IpswichTown 1 Aston Villa 1

 

It’s a sombre August afternoon beneath overcast, grey skies; I walk to the railway station.  The heat and bright sunshine that greeted the first match of the football season have gone and with three games played Ipswich have still not won.  But it’s warm.20180818_125516_44115116991_o

On the platform at the railway station a poster entreats me not to get on the train if I feel unwell, but I’m okay, it’s too early in the season to feel ill at the thought of another match.   The train arrives and is a minute later than it was a fortnight ago; the timetable seems to have changed.  On the other side of the carriage sits a young woman with a flourish of wild blond hair and dark eyebrows. She checks her make-up using her mobile phone.  I look out of the window.

In Ipswich a group of Aston Villa fans look over the bridge parapet opposite the railway station; perhaps they will jump into the river below if their team loses, or maybe it’s just their way of joining in with Maritime Ipswich. Portman Road is busy with people indulging in pre-match hanging about; two lads, one in an Ipswich shirt, one in a Villa shirt create a pleasing tableau of inter-club friendliness beneath the statue of Sir Alf Ramsey.

I buy a programme (£3.00) and  walk on to St Jude’s Tavern where Mick has arrived, seconds before; he buys me a pint of Colchester Brewery Metropolis (£3.00), which I choose because of Fritz Lang’s 1926 film of the same name. Mick has a pint of peach flavoured beer, which he discovers he doesn’t really like (£3.00).   We sit at a small table, the only one that is free; the pub is busy.  We talk of football, of what my wife and I might do on a forthcoming trip to Paris, of how we perceive our lives and the reality of them, of what Mick will do now he has split with his partner of the past fourteen years and what he really does in his shed.  I buy a second pint of beer, Colchester Brewery Sweeney Todd (£3.00), whilst Mick has a half of Earl Soham Victoria Bitter (£1.50).

An hour gone and glasses drained we leave with a host of others bound for the match.  Mick and I part at the corner of Portman Road and St Matthews Street, he will be going to 20180818_153709_30246974478_oSainsbury’s.  Down in Portman Road there are queues for the turnstiles, which is surprising.  I assess which queue is shortest and join it, it is very short and I am soon inside the Sir Alf Ramsey Stand. I thank the turnstile operator, drain off some excess liquid and head for my seat near Pat from Clacton and ever-present Phil who never misses a game, and who today has his son Elwood with him.  The teams appear to the strains of Neil Diamond’s Sweet Caroline, I don’t know why, but apparently people voted for it, like Brexit.

The game begins; Ipswich kicking off and playing towards me and Phil, Elwood and Pat.  20180818_161256_44065987012_oIpswich sport their new kit for this season; blue shirts with white sleeves evoking a memory of the shirts of the 1950’s and early 1960’s, but with added Addidas branded stripes in red to make sure we don’t miss them.  Ipswich’s Polish goalkeeper Bartosz Bialkowski looks like a huge ‘Mivvi’ in all-orange.  Aston Villa wear white shirts and maroon shorts and socks. Boots come in many colours, a rainbow of feet.

Inside Portman Road it is quite noisy today, mostly thanks to the 2,027 Aston Villa supporters but the Town fans are doing their best to contribute in a week when a new group of supporters ‘Blue Action’ has launched itself on social media with its stated aim to “…ignite and unite the support”.  Its name might sound like a washing powder but the aim of the group seems laudable provided nothing gets burnt.  The Villa fans sing a song about empty seats, which is hard to decipher and then their star player Jack Grealish falls to the ground, the first of many, many times which he will do this this afternoon; for someone with such big legs, he seems incredibly frail.  “He’s dead again” says the old fella behind me “Get up you creep” – well it sounded like creep.  Town’s Trevoh Chalobah then receives treatment after he is fouled and I have time to check on the buddleia on the roof of the stand; it’s still there.  In the first ten minutes ten free-kicks are awarded by referee Mr Tim Robinson for fouls.  Town manager Paul Hurst watches on, arms folded across his chest.  “Shall we sing, shall we sing, shall we sing a song for you?” sing the Aston Villa fans.  It’s lovely of them to offer to do requests like that I think to myself, but then disappointingly they don’t bother; something from Bizet’s Carmen would have been nice.

It’s not 3.15 yet and Town’s Gwion Edwards hits the Aston Villa cross bar at the end of a flowing move across the pitch from one side to the other and back, which started with him dribbling the ball away from the Town penalty area.  This is the stuff.  Town fans sing and clap a bit, but not for long and within minutes Villa fans are chanting “No noise from the Tractor Boys”.  Then town have another shot, which bobbles past a post but then Aston Villa score; Ivorian Jonathon Kodjia being left to head in a cross.  The old couple behind me are amused by his surname which they pronounce ‘Codger’ as in ‘old codger’.  Very droll.

The game continues with free-kicks a-plenty as Aston Villa players seem keen to lay about on the turf whilst Mr Robinson seems keen to blame Ipswich players for this.  Town’s Tayo Edun does nothing more than collide with Villa’s Ahmed El Mohamady and is cautioned by the increasingly officious Mr Robinson.  Kodjia hits the Town cross bar with a header from the resultant free-kick.  When Gwion Edwards is then fouled and a free-kick awarded, the decision is greeted with a hail of ironic cheers from Town fans; it’s what we do best, sarcasm.   It’s about twenty five to four and a long throw falls to the feet of Trevoh Chalobah who turns and bounces a low shot just inside the goalpost and a little unexpectedly Town have equalised.

Things are looking up, but only temporarily as just two minutes later Tayo Edun is booked again by Mr Robinson for a foul and is therefore sent off.  Despite the scores being level, Aston Villa have looked the better team in the first half and with just ten players I feel that defeat for Town looks inevitable.  The Town supporters are not happy, but they seem to like it like that.  “You don’t know what you’re doing” they chant to Mr Robinson and “You’re not fit to referee”.  Kodjia goes down again under a challenge and receives treatment; “Get up ya pansy” shouts the old boy behind me, following it up with “What a bunch of pansies”.  The half ends in acrimony, which is always a good thing for the atmosphere at a football match.

Mr Robinson leaves the field guarded by stewards who happily can do nothing to protect him from the hail of vitriol and verbal abuse which is directed at him.  If he has any sort20180818_120714_42299377040_o of a heart he will hopefully sit in his little room and weep over his half-time tea whilst his two assistants ignore him and whisper between themselves.  I eat a Panda brand liquorice bar and chat to Ray who is not impressed and foresees defeat, although he considers the sending off to have been unjust.  I visit the latrines and beneath the stand people stare up at the TV screens replaying highlights of the first half.

With everyone refreshed the game begins anew.  The old girl behind me offers up her insight playing the part of the half-time TV pundit “Sometimes it’s harder to play ten men” she says sounding unconvinced by her own words. Following a pause she adds “Cos you don’t know where they’re going”.  As qualifying statements go it’s a poor one, but at least she realised one was needed.

