Robyn Hitchcock

Ipswich Town 1 Cheltenham Town 1

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In the final scenes of Lindsay Anderson’s 1968 film ‘If’, the central character Mick Travis, played by Malcolm McDowell, and his nameless girlfriend launch a machine gun attack on the parents, teachers and governors at a school speech day.  The scene was filmed at Cheltenham College and it’s one of my favourite scenes in one of my favourite films; Wikipedia tells us that ‘If’ won the Palme d’Or at Cannes in 1969 and in 1999 the British Film Institute ranked it as the 12th greatest British film of all time.  As if that association with such a great film is not enough kudos for Cheltenham, it also has a football team that has never lost to Ipswich Town. Today Ipswich Town and Cheltenham Town meet at Portman Road for only the second time in recorded history.  I don’t know it yet, but later today I’m going to feel like Mick Travis.

In north Essex it has been a stupendously dull morning, both still and depressingly grey, like November days should be. It’s only when I approach Ipswich that a diffuse yellow light begins to filter through the grimness and then bright sunshine bursts from a clear blue sky like a metaphor for the end of the working week and the arrival of Saturday, heralding a match at Portman Road.  Before the game I visit my mother and we reminisce about all manner of things from years ago and she tells me how her grandfather, Sam Scarff, an agricultural labourer from Needham Market, enrolled with a friend for evening classes, joined the police and rose to the rank of inspector in the Met’ before retiring to become a game-keeper in Shotley; his friend became a police commissioner, and I thought social mobility was a 1960’s thing.

Leaving my mother with her memories, I drive across town and park up on Chantry. The streets are busy with people in football-supporting attire. I walk across the wet grass of Gippeswyk Park and marvel at how lush and green the turf now is compared to how dried up, brown and withered it was on the first day of the football season three months ago.  In Sir Alf Ramsey way I attempt to buy a programme (£3.50) in the modern cashless manner, but the technology isn’t working today.  I laugh and hand over a five pound note to the somewhat miserable and overweight looking youth in the programme booth.  The Arbor House, formerly known as The Arboretum, is busy with pre-match drinkers, but I am served quite quickly and order a pint of Nethergate Complete Howler (£4.00). I head for the garden where Mick is already sat at a table with a pint of a dark beer from the Grain brewery which he’s not very keen on, I take a sip and agree that it’s not exactly moreish, but then the Grain brewery is located in Norfolk, albeit with an IP postcode.  Before long Roly joins us and proceeds to dominate the conversation, mainly because he seems to have the ability to talk without drawing breath, which means a polite person like me can’t get a word in edgeways, not that I have much to say.  We, by which I mean mostly Roly, talk of local council chief executives, Roly’s five-year-old daughter Lottie, primary schools on the Essex Suffolk border and the performances of Town player Dom Ball.  Between twenty-five and twenty to three we leave via the back gate of the beer garden and head for Portman Road.  I bid Mick and Roly farewell by the turnstiles to the Magnus Stand, formerly known as the West Stand.  We speak briefly of when we will next meet; it will be for the five o’clock kick off v Buxton in the FA Cup on Sunday 26th November.   I won’t be going to the mid-week game versus Portsmouth as I am boycotting the Papa John’s EFL Trophy, not because I have anything against oily, takeaway pizza, but because I think the competition has been debased by the inclusion of Evil Premier League under-21 teams.  I am particularly looking forward to not going to Wembley should Town make it to the final, when I will blow a metaphorical raspberry to all those people who believe that anyone boycotting the competition will automatically abandon their principles if Town get to the final.  Such beliefs help explain why we have a Tory government.

Most unusually, today there is a queue at the turnstiles for the Sir Alf Ramsey Stand which are accessed from Constantine Road, but quite soon an extra turnstile opens up (No61) and a cheerful man presents bar codes to a screen and I pass through the portal to another world.  That pint of beer has already found its way to the exit and from the gents beneath the stand I hear stadium announcer Stephen Foster reading the team line-ups from the scoreboard in his best local radio DJ voice.  I arrive at my seat just as a minute’s silence begins for Armistice day, although that was actually yesterday.  Oddly, the Football Association have decided not to cancel the fixtures today as they did when they felt they couldn’t trust football crowds to observe a minute’s silence for the death of Queen Elizabeth back in September.  The minute’s silence is of course observed perfectly. Stephen Foster reads from Laurence Binyon’s 1914 poem ‘For the Fallen’ and the last post is played exquisitely, even if it does slightly spoil the solemnity and dignity of the moment to then be told by Stephen Foster that Jon Holden who played it is a member of the Co-op East of England Brass Band.  It’s probably just me, but I can’t help sniggering a little at any mention of the Co-op.

After a fly-past by a couple of Army helicopters, and a brief burst of ‘Hey Jude’, the game begins with Town getting first go with the ball and kicking towards me , Pat from Clacton, ever-present Phil who never misses a game, Fiona and the man from Stowmarket.  Town are thankfully back to wearing their blue shirts and white shorts after the all-black aberration against Derby, whilst Cheltenham Town are wearing red shirts and shorts with their ruddiness off-set by white socks and a white pin-stripe on their shirt fronts.  Quickly, Portman Road sounds in good voice as the altered version of ‘Mary’s Boy Child’ in which she eternally fights Norwich on Boxing Day rings around the ground.  On the touchline, Town manager Kieran McKenna is looking stylish, if a little drab in a black jacket and trousers with a plain jumper, which I at first think is beige but then think is grey; perhaps it’s taupe?

From the start Ipswich dominate and it feels as if everyone, from the supporters to the players really wants to win this match. We all remember the life-denying, spirit crushing goalless draw against Cheltenham from last season and that’s our inspiration to see Town give these upstarts, better known for their poncey Regency spa a sound thrashing.   Crosses rain into the Cheltenham penalty area and although one from Conor Chaplin goes a bit off course and strikes Wes Burns in the throat Sam Morsy soon has the first shot on goal and then from a corner Luke Woolfenden hooks the ball into the goal from close range and Town lead 1-0.  Woolfenden runs off sucking his thumb with the ball up his jumper and ever-present Phil mentions something about the birth of wolf cubs; I suggest he has simply discovered the joy of sucking his thumb. 

More corners and crosses follow and I chant “Come On You Blues” and so does Phil, but no one else does.  “Two of you singing, there’s only two of you singing” announces Pat from Clacton, sort of singing herself, which is ironic.  Janoi Donacien strides forward into a rare bit of space and pulls the ball back to Marcus Harness; the Cheltenham defence is rent open like a tin of corned beef on which the key has broken half-way round and it’s been necessary to open both ends with a tin-opener to get the meat out. Harness must score, but somehow the ball strikes the under-side of the cross bar as if deflected away from the goal net by some invisible force…either that or Harness made a hash of it.

