Ipswich Town 0 Barrow 0

When I first became interested in football at the tender age of ten, Barrow were in Division Four and had been in the Football League since 1921, when they were elected as original members of Division Three North.  In my Observer’s Book of Football, the one that has a picture of Bobby Charlton on the dust jacket, it states “Honours have always been elusive for Barrow” and it goes on to say that Barrow had just “one season of triumph”, in 1967 when they finished third in Division Four. Sadly for Barrow, by the time I first saw them play, at Layer Road, Colchester in 1990, they had been replaced in the Football League by Hereford United and were not yet half way through a forty-eight year stint in non-league football.  Thirty years on and today, through the wonder of the 2nd round of the FA Cup, Ipswich Town and Barrow meet for the first time ever. I’ve been looking forward to today’s game to some extent since 1971, but more tangibly since the Cup draw was made, and in reality since Idris El Mizouni’s cracking goal ensured Oldham Athletic wouldn’t be making an unexpected run to Wembley.

As befits an FA Cup Day, the sun is shining gloriously, although with little impact on the outdoor temperature as I stroll across Gippeswyk Park and up Portman Road beneath clear azure skies.     Portman Road is notable this afternoon for the atypical absence from the car park behind Sir Alf Ramsey’s statue of some of the usual vendors of chips and other grease-based foods sold inside spongy ‘bread’ products.  There is also a corresponding shortage of human beings in Portman Road today compared to other match days, and whilst you might infer from this that people only come for the grease-based foods, the sadder truth is that the FA Cup simply doesn’t attract football fans like it once did.  I can recall paying full-price to watch Town play fourth division Halifax Town and Hartlepool United in the company of about 24,000 other souls back in the late 1970’s, and now find it hard to understand why with reduced ticket prices the lure of Cup glory against such Northern exotics is no longer an attraction.  In this age of instant gratification and tv reality game shows, Cup football should be more popular than ever with its promise of advancement to the next round and the jeopardy of defeat and expulsion from the competition after just ninety minutes; Death or Glory as The Clash sang just a year after Town lifted the FA Cup. The tyranny of Sky tv and the Premier League is clearly to blame.

Having purchased a match day programme (£2), I head on to what was The Arboretum pub back in the days when 24,000 turned up to see Hartlepool United and Halifax Town at Portman Road,  but is now The Arbor House.  With a pint of Mauldon’s Suffolk Pride (£3.80) in my cold right hand I sit and wait for Mick in the garden.  Mick soon arrives with a pint of Mauldon’s Molecatcher, a packet of Fairfields Farm cheese and onion crisps and a cup of dry-roasted peanuts.  Mick explains that Molecatcher is brewed to the same recipe as Suffolk Pride but is less alcoholic; I can’t really see the advantage of that at the moment, but our conversation explores various avenues from last night’s Have I Got News For You tv programme to nuns before it is time to walk down the hill past Ipswich Museum to Portman Road.

Today, taking advantage of the reduced flat rate ticket price (£10 for adults and £5 for concessions plus £1.50 each for the pleasure of buying them, which goes to a parasitic organisation called Seatgeek) we are in the top tier of what was the West Stand, but is now the Magnus Group Stand. We are in Block Y where the seats are brown in colour, not because of any sort of unpleasant staining but merely because I imagine brown looked ‘classy’ in 1982 when the top tier was opened; the seats are also padded.  I bought our tickets soon after they went on sale and we benefit from being close to the stairway or vomitorium, and just two seats in from the gangway, so only two old men must rise from their seats for us to access ours.  With everyone in their winter coats it’s a tight squeeze nevertheless.

The teams appear to an introduction from stadium announcer Stephen Foster worthy of the occasion and with knees taken and duly applauded the game begins;  a strong Town team getting first go with the ball and kicking towards the Sir Alf Ramsey stand, formerly plain old Churchman’s.  Town are wearing their traditional blue shirts and socks and white shorts whilst Barrow are in an unexpectedly stylish pale pink shirt and socks with black shorts, vaguely reminiscent of Sicily’s Palermo or the now defunct Evian Thonon Gaillard, briefly of French Ligue 1.   The largely empty stadium is filled with a sense of expectation as the game starts and the murmur of a nascent chant can be detected from the Sir Bobby Robson stand.  Within a minute of kick-off however silence reigns.

