Ipswich Town 2 West Bromwich Albion 2

Waking up on a Saturday morning is never quite as good as I think it should be. All through the week I’m usually awake shortly before my alarm clock goes off and I lie there in my warm bed, longing for the weekend, drifting in and out of cosy consciousness, wanting to go back to sleep but knowing that in a few minutes the alarm will sound, and I will have to get up and get ready for work.   But on Saturdays, despite the fact that I can go back to sleep, I seldom do, and the lovely lazy feeling of luxuriating in a warm bed somehow doesn’t materialise. It’s as if existence just wants me to be dissatisfied.

Today is Saturday, and having risen from my bed, showered, prepared and eaten a hearty breakfast of bacon and eggs and toast and honey with both tea and coffee to help it down, and then kissed my wife goodbye, I am off to face the world of trains, public houses and football.  I hurriedly leave the house to escape the sound of The Stone Temple Pilots who my wife has invited to play very loudly because she knows I won’t be there to complain; not that I would, I’d just stick my fingers in my ears and pull faces or go and play outside.  Outside, it’s a beautiful, clear, bright Saturday morning beneath blue skies dappled with altocumulus.  At the railways station I look over the wall at the back of the platform to see three Christmas tree baubles and I count five ladybirds on surrounding plants.  I didn’t know ladybirds celebrated Christmas, and in February too.  Once on the train I am vexed by one bloke in a group of four ‘lads’, who cannot speak without shouting as they talk of Ibiza, women and Fantasy Football.  I peer out of the train window at the wet fields; after a couple of days of rain everything is sodden and today courtesy of Sky TV it’s another sodden 12:30 kick-off; it will be gone three-thirty by the time I get home, virtually a whole day gone, and at my age I don’t know how many I’ve got left.

Arriving in Ipswich, I head for ‘the Arb’ via Portman Road, where I stop at a kiosk to buy an ice cream but ask for a programme instead (£3.50). The girl who effects my debit card transaction is the youngest looking person I have ever seen working in retail, she looks about twelve.  I thank her sincerely and she thanks me in return but doesn’t wish me ‘bon match’ as a French programme seller would, if they had them.  At ‘the Arb’ I buy a pint of Mauldon’s Suffolk Pride (£3.60 with Camra discount) and retire to the garden to await Mick.  I sit in the shelter that backs onto High Street , but plagued by more people who can’t talk quietly I move to sit in the open where piercing voices won’t echo off the roof and walls.  It’s not long before Mick appears from the back gate and once he has acquired his own pint of Suffolk Pride we talk of honey, Europe’s most obese nations (Greece and Croatia) , kebabs and takeaway food, e-numbers, water filters, bowel movements,  blood tests and prostates, driving to France, Spain , Italy and Belgium, and Mick becoming a grandfather again next week and having an operation on his foot.  At some stage I also buy another pint of Suffolk Pride and a Jamieson’s, ‘Stout’ Whisky for Mick (£8.56 with Camra discount).

It must be nearly 12:15 by the time we leave for Portman Road, and I consider it a badge of honour that we are the last to leave.  We go our separate ways near the statue of Sir Alf Ramsey as Mick makes for the West Stand and I head to what will to some always be Churchman’s; I pause on the way to help a short woman of Asian origin who is trying to take down the portable gazebo from which East Anglian Daily Times ‘goody bags’ were being sold.  There are no queues at the turnstiles, but disappointingly I am directed away from turnstile 62 by a steward because it doesn’t seem to be working properly; I use turnstile 61 instead, which is almost as good, but not quite.  After syphoning off some excess Suffolk Pride, I emerge onto the stand where Pat from Clacton, Fiona, ever-present Phil who never misses a game, his son Elwood and the man from Stowmarket (Paul) are already in position as the team walk on and flames erupt around the edge of the pitch, warming our faces and any other bare patches of flesh we may have on show.  Meanwhile, Murphy the stadium announcer makes his usual appalling hash of reading out the names of the Town team, failing hopelessly as ever to synchronise with the names appearing on the score board.  By the latter half of the team, I just give up and simply shout the names out as they appear, regardless of what Murphy is reading out.

Today’s opponents are West Browich Albion and it is they who get first go with the ball as they attempt to put it in the goal net at the Castle Hill and Akenham end of the ground.  Whilst Town are in their signature blue and white, West Brom are kitted out in an all-peppermint green number, which seems ill-advised, although conceivably it has been devised to simply perplex the opposition who will be too busy mouthing “WTF” to one another to properly defend set-pieces.

The Albion supporters are in good voice and immediately break into a song about Albion which sounds suspiciously like one that Town fans sing about ITFC.  Not sixty seconds have elapsed and West Brom’s number 31 has the game’s first shot at goal, albeit way off target. West Brom then win the game’s first corner and it takes repetition of the mantra “Blue and White Army” at least three times to get the ball back off them.  “Shall we sing, shall we sing, shall we sing a song for you?” enquire the West Brom fans in generous mood and as fictional supporters might have if there had ever been a Hollywood musical about football.  I notice that West Brom’s number four is called Cedric Kipre and hope his surname is pronounced ‘Kipper’, but I don’t suppose it is given that he’s from Cote d’Ivoire. 

