Then town have another shot, which bobbles past a post but then Aston Villa score; Ivorian Jonathon Kodjia being left to head in a cross. The old couple behind me are amused by his surname which they pronounce ‘Codger’ as in ‘old codger’. Very droll.
The game continues with free-kicks a-plenty as Aston Villa players seem keen to lay about on the turf whilst Mr Robinson seems keen to blame Ipswich players for this. Town’s Tayo Edun does nothing more than collide with Villa’s Ahmed El Mohamady and is cautioned by the increasingly officious Mr Robinson. Kodjia hits the Town cross bar with a header from the resultant free-kick. When Gwion Edwards is then fouled and a free-kick awarded, the decision is greeted with a hail of ironic cheers from Town fans; it’s what we do best, sarcasm. It’s about twenty five to four and a long throw falls to the feet of Trevoh Chalobah who turns and bounces a low shot just inside the goalpost and a little unexpectedly Town have equalised.
Things are looking up, but only temporarily as just two minutes later Tayo Edun is booked again by Mr Robinson for a foul and is therefore sent off. Despite the scores being level, Aston Villa have looked the better team in the first half and with just ten players I feel that defeat for Town looks inevitable. The Town supporters are not happy, but they seem to like it like that. “You don’t know what you’re doing” they chant to Mr Robinson and “You’re not fit to referee”. Kodjia goes down again under a challenge and receives treatment; “Get up ya pansy” shouts the old boy behind me, following it up with “What a bunch of pansies”. The half ends in acrimony, which is always a good thing for the atmosphere at a football match.
Mr Robinson leaves the field guarded by stewards who happily can do nothing to protect him from the hail of vitriol and verbal abuse which is directed at him. If he has any sort
of a heart he will hopefully sit in his little room and weep over his half-time tea whilst his two assistants ignore him and whisper between themselves. I eat a Panda brand liquorice bar and chat to Ray who is not impressed and foresees defeat, although he considers the sending off to have been unjust. I visit the latrines and beneath the stand people stare up at the TV screens replaying highlights of the first half.
With everyone refreshed the game begins anew. The old girl behind me offers up her insight playing the part of the half-time TV pundit “Sometimes it’s harder to play ten men” she says sounding unconvinced by her own words. Following a pause she adds “Cos you don’t know where they’re going”. As qualifying statements go it’s a poor one, but at least she realised one was needed.
Aston Villa begin the new half with even more resolve to fall over at every opportunity and Town’s St Lucian Janoi Donacien is soon cautioned by Mr Robinson, who shows no sign of having reflected upon his rank first half performance. Aside from ‘rank Robbo’ the villain of the piece this afternoon is Jack Grealish who despite showing ample skill and poise on the ball mostly falls down Bambi-like attempting to win free-kicks, which is a sad indictment of modern football and the reliance on set-pieces. In ‘rank Robbo’ Villa have discovered a referee who loves to award free-kicks as much as they love to win them and he evidently has no understanding of the concept of players falling over on purpose to win free-kicks.
But despite the efforts of ‘rank Robbo’ and Jack ‘Bambi’ Grealish the game is overall an entertaining one and Ipswich overcome the handicap of having only ten players admirably. Sunshine is breaking through the clouds and the crowd is engrossed in the game, but not so much that they don’t every now and then cheer and clap and behave like a football crowd should. With about fifteen minutes to play Villa’s Irish substitute Conor Hourihane falls screaming to the ground in the Ipswich penalty area as if haunted by wailing banshees and he rightly incurs the displeasure of both Luke Chambers and Jonas Knudsen; his is the afternoon’s most blatant attempt at cheating. Aston Villa then bring on the player with the most exotic name of the day, Rushian Hepburn-Murphy whose surname conjures up images of a triste between a sophisticated looking lady in a little black dress and a jobbing builder.
Jack ‘Bambi’ Grealish looks purposeful with the ball at his feet but with his slicked back hair and confident air he possibly believes he is better than he is and with time running out and Villa encamped around the Town penalty area he carefully picks out the perfect pass to the only Villa player in an offside position. Grealish should really have worn a dark cape, black hat and grown a twirly waxed moustache for today’s game, although he might have had to fight ‘rank Robbo’ for it, which would have been an entertainment in itself.
With the final whistle a great cheer goes up, which is not really commensurate with a home draw, but today it feels like Town have won because it has been achieved in adversity against a club which is expected to be challenging for promotion and is still profiting from Premier League ‘parachute’ payments. As befits a team managed by 5’5” Paul Hurst, today Town have played the ‘little guy’ and have come through. I stay to applaud and although Town have now gone four games without winning, this game was well worth being at. Perhaps our first win will be against Norwich City in a fortnight’s time.
for the next connection from Waterloo. But Waterloo Station provides entertainment, I stand beneath its famous clock and a dishevelled, smelly man who holds a red lead at the end of which is a small, contented looking black cat, talks, but no one listens. From Waterloo to Brentford takes another half an hour, but provides glimpses of the gothic Palace of Westminster, the neo-classical Tate Gallery and Art Deco Battersea power station; later the train crosses the River Thames at Barnes Bridge, so it’s a lot of sight-seeing fun. Brentford station is dull, like the weather, but just outside a way finder sign announces
‘New map coming soon’ as if it’s been decided to replace the old map of Brentford with one of somewhere more exotic like Montmartre. The buses in this part of London are run by RATP, the company that runs Paris metro; another two-fingers to bloody Brexit.
prices. Someone sells Chilli Con Carne from beneath a gazebo in their front garden. The Griffin pub is on a corner near the away supporters’ entrance and it and the terrace of bay-windowed houses opposite are built of the warm, yellow stock brick that defines so much of London. Football supporters spill out from the pub and into the streets which crawl with fans of both clubs. There is a good feel about this place. Despite its Twickenham postcode, nominally Brentford is a London club, but its supporters don’t have the obnoxious conceit of most London fans. I stroll up Braemar Road past the main entrance to the ground, beyond which is the club shop; it looks like a 1920’s suburban
bungalow with its red and white painted gable. Naturally I take a look inside; if Chelsea has a ‘megastore’, this is more of a corner shop.
supporters are gathered in the centre of the terrace directly behind the goal, I find a mostly pleasant, uncrowded spot towards the New Road stand. The only drawback is a youth stood staring at the Brentford fans making a masturbatory gesture; if only he knew how silly he looks. The roof is low, which gives the small terrace a good atmosphere and there is some singing from the Ipswich supporters as the teams appear amidst a posse of photographers and assorted hangers-on including the club mascots. Brentford, known as the Bees, have two mascots named Buzzbee and Buzzette, not surprisingly both are bees, but Buzzette looks worryingly like a Golliwog.
caps, all sat together in a couple of rows. At about twenty to five most of them get up and file out through the back of the stand. Shortly afterwards Town’s Jonas Knudsen naively bumps Brentford’s Sergi Canos who falls to the ground. Referee Roberts who seconds earlier ignored a similar incident in which Town’s Luke Hyam appeared to be pushed over, awards Brentford a penalty. As a huge Ginsters pasty rolls into view on the pitchside electronic advertisement hoardings, Brentford’s French former St Etienne forward Neal Maupay steps up to score, sending the ball gently into the right hand side of the goal as Bartosz Bialakowski dives obligingly to the left.