From the start Town look as hesitant and short of ideas as their supporters are of rousing supportive chants. It is Barrow who show the first serious attacking intent as several players in pink break forward “They’re all offside, nine of ‘em; except him” says a man with a loud and annoying voice a couple of rows behind me as Barrow’s number eleven Josh Kay bears down on goal beneath the shade of the Magnus Group Stand.  The same voice is all too audible a short while later as Barrow break forward again. “Toto, Toto, leave him alone Toto” he calls as Toto Nsiala tracks a Barrow player into the Town penalty area and makes a tackle before he can fashion a shot on goal.  Had Toto Nsiala followed the spectator’s advice it is likely Barrow would have scored or at least had a shot on target. It’s not a good start by Town or their supporters.  But as a consolation the low winter sun is reflecting a sparkling yellow light back off the windows of the Guardian Royal Exchange office block on Civic Drive, so although the football isn’t, the backdrop is gently inspiring.

Over twenty minutes pass and Barrow earn two free-kicks in quick succession in the Town half and then win the game’s first corner.  Barrow come close to scoring twice as one free header hits a post and then one from Mark Ellis is saved by Christian Walton.  Barrow’s Josh Kay shoots and his shot is tipped over the bar by Christian Walton. “Come on Lambert, sort it out” bawls the ruddy-faced old boy sat in the seat next but one from mine.   Nobody reacts in the seats around me; I fear some of my fellow supporters might have died. I turn to Mick and dare him to shout “Robson Out”.

 It takes Town over half an hour to have a shot on goal worthy of the name as Scott Fraser eventually launches a shot over the cross-bar from outside the penalty box.  I remark to Mick that with the number eleven on the back of his shirt and his short brown hair, from this distance Fraser sometimes makes me think of Mick Lambert.  “I can’t think what Mick Lambert looks like” says Mick. “Well I expect he looks a bit different now” I respond.   Idris El-Mizouni is booked for a foul, a little harshly in my opinion and I wonder to myself whether referee Mr Sam Purkiss is a closet French nationalist in the thrall of Marine Le Pen.  As half-time approaches a rare moment of hope sees Conor Chaplin break away and from a low cross earn a second corner for Town, and then the oddly named Macauley Bonne strides forward to unleash an appallingly bad shot which results in a throw-in to Barrow. “What the fuck, what the fuck, what the fuckin’ ‘ell was that?” sing the Barrovians up in the Cobbold stand in the time honoured fashion. “Good question” mutters the old boy next to me to himself.

Half-time comes as a welcome relief and whilst Mick gains further relief using the facilities, I remain in the stand alongside the two old boys. The match resumes at three minutes past four as dusk descends to shroud Suffolk’s County town in chilly December darkness.

Half-time has brought change and Joe Pigott has replaced Idris El-Mizouni who hadn’t looked sure where he was meant to be playing, with Sam Morsy seemingly competing with him for the ball in midfield.  Within three minutes Joe Pigott has found space and strikes a post with a firm shot.  Pigott’s presence continues to make a difference as he seeks space behind the Barrow defence and controls and lays the ball off in a manner which the oddly named Macauley Bonne has so far appeared incapable of doing.  Things are looking up and the Sir Bobby Robson stand feels moved to sing a song which has quite a lot of words, few of which I am able to decipher, but then Kay scoops a shot over the bar for Barrow when it was certainly no more difficult to get his shot on target.

This is a much better half for Town and I sense a glimmer of optimism amongst the Town followers in the meagre crowd of 6,425, of whom a respectable 205 are from Barrow.  The mood hasn’t affected the loud man behind me however, who continues to provide a mainly sarcastic commentary, which sounds both smug and moronic in its delivery.  He clearly doesn’t like Toto Nsiala and bewilderingly urges him to chip the ball over Christian Walton as Toto turns it back towards goal, before saying “He was tempted”.  This man has the sort of voice that would make a more violent person than myself want to punch him in the throat.

Town now dominate possession and whilst still a little slow on the ball they are getting players down both flanks to put in crosses, an approach that is helped by bringing on the exciting Sone Aluko.  The Town  support has corresponding moments of enthusiasm and sing another song with plenty of hard to fathom words, but a simple chorus of “Addy, Addy, Addy – O”, which is the sort of thing heard sung by children in one of those black and white films from the early 1960’s such as A Taste Of Honey, and I half want to see Rita Tushingham and Dora Bryan warming up on the touchline.

As the match winds down into its final fifteen minutes the support wanes, and as we enter six minutes of normal time the ground is once again silent.  As ever, there is a late flurry of goal attempts as the realisation dawns on the players that their failure to score a goal can only result in an evening in Barrow-In-Furness.   Corners are won but no booming chants of “Come of You Blues” or  intimidatingly repetitive calls of “ Ipswich, Ipswich, Ipswich” materialise from the stands;  even the score board seems apathetic as each corner kick is met, not with an entreaty to shout support for the team, but instead a message about how the Ipswich Mortgage Centre “corners all your home improvement and mortgage needs”.    The old boys beside me leave with a couple of minutes to go.  Sam Morsy shoots over the cross bar from close range and substitute Cameron Humphreys heads against it , but Town don’t score and the breath saved by not shouting in support of the Town is expended in a chorus of sadly predictable boos and jeers.

Later this evening I will learn that the Town manager has been sacked and briefly I wonder to myself if the old boy sat next but one to me had been right; Paul Lambert had never actually left the club he’d just shaved the top of his head and swopped his Scottish accent for a Scouse one, but after nearly a season’s worth of games he’d finally been found out.   It’s certainly never dull being a Town fan, well except for the actual games that is. Try stopping me going through it all again in a fortnight’s time though. No, please, try.

Ipswich Town 1 Arsenal 0 – Our Blue Heaven

It’s Saturday May 6th 1978, I will be eighteen in about seven weeks’ time and today I am going to the FA Cup final. I am going with my dad; we were two of the 24,207 who saw Town beat Hartlepool United in the fourth round of the FA Cup and the 29,532 who witnessed the 3-0 win in the fifth round replay against Bristol Rovers; we went to the semi-final at Highbury on a supporters’ coach from Shotley. We saw Landskrona Bois, Las Palmas and Barcelona at Portman Road back in the autumn and have seen about a dozen league games on top of that, so we had the requisite vouchers to get tickets for the final. But this morning my father has woken up feeling unwell; he doesn’t think he’ll be up to going to Wembley and so for my friend Tim who lives five doors away, it’s his lucky day. I walk along the street, knock on his front door and ask if he wants to come to the FA Cup final; he does. Tim’s dad Charlie will this evening deliver a bottle of sherry by way of a thank you.
I listen to a few selected tracks from Blondie’s first album ‘Blondie’ (released in December 1976 )as I get ready to go; ‘Look good in Blue’ seems apposite this bright morning as does ‘In the sun’ with its lyric “In the sun , we’re gonna have some fun”. We get to Ipswich railway station somehow; on the 202 bus, or does someone give us a lift? Ticket to WembleyFrom Ipswich we are on a special chartered train that turns right at Stratford and plots a course through north London round to Wembley Central. In Wembley Stadium the terrace steps at the tunnel end are much bigger and steeper than those in Churchman’s or in front of the East Stand, blue and white abounds. The sun shines and Arsenal, wearing yellow and blue, kick off with Ipswich playing towards that blue and white tunnel end. Paul Mariner hits the cross bar, John Wark twice shoots against a post, Pat Jennings saves acrobatically from George Burley, Paul Mariner misses, bigmouth Malcolm McDonald is rubbish, Clive Woods is brilliant, David Geddes crosses, Willie Young is a lumbering donkey, Roger Osborne scores, we cheer, we sing, Roger Osborne is substituted for Mick Lambert, Town win and Mick Mills lifts the FA Cup and turns to show it to us.
Back at Wembley Central railway station after the match a half-brick or a stone bounces off the window of our train as we wait to depart back to Ipswich. Arriving back in Ipswich, Tim and I celebrate with a couple of pints of Tolly Cobbold bitter in the Railway Tavern on Burrell Road as we wait for a lift home in Tim’s dad’s green Morris Minor 1000.

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Forty years and eighteen days later it’s a dank evening in Ipswich, I have been to work, visited my mum, parked up in Portman Road and arrived at the New Wolsey theatre, which didn’t exist in 1978, although there was repertory theatre in Tower Street. I am with my wife Paulene. My father has been dead for nine years, happily his cause of death was unrelated to his illness of 6th May 1978, he enjoyed almost 21 years of good health subsequent to that and made it to the UEFA Cup final second leg in Amsterdam. Tim now lives in Weymouth and oddly he still only gets to see the Town when I get him a ticket (this season we went to Brentford). The Railway Tavern has been demolished; the green Morris Minor was scrapped long ago. But the name of Ipswich Town is still inscribed on the plinth of the FA Cup.
My seat at the Wolsey theatre tonight is in the front row of the auditorium, my wife Paulene is sat in the row behind; she sat behind to give me more legroom. The production is so popular we couldn’t get two seats together. We are the first people in the auditorium, Paulene’s asthma means she needs time to acclimatise. I read the programme (£4) and think “Cup final prices”. The stage is just a metre in front of me, the ‘boards’ are under a green covering patterned to look like turf. At the back of the stage a pair of blue doors look like the doors at the back of the old North Stand, above them is a projection of the type of corrugated cladding also redolent of the old North Stand. But there was never a sign that said ‘Welcome to Portman Road’ back then, there isn’t now. Also part of the projection is the old Ipswich Town crest, the slightly imperfect yellow and blue one, which should be restored out of respect to the past and to John Gammage who won the competition to design a distinct crest for the club back in 1972.41429848635_33f2609053_o
I watch the ‘crowd’ as the auditorium fills up to the sounds of assorted 1970’s pop hits, nostalgic but mostly awful. The majority of people here seem to be my age or older, old enough to have witnessed the 1978 Cup final. A few people are sporting blue and white scarves; one man wears a bright red blazer as if he’s just got here from Butlins. In the front row are three young lads, pre-teens, one of them wears a parka which lends an unexpected layer of 1970’s authenticity. Paulene says she feels cold, I say if I’d known she was going to I would have brought a blue and white bobble hat for her.
The lights dim and tonight’s performance of ‘Our Blue Heaven’ begins with Blondie’s “Hanging on the telephone” played live as the soundtrack to a domestic scene in which a young couple, Mel and Scott arrange their wedding for Saturday 6th May 1978, and then the draw for the third round of the FA Cup is announced. I resist the temptation to put my hand up to point that Blondie’s Parallel Lines album, from which ‘Hanging on the telephone’ was taken as a single would not be released until September 1978. I am not really a pedant and whilst I may not always like it, I do understand the concept of artistic licence and have been known to use it myself; I deny all accusations that it was merely lying.
Mel’s sister Sue is a dedicated and faithful Town fan and from the start foresees that she will want to be at Wembley on May 6th. Meanwhile, in a parallel story Smudger and Ange are awaiting their first child, with Ange’s ‘expected date of confinement’ surprisingly enough being 6th May, although the nurse at the hospital, who happens to be Mel and Sue’s mum Sheila tells them that babies never arrive on time. Smudger is as committed a Town fan as Sue and is predictably torn between his love for the Town and supporting his wife.
The simple domesticity portrayed is all a bit ‘Play for Today’, particularly when it transpires that Mel and Sue’s dad Paul is a striking fireman, whilst Scott’s dad Brian is a Thatcherite policeman; and that just adds to the authenticity and feel that it is 1978. I am transported back in time on a wave of Nostalgia (from the Buzzcocks Love Bites album and like Blondie’s Parallel Lines, also not released until September 1978, but also sadly not in the show).
Scenes from the two families’ stories are spliced with Town’s progress through each round of the FA Cup introduced by popular songs of the time, Bowie’s ‘Heroes’, Patti Smith’s ‘Because the night’, something or other by the Bee Gees. For the sixth round trip to Millwall the band plays the Clash’s London Calling, at which point I really do want to put my hand up because the Clash’s album was not released until December1979, a whole 20 months later. I only hold back when London Calling runs into White Riot, which is much more temporally authentic having been released as a single in March 1977, and a cracking tune to boot.