Suddenly, it looks like Town might be on the attack, but Wes Burns is offside, and we get to see how unfortunate he looks with his new haircut.  He needs to grow it back as soon as possible and I hope the barber asked if he wanted anything on it to help it grow, and that he accepted.  There used to be a barber and avid town fan on Felixstowe Road (John) who would always ask that, it was one of the reasons I used to go there.  “We want the action down this end” complains Pat from Clacton as I see that the West Brom goal-keeper is called Palmer, which depending on how good he is might almost be a case of nominative determinism.

It’s only the fifteenth minute, but I seem to have been here longer. Seagulls are hovering above the Cobbold stand perhaps looking for burgers and other mechanically reclaimed meat products hurriedly discarded in Portman Road before kick-off.  West Brom win another corner “Come On You Baggies” chant their fans.  The corner takes an age to be taken and results in a shot over the Town bar.  Two minutes later Luke Woolfenden looks to be brushed off the ball a bit too easily and West Brom’s number thirty-one Tom Fellows runs on to score rather too easily.  The only good thing is that I am momentarily reminded of Graham Fellows and his alter ego “Jilted John” , who along with his album “True Love Stories” was another of many highlights of 1978.

The West Brom team have an extended celebratory drinks party on the touch line before returning to resume the match, whilst the referee Mr David Coote, who sadly isn’t bald (unless he’s wearing a toupe) , looks on pathetically.  Two minutes later and Town have a corner of our own and I bellow “Come On You Blues” as loudly as possible to make up for the thousands who remain silent, lost in quiet contemplation. The corner is far too easily cleared and frankly wasn’t worth my effort.  The Baggies fans continue to sing and the Town fans don’t, although someone is banging a drum, albeit mournfully.

I don’t realise it at the time, but the twenty-fourth minute is the peak of the first half for Town as Nathan Broadhead glides into the penalty area and pulls back a low cross which Conor Chaplin proceeds to boot high above the cross bar with ‘the goal at his mercy’.  I shake my fist at the sky.  The West Brom fans couldn’t laugh more if they’d been watching Charlie Chaplin. “Bus stop in Norwich, You’re just a bus stop in Norwich” they sing. “Better than being a public convenience in Smethwick” I think to myself in a Midlands accent.   A half an hour has receded into history and Sam Morsy is booked for bumping into Fellows twice in a few seconds, “David Coote’s a Moron” I sing to myself in the style of Jilted John.  Four minutes later Sam Morsy has a shot on goal, but it’s too weak for Palmer to even have to palm away.  “There’s more of them on the pitch than us” complains Pat unhappily.  I tell her it’s an illusion created by their peppermint shirts.

There are less than ten minutes to go until half time and it seems like West Brom are going to try and spend the whole nine minutes taking a throw-in.  We wait and wait, and Mr Coote starts waving his arms about as if relaying what the odds are on a thirty-sixth minute throw in, before circling his hands about one another like a John Travolta hand jive in Saturday Night Fever.  Town win another corner and I bellow “Come On You Blues” again, not discouraged by the fate of the last corner kick.  Two minutes later, Wes Burns shoots and a deflection produces another corner, and I’ m bellowing once more, but to no effect.  “We all hate Walsall” chant the Baggies fans, I think. “Shit referee, shit referee, shit referee” sing the home fans and the Baggies claim that they had forgotten the home fans were here, although I bet they can remember who won the FA Cup in 1968.

It’s the 43rd minute already and Palmer palms a fine Harry Clarke shot over the cross bar and for the final time this half I get to bellow to no effect. Two minutes of added-on time are added-on and as the first half approaches its finishing line Darnell Furlong dillies and dallies with a throw-in and encouraged by the home crowd, Mr Coote shows him the yellow card.  Time remains however for a final through ball into the penalty area which Conor Chaplin can’t quite reach, “because his legs are too short” suggests Fiona, and we agrees that some sort of clown shoe could make the necessary difference.

With the half-time whistle Mr Coote is booed from the pitch, but it seems likely he’s used to it.  I head down to the front of the stand to speak with Ray, his son Michael and grandson Harrison, stopping briefly to speak with Dave the steward with whom I used to work back in the 1980’s and early 1990’s, in the days of Frank Yallop, Graham Harbey and Ulrich Wilson.  Ray shocks me by saying that a profile picture I posted on social media made him think of how he imagines a young Boris Johnson might have looked. I may not speak to Ray at the next home game.   

No sooner has the match re-started than Ipswich equalise, George Edmundson nodding the ball on for the excellent Nathan Broadhead to skilfully and acrobatically prod inside the far post on the half-volley.  Nathan Broadhead is such a beautiful player to watch,  with great balance and poise; he just needs longer hair.  Town will surely now go on to win provided Mr Coote allows it, although very soon he is suggesting he might not as he books Harry Clarke for a supposed tackle from behind, but then he does award a free-kick after a foul on Keiffer Moore, which invites ironic and prolonged jeers from the home crowd.