There are more corners to Ipswich, loads of them, and Phil and I keep chanting “Come On You Blues” vainly hoping someone will join in with us. We change to the simpler “Come on Ipswich, Come on Ipswich” but the occupants of the Sir Alf Ramsey stand aren’t moved.  I think to myself that I might as well be singing in French and so I do “Allez les Bleus, Allez les Bleus” I chant; Fiona says I’ve gone too far. On the pitch Janoi Donacien is hurt and is replaced by Kane Vincent-Young and the ball skims off the top of Cheltenham number six Lewis Freestone’s head as if he was a man who had applied too much brylcreem to his hair.  Another cross and Leif Davis precisely places a carefully controlled header over the Cheltenham cross bar.  Within a minute, Cheltenham equalise as Ryan Broom sweeps forward and shoots at Christian Walton, who somehow cannot stop the ball squirming around, or under,or through him into the goal.  It might have been the brylcreem on the ball.  It will prove to be Cheltenham’s only real shot of the game and up in the Cobbold stand a knot of about twenty excited youths jump around and wave their arms about like bookies on a race course, or idiots trying to fly.

Disappointing as that equaliser is, Town press on, although not quite as well as before.  When the Cheltenham goalkeeper parries a low Marcus Harness cross out to Cameron Humphreys, somehow the ball comes straight back to him.  Two minutes of added on time are announced very noisily by Stephen Foster, as if he’d turned the PA system up to eleven. “Speak Up” says Pat from Clacton.   I applaud Town off the field with the half-time whistle and go and talk with Ray, his son Michael and grandson Harrison.  I ask Harrison if he has got the new Robyn Hitchcock album ‘Shufflemania’ yet, he says he may get it for Christmas as he looks at his dad.

The match resumes at six minutes past four and a chorus of ‘Blue and White Army’ briefly rolls around the stands, not exactly like thunder. On the stroke of the 53rd minute the crowd rises for a minute’s applause in memory of Supporters’ Club Chairman Martin Swallow who died at the end of October.  A lone seagull floats above the pitch; no doubt someone would think it poignant. 

With Cheltenham confined to their half of the pitch due to constant Ipswich possession, this is the sort of game where every moment lost through a Cheltenham player sitting on the grass or receiving treatment is going to be attributed to time-wasting, and so it proves. Referee Mr Eltringham, a man with ‘ten to two’ feet, books the Cheltenham goalkeeper as a warning shot to his team-mates in this regard and in all fairness, they do not break the game up as much as they did in the goalless game last season, but it’s not enough to stop the bloke behind me from saying “He’s gotta be one of the worst fuckin’ refs we’ve ‘ad down here”.   When Cheltenham players do receive treatment their physio runs on with a huge bag and what looks like a small surf board; with a blonde wig and high cut one piece swim suit he could have doubled for Pamela Anderson in Baywatch. 

“Over and in” says Pat from Clacton in the time-honoured fashion, but it never happens. Marcus Harness heads carefully past the post in the same way Leif Davis headed over the bar in the first half, Wes Burns and Marcus Harness are replaced by Kayden Jackson and Kyle Edwards, but it makes little difference.  Chances come and inevitably go as if there is no possible way to get a ball across the line between the two goalposts.  The crowd is announced as 25,400 including 175 from Cheltenham; it’s the smallest away following at any Ipswich match this season; so more credit to those who did bother.  “Here for Cheltenham, you’re only here for the Cheltenham” they sing which I guess they are, and on the Clacton supporters coach Chris wins the prize with his guess of 25,444; Pat is disappointed that so few pet animals have been attributed guesses this week.

With time slipping away, the gloom of the late autumn evening descends along with a seasonal mist which softly shrouds the floodlights. “There’s nothing wrong with you, there’s nothing wrong with you” chant the North Stand appropriating some Verdi opera as another Cheltenham player takes a breather by sitting on the turf.  The final minute arrives and Panutche Camara replaces Conor Chaplin. There will be at least seven minutes of additional time, which is time enough for Camara to strike a shot against the inside of a goal post; again, the ball of course stays out of the goal rather than deflecting into it. All too soon the final whistle is blown and for a second time this year Cheltenham Town have clung on to a point at Portman Road with resolute defending and huge dollops of luck.  With defending like this and the ball having such an aversion to crossing their goal line, it seems odd that Cheltenham Town have ever lost any match.

“Frustrating” says the man from Stowmarket as he edges past me to the exit “Yes, but we’ve seen it all before, just a few weeks ago” I reply, re-living the pain of the match versus Lincoln.  But my comment hides my disappointment and beneath my reasonable exterior irrational thoughts and questions swirl in a maelstrom of post-match angst and anger; how can Ipswich Town be so much better than the opposition but still not beat them? Is Ipswich Town somehow cursed?  Where is there a high roof from which a sniper could shoot freely and indiscriminately?

Ipswich Town 1 Derby County 0

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I have been in the office, where I now work just one day a week, since eight o’clock this morning and it’s now half past four in the afternoon.  I have wasted enough of my day just existing and accumulating the means to continue my shallow, feckless Western lifestyle, now it’s time to live and be shallow and feckless.  I check my mobile telephone. At 16:12 I received a message from Pat from Clacton. Pat tells me she was joking last week when she told me she would not be at the match tonight, but then proceeds to tell me she won’t be at the match tonight.  Pat says she’s still suffering the after-effects of Covid, which apparently includes heavy breathing. As much as watching a football match with a 1968 vintage Jane Birkin appeals to me, it’s probably best for Pat that she stays in Clacton tonight.  The good news however is that Pat won £51.25 playing whist whilst on holiday in Great Yarmouth, but the real point of the message, I think, is to ask me to photograph ever-present Phil who never misses a game when he celebrates Town having scored a goal.  Pat from Clacton always photographs ever-present Phil when he celebrates a Town goal at Portman Road, it’s a ritual like a state funeral or pancakes on Shrove Tuesday.

Tonight, Town are playing Derby County in a third division fixture, something that has never ever happened before in this universe, like Boris Johnson telling the truth.  If casually asked how many times I had seen Derby County play I would have guessed at a mere fifteen or sixteen. In fact, I have discovered that Derby County are one of twenty professional clubs I’ve seen play over thirty times.  Despite two League Championships, Brian Clough and Robert Maxwell, Derby County have seemingly made little impression on me, perhaps because of their anonymous monochrome kit or their uninteresting out of town stadium which has meant I know little of Derby itself. What is Derby famous for? Rolls Royce engines and East Midlands airport?  Still without answers to these questions time passes and a little short of two hours after receiving Pat from Clacton’s text message I walk through the front door of the Arbor House formerly the Arboretum pub; it’s heaving with Friday night revellers. I order a pint of Mauldon’s Suffolk Pride (£4.00) and a Scotch egg (£4.50) and retire to the beer garden to wait for my Scotch egg and the arrival of Mick.  As the evening light recedes into darkness I struggle to read the programme (£3.50) I had bought earlier in the club shop after I left work, but this is partly because the programme is hopelessly dull too, despite its rainbow colours on the front page, which also features an un-flattering cartoon image of George Edmundson in which he looks uncannily like Kryten from the BBC TV comedy series Red Dwarf.