For each match a group of male and female dancers act out the crucial on-pitch events to the background of the songs and a BBC radio style commentary. My friend Gary texted me before the performance to tell me there was just one thing he did not like about the production and later he will tell me that it was the football sequences. Re-creating football well is notoriously difficult to do, as proven by awful films such as Yesterday’s Hero, in which incidentally the football sequences were filmed at half-time during a game at Portman Road; this is why I don’t consider that the director really bothered to do so. The dancers don’t look like footballers and they are only dancing, creating an impression through movement; they could have been supporters recreating the goals, children doing so in the school playground, and that is authentic. So Gary, you are wrong and need to brush up on your critiquing skills.
The intertwined stories of the families and the FA Cup run are good ones, there is drama, pathos, human emotion aplenty, humour and of course a happy ending. But the thread that runs through the production is the character of Bobby Robson who intermittently comes on to the stage like some sort of visiting angel wearing a series of 1970’s style suits and coats, imparting words of wisdom and assorted homilies about football and the wider experience of our lives beyond. As if this isn’t enough, the actor playing him, Peter Peverley does so brilliantly, better even than Michael Sheen’s rendering of Brian Clough in The Damned United. Peverley has the accent which is easy enough, and he has perfected the mannerisms too, but more than that he has captured the slight hoarseness in the voice, it’s almost uncanny. He wears a pretty bad wig though.
The finale to the production has the marriage, the birth and the FA Cup final taking place on stage simultaneously following the singing of Abide With Me, the Cup final hymn since 1927; a maudlin little number but a cracker nevertheless because it is the Cup final hymn and has been marinated in 90 years of Cup final history. Being sat right at the front, my view is now partly obscured by some of the on stage props, so I watch the audience. People who know the words sing along with Abide With Me, whilst others hold their scarves aloft. It is likely that many of the people here, like me were at the Cup final in May 1978 and are part of the story, but this makes people feel involved all over again, it’s nostalgia with knobs on, re-enacting the past, albeit part fictional, but this is somehow how it felt.
The story ends and it truly feels like Town have won the FA Cup all over again, and then Roger Osborne, the personification of the day because he scored the winning goal enters the stage, inevitably to a standing ovation. The ultimate finale however, comes with the cast all assembled on stage with Bobby Robson leading us in a sing-song, some Cup final community singing of our own; a rousing rendition of Edward Ebenezer Jeremiah Brown. It’s bloody marvellous and everything that matches at Portman Road no longer seem to be, utterly joyous. I give it my all.
I have had a most marvellous evening and for much of it I am not ashamed to admit I have had a tear in my eye. I have been taken back in time, but don’t know if I’m tearful for my lost youth and the passing of the days when Ipswich Town was such a wonderful football club and team, and when the FA Cup was something that really mattered, or if these are tears of joy and happiness, for a love of my team and a sense of belonging that has been re-kindled.
Nostalgia is warm and cosy, but it’s not a healthy thing, because we cannot go back and we have to live in the present; but tonight after watching Our Blue Heaven I genuinely feel uplifted.
My name is Edward Ebenezer Jeremiah Brown
I’m a football supporter of Ipswich Town
Wherever they play, you’ll find me
I haven’t missed a game since I was three
With me scarf and me rattle and me big rosette
Singing where was the goalie when the ball went in the net
Follow the Town
Up or Down
I’m Edward Ebenezer Jeremiah Brown but everybody calls me Ted.

Football, Football,
Whose the greatest of them all,
Let’s put it to the test
Come to Portman Road on a Saturday and you’ll see the best
Oi!
Ipswich! Ipswich! Come On The Town!
Ipswich! Ipswich! Come On The Town!

My name is Edward Ebenezer Jeremiah Brown
I’m a football supporter of Ipswich Town
Wherever they play, you’ll find me
I haven’t missed a game since I was three
With me scarf and me rattle and me big rosette
Singing where was the goalie when the ball went in the net
Follow the Town
Up or Down
I’m Edward Ebenezer Jeremiah Brown but everybody calls me Ted.

2-4-6-8 who de we appreciate?
It isn’t hard to tell
Just you take a closer look at me
And you’ll know darn well
Oi
Ipswich! Ipswich! Come On The Town!
Ipswich! Ipswich! Come On The Town!

La la la
La lala la lala lalala
Lala lalala la lala lalala
La lalala lalala, and lots more lalalaing, you get the picture ?