half-light a few tiny specks of very light sleet drift and fall and sparkle in a car headlight beam. There is activity in the football ground as stewards arrive and are detailed off for their evening duties; Zero the sniffer dog arrives at the Constantine Road gate to the ground with his handler; Zero is sans-lead, which I guess for a working dog like him is like being in civvies. I like to think of him having his own dressing room where he changes into collar and lead and perhaps prepares for the evening with a few exercises to clear his sinuses. In Portman Road the hot food stands set up a while ago and early diners stand nearby in ones and twos, basking in the beautiful, enticing fluorescent light, which falls out into the street and as ever make me think of the paintings of Edward Hopper.





I use the toilet facilities and advance through the undercroft of the stand where there are now very few people at all; there aren’t many more in the stand and swathes of empty blue seats greet the teams, cheering and singing just like regular Ipswich fans. The teams are ready to kick-off as I select a seat just along from Phil. Ipswich are playing towards me, Phil and the empty seats of ‘Churchmans’, now known as the Sir Alf Ramsey Stand. Cardiff kick-off and are wearing the most garish, unpleasant kit I have ever seen in my entire football watching life. Cardiff’s shirts are day-glo green and their shorts are blue; it’s a kit inspired by the heads and hands of Edward Lear’s Jumblies and “Happen what may it’s extremely wrong”.










Town’s on-loan Kosovan Bersant Celina hits a post with a shot, the imposing Mr Roberts, who likes to stand with his hands on his hips, blows his whistle for half-time. I head down to the concourse and devour a piece of left-over Christmas cake that I had brought with me in lieu of thebacon butties or pies that others might eat to see them through the afternoon. I gaze up at the TV set delivering the half-time scores and first half stats, which are clearly wrong. I learn that I could buy a hospitality package for £35 plus VAT. I look at the programme and am impressed by the diversity of the Leeds squad with players from fifteen different countries. Ipswich players come from just seven countries, and one of them is Wales. The Leeds squad also has some fine surnames, my favourites being Roofe and Grot although Borthwick-Jackson and Peacock-Farrell also deserve a mention. Inside the programme there is a tribute to Ted Phillips, but if as the tribute says he is a legend, and he is, it should probably run to several pages, not just two. Also in the programme is the usual piece from club captain Luke Chambers. Luke is in philosophical mood today and amongst other nuggets says “I think football stadiums in general have become places where supporters can vent their frustrations over 90 minutes, sometimes that frustration comes from life as much as football. You see it everywhere now ”. It’s a very funny read.