By the time Mick arrives I’ve eaten my Scotch egg and am amusing myself with a private mobile phone-based exhibition of the photos from my holiday in Brittany whilst unavoidably hearing the conversation of the middle-aged couples on the next table which concerns whether they would go to a concert by Ed Sheeran at Portman Road. The consensus seems to be that they would go “just to say they’d seen him”.   It seems to me a bit like flushing a couple of fifty-pound notes down the khasi.  Over by the window to the gents’ toilet two old boys, possibly on their way to, or from, a ‘Tarts and Tramps’ fancy dress party shuffle in, one wears a floppy hat and talks loudly about the range of beers at the Moon and Mushroom pub in Swilland, whilst the other sounds like he’s growling.

When Mick arrives he buys us both pints of Mauldon’s Suffolk Pride plus a packet of Fairfield Farms cheese and onion flavour crisps, which pleasingly have only travelled from Wormingford near Colchester, some 33 kilometres away.  Our conversation this evening is punctuated with laughter as we discuss burials and the disposal of people’s ashes and how people seem to have become strangely sentimental lately.  With kick-off not until 8 o’clock this evening, courtesy of Sky TV’s broadcasting schedule, we have more time than usual to laugh about such things and don’t notice everyone else leaving for the match and it’s closer to kick-off than usual when we eventually leave, making a sharp exit through the back gate.

Portman Road and Sir Alf Ramsey Way are less busy than usual when we arrive because most people are already inside the ground.  As I hasten through the turnstiles, I can hear former BBC Radio Suffolk presenter Stephen Foster ‘giving it large’ as he reads out the team line-ups in his archetypal radio DJ manner; he sounds even more Tony Blackburn than usual tonight, no doubt for the benefit of Sky TV. By the time I take my seat next but one to the man from Stowmarket, the teams are on the pitch, and the Town team are forming a collaborative huddle preparing to start the match.  It’s Town who get first go with the ball I think, I’m not really paying attention yet as I get to grips with seeing Ipswich wearing all black and Derby in maroon or burgundy shirts and white shorts.  I imagine Derby think they look exotic like AS Roma or Sparta Prague, but they remind me of Northampton Town.  As for the Ipswich team, they look like Johnny Cash, though I guess that’s preferable to looking like Ed Sheeran.

With the start of the game come the chants from both sets of supporters, Derby transporting us back to the 1970’s by repeating “Derby, Derby, Derby” over and over again to the tune of ‘Amazing Grace’, just like Town fans used to chant “Ipswich, Ipswich, Ipswich” in that run to the FA Cup semi-final in 1975, the year Derby last won what I believe is now called the Premier League.  “Score in a minute, we’re gonna score in a minute” continue the Derbeians less nostalgically but more optimistically.  “Addy, Addy, Addy-O” add the Town fans from what in 1975 was the North Stand, and there are even a few chants of the same from the top of what was the West Stand.  It’s a sign that the stadium must be as good as full to capacity.

 A young bloke with a beard sits himself down in Pat from Clacton’s seat. I give him a look like Paddington Bear. “Is this seat free” he asks a little nervously. “Well, there’s no one sitting there tonight” I tell him in a voice that’s as close as I can get to sounding like a Suffolk Johnny Cash.  He smiles broadly.  I think I’ve put him at his ease.  On the pitch the play is frenetic, with both teams trying to play neat, passing football but frequently interrupting one another. Sam Morsy is booked after just ten minutes for a foul on the wonderfully named Lewis Dobbin. Ipswich have more success at getting close to their opponents’ goal and win three early corners, George Edmundson heads wide and Tyreece John-Jules clearly dives in the penalty area having won a few free-kicks already elsewhere.  I thought it was an obvious dive; the way he had already established eye-contact with referee as he fell gave it away, a bit like a Labrador staring at you as you eat your dinner.  He should be told to leave any desire to cheat in North London where it belongs, or Kieran McKenna will write to his mum.

“Come on Dorby” comes the chant from the Cobbold Stand and I think I detect a hint of a Midlands accent. Soon the away support are riffing on a familiar theme,  “Football in a library, de-de-dur” is followed by “No noise from the Tractor Boys” and “Shall we sing a song for you” as the youth of Derby vainly goad the pensioners and families in the Sir Alf Ramsey Stand, who stoically wait for Town to take the lead before thinking about whether they might start to clap or break a smile.  But the ground has gone a little quiet, they’re right.

The half is half over and Derby equalise in the competition to see who can have most players booked as  the name of James Chester is recorded in referee Mr Swabey’s notebook.   The game is almost a third over before Derby win their first corner.  “Are you alright mate?” says the bloke behind me to his son, who answers “Yeah”.   My view of the pitch is temporarily blocked as the people in front all stand up to let pass someone, who I guess couldn’t wait thirteen minutes until half-time for a pee.  A chant of “Blue and White Army” builds quickly and then falls away just as soon.  I notice that Derby have no sponsor’s name on their shirts.  “Peter Sykes, please contact the nearest steward” announces the voice of Stephen Foster.  I look but can’t see anyone approaching their nearest steward. It’s not that the game isn’t holding my attention, it is, and it is unpredictable, but the goalkeepers could have made hammocks from their goal nets and it wouldn’t really have mattered.  Perhaps to relieve his own boredom, Derby ‘keeper Joe Wildsmith gestures wildly at the linesman for not flagging Kayden Jackson offside.  The linesman predictably ignores the wild Wildsmith,  but would probably secretly like to give him ‘the finger’.   The half ends with hopes of a goal as Town win a free-kick on the edge of the Derby penalty box.  Children at the front of the stand prepare to video the event with their mobile phones, but their youthful hope and enthusiasm is dashed as Lee Evans shot avoids the defensive wall but not Joe Wildsmith. Three minutes of added on time are announced with a flourish by Stephen Foster but bring forth nothing to justify his optimistic tones.

The half time break sees me join Ray, his grandson Harrison and Harrison’s dad Michael ‘down the front’ where I encourage Harrison to buy ‘Shufflemania’, the new LP by Robyn Hitchcock which is released today.  Ray regales me with a story about his dad who used to drive the Ipswich Town team bus in the 1960’s.  Ray’s dad was known as ‘The Cat’ by the Town players and he maintained that this was because he would play in goal in 6 or 7-a-side warm up games when only twelve or thirteen players would travel as there was only one substitute allowed, and before 1965 no substitutes at all.  Ray was to find out later from a Town player of the period that his dad wasn’t called ‘The Cat’ because of his goal keeping prowess, but because late one night, having returned from a distant away trip , he backed the bus off Constantine Road and over the club cat.

The second half begins with renewed vigour from Ipswich and Derby fans alike who both sing “Ole, Ole, Ole” as if vying with one another in some sort of choral competition.  The encouragement seemingly works and just seven minutes into the half we witness the first shot from open play that is worthy of the name as Marcus Harness conjures up a half-volley that is blocked.   It’s a symptom of Town now dominating possession and looking the team most likely to score.  In the Cobbold Stand the Derby fans sing a song which to my ears sounds as if it’s about a man, possibly called Michael, who found an octopus, but I doubt that’s right. “ We forgot that you were here” respond the Town fans in the old North Stand in a curious role reversal; I conclude that the half-time break can do funny things to people and to prove the point the Derby fans produce a chant which sounds like the theme from the Addams Family, but then it is nearly Hallowe’en.

The second half is a better ‘watch’ for home fans even if it is ‘all up the other end’ from my perspective in the Sir Alf Ramsey Stand. In the sixty-seventh minute it all gets much better still as Kayden Jackson breaks down the right, loses the ball but carries on running as the unsuspecting Derby defender decides on a back pass which is nothing more than a pass to Jackson who shoots on goal.  The ball hits the post but rebounds to Wes Burns who has plenty of time to hit the ball into the net and give Town a lead which they now probably deserve, and they haven’t even made any substitutions yet.  I remember to take ever-present Phil’s photo for Pat from Clacton as Phil and his son Elwood hold their arms aloft whilst grinning joyfully.  “E-i E-i E-i-o, Up the Football league we go” sing the Town fans, and not to be outdone the Derby fans sing the same before deciding that they would be better served by a chorus of the sneering “Sing when you’re winning, you only sing when you’re winning.”

Tonight’s attendance is announced by Stephen Foster as 28,415, with 1,777 of them being the people who have been shouting all evening about Derby and what poor supporters Ipswich fans are. Ipswich continue to be the better team however, and Kayden Jackson shoots the wrong side of the goal post, substitutions are made and with seven minutes left former Town player David McGoldrick tries to make amends for collecting much of his salary from Town whilst not actually playing, by kicking Wes Burns in the penalty area.  After pausing to decide if he should really give Ipswich a penalty, Mr Swabey points to the spot.  It seems he was right to pause for thought because sadly Town will waste the opportunity given to them.  “Jackson’s taking it! ” says the bloke behind me somewhat incredulously and his surprise proves well-founded as Kayden’s kick lacks both the pace and accuracy required unless the goalkeeper dives the wrong way.  Wildsmith dives the right way and the score remains 1-0. 

“Ken Rodwell, contact the nearest steward” announces Stephen Foster perhaps making up a surname laced with double entendre to help reduce the tension of the closing minutes as Derby win a rare corner.  Seven minutes of added on time are announced and at the first stoppage in play four Town players collapse to the ground.  I don’t think they’ve got the hang of this time-wasting thing, they’re surely meant to go down one at a time? 

Time moves on inexorably. “Got to be it” says the bloke behind me after what he thinks seven minutes feels like. “Got to be it” he says again a short while later and then again. “Got to be it, innit” he says before saying “Got to be” at least twice, and then inevitably it is it, the final whistle, and a tidal wave of relief floods from the stands, not because Derby had looked like scoring, but just because no one has any faith that Town can win a match that’s shown live on the telly, well they just did.

Robyn Hitchcock 17 Norwich 0

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When I win a large amount of money on the Premium Bonds and the biographical film of my life comes to be made, many of the best bits of the soundtrack will be to the music of Robyn Hitchcock who has provided much of the soundtrack to my adult life.  When my good friend Mr Goold told me therefore that Robyn would be performing at Norwich Puppet Theatre, a venue a mere 24 kilometres from Mr Goold’s abode, I was obviously quick, well in truth not that quick, to buy a ticket (£18, plus £2.30 to anonymous middle men) and invite myself to sleep on my good friend’s floor for the night.  My other good friend Pete decided he would also like to come along on what his consumption of American popular culture and resultant outlook on life told him would be a road trip in the style of Hunter S Thompson.

It’s a dreamy drive through the Norfolk countryside on a September evening in Mr Goold’s golden 2004 Nissan Micra, the sun is setting to our left casting long shadows.  Reaching Norwich, having been driven for the first time in my life through Poringland, I am struck by how much like a proper city Norwich is, from its riverside roadways, medieval cathedral and monumental County Council building to its elevated four lane highway; a pity about its football club. Mr Goold’s Nissan Micra comes to rest in Magdalen car park in the shadow of a concrete flyover, our ultimate destination less than 200 metres away.  We walk through the fading light to the 15th/16th century church of St James the Less, now re-purposed as the Norwich Puppet Theatre.  I muse on St James the Less being appropriate given that puppets are like miniature people. At my behest Pete poses with the cathedral as a backdrop; I photograph him but fail to make the spire give him the appearance of a man wearing a tall, pointed hat; I can’t helping thinking that it’s an opportunity missed.  My life is full of regrets.

Inside the theatre we drink at the bar, Mr Goold drinks coffee, Pete drinks Adnams Ghostship, I down Adnam’s Broadside. We check out our fellow audience members; people in late middle age like us, Norwich’s arty set and younger people dragged along by their elders against their will. I make assumptions about people.  Eager to get ‘good seats’, when we see the first people departing the room we follow, hoping we’re not just pursuing them into the toilet. The auditorium has been dropped neatly into the nave of the church, and the interweb tells me it has over 150 seats, my eyes tell me these are split either side of a central gangway; it is steep giving a good view of the stage.

At 8 o’clock the support act, Jessica Lee Morgan and Christian Thomas play a set of unfortunately forgettable songs very competently indeed and they seem very nice.  Jessica is the daughter of Mary Hopkin and Tony Visconti and she tells us so in case we didn’t know.  After the set, as we wait for Robyn Hitchcock to appear I tell Mr Goold that from now on I might begin telling people that my mother is Daphne Brooks and Reg Brooks was my father.  In spite of the snidey implications of the previous sentence the support act are alright.

At nine o’clock Robyn Hitchcock appears, being helped onto the stage and to a seat at a Clavinova digital piano, a product of the Yamaha company.  Robyn explains that the previous evening he fell over and whilst not damaged in terms of breakages to bone and sinew, he is clearly in pain and standing up and moving about is a problem for him.  In an unfortunate way however, this is a good thing for his paying audience as we receive the rare treat of hearing Robyn playing piano and sounding not unlike the Plastic Ono band.  I can’t now wholly remember which four songs are played, but ‘Ted, Woody and Junior’, a song about three men lathering each other with soap is one, and by way of an apparent insight into this song Robyn tells us about his grandma’s Ray-Bans, which were comparable in a competitive way to those owned by Andy Warhol, and how her wearing them at home on the Isle of Wight was concomitant to and therefore related to the meeting of Andy Warhol, Bob Dylan and Brian Jones in New York.  Many of Robyn’s songs are about moments in time such as this.

After four songs on the piano, Robyn shuffles out from behind it to a stool, where he is handed his acoustic guitar by Chris Thomas of the support act who has been pressed into the role, hopefully only temporarily, of carer.   Again, the audience is in luck as a less than satisfactory pick-up on the guitar causes Robyn to come to the very front of the stage to perform un-plugged and un-miked.

The first of five songs Robyn plays on his acoustic guitar is ‘I’ve got the hots for you’, a tune dating back to 1980 when Robyn existed in a previous incarnation as member of the Soft Boys, but still wrote excellent songs.     ‘Hots’ as I have stupidly decided to call it here for the sake of brevity, although these words of explanation have of course taken longer to type and read than the full title is on the life-enhancing LP ‘Underwater Moonlight’, and is a song of which I have always been especially fond. My fondness for ‘Hots’ is in a good part due its reference near the end of the song to “a piece of Hake”.  I have always enjoyed this lyric, ‘Hake’ being such a fine word and few artists ever mention fish in their songs. Tonight this song has extra poignancy as I have recently returned from Brittany where I had a particularly good time watching FC Lorient, a football team who call themselves Les Merlus, and have a mascot called Merlux; Merlu is the French word for Hake and Merlux therefore translates approximately as Hakey.  Incidentally, Lorient beat FC Nantes, a team known as the Canaries just like the local team in Norwich. I don’t think Robyn has any knowledge whatsoever of football or its mascots, but it’s as if he knew. It’s a situation not unlike that of Andy Warhol and Robyn’s grandmother.

Also within the acoustic set, Robyn plays a new song entitled ‘I am this thing’, a song which has appeared on-line but is so new it has not been played live before.  Robyn tells us that this song has been requested this evening and after the show Mr Goold tells Pete and me how he was particularly taken with the track when hearing it on-line, and it was he who had asked that Robyn play it tonight. Whilst secretly grateful to Mr Goold, we don’t let on too much and I admit to thinking the song sounds a bit like another of Robyn’s songs, although typically I can’t remember which one, but obviously it’s a good one.

After the five acoustic tunes, Robyn hobbles back to be handed his electric guitar on which he plays four more songs including a reverberating version of ‘I often dream of trains’ and the almost-title track from his new album Shufflemania, which is entitled ‘The Shuffleman’.  Robyn remarks how his fall has resulted in his becoming the Shuffleman himself, although alternatively, given the venue, his movements could be said to be puppet-like , as if Thunderbirds had had a member of the International Rescue team who just sat about and rescued people by playing groovy music.

The final quarter of the gig sees Robyn joined on stage by Jessica and Chris for another four songs, with Robyn managing to stand up to play his electric guitar. After a beautiful rendition of ‘Queen of Eyes’, which almost brings a tear to my eye as it again takes me back to 1980 and my lost youth, Robyn advises that these songs are the encores, which whilst disappointing is understandable unless Robyn can somehow be magically lifted up from the stage and then set down on it again like some sort of over age Peter Pan.  The ‘encore’ also comprises the stonking ‘Brenda’s Iron Sledge’ which includes the lyric “Please don’t call me Reg, It’s not my name”, the galloping ‘Oceanside’ and finally ‘Airscape’, probably a favourite of Robyn himself.  

Applause for Robyn and his band is not thunderous, because there aren’t enough of us in the puppet theatre for that, but it is heartfelt and enthusiastic and barely ends before the lights go up confirming that that was indeed the encore. It has been a fabulous evening and possibly a unique one, what with Robyn both playing piano and going doubly unplugged.

As a final act before departing the puppet theatre, which has been an excellent venue, I purchase a copy of a seven-inch single entitled ‘Mr President’, which I like for the picture on the cover of Robyn on the telephone against a back drop of overhead trolleybus or tram wires.  Such records and CDs along with his weekly shows on-line will now have to suffice until we can see Robyn play live again, and driving back to Mr Goold’s abode our happy reminiscences of the evening inspire us to resolve to get tickets for Robyn’s seventieth birthday concert at the Alexandra Palace next February. 

Ipswich Town 4 Charlton Athletic 0

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Today is the last day of the season in the English third division, and in common with every last day of the season for about the past twenty years it doesn’t matter much if Ipswich Town play today’s game or not.  In 2019 Town had already been relegated by the time what is often thought of as this auspicious day arrived, but usually, like today, Town are becalmed in mid-table mediocrity with no fear of relegation and no hope of promotion.  Ours is the club that would confound Rudyard Kipling and his poem ‘If’; we neither meet with triumph nor disaster, so what else can we do but treat them both the same. According to Kipling they are both imposters so perhaps what we encounter is reality and may be therefore we’d better get used to it.  But of course, next season is going to be different, Keiran McKenna is the messiah and so we approach today not with dull resignation, but with hope and new found belief, even though it’s a pesky 12.30 kick-off.

The one saving grace of the early start for today’s game is that my walk down through Gippeswyk Park is enchanting, serenaded as I am with sweet birdsong and bathed with soft spring morning sunlight.  The tide is high as I cross the Sir Bobby Robson bridge on which a banner reads “Champions of England, back in ‘62”. The heavy stench of body sprays and perfumes falls from the open windows of the Pentahotel.  In Sir Alf Ramsey Way I stop to buy a programme (£3.50) in the modern cashless manner and a Turnstile Blue fanzine with an ‘old-fashioned’ pound coin. Reaching the Arbor House pub (formerly The Arboretum) the front door is invitingly open and having stepped inside I order a pint of Mauldon’s Suffolk Pride (£3.90) before going out back into the garden where Mick is already nursing a pint of the same fine beer along with a cup of dry-roasted peanuts.   We talk of planning permissions, Mick’s discovery that he has vertigo and what has and hasn’t happened since we last met, which seems long ago, before the Cambridge game back on 2nd April.  We are interrupted by a telephone call from Mick’s son who it transpires will be attending a four day, all expenses paid conference in Paris; it’s alright for some, although he does have to make a presentation. Checking our watches at five past twelve we decide it’s time to leave for the match; I return our glasses and the empty cup that once contained peanuts to the bar, which is also now empty.

In Sir Alf Ramsey Way Mick and I part ways as he secures his bike and heads for the posh seats of the West Stand and I make for the cheap seats near the front of what used to be ‘Churchmans’. Entering the hallowed halls of the Sir Alf Ramsey Stand through turnstile number 60 I thank the overweight turnstile operator and am soon stood in a row with other men before a stainless-steel trough.  The man next to me is gushing forcefully against the steel and I shuffle as far away as I can for fear of unpleasant splashback.  Washing my hands, I am greeted by Kevin who I know from our previous mutual involvement with Wivenhoe Town; he tells me how much he enjoys this blog, which is kind of him.

Up in the stand, Pat from Clacton, Fiona, ever-present Phil who never misses a game, and his young son Elwood are all here as I take my place between Fiona and the man who I think is from Stowmarket.  We enjoy a few bars of Hey Jude and a red smoke bomb from the Charlton fans before at 12:31 the game begins; Ipswich having first go with the ball and facing the direction of Phil and Elwood, Pat, Fiona and me.  Bizarrely I think I hear the Charlton fans chanting “We’re the Millwall boys, making all the noise, everywhere we go”, that can’t be right, can it?  A woman sat in front of me devours an obscene looking foot long hot dog.  It’s the third minute of the match, the smell of the smoke bomb lingers and Town break; Bersant Celina to Conor Chaplin and out to Wes Burns, who shoots inaccurately and a little wildly from outside the penalty area.  With the smell of the smoke still lingering it currently seems more like Guy Fawkes night than the last match of the season, but no fireworks yet.

It’s the fifth minute and another clever pass from Conor Chaplin is meant to put Wes Burns through but he hasn’t reacted, it’s the third time already that Mr Burns has not been his usual self. A minute later and Bersant Celina does a few step overs before passing square to Tyreeq Bakinson who allows the ball to run across in front of him, looks up and then strikes it firmly into the top right- hand corner of the Charlton goal and Town lead 1-0.  As I remark to Pat from Clacton, Bakinson has been unlucky with a few shots from outside the penalty area in previous games, so it was a goal that had been coming for a while, although happily today we’ve only had to wait six minutes.

It always feels good to score early in a game, it’s almost as if the first goal is the hardest one to get.  But good things, possibly including goals, are like buses, someone probably once said and so it will prove. The twelfth minute and a through ball from the excellent Conor Chaplin sends Wes Burns clear of the Charlton defence and he hits the ball past the on-rushing Charlton goal-keeper, whose sprawling arms and legs aren’t sufficient to counter the deft use of the outside of Mr Burns’ right foot – “Excellent” as his cartoon namesake might say.  How we cheer, although it’s not enough to stop the Charlton supporters from chanting “Two-nil and you still don’t sing” as they trawl their back catalogue of late 1970’s disco hits.

Four minutes later and we think we’ve scored again as yet another through pass from Conor Chaplin, who must be carrying a slide-rule with him today allows the oddly named Macauley Bonne to ‘score,’ only for his and Conor’s work to be annulled by the raised flag of the brutal, heartless linesman.   It’s days like this when there’s nothing at stake that the attitude of ‘disgraced’ French referee Tony Chapron is required; Chapron has admitted having allowed some disallowable goals during his career because they were good goals. La Beaute 1 Actualite 0.

This is just what the last match of the season should be like and to add to the fun lots of players are slipping over on the watered wet turf, eliciting the inevitable jeers from a crowd that just loves slapstick. A slow clapping accompanies that song that includes the words Ole, Ole, Ole or Allez, Allez, Allez, I cant decide which. The joy is so infectious even people in the Sir Alf Ramsey stand put their hands together and chant, albeit a little bashfully.  Above the Cobbold Stand the three flags hang limply and Charlton get a little more into the game, winning two corners, but to no effect. I am struck by the thought that Wes Burns’ hair is looking much neater today than usual and he seems to have discarded his usual head band.  Wes is pictured on the front of today’s programme all dressed up with a black tie, which incidentally needs straightening, to receive his Players’ Player award at last Wednesday’s awards night and it looks like he may not have been home since.

More than a quarter of the match is over and as Town win a corner Pat from Clacton produces a polythene bag of sweets. “We always score when I get the sweets out” she says “Or we always used to” she adds, harking back to the ‘good old days’.  I tell her that I think the difference is we simply  always used to score in the ‘good old days’. This time the sweets don’t work, despite ever-present Phil also going all Cuban with a chorus of “Score from a corner, We’re gonna score from a corner” to the tune of ‘Guantanamera’.  At the other end, a long throw for Charlton ends with a low bouncing shot bouncing harmlessly past Christian Walton’s right hand post.

“Is this a library?” chant the Charlton supporters in the time honoured operatic fashion,  thereby creating an odd impression of the benefits  of public education in South East London.  A half an hour has passed since the game began and Town’s attacking vigour has subsided somewhat, giving way to plenty of square passing.  In a rare moment of real excitement Sam Morsy shoots past a post and then,  perhaps in an attempt at what passes as satire for south-east Londoners, the Charlton fans embark on a long passage of chanting in which they call either “We’ve got the ball, we’ve got the ball, we’ve got the ball” or “We’ve lost the ball, we’ve lost the ball, we’ve lost the ball” according to whether or not their team has the ball. As an exercise in observation it’s not very taxing for our visitors, but it is very, very boring and after a while a little annoying. 

On the pitch meanwhile, Charlton are probably having as much if not more possession than Town as half-time approaches and they almost score when Jayden Stockley heads across goal and Christian Walton has to make a fine diving save, palming the ball away for a corner.  It’s a very good save indeed, but the best thing about it is that it interrupts the Charlton fans incessant, boring chanting about whether or not their team has the ball.  Sadly, after the corner comes to nought the chanting resumes.  Only four minutes to half-time and Town win another corner, “Your support is fucking shit” sing the Charlton choir employing Welsh religious music and seemingly becoming angrier, or at least more‘potty-mouthed’ in the process.  The last action of the half sees Conor Chaplin drop a looping header just the wrong side of the cross bar and a long passage of passing play leads to yet another aimless corner.

At half-time I speak briefly with Ray who has his wife Ros with him today; they have been enjoying pre-match hospitality in the form of a late breakfast in honour of their grandson Harrison’s 18th birthday earlier this week.  I speak with Harrison’s dad Michael and also give Harrison his birthday present, a copy of the CD ‘Robyn Hitchcock’ by the excellent Robyn Hitchcock, an artist who has provided the soundtrack to most of my adult life. Happily, Harrison will later let me know that he thinks the CD is “Brilliant”.  Meanwhile, behind us, public address compere Stephen Foster talks to true Town legend,  84 year old Ray Crawford, who was top scorer in Town’s Championship winning team of 1962 and even turned out for Charlton Athletic too a few years later.  If any other Town player ever deserves a statue it has to be Ray, Town’s all-time top scorer with 228 goals in just 354 games, no one will ever beat that. Returning to my seat,  I speak to ever-present Phil and let him know that I have e-mailed the club to suggest they paint or paper the walls inside the away supporters section to look like book shelves.  I am disappointed that I have not yet received any response other than that they will forward my e-mail to the ‘relevant department’.  I e-mailed again to ask who the ‘relevant department’ might be, but have not received a reply; they no doubt think I’m a looney.

The second half is still fresh when Charlton’s George Dobson becomes the first player to see the yellow card of the distinguished sounding referee Mr Charles Breakspear, after he fouls Conor Chaplin.  A minute later as if in an act of calculated revenge Conor provides yet another precise through ball which releases the oddly named Macauley Bonne, who then delivers a low cross for Wes Burns to despatch in to the Charlton goal net for a third Town goal.  Pat from Clacton records mine and Fiona’s celebrations for posterity in the form of a digital photograph which will later appear on Facebook, as is the fashion.

“3-0 on your big day out” chant the taunting, mocking occupants of the Sir Bobby Robson stand to the south-east Londoners. Pat looks to see what she has drawn in the Clacton Supporters’ coach ‘predict the result’ draw; it’s four home goals and any number of away goals, so Pat could be in the money!   “Ole, Ole, Ole” sing the Sir Bobby Robson stand as if they know that Pat may yet be a winner.  The thrill of expectation is broken by Janoi Doncien tactically heading over his own cross bar before  the North Stand launch a chorus of “Hark now hear the Ipswich sing, the Norwich ran away” as they pretend it’s Christmas and Charlton make their first substitution, with Alex Gilbey who, like both the oddly named Macauley Bonne and Kane Vincent-Young once played for Colchester United, but unlike them shares his surname with a brand of gin, being replaced by Chukwuemeka Aneke.   Janoi Donacien appears to have been injured in heading over his own cross-bar and is also replaced, by the aforementioned Kane Vincent-Young.

Less than half an hour of the season remains but Conor Chaplin continues to make incisive passes and this time Luke Woolfenden almost puts in a low cross before sending the ball high and wide from what was possibly a shot.  “3-0 and you still don’t sing” chant the Charlton fans sounding increasingly frustrated at the Town fans’ insouciance, but still enjoying a cheery late 1970’s disco vibe.  The attendance is announced as being 26,002 with 1,972 of that number being Charlton supporters.  Weirdly, some people applaud themselves for turning up, but to my right there is a sudden exclamation. “I don’t believe it” says Pat from Clacton, “The bloody dog has won it”.  The ‘it’ in this case is the Clacton Supporters’ bus guess the crowd competition, and the dog is her brother Kevin’s dog Alfie, who Pat will later worryingly refer to as her nephew.  “Does he win a lot?” asks the man with the crew cut who sits in the row between Pat and ever-present Phil.

Cameron Humphreys replaces Conor Chaplin who receives well-deserved rapturous applause and Charlton replace Conor Washington with Elliott Lee to reduce the number of Conors on the pitch from two to zero within the space of seconds. “Is this a library?” and “Your support is fucking shit” chant the Charltonites again, ploughing an all too familiar furrow, but perhaps not realising that as football stands go the Sir Alf Ramsey Stand is a sort of retirement home in which many of the occupants are constantly singing “Bobby Robson’s Blue and White Army”, but in our heads.

Thirteen minutes to go and Jayden Stockley heads against the Town cross bar. Three minutes later and a shout of “Handball! ” goes up from the Charlton fans. Nobody not in a red shirt knows why but there follows thirty seconds of every touch of the ball being greeted with a call of “ Handball” from the ever sarcastic people of Ipswich.  Charlton win a corner. “Charlton, Charlton!” shout the Charlton fans, showing how supporting your team is done, but it doesn’t bring a goal so it’s not worth it, although a prone Christian Walton does have to claw the ball down to stop it entering the net.  Six minutes to go and James Norwood replaces the oddly named Macauley Bonne to rich applause for both players.  James Norwood has announced that this is his last game for Town; if this were a US TV Cop show he’d get shot just before the final whistle, but happily it’s not.  Returning my attention to the actual football, “We want four” I think to myself half- imagining what Portman Road crowds of old would have chanted, and as I do so Cameron Humphreys threads a Conor Chaplin-style through-ball into the path of James Norwood who, from a very oblique angle steers it into the net, possibly off the goalkeeper, for his last ever Town goal. It’s only the third time Town have scored more than three goals at home this season and the it’s the biggest end of season win I’ve witnessed since Town beat Crewe Alexandra 5-1 in April 2005.   As Town fans cheer, Charlton fans sing “We forgot you were here” and three minutes of time added on melt away into forgotten history.

As last days of the season go, this has been a really good one, despite the 12.30 kick off, but it feels like it comes with the rider that Town have to do well next season.  Personally, I’m not too bothered either way, I just like to see Town play well; if we do that and we finish eleventh again I won’t be suicidal, although may be the club’s American investors will be.  But I can afford to be complacent, I’m old enough to have seen Town win the FA Cup and UEFA Cup, but the likes of Harrison and Elwood haven’t, so come on Town, do it for them.

Ipswich Town 2 Bolton Wanderers 5

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This evening I shall be staying in town after the match and along with my friend Pete will be going to the Arbor House (formerly and properly known as the Arboretum) for something to eat and a pint of Mauldon’s Suffolk Pride (£3.70).  The refreshments however are a mere precursor to the main event, which will see me heading to the Ipswich Transport Museum to witness the wonderful, extraordinary, and brilliant Robyn Hitchcock (formerly of the Soft Boys) perform a selection from his repertoire of over forty years’ worth of groovy tunes.  Robyn is a particular hero of mine who first came to my notice back in 1978, a year that was an undoubted highpoint in my largely pointless existence, when a friend played me the Soft Boys single “(I want to be an) Anglepoise Lamp”.   This evening, explaining how he comes to be playing a concert in Ipswich Transport Museum, Robyn will tell of how in the summer of 1963, as a ten-year old obsessed with the Beatles and trolleybuses he glimpsed Ipswich Corporation’s trolleybus-filled Priory Heath depot from the train line that runs by on the opposite side of Cobham Road.  Robyn’s love of trolleybuses has not abated, and he will confide that playing the museum is a dream gig, and he’s right, it will be one of the most memorable concerts I have ever been to.  The last time I saw Ipswich Town and Robyn Hitchcock on the same day was 17th October 1992 when in the company of Pete’s then girlfriend, now wife, Claire, I witnessed a 1-2 defeat at Stamford Bridge before Claire and I ate burgers in Wendy’s on Oxford Street and then travelled on to the Powerhaus in Islington to meet up with Pete. But today, before the pleasure must come the pain.

After three consecutive two-all home draws in League matches, I have broken out of the pattern of driving into Ipswich in my trusty Citroen C3, parking on Chantry, and trying to get a drink in the fanzone but failing.  Today I have travelled to Ipswich with the aforementioned Pete in his fourteen-year-old Ford Focus and am meeting another friend, Mick at the Greyhound for a pre-match pint of Adnam’s Southwold Bitter (formerly more simply known just as Adnam’s Bitter). I am anticipating that the break in habit will bear fruit with a first win of the season.  At the Greyhound Mick kindly buys the pints of beer, so I don’t know what they cost, but I expect they were expensive.   After three-quarters of an hour of intelligent conversation we leave the Greyhound beer garden (formerly the car park) at about twenty minutes to three and go our separate ways on Sir Alf Ramsey Way, Mick to what was the West Stand and me to what was Churchman’s after having both purchased a programme each (£3.50), so that we know the names of the players representing Town this week.  It’s a good job we do too because today we have both a new goalkeeper, Christian Walton, and a new centre-half, George Edmundson and there are three more changes to the team that last played.  I enter the ground through turnstile number fifty-nine because Pat from Clacton seems to be causing the formation of a small queue at turnstile number sixty.  Entering the ground, I chat to Kevin who I know from our time at Wivenhoe Town.

On the lower tier of the Sir Alf Ramsey stand, by the time I’ve drained my bladder Pat from Clacton and Fiona have taken their seats and Ray and ever-present Phil who never misses a game and his son Elwood are here too; Ray’s son and his grandson Harrison are absent however because, as Ray will later tell me they are at Centre-Parcs.  With both teams on the pitch and lined up, Conor Chaplin swings his leg to kick-off the match just as referee Mr Robert Madley reminds him that the teams are about to ‘take the knee’, which Conor proceeds to do, seamlessly transforming his shaping up to kick pose into a kneel as the crowd applauds and sticks it to racist knuckle-draggers everywhere.

Soon enough Chaplin begins the game and within a minute the assembled Boltonians up in the Cobbold Stand are asking “Is this a library?” through the medium of Italian opera.  “You don’t know what a library is” bawls a man somewhere behind me, sounding like the embittered voice of the person responsible for adult education in Greater Manchester.  Bolton win a corner.  The fifth minute arrives and Wes Burns brushes aside the weakling challenge of Bolton full-back Liam Gordon to put in a low cross, which the oddly named Macauley Bonne merely has to side foot into the net, which he does, to give Town a very early lead and confirm that today things will be different.  How we celebrate; the breath of life inflating our balloon-like hopes. “He’s fuckin’ superb, he is” says the coarse bloke behind me of Wes Burns. I can’t disagree, but might express the view differently.  I breathe in the smell of the lush turf as the Sir Bobby Robson stand invoke the spirit of Boney M and Christmas with their oddly un-seasonal and goodwill-free version of Mary’s Boy Child. 

A further five minutes pass, and the right hand side of the Town defence solidifies instead of gelling and Bolton’s Oladapo Afolayan sweeps the ball past Christian Walton to equalise.  The balloon of hope has burst.  “Who are ya? chant the Bolton fans repetitively, for reasons which are not clear. “Who the fuckin’ hell are you?” respond the Sir Bobby Robson stand equally repetitively and for equally obscure reasons, but whilst also possibly claiming short-lived ‘bragging rights’ by including a swear in what is usually a religious tune (Cwm Rhondda).   The Bolton support responds in turn however with what sounds like “Wanky, wanky, wanky, wanky Wanderers”, although I could be wrong, and their thick Lancastrian accents may have disguised their true words beneath a layer of hot-pot, barm cakes and soot.  But there is no time to dwell on this as the eager to gloat Boltonians follow up with renditions of the generally truthful “Sing when you’re winning” and the geographically inaccurate “Small town in Norwich, you’re just small town in Norwich”.  Such is the quick-fire nature of their trawl through these songs that I half expect the PA system to announce their availability on three discs exclusive to K-tel Records via mail-order.

The Bolton fans’ jibes make the time pass quickly until their team’s next goal, in the 18th minute, which arrives courtesy of Kane Vincent-Young’s ill-advised and unnecessary attempt at a tackle in the penalty area. Eoin Doyle scores the penalty for Bolton as Christian Walton appears to dive out of the way of the ball.  Within five minutes Vincent-Young is replaced by Janoi Donacien as he has already been given a glimpse of Mr Madley’s yellow card and no longer looks like a fully functioning full-back.  Despite trailing, Town are not obviously the second-best team on the pitch and the Bolton defence is often desperate, to the extent that both Lloyd Isgrove and the delightfully Welsh Gethin Jones both have their names written down in Mr Madley’s notebook.  A third of the game has passed and once again Wes Burns decides there is nothing for it but to bustle past the full-back and send in another cross from which the oddly named Macauley Bonne can score, but Bolton’s Ricardo saves Bonne the trouble of applying the final touch and Town are level.  “E’s fuckin’ superb” says the bloke behind me of Wes Burns, just in case no one was listening after the first goal.  An hour left and we’ve already reached the usual scoreline for a home league game, at this rate we’re heading for a six-all draw. 

Hopes for a win are revived and the massively improved Sone Aluko heads over the Bolton cross-bar and also puts in a decent cross at the end of a fine move down the right. “E’s ‘aving a good game, ‘e is” says the bloke behind me of Aluko, in case we weren’t sure.  There will be three minutes of time added on, which is more than enough time to score another goal. Wes Burns once again gets down the wing to the goal line and crosses the ball for Macaulay Bonne to direct towards the goal, but his off-balance stab at the ball bounces the wrong side of the goal post.  Quickly Bolton launch the ball forward and with unsporting alacrity the ball is delivered to the feet of Oladapo Afolayan who scores what is almost a replica of his first goal with the Town defence unsure whether to gel, solidify or just melt away. For the first time this season it has become necessary to score a third goal simply to avoid defeat.

Half-time provides time to reflect on confused emotions and to talk to Ray who, as a former full-back, albeit for the YMCA in the 1970’s, has concerns about the defence and the midfield.  Our conversation fills the space between the two halves completely and the game is almost beginning again as I take my seat and I haven’t yet eaten my Nature Valley chocolate and peanut protein bar.  Ever-present Phil says we’re going to win 5-4 and I remain hopeful too, especially as Finney and Worthington are both out for Bolton and have been for several years.  The one portent of possible doom however, is that the lead in my Ipswich Town pencil has snapped. Three minutes pass and Bolton send a ball over the top to Doyle.  Walton saves a shot from Antoni Sarcevic before the Town defence dissolves into an aqueous mess and Josh Sheehan scores a simple fourth goal.  The bloke behind me vows to leave if Bolton score again.

The bright early autumn sunshine and blue sky seem to mock me with their beauty and question what I’m doing here on such a lovely September afternoon. The attendance is announced as being 19,267 with 553 of that number being supporters of Bolton Wanderers who must be lapping up the additional Vitamin D.  Weirdly given the sunshine, at sixteen minutes past four the floodlights are turned on. “That Evans is a bag o’nails” says the bloke behind me in an unrelated and possibly surreal incident.  A minute later George Johnston scores a fifth for Bolton as the Ipswich defence gets into what Radio Suffolk’s Brenner Woolley could justifiably call a “sixes and sevens situation.” The bloke behind me leaves as he said he would. Loud boos emanate from the mouths of some Town supporters. “It’s a shame innit” says Pat from Clacton sympathetically. “We want six” chant the Bolton supporters less sympathetically.  “We’ve got to go all-out attack now” says Pat to ever-present Phil, although the score line already suggests that if we’re not attacking we’re not doing anything else much either.

Conor Chaplin is replaced by 1960’s signing from Cambridge City Tommy Carroll.  “Is this a library?” sing the Bolton fans reprising their earlier attempts at a Verdi opera, and the oddly named Macauley Bonne hits a post with subtle re-direction of a Hayden Coulson cross.  “What I don’t understand is why he don’t bring Piggott on and play two up-top. That’s fuckin’ ignorance that is” says a voice behind me which sounds oddly like the voice that I thought had left after the fifth goal.  The answer to what he doesn’t understand is that Piggott isn’t actually on the bench.  Ignorance eh?

Town have plenty of possession now, but annoyingly Bolton appear to have gelled and we can’t find a way through.   “Over and in” says Pat from Clacton willing the ball into the Bolton net from a cross, but it’s over and out for a corner.  Soon it will be over and out full stop.  “We can see you sneaking out” chant the hot-pot munchers upstairs in the Cobbold stand, conveniently ignoring the people like me, Ray, Fiona, ever-present Phil, and Pat from Clacton who will resolutely sit in our seats until the inevitably bitter end.  A Bolton shot sails over the cross bar and lands the width of seven or eight seats and a gangway to my right. The bloke in the seat in front of me flinches and ducks away to his left, but it’s still early in the season and he clearly hasn’t gelled with his surroundings.  Seven minutes remain and in what seems like the most aimless substitution of the season so far, