Ipswich Town 5 ABBA 5

The football season is over save for the silly play-offs, and now it’s the height of Spring,  and with little else to occupy him a young man’s fancy lightly turns to thoughts of the Eurovision Song Contest;  or maybe not.  But last week’s transmission of the bizarre, annual , musical  television ritual extravaganza was inevitably accompanied by the airing of a clip show on BBC4 of past performances by the competition’s only notable success, Abba.  I have never bought, stolen, borrowed or owned an Abba record, tape, download or CD, but I will admit to being unable to suppress a smile when I hear one played.    Equally, I couldn’t resist watching that clip show and felt rewarded when it brought back memories of a road trip I made in the summer of 1995, which took me and my then girlfriend via Parkeston Quay, DFDS Seaways ferry, Gothenburg, Stockholm, Uppsala and Sundsvall to Pitea in northern Sweden, where we stayed with my girlfriend’s pen friend and her husband.  It was a very long drive for which the soundtrack for several stages of the journey came courtesy of a CD of Abba Gold belonging to my girlfriend.

The experience of listening to Abba on that road trip has stayed with me and it led to an article in the erstwhile Ipswich Town fanzine A Load of Cobbolds.  Now, in the spirit of nostalgia inspired by the fortieth anniversary of Ipswich Town’s UEFA Cup win and  in the absence of anything better to do I have reproduced that article below, updating it to modern times where necessary:

When you’re an eleven or twelve year-old football and pop music loom large as pre-pubescent priorities.   I bought my first record (Happy Christmas (War Is Over) by John Lennon & Yoko Ono) in 1971,  the same year that I started watching Ipswich Town, and I  soon began to feel that footie and pop music were somehow inextricably linked. The late Sixties and early Seventies was a time when it was easy to confuse footballers with pop stars and my two worlds satisfyingly collided.  The fashion for any bloke who aspired to being hip and trendy was an enormous thatch of hair coupled with equally vast sideburns.  Squeezed into a pair of bollock-hugging, crushed-velvet flairs and sporting a deafeningly loud shirt,  Ian Collard or Rod Belfitt might have been members of The Hollies, or Kevin Beattie a member of Nazareth.

The similarities in the appearance of pop stars and footballers subsided a bit as the Seventies wore on and sadly, sartorially Punk Rock never seemed to catch on with any footballers at all.  There were however still some startling lookalikes within the ranks of the PFA, I thought.  It could have just been my addled perception, but I always felt that Arsenal’s Frank Stapleton and Shakin’ Stevens were the same bloke.  Moving on into the 1980’s the separation at birth of Oldham Athletic’s Andy Ritchie and Jimmy Somerville was ‘well documented’ at the time, but less well-known is the fact that Roy Keane and Sinead O’Connor were also twins.

More amazing than these superficial similarities, which admittedly are largely the invention of my fevered imagination, is the very precise correlation between the success of one particular football club during the 1970’s and early 1980’s and a particular pop group.  Both were at their peak between 1973 and 1982. The football club of course was Ipswich Town and the pop group was Abba.

If you take time to trawl through the collected works of the famous Swedish songsters, as Dave Allard might have called them, you will not only enjoy a richly rewarding aural experience, but you will soon reach the conclusion that the fact that Town and Abba were both at the peak of their powers over precisely the same period of time is no coincidence.   Listen carefully to the lyrics and you will be able to trace the history of the Town’s success through that glorious era.  You will find that listening to Abba Gold (Greatest Hits) is as close to a religious experience as you can hope to get;  something akin to an Ipswich Town Dreamtime, harking back to an epoch when Portman Road was inhabited by ancestral figures of heroic proportions who possessed supernatural powers.   In the film Muriel’s Wedding the eponymous Muriel says that Abba’s songs are better than real life.  Now, as we sit in the murky depths of the third division and look back at Town’s glorious past you too will believe this is true.

As you might expect from Europe’s foremost supergroup many of the songs make reference to Town’s European campaigns of that era in the UEFA and European Cup Winners’ cups.  It is likely that it was through Town’s exploits on the continent that the talented Swedes first became Town supporters, although we were actually only drawn against Swedish opposition  once when in 1977 we met Landskrona Bois and most inconveniently The Stranglers played the Ipswich Gaumont on the very same night as the home leg.  Naturally, I missed The Stranglers concert and sadly never got a second opportunity to see them.    There is clearly a reference to Town’s UEFA Cup triumph over Lazio in the title of the number one hit ‘Mamma Mia!’, a song which also contains a lyric that suggests one of Abba had perhaps had a brief flirtation with a Town player or supporter and may explain the uncanny connection between Abba and the mighty Blues;

“Yes, I’ve been broken hearted, Blue since the day we parted.”

The moving ballad ‘Fernando’ is sung to an imaginary Spanish fan and recalls those sultry September and cooler autumn evenings when we entertained Iberian opposition from Real Madrid, Las Palmas and Barcelona.

“There was something in the air that night, the stars were bright, Fernando….

Though we never thought that we could lose, there’s no regrets. If I had to do the same again I would, my friend Fernando”

That last line referred to the fact that Town were twice drawn to play Barcelona, whilst the line  before that refers to our having lost both ties despite being confident after winning the first leg.  Another song, ‘Super Trouper’, whilst still referencing games played under floodlight, perhaps because of the lack of daylight hours in Sweden during the English football season, refers to an individual player and employs little-known Swedish rhyming slang in a thinly disguised paean to goalkeeper Paul Cooper.

“Super Trouper lights are gonna find me shining like the sun, Smiling having fun feeling like a number one”

In the 1978 Abba hit “Take a chance on me”   the subtle Swedish Blues fans reveal the little known story of how Frans Thijssen successfully pleaded with Bobby Robson to let him join his compatriot Arnold Muhren at Portman Road and to try his luck in English football. 

Honey I’m still free, take a chance on me. If you need me let me know and I’ll be around. Gonna do my very best and it ain’t no lie, if you put me to the test, if you let me try”.

Although those days were such wonderful times for Town, not every song described a happy or uplifting event.  There were sad days too at Portman Road back in the Seventies and hard decisions had to be made for the good of the team.  The 1977 ‘Number One’ hit ‘Knowing Me, Knowing You’ was about the departure of former Portman Road favourite David Johnson, the one-time ‘King of Portman Road’, who left Town to join rivals Liverpool.  In the song, the reflective Scouser looks back on the good times he has had at Portman Road since his move to Town from Everton four years earlier.

  “Memories, good days, bad days, they’ll be with me, always”

David appreciates however that his recent form has not been good and in the circumstances a move is the best thing for everyone.

  “Knowing me, knowing you, there is nothing we can do, we just have to face it this time we’re through; Breaking up is never easy I know but I had to go, Knowing me, knowing you it’s the best I could do”.

Back in the Seventies, money wasn’t the driving force in football that it is today.  Nevertheless, the spending power of clubs such as Manchester United, who were able to make expensive signings virtually every season despite being rubbish, rankled with Bobby Robson and he longed to be able to make big signings for Town.  Abba’s “Money, Money, Money” was a song about his frustration. 

“In my dreams I have a plan, if I got me a wealthy man…  “

”All the things I could do if I had a little money…”

“Money, money, money, always sunny in a rich man’s world”

Both ‘Knowing Me, Knowing You’ and ‘Money, Money, Money’ showed something of the downside of those glory years and as we look back on those days from the fag-end of the first quarter of the miserable twenty-first century a melancholy aura pervades our memories, in part because ultimately Town failed to win the League Championship that we deserved, but perhaps also because even at the time we knew it all had to end one day, and when Bobby Robson left to manage England in 1982 we secretly knew it had.  Abba knew it too and two of their hits put these feelings in to sharp perspective.  The haunting melody of ‘Winner takes it all’ explores the pain that looking back on the good times would bring; it begins:

 “I don’t want to talk about things we’ve gone through, though it’s hurting me now it’s history”

Abba’s last big hit ‘Thank you for the music’ is sung from the perspective of our legendary club captain Mick Mills who reminisces, having regretfully left Town for Southampton, about the joy and beauty of those days between 1973 and 1982.  If you’ve listened to the slightly dull monotone of Mick’s summaries as he sits alongside commentator Brenner Woolley on BBC Radio Suffolk, you will appreciate the opening lines to this song; 

“I’m nothing special in fact I’m a bit of a bore, If I tell a joke, you’ve probably heard it before…”

But Mick’s talent was as full-back and captain of the greatest Ipswich Town side ever and this was the ‘music’ referred to in the title of this most moving of Abba songs.  This was a song from the heart of ‘Mr Ipswich Town’, Mick Mills, and it is truly uncanny how Mick with his blond locks and luxurious facial hair even looks like a bit like a composite of Bjorn Ulvaeus and Benny Anderson the song’s composers.  This song is the ultimate celebration of those ten seasons at the top in which Mick thanks fate for the glorious hand he was dealt.

“I’ve been so lucky, I am the girl with golden hair

I want to sing it out to everybody

What a joy, what a life, what a chance

So I say Thank You for the music

The songs I’m singing

Thank you for the joy they’re bringing…”

The songs of Abba define and encapsulate a golden period in the story of the twentieth century and the time before Thatcherism and neo-liberalism destroyed your innocence.  Abba’s songs, their success and the glory of Ipswich Town, the nicest professional football club the world had ever known did not happen together by coincidence.  The proof is in the lyrics of the songs, and shows that cosmic forces were at work.  Those of us who lived through the 1970’s were truly blessed to have experienced the music of Abba as it happened, but we are doubly blessed to have been Ipswich Town supporters too.

Thank you for the music Bobby Robson and Mick and all the lads who played for us between 1973 and 1982 , and thank you for the music Agnetha Faltskog, Benny Anderson, Bjorn Ulvaeus and Anni-Frid Lyngstad.

Ipswich Town 2 Accrington Stanley 0

It’s Saturday again.  It’s football again.  The week has been worthwhile after all. Today sees a return to Portman Road for Ipswich Town, after a very successful excursion to Blackpool, and a return to the ifollow for me after the football of imagination through the commentary of Radio Suffolk.  Today has been a good day already, the postwoman having delivered a brown cardboard sleeve containing a pristine copy of ‘Snapshot’ – Scenes and stories from the heartlands of Scottish football.  I’m hi on the stink of glossy ink after burying my head in this wonderful book intermittently throughout the morning.  I’ve only ever been to one football match in Scotland (Hibernian v Raith Rovers, a one-all draw in January 2015), but leaving aside the boring duopoly of Celtic and Rangers I perceive the same humanity and lack of pretence in Scottish football that pervades much of English non-league football, with an added bleakness courtesy of its latitude.  The reverent prose of Daniel Gray and photographs of Alan McCredie bring it to life and are an absolute joy; recommended (£12.99 from Blackwell’s with free postage).

Clearing my head with a walk over the fields near my house I return for a lunch of last night’s leftover home-made curry and a pre-match ‘pint’ (500ml) of Dark Star Revelation (£1.50 a bottle from Waitrose). Agreeing to let my wife Paulene enjoy the comfort and warmth of the living room to watch the Giro d’Italia cycle race on the telly, I consign myself to the kitchen where I log on to my lap-top and connect it to the kitchen telly in time to catch the announcement of the names of today’s virtual mascots; kids lucky enough to have parents with 25 quid to ‘spaff’ on a video message and signed letter from a favourite player, a choice of drawstring bag, gym bag, pencil case or beanie hat all costing a tenner in Planet Blue, a programme with their name in, a certificate and that ‘shout out’ on the Radio Suffolk ifollow commentary.  The fact that I am firmly into the second half of my lifespan is brought home to me as I smile at what I perceive to be the weird first names of today’s under tens; they sound to me like place names, surnames, occupations and the names of random objects not the names of people, but a rose by any other name would smell as sweet.

Brenner Woolley and Mick Mills snap me from my ageist reverie as Brenner asks Mick to provide some sort of summary of the state of the team, which he does, but stutteringly at first as he punctuates his monologue with frequent  ‘you knows’ until he gets into his stride, when he begins to talk quite normally.  It’s as if Brenner had asked him when he wasn’t quite ready.  In the background the teams appear and the Portman Road tannoy is blaring out the recently deceased Eddie Van Halen’s “Jump”, a tune I had hoped, vainly it turns out, would die with the sixty-five year old Dutch born rocker.  Brenner comments on how the Accrington manager John Colman and Town’s Toto Nsiala embrace, describing them as the “two Merseysiders”, which I like to think was the working title for the 1970’s BBC tv situation comedy the Liver Birds.  Clearly Brenner has still not caught up with the fact that Toto was born in the Democratic Republic of Congo.

The game begins. “A throw in for Accrington inside 90 seconds” says Brenner as if that is significant and thereby suggesting that he is perhaps commentating for the benefit of some sort of spread betting syndicate.  Meanwhile on screen, views of the interior of the stand roof and empty seats suggest that Luis Bunuel, Yoko Ono and Marcel Duchamp are taking it in turns to direct the camera. Town are looking timid and Accrington have the ascendency. “Trying to play football, Accrington Stanley” says Brenner trying to construct a sentence in the right order whilst simultaneously being patronising and stating the obvious.

“Accrington goalkeeper, young goalkeeper, very alert” says Brenner still struggling with his sentences and possibly implying that he would expect a young goalkeeper to be a bit sleepy.  Out on the left Miles Kenlock and Andre Dozzell pass the ball between each other four or five times without moving as if saying to each other “No, you have it, I don’t want it”.  It’s a cameo from the two Town starlets that sums up the team’s apparent absence of a plan. “Sears scythed down by Sykes” says Brenner offering some satisfying alliteration in the absence of exciting action. But then out of very little Freddie Sears is as good as through on goal, only for the Accrington ‘keeper, Toby Savin, who is sporting a shirt and shorts ensemble the same colours as the Ipswich Buses livery, to make a good save.  Quickly Toto Nsiala is making a weak, headed back pass and Stanley’s Matt Butcher,  appropriately wearing the number six shirt, has his shot saved by Tomas Holy.  The goalkeepers are the best players on the field and Brenner tells us that we “…don’t see many 20 year old goalkeepers at this level” implying that Savin is very young but clearly forgetting that Town’s last opponents at Portman Road, Rochdale, had a ‘keeper who is just 18  years old.

The camera work is moving from avant garde to a hint of inebriation in the cameraman and I wonder if James Norwood has arrived by taxi to join Luis, Yoko and Marcel up on the gantry.  Hopefully the ineptness is not a symptom of Covid-19, but it seems to have become contagious as a goal kick from Savin carries all the way through to Tomas Holy who boots it straight at Andre Dozzell; the ball falls to Stanley’s Colby Bishop who instinctively shoots wide of the open goal.  In midfield, Gwion Edwards keeps pushing the ball past opponents and forgetting to run after it, whilst the camera work evolves further to a state where it seems to be predicting where the ball is going to go, thereby showing an empty patch of grass whilst unseen Savin takes a goal kick.

Mick Mills’ first meaningful contribution to the afternoon is to remark that Stanley’s Ross Sykes, who incidentally is a towering 1.96m tall, reminds him of Allan Hunter or Jack Charlton, players who had retired almost 20 years before Sykes was born.  Brenner suggests that Sykes would be flattered, but I think Mick was merely implying that Sykes main ability is to kick people up in the air.  Accrington are looking more likely to score than Town and Tomas Holy saves a free-kick with a smart dive to his right .“ Well done by the Czech” says Brenner reducing our goalkeeper to a mere nationality.

Town win a corner and the camera zooms in on the corner flag before travelling up into the Cobbold stand for a close up of the rows of blue seats.  I expect Brenner and Mick to quote lines from a poem by Andre Breton.  The corner comes to nothing and my frustration grows.  I am happy to get to half time with the score still goalless.

I enjoy my fifteen minute respite from the combined hopelessness of Town’s performance and that of the ifollow cameraman through the medium of tea and a Nature Valley chocolate and peanut protein bar.  Adverts for products and services I do not fully understand are interspersed with the half-time scores from League One and match statistics, which reveal Ipswich have had three shots on goal to Accrington’s ten.  Ipswich however have had about 10% more possession and a slightly better passing accuracy; a paltry 73% for Town against a miserable 69% for Accrington.  But it is generally easier to pass the ball accurately if you don’t pass it forwards.

The games resumes and Brenner enlightens his radio listeners that it is blues versus reds with Town kicking off from right to left.  I of course already know this thanks to my possession of a colour television and having witnessed the previous 45 minutes.  Mick soon adds to the new found clarity advising that Sears and Edwards are now playing in their preferred positions (the middle and the left respectively). Accrington however have the first half-chance of the half as a through ball outpaces their number eight Jonathan Russell, who Mick tells us “…didn’t look like he could get away from the defenders” with something Mick calls “ a turn of foot”; I’m not surprised. 

Fifty-two minutes have passed and Teddy Bishop shoots past the post, “Better from Ipswich Town, a lot perkier” says Brenner. Two minutes later and Town lead after Gwion Edwards finishes a fine passing move. “Really incisive football from Ipswich Town” is Brenner’s wholly accurate assessment.  I cheer loudly out of sheer relief. The lifting of spirits caused by the goal is palpable and Mick introduces some jocularity into his co-commentary as he refers to the former Allan Hunter and Jack Charlton imitator Ross Sykes as “Big Sykesie”, an epithet Brenner considers “Brilliant” for its “familiarity”, something which is in itself brilliant. 

The goal has worked wonders and Mick is now clearly smitten with Ross Sykes.  Gwion Edwards runs in to the penalty area again. “Edwards absolutely ghosted past Big Syksie” says Mick now unable to stop saying “Big Syksie”.   This is the ingredient Mick’s co-commentary has been missing all season, a catch phrase character to liven it up like a few well-placed jokes in a best man’s speech.  I’m feeling a lot happier now and am still confident when Tomas Holy is forced into making another low diving save with about twenty-five minutes still to go.  My confidence is well placed and four minutes later a poor pass out of the Accrington defence is seized upon by Town and Freddie Sears is released in to the penalty area to ‘dink’ the ball over Sivon and make the score two-nil.  I cheer loudly because I think Freddie deserves it.

Nolan replaces Huws. Town play the ball around at the back like they’re in Ligue 1 not League One. Accrington’s Cameron Burgess becomes the first and only player to be booked as he fouls Luke Chambers.  The oddly named Keanen Bennetts replaces little Alan Judge.  Bennett has a shot on goal but “ It’s a trundle straight at Savin” says Brenner, unintentionally reminding me of Lee Trundle, the former Neath, Haverfordwest County, Llanelli Town, Rhyl, Swansea City and Wrexham striker.

An Accrington corner is cleared and an Accrington player is left in a heap on the ground.  The game carries on but is eventually stopped by referee Mr Lewis.  “He let play go on too early, he should’ve stopped it” says Mick confusingly, seemingly muddling up not stopping play soon enough with the abstract and illogical concept of letting it carry on too soon.  The game enters time added on, “Long kick from Holy and Sears is on his bike” says Brenner, attempting not to be outdone by Mick’s efforts to rival the weirdness of the earlier camera work.   Sears and his bike are quickly substituted before the referee notices, with Tyreece Simpson coming on in their stead.

Ninety four minutes have passed and a bit more and Mr Lewis the referee confirms Town’s third consecutive two-nil home win.  Despite entreaties from Brenner during the game to phone 0800 212121 after the game to speak to Mick or to comment by text I decide that like all the people who will phone and text I have nothing worth saying and nothing to say that anyone should want to hear. Anyway, I’d rather return to the heady smell of the pages of Snapshot – Scenes and stories from the heartland of Scottish football.