Aston Villa begin the new half with even more resolve to fall over at every opportunity and Town’s St Lucian Janoi Donacien is soon cautioned by Mr Robinson, who shows no sign of having reflected upon his rank first half performance. Aside from ‘rank Robbo’ the villain of the piece this afternoon  is Jack Grealish who despite showing ample skill and poise on the ball mostly falls down  Bambi-like attempting to win free-kicks, which is a sad indictment of modern football and the reliance on set-pieces.  In ‘rank Robbo’ Villa have discovered a referee who loves to award free-kicks as much as they love to win them and he evidently has no understanding of the concept of players falling over on purpose to win free-kicks.

But despite the efforts of ‘rank Robbo’ and Jack ‘Bambi’ Grealish the game is overall an entertaining one and Ipswich overcome the handicap of having only ten players admirably.   Sunshine is breaking through the clouds and the crowd is engrossed in the game, but not so much that they don’t every now and then cheer and clap and behave like a football crowd should.  With about fifteen minutes to play Villa’s Irish substitute Conor Hourihane falls screaming to the ground in the Ipswich penalty area as if haunted by wailing banshees and he rightly incurs the displeasure of both Luke Chambers and Jonas Knudsen; his is the afternoon’s most blatant attempt at cheating.  Aston Villa then bring on the player with the most exotic name of the day, Rushian Hepburn-Murphy whose surname conjures up images of a triste between a sophisticated looking lady in a little black dress and a jobbing builder.

Jack ‘Bambi’ Grealish looks purposeful with the ball at his feet but with his slicked back hair and confident air he possibly believes he is better than he is and with time running out and Villa encamped around the Town penalty area he carefully picks out the perfect pass to the only Villa player in an offside position.   Grealish should really have worn a dark cape, black hat and grown a twirly waxed moustache for today’s game, although he might have had to fight ‘rank Robbo’ for it, which would have been an entertainment in itself.

With the final whistle a great cheer goes up, which is not really commensurate with a home draw, but today it feels like Town have won because it has been achieved in adversity against a club which is expected to be challenging for promotion and is still profiting from Premier League ‘parachute’ payments.  As befits a team managed by 5’5” Paul Hurst, today Town have played the ‘little guy’ and have come through.  I stay to applaud and although Town have now gone four games without winning, this game was well worth being at.  Perhaps our first win will be against Norwich City in a fortnight’s time.

This slideshow requires JavaScript.

 

Woodbridge Town 2 Clapton 2

Today is the day of my favourite round of the FA Cup. Whilst supporters of professional clubs may enjoy the third round when the ‘big’ clubs deign to take part, or the first round when the not quite so big clubs join in, I love the very first day. For a start, it is still summer and the days remain long and warm, but what I love about it more is not that any particular clubs take part, or even that it is the beginning, what I like is its name, the extra-preliminary round. Before the first round there are four qualifying rounds; before the first one of those there is a preliminary round, but the FA clearly don’t think that goes far enough and rather than have six qualifying rounds, they decide to have both a preliminary round and an extra-preliminary round. This seems to me to embody the FA’s attitude to grass roots football clubs as a bit of a nuisance that must be culled before the competition can begin properly. This is the FA ‘putting it’ to these little clubs that they are nothing. It’s no wonder that only 800 odd clubs enter the FA Cup, the FA would never cope with what happens in France where over 7,000 clubs enter their equivalent competition, the Coupe de France, but then, France is a republic.
Today I am travelling to Woodbridge by train (£3.15 return from Ipswich with a Goldcard) to watch Woodbridge Town, newly promoted to the Thurlow Nunn Eastern Counties Premier League, play Clapton of the Essex Senior league, a club with a distinguished history and where the fabled Walter Tull began his football career. On the first part of my journey to Ipswich I sit next to two women discussing a man called Amos and what he does when he is in Uganda. When I change trains I sit at a table where a girl in red socks and white T-shirt is quick to tell me that she is innocent of having made the neat arrangement of two empty Lucozade bottles and three crisp packets that sit on the table. I tell her it’s okay, I will avert my gaze and look out of the window. British Transport police are looking for an obese person with OCD who is recovering from illness. Two West Bromwich Albion supporters on their way to Norwich sit across the gangway from me, we chat a little and I wish them luck, telling them that I am expecting at least four or five goals from their team; pleasingly they will oblige. I also recoil from the hideous sight of a tall, well-spoken young man in a Norwich City shirt; he has ‘Cooper’ ‘21’ on his shirt back; his name and IQ I surmise, or possibly the number of members of his family with whom he has had a sexual relationship.
The three carriage 13:18 to Lowestoft leaves Ipswich on time and slowly roars its way through marshalling yards and past Hadleigh Road industrial estate with its mighty disused gas holder that sits in a nest of buddleia. Beyond the River Gipping the view of Ipswich from the bridges over Bramford Lane and Norwich Road is a joy with its cluster of modernist blocks and the floodlights of Portman Road looming up beyond low streets of red roofs, which haven’t changed much in eighty years, in many cases much longer. This is a lovely train journey, albeit a noisy one thanks to the diesel engine and old-fashioned clickety-clack of the rails. The train arrives at 13:32 and Woodbridge seems busy; a group of women, all teetering heels, tanned legs, tight dresses, make-up, flowers and fascinators await a taxi; on their way to a wedding, I hope. Woodbridge station is a homely looking building, but I waste no time in setting off up the hill towards Notcutt’s Park, which is a good twenty-minute walk away.


Woodbridge is clearly a well-heeled town, there are large houses, some with naked statuary in the garden and the lamp posts are adorned with somewhat twee hanging baskets, overflowing with summer flowers. I pass by the Cherry Tree pub but do just that, pass by, it looks busy and full of Saturday lunchtime diners. Further up the hill is the local Ford motor dealership where in 1970 my father traded in his maroon 1962 Ford Cortina 1200 for an almost new (ex-demonstrator), beige Ford Cortina 1600 Super, which he always maintained was the best car he ever owned.

Further on, the path leaves the roadside, ascending an embankment and becoming a leafy bower

43072886655_a4cf6c222d_o

before emerging again into the full light by the Duke of York ‘country’ pub, which is really a ‘family diner’ masquerading as a pub and part of the Vintage Inns chain whose “…rustic buildings offer a country style dining experience…” .

I have been walking for almost fifteen minutes and fearful that the Woodbridge Town clubhouse might only serve insipid Greene King IPA I call in for a pint of Adnams Southwold Bitter (£3.90). At the bar a youngish man orders food. “The menu says you have those kofte things” he says. “Yes” says the bar maid. “I’ll er, have some of them, er please” says the man, showing what sophisticated diners the English have become thanks to the country style dining experience and its ilk.
Refreshed by Adnams Southwold Bitter I press on with the final short leg of my walk to the match through a modern estate of red brick houses, which all look like they are

43072882865_26c0797c46_o

trying to be nineteenth century Suffolk farmhouses; I imagine their occupants having Ploughman’s lunches for every meal. At the end of a winding road of executive homes is Woodbridge Town Football Club. I follow a man with a carrier bag of empty bottles which he tips into the recycling bin outside before proceeding through the turnstile.

I pay my entry fee (£6.00) receiving a yellow and white ticket in exchange and purchase a programme (£1.00), which annoyingly I will later lose in mysterious circumstances (did it fall from my pocket, or did I leave it in the bar?), it was a glossy publication which I rather liked. After a cursory look across the pitch, where players of both teams are limbering up, I enter the bar and a youth wearing a thick grey anorak as if he’s in in 1990’s indie band serves me with a pint of Adnams Ghostship (£3.50). I feel foolish for worrying about Greene King IPA now and my faith in football club bars is restored, for now. The barman doesn’t look old enough to serve alcohol, but he later takes the anorak off revealing tattoos suggesting he is indeed over eighteen. But maybe he serially lies about his age, has been driving since he was thirteen and had this been a century ago he would already have spent a couple of years in the trenches of northern France. I sink the Ghostship and wander outside into the sun where the crowd is gathering. There are just two stands at Notcutt’s Park, one a covered, shallow metal terrace and the other, which is directly next to it, a brick structure with half a dozen rows of bench seats; I pick a spot in the seated stand and read my programme, which I have not yet lost. After a short while I am surprised to look up and see the two teams and the officials all lined up on the pitch, shaking hands like Baptists on a Sunday morning.
The game begins with Clapton in all blue with yellow socks and sleeves kicking off in the direction of whatever lies northeast of Woodbridge; Ufford probably. Woodbridge Town wear black and white stripes with black shorts and socks, hence their nickname ‘The Woodpeckers’, not that woodpeckers wear football kits and of course not all woodpeckers are black and white; a fact highlighted by the most laudable poster above

20180811_144447_42172634410_o

the urinals in the toilet urging spectators to buy a re-usable drinks cup and become a ‘green’ woodpecker. All clubs should be doing something

OLYMPUS DIGITAL CAMERA

similar.

Woodbridge play towards the junction with the A12, Martlesham and the tower of BT’s research laboratories which is visible in the distance.

The first foul of the game, after just a few seconds, draws a shout from the crowd “That’s about time ref”. Woodbridge look much the better of the two teams in the opening minutes; perhaps they should with former Ipswich Town and Sunderland player Carlos Edwards in their team; they pass the ball whilst Clapton just run about after them. But Woodbridge don’t create any chances to score and when it looks like they might, a Clapton player always manages to be in the way. Woodbridge have the first proper shot of the game, which flies over the Clapton cross bar in the seventh minute. Woodbridge are playing well, but then again they’re not; and Clapton are struggling, but then in a way they’re not because their goalkeeper has not had a save to make. Some of the crowd amuse themselves with shouts and cat calls. “VAR. That was a penalty!” is heard as a Woodbridge player tumbles in the box, and then “Eh, absolute shite ref” as play is waved on. I decide to take a wander, and alone at the corner of the ground I get to play the ball back to the Clapton full-back Lanre Vigo when it goes out for a throw. There is a pause in the action as the somewhat portly referee Mr James Beal speaks to two complaining Woodbridge players. ”Get on with it Porky” is the shout from the crowd; you can’t beat humour at the expense of fat people. I get to touch the ball back to Lanre Vigo again, this time a header, no one congratulates me and although it does knock my glasses off I thought ’I done well’.
Considering that as someone who paid to get in I am getting too many touches of the ball and am therefore bound to embarrass myself (if the flying glasses haven’t already done so) I walk round to the dug outs on the opposite side of the pitch to the stands. Here the Clapton manager and his coach are providing a constant commentary of the game as they live every touch of the ball by their players. “Why do you put it there?” shouts the manager to his goalkeeper Jack Francis “I keep telling you mate, I don’t want it in the centre I want it here”. There are a number of players who receive constant encouragement and instruction, the names Jerome, Warren, Gio and Dylan feature prominently. Number five Dylan Ebongo is a ‘big lad’ who rivals and outstrips the referee for the space he takes up on the pitch, but as is so often the case with players that spectators accuse of having eaten all the pastry based foods, he can play a bit and Dylan is a rock in the Clapton defence.
It’s about twenty five past three and against the run of play Clapton have a corner; at the near post the ball is flicked on, the young Woodbridge goalkeeper Alfie Stronge flaps a bit and the ball meets the goal net in the lovely way that footballs do; it’s 1-0 to Clapton. “Who scored?” asks the happy and surprised Clapton manager of his neatly coiffured number seven Ryan Reed, but he doesn’t seem to know, or I at least I can’t work out what he says.
“Take heart from that” shouts the Clapton manager to his team as if none of them expects not to lose. Despite his constant imploring and helpful encouragement to his players the Clapton manager seems quite pessimistic in private moments when speaking to his coach or simply verbalising his thoughts, or perhaps he’s just realistic. “We’re our own worst enemy”, “We could be in trouble here”, “Now we’ve got trouble” are a few of his comments as the Woodpeckers press, along with his admirably honest assessment that his team has actually done nothing and Woodbridge have had all the play. Despite being a goal up however, ten minutes before half-time there is a falling out between the manager and his number ten Jerome Mortell. Jerome is threatened with being substituted, but his response is simply “Go on then” and within a minute he is stomping his way round to the dressing room, leaving the pitch with the words “I’ve had enough of this shit”. Clapton had only Jacod Dingli on the bench today, and now he’s on the pitch, but at least they’re still winning and very soon they are almost two-nil up as another corner against the run of play sees a header thud against the woodwork of the Woodbridge goal.

This slideshow requires JavaScript.

OLYMPUS DIGITAL CAMERA

Across the pitch a tall man, immaculately dressed in a dark suit stands out amongst the general scruffiness of the usual football crowd, I believe this is Vince McBean the current owner of Clapton FC and a controversial figure after he allegedly attempted to liquidate the charity that administers Clapton’s Old Spotted Dog ground. From where I stand he looks like an undertaker.

Half-time and I’m one of the first at the bar for another pint of Ghostship (still £3.50) which I follow up with a visit to the toilet where I admire the juxtaposition of a large print of a sunset over the Woodbridge’s tide mill with the urinals; it makes me think of Marcel Duchamp’s ‘Fountain’.

20180811_144443_42172634020_o

But there is little time to consider twentieth century art, the players are on the pitch and Woodbridge line-up as Clapton huddle. I return to stand between the dugouts where the entertainment is richest, although I do take a moment to enjoy the Co-op’s side by side, edge of pitch advertisements, one solemnly telling us how their funeral service is “Supporting loved ones locally when it matters” (and presumably telling non-local loved ones to clear off) and the other in a lighter frame of mind urging us to ‘Pop to the Co-op’.

OLYMPUS DIGITAL CAMERA
The second half begins and before not very long Ryan Reed intercepts a poor pass and breaks forward, he rides a tackle and is through on goal, he shoots, Alfie Stronge saves but the ball rebounds to Ryan who strikes it confidently and with force inside the far post from a tight angle. It’s 2-0 to Clapton.
The Clapton manager stresses the importance to his players, particularly to big Dylan at the centre of the defence, of holding onto the 2-0 lead in the next ten minutes, which he says will break Woodbridge’s hearts if they can do it. They do and the game seems to settle down with Woodbridge still dominating possession, but mostly over-hitting all their forward passes and crosses. Substitutions are made by Woodbridge and approaching the last fifteen minutes it looks like Clapton will hold on. The Woodbridge manager who incidentally is probably bigger than both the referee and Clapton’s Dylan seems calm, despite his frequent frustration at those over hit passes; is he resigned to a defeat?
Woodbridge for all their inadequacy in terms of shots, are still dominating however, and the ball is spending most of its time on the Clapton half of the field. A Clapton player is nearly always the last man to touch the ball inside their own penalty area, but then just after twenty five to five the ball runs loose and Woodbridge’s number seven Callum Sinclair lashes it on the half volley in to the top corner of the Clapton goal to halve Clapton’s lead and give Woodbridge hope.
I came to this game as a neutral but the enthusiasm of the Clapton manager and coach and the fact that they turned up with just one substitute and seemingly a team that must be coached through every kick has me wanting them to hang on for the win. There is also a bit of me that wants rough, deprived, inner city Clapton to triumph over wealthy, privileged Woodbridge, although of course I know in reality that those distinctions don’t actually have any relevance in the context of these two football clubs.
Woodbridge earn a corner, it’s late in the game and goalkeeper Alfie Stronge comes up to add his presence and he heads narrowly over the Clapton cross bar. The Clapton manager berates his players for trying to pass the ball when clearly a hoof is required. That has been a recurring theme, but I find it reassuring that players want to play the game ‘beautifully’, because that’s what makes it so good to watch, and play, whether it comes off or not. The game is into time added-on and a half-hearted challenge, which causes a slight stumble but no trip, sees Mr Neal award a free-kick just outside the penalty area, in range for a well taken direct shot. The Clapton coach is apoplectic and winds himself up by imagining that it’s as if the referee wants Woodbridge to equalise; the manager is not happy about it but is more sanguine, realising preumably that whatever will be, will be on the way to Wemb-er-ley. Woodbridge’s number five Liam Scopes steps up to scoop a shot over the wall and into the top left hand corner of the Clapton goal. Woodbridge have tied the match and the Clapton coach is sent off by Mr Neal for simply getting carried away with himself.
There is no time for anything more to happen and I am only sorry that with the time now almost five o’clock I must leave and hot foot it back to the railway station to catch the 17:18 back to Ipswich. It’s been a lovely afternoon in the August sun and a thoroughly entertaining game, which has been a credit to both clubs. I am tempted to try and make it to the replay. I’ve had a great time, but in about twenty-five minutes I will realise I no longer have my programme.

Ipswich Town 2 Blackburn Rovers 2

The sun beats down upon a golden expanse of drifting barley and small fluffy clouds43126215994_375b3b9725_z populate a hazy sky. I walk to the railway station past a line of traffic queuing for the coast and struggle to stay cool in sandals, shorts, T-shirt and a wide-brimmed hat as the mercury touches 26 degrees; it can all only mean one thing, it’s the start of the football season.
I meet my friend and colleague Roly at the railway station, who is similarly attired but less colourfully so, in navy blue and black. Roly looks a little glum when I first see him, he is sans hat and wearing some sort of training 42035096670_0e0f7ea047_oshoe rather than sandals, but then, he is only forty-one. I cherish a certain self-satisfaction that I am of a generation before ‘trainers’ and feel comfortable offering glimpses of toe and heel through the open sides of my footwear. Whilst not a religious man I ask myself what would Jesus have done and the answer has to be that he would have worn sandals. The train is on time but has no air-conditioning and we gently roast and sweat in equal measure at the front of the second car. All the windows are open on the train but they don’t help to alleviate the heat, it just means we have to shout to be heard. We shout at one another about comedians, of Stewart Lee, of how we agree that Lee Mack has a chip on his shoulder and how Frank Skinner is now over 60 and seems to be adopting the persona of some sort of amiable old grandfather of English comedy.

Arriving in Ipswich the train disgorges a good number of Ipswich Town supporters and we head up Portman Road towards St Jude’s Tavern, stopping off along the way to purchase a programme (£3). It’s a ‘new era’ beginning today I am told, but things seems29973629328_bbc51b88de_o little different in Portman Road, people with no life gather and wait for the turnstiles to open, others stand before the statue of Sir Bobby Robson whilst polythene bags containing an East Anglian Daily Times a bottle of water and a bag of crisps are sold for a quid each. Today, to mark the dawn of the ‘new era’ those bags also contain a cardboard face mask of Paul Hurst the man who has replaced Mick McCarthy  as manager. The club shop, ‘Planet Blue’ is doing a good trade. But the Sporting Farmer pub (latterly known as the Drum & Monkey) is gone, demolished in the close season after a short life of just 56 years; in the end it was just too inebriated to stand up to progress and the march of the temporary car park.

St Jude’s Tavern is busy but I’m soon served and buy two points of the Match Day Special (£2.50), which today is Nethergate Priory Mild and to show there are no hard feelings I29973636458_04d87c86b3_o give one of the pints to Roly. I hear the pleasing, rich tones of East Lancashire accents at the bar and am happy to think that to these Blackburn supporters going to football and a decent pint go hand in hand; they may be northern, but they’re not so different. We’re not sat down long when Mick arrives and turning his nose up at the thought of Mild I treat him to a pint of a dark ruby beer the exact name of which I do not recall. “Why do people drink Mild?” asks Mick once he has sat down. “Because it’s cheap” I tell him. Our conversation meanders and we learn that Mick weighs 11 stone eight pounds ( 73kg), I divulge that I weigh about 12 stone 4  pounds(78kg)  before Roly announces that he is a whopping 13 stone 9 pounds (86kg) despite being the only one of us who is under six foot at 5′ 9″ and a third. Mick accuses me of glory hunting when he discovers that I had slept with a Manchester United supporter. Roly buys me a pint of Black Country BFG but leaves St Jude’s before Mick and me because he has arranged to meet his friend Andrew at the ground and he has already kept him waiting for a good twenty minutes. Mick surmises that Andrew would be pretty pissed off and is surprised that Roly could be so rude, not to mention overweight.
A little past twenty minutes to three Mick and I leave the pub, he walks with me to Portman Road because he wants to pick up a fixture card, but he is not attending the match. We diverge on our separate orbits outside ‘Planet Blue’ and I stroll to the turnstiles of the Sir Alf Ramsey stand, renewing my acquaintance with the back of the Cobbold Stand with its shabby peeling paint and random collections of neatly discarded plastic bottles and drinks containers.28907362317_1869c52fe4_o43843657771_a581bbcff6_o A police car sits across Portman Road as if there has been some ‘incident’, but perhaps it’s there to stop runaway vehicles driven by embittered terrorists or Mick McCarthy (1.88m).
Inside the ground I drain off some surplus liquid and make for my seat, but not before I meet Roz (5′ 11″), wife of former colleague Ray (5′ 8″ and three quarters), she only comes to Portman Road when the weather is nice, which is as good a time as any. I have renewed my season ticket for the thirty fifth consecutive year, not that the club seems to have noticed my unswerving loyalty, although I have yet again moved seat. Having grown increasingly restless with age I am now officially settled somewhere within a seat or two of ever-present Phil who never misses a game and Pat from Clacton, three stalwarts together, or in close proximity anyway.

OLYMPUS DIGITAL CAMERA
I don’t think it is just the sunshine but there is an uncharacteristically pleasant, optimistic and almost cheerful atmosphere within Portman Road today.

OLYMPUS DIGITAL CAMERA

 

The thousand or so supporters of newly promoted Blackburn Rovers are in good voice and sing about returning to the Premier League, which seems a little premature not to say foolhardy and they should be careful what they wish for.

But Ipswich’s supporters seem mostly pleased to be here and there is warm applause as our club’s new manager and figurehead, the 5ft 5in tall Paul Hurst walks from the players’ tunnel to the dugouts and waves obligingly. A large flag is passed above the heads of supporters across the lower tier of the North (Sir Bobby Robson) Stand and the adulation, belief and enthusiasm amongst the above average crowd of 18,940 is palpable, if someway short of a Nuremburg rally. I resist the temptation to sing a song I had thought up in the toilet in praise of our new manager:

“We’ve got Paul Hurst
Little Paul Hurst
We knicked him from Shrewsbu-ry
He’s not very tall
In fact he’s quite small
But he’s taller than Ji-mmy Krankie-e.” (1.3m)

The Town team includes four of Paul Hurst’s new signings, two from Third Division clubs, one from the Fourth Division and one on loan from the First Division who has brought his own hairstyle. I am reminded of the arrival of John Duncan thirty-one years ago, although I try not to recall how that ended. The game begins with Town trying to fill the goal just in front of me with well-placed footballs and if four minutes can be termed ‘straightaway’, Ipswich do this straightaway when a deep cross meets the forehead of the wonderfully Welsh Gwion Edwards (1.75m) and he guides the ball unexpectedly into the far top corner of the goal net past the inadequate dive of the Spanish Blackburn goalkeeper, who is listed on the back of the programme as “David Raya – Spain” (1.83m) The crowd erupts as well as an Ipswich crowd can. Crikey! This is the stuff of Town fans’ dreams.
Sadly the dream dissolves quite quickly into normal sleep patterns and standard ‘Championship’ fare with free-kicks and physical effort counting for more than skill and flair, which probably only exist in the World Cup anyway. In the 20th minute Blackburn equalise as a deep cross is ignored by the Ipswich defence; the ball returns across the face of the goal to be patted away ineffectually by Bartosz Bialkowski (1.94m) and Blackburn’s star-striker Danny Graham (1.83m) half volleys the ball into the goal. Blackburn deserve it inasmuch as they are no worse than Ipswich. But symptomatic of the revolution that has taken place since just before three o’clock this afternoon the North Stand break into a chant of “Come On Ipswich”, although not for very long. Nine minutes later and Blackburn score again as Ipswich right-back Jordan Spence (1.8m) offers no opposition to a run down the wing and a low cross is kicked into the Ipswich goal from close range by Bradley Duck, sorry Dack (1.75m).

The revolution is on hold and Town’s new striker Ellis Harrison (1.8m) earns the coveted first booking of the season as he tackles inexpertly enough for hairless referee Andy Davies to OLYMPUS DIGITAL CAMERAair his yellow card. Jordan Spence has looked troubled and seems to be clutching his head; he possibly has a migraine brought on by the uncharacteristic amount of crowd noise. Whatever the cause or nature of his affliction Spence is substituted and there are still a good ten minutes until half-time. Half-time comes and I seek the verdict of ever-present Phil; he remains positive, the new signing’s need time to gel. Ray on the other hand is unimpressed and thinks we look worse than last season. I eat a Panda brand stick of liquorice42035533670_893bea60af_o and then a cup cake which Ray directs me to inside a tin inside a picnic bag; it is Ray’s son’s birthday so cakes are being shared amongst the little community of fans at the back of the disabled enclosure.
The game resumes and nothing much changes. Blackburn have most possession probably but it doesn’t do them any good or Ipswich any harm. The crowd are less excited than they were. I notice that the buddleia on the roof of the stand is still flourishing and has been joined by a couple of friends, Portman Road is on its way to becoming a grand ruin of the sort painted by early nineteenth century romanticists.

This slideshow requires JavaScript.

OLYMPUS DIGITAL CAMERA

 

Blackburn’s Bradley Dack falls to the deck in an attempt to win a penalty. It’s an obvious and blatant dive but at the same time rather good, but again equally so bad it is amusing. “Duck!” I shout whilst thinking “What a dick”. Dack is dark and bearded and could easily grow to resemble the late Welsh international Trevor Hockey, if he let himself go a bit. I like him.
The game is in neutral with neither side looking particularly likely to score again. Elliott Bennet fouls Town’s Trevoh Chalobah (1.9m), Town’s loanee from Chelsea with two tone hair, and becomes the first Blackburn player to be rebuked by yellow card by baldy Davies. Chalobah is fouled quite a lot but shows his Premier League pedigree (not that he’s ever played a Premier League game) by OLYMPUS DIGITAL CAMERAclutching his limbs and not just ‘getting on with it’ like a bloke might if he played Aussie Rules. Town’s second Premier League loanee, Adetayo Edun (1.7m) of Fulham replaces Flynn Downes (1.72m) and looks pretty nifty, and he only signed up for Town yesterday but football skills should be easily transferable form one club to another, shouldn’t they?. Blackburn replace Dominic Samuel (1.82m) with Kasey Palmer (1.75m) whose hair bears comparison with that of Trevoh Chalobah, they may even have the same hairdresser and I think I catch them eyeing one another with suspicion.

Time added on for injuries, sundry stoppages and drinks breaks to stave off de-hydration approaches and Town have upped their game, they’re pushing Blackburn back, but are vulnerable to breakaways. But I still feel positive and no one has dared boo yet, although I did once call upon Paul Hurst to ‘Sort it out’. Substitutes Ben Morris and Tayo Edun have had an impact and Edwards has broken down the right a couple of times too. It’s now or never as Edun puts in a low cross following a free-kick and the far post is there to sweep the ball into the net and save a point for Town. Soon afterwards Mr Davies, whose performance has won him no fans, even amongst other bald referees, thankfully blows his whistle for the final time and another round of generous applause cascades from the stands.
The dream and the revolution are still alive; it was meant to be a famous victory to sweep away the poisoned memory of Mick McCarthy and usher in the new era. But a draw in the final minute will do, a goal to save a point in the final minute will nearly always do and today it feels like a win. It hasn’t been a great match; it has been goodish at very best, but to quote Ron Atkinson, something that generally only white supremacists now do with much conviction, it is still ‘early doors’. But I enjoyed my cup-cake at half-time and the revolution may yet be televised.

(Except where dependent upon individual honesty, all personal statistics were as accurate as a quick look on the interweb would allow at the time of writing)*

This slideshow requires JavaScript.

 

Ipswich Town 1 Arsenal 0 – Our Blue Heaven

It’s Saturday May 6th 1978, I will be eighteen in about seven weeks’ time and today I am going to the FA Cup final. I am going with my dad; we were two of the 24,207 who saw Town beat Hartlepool United in the fourth round of the FA Cup and the 29,532 who witnessed the 3-0 win in the fifth round replay against Bristol Rovers; we went to the semi-final at Highbury on a supporters’ coach from Shotley. We saw Landskrona Bois, Las Palmas and Barcelona at Portman Road back in the autumn and have seen about a dozen league games on top of that, so we had the requisite vouchers to get tickets for the final. But this morning my father has woken up feeling unwell; he doesn’t think he’ll be up to going to Wembley and so for my friend Tim who lives five doors away, it’s his lucky day. I walk along the street, knock on his front door and ask if he wants to come to the FA Cup final; he does. Tim’s dad Charlie will this evening deliver a bottle of sherry by way of a thank you.
I listen to a few selected tracks from Blondie’s first album ‘Blondie’ (released in December 1976 )as I get ready to go; ‘Look good in Blue’ seems apposite this bright morning as does ‘In the sun’ with its lyric “In the sun , we’re gonna have some fun”. We get to Ipswich railway station somehow; on the 202 bus, or does someone give us a lift? Ticket to WembleyFrom Ipswich we are on a special chartered train that turns right at Stratford and plots a course through north London round to Wembley Central. In Wembley Stadium the terrace steps at the tunnel end are much bigger and steeper than those in Churchman’s or in front of the East Stand, blue and white abounds. The sun shines and Arsenal, wearing yellow and blue, kick off with Ipswich playing towards that blue and white tunnel end. Paul Mariner hits the cross bar, John Wark twice shoots against a post, Pat Jennings saves acrobatically from George Burley, Paul Mariner misses, bigmouth Malcolm McDonald is rubbish, Clive Woods is brilliant, David Geddes crosses, Willie Young is a lumbering donkey, Roger Osborne scores, we cheer, we sing, Roger Osborne is substituted for Mick Lambert, Town win and Mick Mills lifts the FA Cup and turns to show it to us.
Back at Wembley Central railway station after the match a half-brick or a stone bounces off the window of our train as we wait to depart back to Ipswich. Arriving back in Ipswich, Tim and I celebrate with a couple of pints of Tolly Cobbold bitter in the Railway Tavern on Burrell Road as we wait for a lift home in Tim’s dad’s green Morris Minor 1000.

OLYMPUS DIGITAL CAMERA
Forty years and eighteen days later it’s a dank evening in Ipswich, I have been to work, visited my mum, parked up in Portman Road and arrived at the New Wolsey theatre, which didn’t exist in 1978, although there was repertory theatre in Tower Street. I am with my wife Paulene. My father has been dead for nine years, happily his cause of death was unrelated to his illness of 6th May 1978, he enjoyed almost 21 years of good health subsequent to that and made it to the UEFA Cup final second leg in Amsterdam. Tim now lives in Weymouth and oddly he still only gets to see the Town when I get him a ticket (this season we went to Brentford). The Railway Tavern has been demolished; the green Morris Minor was scrapped long ago. But the name of Ipswich Town is still inscribed on the plinth of the FA Cup.
My seat at the Wolsey theatre tonight is in the front row of the auditorium, my wife Paulene is sat in the row behind; she sat behind to give me more legroom. The production is so popular we couldn’t get two seats together. We are the first people in the auditorium, Paulene’s asthma means she needs time to acclimatise. I read the programme (£4) and think “Cup final prices”. The stage is just a metre in front of me, the ‘boards’ are under a green covering patterned to look like turf. At the back of the stage a pair of blue doors look like the doors at the back of the old North Stand, above them is a projection of the type of corrugated cladding also redolent of the old North Stand. But there was never a sign that said ‘Welcome to Portman Road’ back then, there isn’t now. Also part of the projection is the old Ipswich Town crest, the slightly imperfect yellow and blue one, which should be restored out of respect to the past and to John Gammage who won the competition to design a distinct crest for the club back in 1972.41429848635_33f2609053_o
I watch the ‘crowd’ as the auditorium fills up to the sounds of assorted 1970’s pop hits, nostalgic but mostly awful. The majority of people here seem to be my age or older, old enough to have witnessed the 1978 Cup final. A few people are sporting blue and white scarves; one man wears a bright red blazer as if he’s just got here from Butlins. In the front row are three young lads, pre-teens, one of them wears a parka which lends an unexpected layer of 1970’s authenticity. Paulene says she feels cold, I say if I’d known she was going to I would have brought a blue and white bobble hat for her.
The lights dim and tonight’s performance of ‘Our Blue Heaven’ begins with Blondie’s “Hanging on the telephone” played live as the soundtrack to a domestic scene in which a young couple, Mel and Scott arrange their wedding for Saturday 6th May 1978, and then the draw for the third round of the FA Cup is announced. I resist the temptation to put my hand up to point that Blondie’s Parallel Lines album, from which ‘Hanging on the telephone’ was taken as a single would not be released until September 1978. I am not really a pedant and whilst I may not always like it, I do understand the concept of artistic licence and have been known to use it myself; I deny all accusations that it was merely lying.
Mel’s sister Sue is a dedicated and faithful Town fan and from the start foresees that she will want to be at Wembley on May 6th. Meanwhile, in a parallel story Smudger and Ange are awaiting their first child, with Ange’s ‘expected date of confinement’ surprisingly enough being 6th May, although the nurse at the hospital, who happens to be Mel and Sue’s mum Sheila tells them that babies never arrive on time. Smudger is as committed a Town fan as Sue and is predictably torn between his love for the Town and supporting his wife.
The simple domesticity portrayed is all a bit ‘Play for Today’, particularly when it transpires that Mel and Sue’s dad Paul is a striking fireman, whilst Scott’s dad Brian is a Thatcherite policeman; and that just adds to the authenticity and feel that it is 1978. I am transported back in time on a wave of Nostalgia (from the Buzzcocks Love Bites album and like Blondie’s Parallel Lines, also not released until September 1978, but also sadly not in the show).
Scenes from the two families’ stories are spliced with Town’s progress through each round of the FA Cup introduced by popular songs of the time, Bowie’s ‘Heroes’, Patti Smith’s ‘Because the night’, something or other by the Bee Gees. For the sixth round trip to Millwall the band plays the Clash’s London Calling, at which point I really do want to put my hand up because the Clash’s album was not released until December1979, a whole 20 months later. I only hold back when London Calling runs into White Riot, which is much more temporally authentic having been released as a single in March 1977, and a cracking tune to boot.
For each match a group of male and female dancers act out the crucial on-pitch events to the background of the songs and a BBC radio style commentary. My friend Gary texted me before the performance to tell me there was just one thing he did not like about the production and later he will tell me that it was the football sequences. Re-creating football well is notoriously difficult to do, as proven by awful films such as Yesterday’s Hero, in which incidentally the football sequences were filmed at half-time during a game at Portman Road; this is why I don’t consider that the director really bothered to do so. The dancers don’t look like footballers and they are only dancing, creating an impression through movement; they could have been supporters recreating the goals, children doing so in the school playground, and that is authentic. So Gary, you are wrong and need to brush up on your critiquing skills.
The intertwined stories of the families and the FA Cup run are good ones, there is drama, pathos, human emotion aplenty, humour and of course a happy ending. But the thread that runs through the production is the character of Bobby Robson who intermittently comes on to the stage like some sort of visiting angel wearing a series of 1970’s style suits and coats, imparting words of wisdom and assorted homilies about football and the wider experience of our lives beyond. As if this isn’t enough, the actor playing him, Peter Peverley does so brilliantly, better even than Michael Sheen’s rendering of Brian Clough in The Damned United. Peverley has the accent which is easy enough, and he has perfected the mannerisms too, but more than that he has captured the slight hoarseness in the voice, it’s almost uncanny. He wears a pretty bad wig though.
The finale to the production has the marriage, the birth and the FA Cup final taking place on stage simultaneously following the singing of Abide With Me, the Cup final hymn since 1927; a maudlin little number but a cracker nevertheless because it is the Cup final hymn and has been marinated in 90 years of Cup final history. Being sat right at the front, my view is now partly obscured by some of the on stage props, so I watch the audience. People who know the words sing along with Abide With Me, whilst others hold their scarves aloft. It is likely that many of the people here, like me were at the Cup final in May 1978 and are part of the story, but this makes people feel involved all over again, it’s nostalgia with knobs on, re-enacting the past, albeit part fictional, but this is somehow how it felt.
The story ends and it truly feels like Town have won the FA Cup all over again, and then Roger Osborne, the personification of the day because he scored the winning goal enters the stage, inevitably to a standing ovation. The ultimate finale however, comes with the cast all assembled on stage with Bobby Robson leading us in a sing-song, some Cup final community singing of our own; a rousing rendition of Edward Ebenezer Jeremiah Brown. It’s bloody marvellous and everything that matches at Portman Road no longer seem to be, utterly joyous. I give it my all.
I have had a most marvellous evening and for much of it I am not ashamed to admit I have had a tear in my eye. I have been taken back in time, but don’t know if I’m tearful for my lost youth and the passing of the days when Ipswich Town was such a wonderful football club and team, and when the FA Cup was something that really mattered, or if these are tears of joy and happiness, for a love of my team and a sense of belonging that has been re-kindled.
Nostalgia is warm and cosy, but it’s not a healthy thing, because we cannot go back and we have to live in the present; but tonight after watching Our Blue Heaven I genuinely feel uplifted.
My name is Edward Ebenezer Jeremiah Brown
I’m a football supporter of Ipswich Town
Wherever they play, you’ll find me
I haven’t missed a game since I was three
With me scarf and me rattle and me big rosette
Singing where was the goalie when the ball went in the net
Follow the Town
Up or Down
I’m Edward Ebenezer Jeremiah Brown but everybody calls me Ted.

Football, Football,
Whose the greatest of them all,
Let’s put it to the test
Come to Portman Road on a Saturday and you’ll see the best
Oi!
Ipswich! Ipswich! Come On The Town!
Ipswich! Ipswich! Come On The Town!

My name is Edward Ebenezer Jeremiah Brown
I’m a football supporter of Ipswich Town
Wherever they play, you’ll find me
I haven’t missed a game since I was three
With me scarf and me rattle and me big rosette
Singing where was the goalie when the ball went in the net
Follow the Town
Up or Down
I’m Edward Ebenezer Jeremiah Brown but everybody calls me Ted.

2-4-6-8 who de we appreciate?
It isn’t hard to tell
Just you take a closer look at me
And you’ll know darn well
Oi
Ipswich! Ipswich! Come On The Town!
Ipswich! Ipswich! Come On The Town!

La la la
La lala la lala lalala
Lala lalala la lala lalala
La lalala lalala, and lots more lalalaing, you get the picture ?

 

Havre AC 2 Tours FC 0

It is Friday 11th May and tonight the 38th and final round of matches will be played in the French second division, known as Ligue 2, which despite the French reputation for gastronomy is sponsored by Domino’s Pizza. Tours have already been relegated to the Ligue National having been bottom of the league for much of the season. Le Havre, known as HAC, by contrast, have been within striking distance of les barrages (play-offs) positions for much of the season and a good recent run finds them in fifth place and needing a win to ensure that they will play in les barrages.
My wife Paulene and I arrived in Le Havre on Wednesday afternoon and bought our tickets (10 Euros each) at the smaller of two club shops, the one in the Place Perret in the centre of the city (the larger shop is in the Docks Vauban shopping mall, about 15 minutes away on foot). There is no longer a ticket office or club shop at the Stade Océane where HAC play their home matches, although guichets do open there on the evening of the match. Place Perret is named after the architect whose practice was charged with rebuilding Le Havre after a phenomenal 80% of it was destroyed by allied bombing in 1944. Perret was a great advocate of concrete construction and his planned city centre with its wide boulevards, massive city square and classically inspired concrete buildings is now a UNESCO World Heritage site. Walking its streets is like being in an idyllic 1950’s vision of the city of the future.

This slideshow requires JavaScript.


The Stade Océane is at the very edge of what is a sprawling city, with its vast docks strung along the mouth of the River Seine.  The HAC website refers to shuttle buses (navettes) that run from the city centre to the stadium but it doesn’t provide details.  The bloke in the club shop didn’t seem to know anything about the navettes, disappointingly recommending travelling by car; nor did the woman at the Tourist Information centre, although she was able to supply a bus map and timetable for the regular service that passes close to the stadium.  The HAC website does however provide a link to the website of CODAH (Communauté de l’agglomération havraise) the local public transport undertaking who provide the free navettes and where I learn that buses will run every forty minutes from Quai D (stand D) of the bus station (gare routier) beginning at 6.30pm.  After the match four separate routes will run to various destinations across the city.41233756055_f38c51250b_o
Although kick-off is not until 8:45pm we are perhaps over keen and are waiting at the bus station at 6.30 where a handful of people including a nerdish looking youth in a HAC tracksuit top are already hanging around Quai D. A white Mercedes bus swings onto the stand and first in the queue is a small boy who climbs aboard and stretches up to hug the driver, who it seems is his dad. Pausing briefly to go “awww” we board the bus and after waiting a few minutes, during which time no one else boards the bus who hadn’t already been waiting for it, we set off. The journey takes us through some less salubrious areas of the city, close to the docks through streets that might be termed both ‘gritty’ and ‘urban’ amongst other things.
The journey takes about 15 minutes at the end of which we are dropped off next to some tenement blocks beyond which, across a railway track and grey concrete open space is the amazing, bright blue Stade Océane, which looks like an enormous beached rubber dinghy. A few fans wait by the entrance to a subterranean world into which the team coaches will soon descend, but we ascend a flight of steps to the concourse around theOLYMPUS DIGITAL CAMERA ground where not much is happening. A friendly faced man in the mobile club shop speaks to the nerd from earlier and then peers out in vain for customers who don’t think he is selling ice creams. I take a look OLYMPUS DIGITAL CAMERAat his stock and he tries to convince me to buy a scarf; I tell him I already have a petit fanion (pennant) from the shop in town and this seems to satisfy him. He asks me who my team are in England and is complimentary when I say it is Ipswich Town, revealing that his knowledge of the English game is perhaps not up to date.
We hang about waiting for the turnstiles to OLYMPUS DIGITAL CAMERAopen. Some people arrive and buy tickets at the guichets where club employees arrange plastic barriers and then take them away again. The huge car park beyond the stadium fills up slowly with a trickle of cars from the main road that runs close by. Children are being admitted free tonight and school parties gather at the south end of the stadium, where more barriers snake a path to the OLYMPUS DIGITAL CAMERAturnstiles. As we lean against a concrete wall two young women hand out free copies of the A4 sized, glossy four page match programme. There is a hot food van with the rather wonderful name of Friterie Momo parked on the concourse, providing a supply of massive cartons full of chips and sausage-filled baguettes (7 euros) to an increasing queue of casual diners. I wouldn’t usually eat this in England so see no reason to eat it in France, although it is likely to taste better, but I do buy a 500 ml can of Ch’ti Blonde (4 euros) the local beer of Pas de Calais and Picardie, which at 6.4% alcohol could probably not legally be sold at a football ground in England. But French people will drink one can of Ch’ti, English people would try and drink eight or ten.


Eventually the turnstiles open; they are automatic and read the barcodes on the tickets, but entry to the stadium is not speedy because once through the turnstiles everyone has to be patted down. Then the turnstiles go haywire as the barcode readers stop working, but it doesn’t matter because people are already backed up at the security check. Happily the turnstiles begin to work again and we are both into the stadium and up the steps to the upper tier; we make our way to as near to the half way line as we can get. It is a ‘sit where you like night’ tonight in this part of the stadium because there will be displaced supporters from behind the north goal where the seats will remain empty after fans threw objects onto the pitch during the recent derby match with Quevilly-Rouen.OLYMPUS DIGITAL CAMERA
The Stade Océane is only six years old, it cost 80 million euros, it has a few more than 25,000 seats and the two I sit in were more comfortable, spacious and felt much more solid than the average football stadium seat; they even have a smooth spring action to tip up. I sit in two different seats because the bloke just along from my first seat is puffing an e-cigarette, which emits clouds of sickly fruit scented vapour that make me feel slightly ill; he also has quite a pungent body spray so it is doubly necessary to move a bit further away. I can’t believe that his natural smell was so bad that he had to go to such desperate lengths to cover it up.
The players warm up on the pitch as the ground fills up; eventually the ground will be almost exactly half full, which with a nice sense of numerical symmetry is about twice as full as it is has been for most Ligue 2 games this season. The teams are introduced in the customary French manner with the stadium announcer providing players’ first names and the crowd shouting out their surnames, it’s a lot of fun but I don’t think it would work as well with English surnames. Banners display the club crests and the teams enter

the arena. There is a band of ultras in one corner at the southern end of the ground they wave flags and then sing the national anthem, the British national anthem, which for Le Havre is the club song. (https://youtu.be/Wy2MhV8sFyw) Havre Athletic Club is France’s oldest football club, founded in 1872 by a bunch of Englishmen from Oxford and Cambridge universities, so possibly a Tory cabinet, and this English connection explains the use of Thomas Arne’s tune.
Le Havre kick-off the match towards the empty Tribune Nord wearing what is possibly an Oxbridge inspired kit of Cambridge blue and Oxford blue quarters with Oxford blue shorts and socks. Alternatively, the two blues could be of those of the sky and the sea as HAC are known as Ciel et Marine (sky and sea); two things that are prominent in Le Havre and somehow define the city and it situation. Tours meanwhile wear all white, but with blue and white checked sleeves. Havre are quickly on the attack passing the ball zippily on the lush playing surface and soon earn a corner and within four minutes the beautifully named Zinedine Ferhat crosses from the right and Jean-Philippe Mateta sends a fine header into the bottom left hand corner of the Tours goal. Six minutes later and a precise through ball from Jean-Pascal Fontaine precedes a right foot shot from Mateta and Havre are winning two-nil, with Tours having explained graphically why they are bottom of the league. That’s all that needs to happen this evening, if Havre can keep the score as it is they will be in les barrages. To an extent it seems that they realise this and after such an exciting opening ten minutes the game settles down to be not quite so exciting.
It takes twenty minutes for Tours to have a shot and despite the score the Le Havre supporters don’t seem overly thrilled; perhaps they are not wanting to tempt fate by celebrating too soon. The ultras provide another rendition of the club song, but the most interesting development is in the stand where some people complain to a steward about

two blokes who are stood at the top of the steps watching the game. The young steward is pressured into asking them to sit down or at least move because it seems they are blocking the view, which they may well be. The older of the men, who looks well in his fifties gesticulates and argues but eventually moves, walking past his accusers and jabbing his index figure at them angrily; it’s marginally more entertaining than the match, although Tours are now having more shots and their Baptiste Etcheverria is booked by referee Monsieur Olivier Thual for a rather violent assault on the impressive Zinedine Ferhat. Meanwhile, the other man who had been ‘outted’ for standing moves to stand at the side of the stairs and lights a cigarette.
All around the open sections of the ground there are people standing in the area at the

back of the lower tier, and skulking in the Tribune Sud behind the completely empty away supporters’ area are masses of police, all just watching the game apparently. I don’t know if the police were expecting Tours fans who never turned up; perhaps they were delayed, but heard the score after nine minutes and decided not to bother; it is a three and a half hour drive after all. With about five minutes to go until half time some rhythmic clapping breaks out and then the ultras sing another burst of ‘God Save The Queen’ as they hold their scarves aloft like English football fans used to before the Premier League spoiled everything.
Half-time arrives and I head downstairs to release some of that Ch’ti that I drank before the match and have since processed as nature demands. Passage downstairs however, is

difficult because bizarrely and surely contrary to safety requirements, the bottom of staircases E3 and E4 are blocked off with Heras fencing. This may be an odd attempt to keep the people who have paid 10 Euros for a seat out of the centre of the stand where normal prices have been charged, but it just has the effect of making people in the cheap seats walk through the central section to get to an open staircase. Down in the lower concourse children are playing on bouncy castles and the light shining through plastic outer ‘skin’ of the stadium creates a bluish hue. At the back of the lower tier people stand and smoke.

This slideshow requires JavaScript.


The football returns and the scoreboard encourages the fans to get behind the team; “Faites Du Bruit” it announces, “Make Some Noise”. The ultras obey but no one else much does. On the opposite side of the stadium is the directors box and it amuses me a little that above this are the words “Shopping, Restaurants, Loisirs (leisure)”, as if advertisingOLYMPUS DIGITAL CAMERA the thoughts of the wealthy people in the seats below. In the players’ tunnel a man in a suit, presumably a club official, lolls casually against the concrete wall with his hand on his hip, perhaps summing up in his casual posture the

OLYMPUS DIGITAL CAMERA

apparent attitude to the ongoing failure tonight to promote supporter safety in the Tribune Est (East Stand) opposite. A procession of people descend the steps of the Tribune Est expecting to be able to go down the staircase to the toilets or buvette, but of course they find the foot of the stairs closed. A small girl gets quite distressed until led away by her older brothers and an elderly man looks equally perplexed when he finds his way barred. There is no easy way to the other staircases except by walking along whole rows of seats and asking people to stand up to let you through. I just hope there is no need to evacuate the stand quickly.
As the game approaches its final minutes, at last a tangible sense of anticipation and excitement returns to supporters other than the ultras. There is clapping and singing and the fans at last seem confident that their team is capable of holding on to a 2-0 lead against the league’s bottom club and despite three minutes of time added on they do. Le Havre qualify for the play-offs where they will be at home to Stade Brestois 29, another club from a great French port that was also bombed heavily by the allies towards the end of World War Two. We leave the supporters to celebrate without us in order to head for the navette, because we’re not sure what time it will leave.
It has been a good night, but a slightly disappointing one nevertheless. The Stade Océane is fabulous, but has not been shown at its best and its management tonight has been nothing short of alarming. Everything is in place for football to be memorable in Le Havre, but the club really needs that promotion.OLYMPUS DIGITAL CAMERA