Town are now the better side and dominate possession.  Another corner is won by Town, and Sam Morsy shoots over the cross bar before West Brom decide something better change, and they make two substitutions.  In an isolated West Brom attack,  a free-kick is handled into the Town goal by an Austrian whose name looks like he could be Scotsman, Andi Weimann (Andy Wee-Man), and he is rightly booked, although why keeping the ball out of the net by handling it is a sending off offence, but putting it into the net by handling it isn’t is a mystery; it’s all cheating of the worst kind that could directly affect the result.

A half an hour of normal time remains and at the Sir Bobby Robson Stand end of the ground “When the Town going marching in“ is sung as if someone has died, although a minute or two later a more cheery version is heard.  Meanwhile, West Bromwich have a man down as the Town fans sing “Sky TV is fucking shit”, a point of view with which I concur incidentally, although much more politely. The club golf buggy appears and as the game is put on hold it trundles around the pitch to collect the unfortunate Darryl Dikes and transport him back to the player’s tunnel.  He sits on the back in a pose that resembles Auguste Rodin’s “The Thinker”.  The buggy moves slowly. “Put your foot down” I shout, eager for the match to resume; the driver takes no notice.  The bloke behind me suggests this has been the highlight of the whole match.

In due course the match resumes as before with Town actively seeking a goal and West Brom hoping for one. Marcus Harness and Omari Hutchison replaces Conor Chaplin and Wes Burns. Murphy announces today’s attendance as 29,016 including 1,670 Baggies fans. The scoreboard operator, seemingly unable to resist the joy of mental arithmetic, shows the attendance as 30,686.  “They’re there for the taking “ says the bloke beside me.  Moments later West Brom’s number 19, John Swift shoots from outside the Town penalty area and scores, the ball somehow evading the outstretched hands of Vaclav Hladky, who looked all set to save it. “Wasn’t expecting that” says the bloke behind me, and indeed there had been no indication whatsoever that the next goal would not be in the West Brom net.  It feels a lot like fate has been conspiring against us lately.

As Town get back to staying in the West Brom half, the visiting fans come over all religious and start singing Psalm 23, and indeed divine intervention would seem to be the only plausible explanation for their team once again being ahead.   Town win consecutive corners but a lot of time is taken up with West Brom goalkeeper Palmer catching Town crosses.  Seven minutes of normal time remain and Massimo Luongo and Nathan Broadhead make way for Ali Al Hamadi and Jeremy Sarmiento.  Seven minutes later and there will be at least another eight minutes to play.  Two minutes in and Town win another corner before a game of bagatelle ensues with crosses and shot being blocked before the ball drops to Omari Hutchison. At first it seems he hasn’t controlled it, but then as it drops for a second time he strikes it through a crowded penalty area, past Palmer’s palm and on into the goal and Town have equalised again, and deservedly so.

The relief is palpable, isn’t it always? But Town should have won this game and continue to want to do so.  A shot, a save, another corner; almost another minute over the eight, but there is no third goal, and the game ends as a draw.    At least we haven’t lost.   As I leave for the railway station, I think how, much like waking up on Saturday mornings, football often isn’t as good as it should be, but then again I think I might be wrong.

Ipswich Town 1 West Bromwich Albion 2

It has been a grey November day, but this afternoon there have been glimpses of blue sky, small windows of hope amongst the otherwise perpetual gloom, proof perhaps that life is not all bad. Further proof, if further proof is needed lies in the existence of flexi-time. It is the end of the ‘flexi-month’ and I have worked so many hours these past four weeks that if I don’t leave at four o’clock today, I shall be working for free and that would be contrary to my strictly held religious beliefs. “Thou shalt not be a mug” is my credo.

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Tonight I’m a latter day Arthur Seaton and I’m out for a good  time so from work I head, with my accomplice Roly, for the Briarbank Brewery. The bar above the Briarbank Brewery is by far the best decorated bar I know, the walls festooned with black and white photos of closed Ipswich pubs, the sort Arthur Seaton would have drunk in had ‘Saturday Night and Sunday Morning’ been set in Ipswich, not Nottingham. I have a pint of Samuel Harvey VC (£3.50) a beer named after one of two men from Ipswich who were awarded the Victoria Cross medal. As well as a beer, Samuel (who was born in Nottingham) has a bus in the Ipswich Buses fleet that bears his name. My conversation with Roly covers a wide range of subjects including Noel Edmonds, Ciiff Richard and Sue Barker, Shake n’Vac and Billy Joel.
From the Briarbank Brewery, Roly and I make the short walk up Fore Street to TheOLYMPUS DIGITAL CAMERA Spread Eagle, a Grade 2 listed building that dates back to the 17th century, where I drink Grain Brewery Best Bitter (£3.50 a pint). The leather aprons of the bar staff remind me of Fred Gee, the pot-man at the Rovers Return in Coronation Street, but I don’t suppose he’s still in it, particularly since Fred Feast, the actor who played him died in 1999. Roly and I continue not to talk about football, not from any previous agreement, but just because there doesn’t seem anything to say. From the Spread Eagle it is a bit more of a walk along Orwell Place and Tacket Street, up Brook Street and Buttermarket, over Giles Circus and Cornhill, along Westgate Street to St Jude’s Tavern in St Matthew’s Street. They may not all be looking at their best, but Ipswich’s medieval or even Saxon pattern of streets remains and is brim-full of fine buildings; if only the locals appreciated it.
St Jude’s Tavern is busy with Friday night drinkers and football supporters when we arrive a bit before six o’clock. After a pint of the Match Day Special (£2.50) which tonight is St Jude’s Thaddeus (Thaddeus is another name for Jude in case you didn’t know), we have a beef and onion pie each, mine is accompanied by a pint of something the name of which I can’t recall (pie and a pint £5.00). I garnish my pie with red sauce, Roly prefers brown. After we’ve eaten, a drunk staggers into the pub and sits at a table of regulars; he tries to cadge a drink but the bar man is quickly wise to his presence and succeeds in throwing him out before apologising to his patrons; but we all re-assure him that we enjoyed the show, it beats open-mike night.
Beer glasses drained, Roly is keen to get to Portman Road because he is meeting his friend Andrew and because not satiated by a beef and onion pie, he has it in mind to eat a burger. Rolling down Portman Road the glow of the floodlights draws us like moths to a flame or in Roly’s case a glutton to a fast-food joint. The streets are unusually busy and due to the football club having made tickets being made available for the realistic price of ten pounds each a crowd of 22,995 will watch the game tonight. Roly meets Andrew, and I visit the club shop because at short notice I have been informed that ever -present Phil’s son Elwood is eight years old today! How I love the club shop and its fabulous array of blue and white toot. Today my eye is drawn to a gnome and the club’s ‘retro’ range which I imagine outsells everything else given that our best days are all in the past. Although at least we have won major trophies, something many of our rivals and other clubs from towns and cities bigger than Ipswich cannot claim with real conviction (League Cups pffft!).

 

 

It’s twenty-five past seven and a coach disgorges tardy West Bromwich supporters into Portman Road. An Ipswich fan points at a West Bromwichians yellow and green away shirt. “ You can’t wear that here mate”. OLYMPUS DIGITAL CAMERA The visitor looks somewhat bemused and blurts some exasperated expletives in the direction of one of his fellow supporters; his thick Midland’s accent rendering them incomprehensible and unpleasantly nasal. I pass the grinning statue of Bobby Robson; his best playing days were arguably with the ‘Baggies’ of West Bromwich, but thankfully he never picked up the accent.
At the Alf Ramsey Stand (Churchmans) all the turnstiles are open but the queues are of OLYMPUS DIGITAL CAMERAunequal lengths.; with a self-satisfied air of streetwise, intellectual superiority I join one of shorter ones and am inside the ground whilst others still queue. On nights like this it’s fun to laugh and sneer at those people who aren’t regular supporters and are only here because the tickets are cheap. I head for the betting shop bit beneath the stand where the handy shelf gives me somewhere to write the greeting on Elwood’s birthday card. I stop to talk to a steward I know called Dave, but at the very moment I arrive at his side so does another acquaintance of his who begins a personal monologue. I wait for the other man to pause so that I might speak to Dave, but the other man breathes through his ears and doesn’t draw breath for a second; so I screw my eyes up at Dave and nod sympathetically; I imagine my face might look a bit like the one Gary Lineker pulled in the 1990 World Cup semi-final after Paul Gascoigne was booked and became tearful. But tonight I’m not indicating that Gazza is upset, I’m signalling to Dave that I’m going to bugger off, and that’s what I do.
Up in the stand Bluey is playing the part of ‘greeter’ and gives me the thumbs up, which is nice, even though I do know he’s not a real Suffolk Punch. Ever-present Phil who never OLYMPUS DIGITAL CAMERAmisses a game and son Elwood are already here and I settle down a couple of seats along before giving Elwood his birthday card and a few ITFC ‘goodies’. Phil tells me that earlier in the club shop Elwood had handed in an ITFC badge that he found on the floor to the staff serving behind the counter. One of the things I have given Elwood is such a badge; it seems like Elwood has been rewarded for his honesty and whilst we all know that’s not true, in an ideal world it would be.
Between each seat is a folded up piece of printed card which makes a clapping noise when hit against another surface; I saw that people were cynical about this on social media but I think it should be lauded; something needs to be done to shake Ipswich and Suffolk people out of their puritan misery and to “make some noise for the Tractor Boys”, as I believe the saying goes.

 


The teams appear; the match ball is plucked from its plinth and once multiple hands are shaken the game begins with Ipswich literally getting the ball rolling in the direction of me, Elwood, Phil and Pat from Clacton who has arrived a bit late due to the traffic. Town wear blue shirts and socks with white sleeves and shorts; West Bromwich cause offence to many by wearing yellow and green striped shirts with green shorts and socks. The Baggies win an early corner and Jay Rodriguez (that’s his ‘Equity’ name surely) heads the ball over the cross bar. There is noise in the ground tonight and it’s not all from the 1,000OLYMPUS DIGITAL CAMERA odd West Bromwich Albion supporters cooped up in the corner of the Cobbold Stand. In the corner, in the bottom of the North Stand blue and white flags are being waved and drums drummed and voices voiced; for a little while anyway. But West Bromwich Albion are better at football than Town and as they start to dominate, some of the enthusiasm ebbs away, which is the opposite of what should happen of OLYMPUS DIGITAL CAMERAcourse because it obvious that a struggling team needs most support. But then logic is not always a strong point in ‘Leave’ voting Ipswich. The West Bromwich fans soon sense our weakness and after first chanting something stupid about being a “…shit Norwich City”, which is a bit rich from people supporting a team wearing yellow and green, they go for the jugular with the reliable old “ Your support, your support, your support is fucking shit”. Cut to the quick I try some chants of my own but the cowering reticence of the Suffolk public means I’m beaten before I begin, even with my cardboard clapper, which is a little too lightweight and disintegrates as I bash it relentlessly on the back of the seat in front of me. Only ten minutes have gone and Town’s Matthew Pennington is booked by referee Mr Keith Stroud who is possibly theOLYMPUS DIGITAL CAMERA smallest referee I have ever seen; he doesn’t even rival Paul Hurst in stature.
On the touchline Paul Lambert prowls like a black panther in his trademark black Marks & Spencer jumper and black slacks, kicking every ball and seemingly feeling the self-same emotions as the fans in the stands, but with added Celtic menace. It’s a chilly evening and he should really get himself a coat, even if that jumper is pure new lambs’ wool. Perhaps Marcus Evans should put his hand in his pocket for a coat for our Paul.
Sadly, Town are second best to West Bromwich, who despite having been ‘a bit rubbish’ in the context of the evil Premier League last season are evidently still too good for us tonight. But we are trying and what we’re watching is recognisable as football, which wasn’t always true last season. Perhaps we can hold on and then sneak a goal I think to myself. A paper plane engineered from a re-purposed cardboard clapper lands next to the West Bromwich goal keeper Sam Johnstone. The fact that it disappoints the home crowd by not hitting Johnstone is a portent for the evening. Within minutes Town’s defence watch the ball cross from one side of the pitch to the other and back into the middle where Jay Rodriguez scores from very close to the goal. Oh well. How I was hoping that wouldn’t happen, and now it has. The West Bromwichians are happy though, their high spirits expressed by making good use of Chicory Tip’s 1972 chart topping single “Son of my father” with a chorus of “Woah wanky-wanky, wanky-wanky, wank-wanky Wanderers”, in honour of their own version of Norwich City, the neatly alliterative Wolverhampton Wanderers.
The clock moves on and behind me a man explains to his child that there are another five minutes until half-time and then another forty-five minutes after that before they can go home. A minute of the half left and Ipswich win a corner from which West Brom’ come closer to scoring than the home team as they breakaway courtesy of a failed tackle from Jordan Spence. One minute’s added time passes and then it’s half-time. I wander down to the front row of seats to have a chat with Ray and generously he offers me one of his wife Roz’s sausage rolls, I accept the offer. Behind us dancing girls with Lycra bottoms, bare mid-riffs and sparkly tops gyrate; a human manifestation of the popular retro-range.

 

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The second Act begins amidst shouts of “Come On Ipswich”, but the man behind me feels compelled to admit that West Brom’ are stronger than us “…in every department”; I think of Debenhams and John Inman. But Town are playing better than in the first half; they have more possession of the ball and in more locations across the pitch and Matthew Pennington even has a decent looking shot on goal. But then West Brom’ also have a decent shot, which causes a sharp intake of breath as it hits a post; a lad called Harvey Barnes is the perpetrator, it’s a name that sounds like it was copied from a 1914-18 War Memorial.
Town must be doing alright though, people aren’t moaning but still most of them aren’t really supporting either, at least not vocally. The club should have said “We’ll let you in for a tenner, but you have to make a noise or we’ll chuck you out”. The ‘Blue Action’ group in the North Stand do their best, but there aren’t really enough of them, Ultra Culture hasn’t yet made its mark in Ipswich. I remain hopeful however that the Rodin exhibition in the gallery behind Christchurch Mansion, which opens this weekend, will stir people’s inner passions. Rodin is to sculpture what Arnold Muhren was to midfield artistry.
We’re only losing 1-0, a draw is still a possibility, a win even. But the seventy sixth minutes arrives and that Harvey Barnes is in the penalty area, he shuffles about a bit and shoots; he scores. The shot somehow avoids at least four legs and Bartosz Bialkowski’s left hand. It couldn’t hurt more if he’d missed and the ball had hit me in the ‘groin area’.
Substitutions ensue and the West Brom’ supporters sing “Lambert, Lambert, what’s the score?” seemingly labouring under the mis-apprehension that he is still manager of Aston Villa. They compound their mistake with a rendition of “Shit on the Villa, shit on the Villa tonight” to the tune of ‘Roll out the barrel’. Ipswich supporters may not sing much, but at least when they do the songs are relevant.
Both teams have shots on goal which are blocked as the game heads towards its finale, Ipswich are looking as likely to score as concede, which on balance with only ten minutes left is a good thing. With six minutes of normal time left to play substitute Kayden Jackson scores for Town and there is belief that may be, just may- be, Town could get a draw. Clearly West Brom’ think so too and they resort to foul or generally unsporting play with Matthew Phillips, Kieran Gibbs and Sam Johnstone all getting their own personal viewings of Mr Stroud’s yellow card. Town have no luck however and when Jack Lankester’s shot hits a post and deflects away rather than hitting a heel or a divot and deflecting in to the goal, we get confirmation that Portman Road will remain joyless for another week.
The skies today were grey and despite glimpses of blue, they remain so. But at least there have been glimpses. I retain the faith and like Arthur Seaton I won’t let the bastards grind me down.

 

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Woodbridge Town 2 Clapton 2

Today is the day of my favourite round of the FA Cup. Whilst supporters of professional clubs may enjoy the third round when the ‘big’ clubs deign to take part, or the first round when the not quite so big clubs join in, I love the very first day. For a start, it is still summer and the days remain long and warm, but what I love about it more is not that any particular clubs take part, or even that it is the beginning, what I like is its name, the extra-preliminary round. Before the first round there are four qualifying rounds; before the first one of those there is a preliminary round, but the FA clearly don’t think that goes far enough and rather than have six qualifying rounds, they decide to have both a preliminary round and an extra-preliminary round. This seems to me to embody the FA’s attitude to grass roots football clubs as a bit of a nuisance that must be culled before the competition can begin properly. This is the FA ‘putting it’ to these little clubs that they are nothing. It’s no wonder that only 800 odd clubs enter the FA Cup, the FA would never cope with what happens in France where over 7,000 clubs enter their equivalent competition, the Coupe de France, but then, France is a republic.
Today I am travelling to Woodbridge by train (£3.15 return from Ipswich with a Goldcard) to watch Woodbridge Town, newly promoted to the Thurlow Nunn Eastern Counties Premier League, play Clapton of the Essex Senior league, a club with a distinguished history and where the fabled Walter Tull began his football career. On the first part of my journey to Ipswich I sit next to two women discussing a man called Amos and what he does when he is in Uganda. When I change trains I sit at a table where a girl in red socks and white T-shirt is quick to tell me that she is innocent of having made the neat arrangement of two empty Lucozade bottles and three crisp packets that sit on the table. I tell her it’s okay, I will avert my gaze and look out of the window. British Transport police are looking for an obese person with OCD who is recovering from illness. Two West Bromwich Albion supporters on their way to Norwich sit across the gangway from me, we chat a little and I wish them luck, telling them that I am expecting at least four or five goals from their team; pleasingly they will oblige. I also recoil from the hideous sight of a tall, well-spoken young man in a Norwich City shirt; he has ‘Cooper’ ‘21’ on his shirt back; his name and IQ I surmise, or possibly the number of members of his family with whom he has had a sexual relationship.
The three carriage 13:18 to Lowestoft leaves Ipswich on time and slowly roars its way through marshalling yards and past Hadleigh Road industrial estate with its mighty disused gas holder that sits in a nest of buddleia. Beyond the River Gipping the view of Ipswich from the bridges over Bramford Lane and Norwich Road is a joy with its cluster of modernist blocks and the floodlights of Portman Road looming up beyond low streets of red roofs, which haven’t changed much in eighty years, in many cases much longer. This is a lovely train journey, albeit a noisy one thanks to the diesel engine and old-fashioned clickety-clack of the rails. The train arrives at 13:32 and Woodbridge seems busy; a group of women, all teetering heels, tanned legs, tight dresses, make-up, flowers and fascinators await a taxi; on their way to a wedding, I hope. Woodbridge station is a homely looking building, but I waste no time in setting off up the hill towards Notcutt’s Park, which is a good twenty-minute walk away.


Woodbridge is clearly a well-heeled town, there are large houses, some with naked statuary in the garden and the lamp posts are adorned with somewhat twee hanging baskets, overflowing with summer flowers. I pass by the Cherry Tree pub but do just that, pass by, it looks busy and full of Saturday lunchtime diners. Further up the hill is the local Ford motor dealership where in 1970 my father traded in his maroon 1962 Ford Cortina 1200 for an almost new (ex-demonstrator), beige Ford Cortina 1600 Super, which he always maintained was the best car he ever owned.

Further on, the path leaves the roadside, ascending an embankment and becoming a leafy bower

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before emerging again into the full light by the Duke of York ‘country’ pub, which is really a ‘family diner’ masquerading as a pub and part of the Vintage Inns chain whose “…rustic buildings offer a country style dining experience…” .

I have been walking for almost fifteen minutes and fearful that the Woodbridge Town clubhouse might only serve insipid Greene King IPA I call in for a pint of Adnams Southwold Bitter (£3.90). At the bar a youngish man orders food. “The menu says you have those kofte things” he says. “Yes” says the bar maid. “I’ll er, have some of them, er please” says the man, showing what sophisticated diners the English have become thanks to the country style dining experience and its ilk.
Refreshed by Adnams Southwold Bitter I press on with the final short leg of my walk to the match through a modern estate of red brick houses, which all look like they are

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trying to be nineteenth century Suffolk farmhouses; I imagine their occupants having Ploughman’s lunches for every meal. At the end of a winding road of executive homes is Woodbridge Town Football Club. I follow a man with a carrier bag of empty bottles which he tips into the recycling bin outside before proceeding through the turnstile.

I pay my entry fee (£6.00) receiving a yellow and white ticket in exchange and purchase a programme (£1.00), which annoyingly I will later lose in mysterious circumstances (did it fall from my pocket, or did I leave it in the bar?), it was a glossy publication which I rather liked. After a cursory look across the pitch, where players of both teams are limbering up, I enter the bar and a youth wearing a thick grey anorak as if he’s in in 1990’s indie band serves me with a pint of Adnams Ghostship (£3.50). I feel foolish for worrying about Greene King IPA now and my faith in football club bars is restored, for now. The barman doesn’t look old enough to serve alcohol, but he later takes the anorak off revealing tattoos suggesting he is indeed over eighteen. But maybe he serially lies about his age, has been driving since he was thirteen and had this been a century ago he would already have spent a couple of years in the trenches of northern France. I sink the Ghostship and wander outside into the sun where the crowd is gathering. There are just two stands at Notcutt’s Park, one a covered, shallow metal terrace and the other, which is directly next to it, a brick structure with half a dozen rows of bench seats; I pick a spot in the seated stand and read my programme, which I have not yet lost. After a short while I am surprised to look up and see the two teams and the officials all lined up on the pitch, shaking hands like Baptists on a Sunday morning.
The game begins with Clapton in all blue with yellow socks and sleeves kicking off in the direction of whatever lies northeast of Woodbridge; Ufford probably. Woodbridge Town wear black and white stripes with black shorts and socks, hence their nickname ‘The Woodpeckers’, not that woodpeckers wear football kits and of course not all woodpeckers are black and white; a fact highlighted by the most laudable poster above

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the urinals in the toilet urging spectators to buy a re-usable drinks cup and become a ‘green’ woodpecker. All clubs should be doing something

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similar.

Woodbridge play towards the junction with the A12, Martlesham and the tower of BT’s research laboratories which is visible in the distance.

The first foul of the game, after just a few seconds, draws a shout from the crowd “That’s about time ref”. Woodbridge look much the better of the two teams in the opening minutes; perhaps they should with former Ipswich Town and Sunderland player Carlos Edwards in their team; they pass the ball whilst Clapton just run about after them. But Woodbridge don’t create any chances to score and when it looks like they might, a Clapton player always manages to be in the way. Woodbridge have the first proper shot of the game, which flies over the Clapton cross bar in the seventh minute. Woodbridge are playing well, but then again they’re not; and Clapton are struggling, but then in a way they’re not because their goalkeeper has not had a save to make. Some of the crowd amuse themselves with shouts and cat calls. “VAR. That was a penalty!” is heard as a Woodbridge player tumbles in the box, and then “Eh, absolute shite ref” as play is waved on. I decide to take a wander, and alone at the corner of the ground I get to play the ball back to the Clapton full-back Lanre Vigo when it goes out for a throw. There is a pause in the action as the somewhat portly referee Mr James Beal speaks to two complaining Woodbridge players. ”Get on with it Porky” is the shout from the crowd; you can’t beat humour at the expense of fat people. I get to touch the ball back to Lanre Vigo again, this time a header, no one congratulates me and although it does knock my glasses off I thought ’I done well’.
Considering that as someone who paid to get in I am getting too many touches of the ball and am therefore bound to embarrass myself (if the flying glasses haven’t already done so) I walk round to the dug outs on the opposite side of the pitch to the stands. Here the Clapton manager and his coach are providing a constant commentary of the game as they live every touch of the ball by their players. “Why do you put it there?” shouts the manager to his goalkeeper Jack Francis “I keep telling you mate, I don’t want it in the centre I want it here”. There are a number of players who receive constant encouragement and instruction, the names Jerome, Warren, Gio and Dylan feature prominently. Number five Dylan Ebongo is a ‘big lad’ who rivals and outstrips the referee for the space he takes up on the pitch, but as is so often the case with players that spectators accuse of having eaten all the pastry based foods, he can play a bit and Dylan is a rock in the Clapton defence.
It’s about twenty five past three and against the run of play Clapton have a corner; at the near post the ball is flicked on, the young Woodbridge goalkeeper Alfie Stronge flaps a bit and the ball meets the goal net in the lovely way that footballs do; it’s 1-0 to Clapton. “Who scored?” asks the happy and surprised Clapton manager of his neatly coiffured number seven Ryan Reed, but he doesn’t seem to know, or I at least I can’t work out what he says.
“Take heart from that” shouts the Clapton manager to his team as if none of them expects not to lose. Despite his constant imploring and helpful encouragement to his players the Clapton manager seems quite pessimistic in private moments when speaking to his coach or simply verbalising his thoughts, or perhaps he’s just realistic. “We’re our own worst enemy”, “We could be in trouble here”, “Now we’ve got trouble” are a few of his comments as the Woodpeckers press, along with his admirably honest assessment that his team has actually done nothing and Woodbridge have had all the play. Despite being a goal up however, ten minutes before half-time there is a falling out between the manager and his number ten Jerome Mortell. Jerome is threatened with being substituted, but his response is simply “Go on then” and within a minute he is stomping his way round to the dressing room, leaving the pitch with the words “I’ve had enough of this shit”. Clapton had only Jacod Dingli on the bench today, and now he’s on the pitch, but at least they’re still winning and very soon they are almost two-nil up as another corner against the run of play sees a header thud against the woodwork of the Woodbridge goal.

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Across the pitch a tall man, immaculately dressed in a dark suit stands out amongst the general scruffiness of the usual football crowd, I believe this is Vince McBean the current owner of Clapton FC and a controversial figure after he allegedly attempted to liquidate the charity that administers Clapton’s Old Spotted Dog ground. From where I stand he looks like an undertaker.

Half-time and I’m one of the first at the bar for another pint of Ghostship (still £3.50) which I follow up with a visit to the toilet where I admire the juxtaposition of a large print of a sunset over the Woodbridge’s tide mill with the urinals; it makes me think of Marcel Duchamp’s ‘Fountain’.

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But there is little time to consider twentieth century art, the players are on the pitch and Woodbridge line-up as Clapton huddle. I return to stand between the dugouts where the entertainment is richest, although I do take a moment to enjoy the Co-op’s side by side, edge of pitch advertisements, one solemnly telling us how their funeral service is “Supporting loved ones locally when it matters” (and presumably telling non-local loved ones to clear off) and the other in a lighter frame of mind urging us to ‘Pop to the Co-op’.

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The second half begins and before not very long Ryan Reed intercepts a poor pass and breaks forward, he rides a tackle and is through on goal, he shoots, Alfie Stronge saves but the ball rebounds to Ryan who strikes it confidently and with force inside the far post from a tight angle. It’s 2-0 to Clapton.
The Clapton manager stresses the importance to his players, particularly to big Dylan at the centre of the defence, of holding onto the 2-0 lead in the next ten minutes, which he says will break Woodbridge’s hearts if they can do it. They do and the game seems to settle down with Woodbridge still dominating possession, but mostly over-hitting all their forward passes and crosses. Substitutions are made by Woodbridge and approaching the last fifteen minutes it looks like Clapton will hold on. The Woodbridge manager who incidentally is probably bigger than both the referee and Clapton’s Dylan seems calm, despite his frequent frustration at those over hit passes; is he resigned to a defeat?
Woodbridge for all their inadequacy in terms of shots, are still dominating however, and the ball is spending most of its time on the Clapton half of the field. A Clapton player is nearly always the last man to touch the ball inside their own penalty area, but then just after twenty five to five the ball runs loose and Woodbridge’s number seven Callum Sinclair lashes it on the half volley in to the top corner of the Clapton goal to halve Clapton’s lead and give Woodbridge hope.
I came to this game as a neutral but the enthusiasm of the Clapton manager and coach and the fact that they turned up with just one substitute and seemingly a team that must be coached through every kick has me wanting them to hang on for the win. There is also a bit of me that wants rough, deprived, inner city Clapton to triumph over wealthy, privileged Woodbridge, although of course I know in reality that those distinctions don’t actually have any relevance in the context of these two football clubs.
Woodbridge earn a corner, it’s late in the game and goalkeeper Alfie Stronge comes up to add his presence and he heads narrowly over the Clapton cross bar. The Clapton manager berates his players for trying to pass the ball when clearly a hoof is required. That has been a recurring theme, but I find it reassuring that players want to play the game ‘beautifully’, because that’s what makes it so good to watch, and play, whether it comes off or not. The game is into time added-on and a half-hearted challenge, which causes a slight stumble but no trip, sees Mr Neal award a free-kick just outside the penalty area, in range for a well taken direct shot. The Clapton coach is apoplectic and winds himself up by imagining that it’s as if the referee wants Woodbridge to equalise; the manager is not happy about it but is more sanguine, realising preumably that whatever will be, will be on the way to Wemb-er-ley. Woodbridge’s number five Liam Scopes steps up to scoop a shot over the wall and into the top left hand corner of the Clapton goal. Woodbridge have tied the match and the Clapton coach is sent off by Mr Neal for simply getting carried away with himself.
There is no time for anything more to happen and I am only sorry that with the time now almost five o’clock I must leave and hot foot it back to the railway station to catch the 17:18 back to Ipswich. It’s been a lovely afternoon in the August sun and a thoroughly entertaining game, which has been a credit to both clubs. I am tempted to try and make it to the replay. I’ve had a great time, but in about twenty-five minutes I will realise I no longer have my programme.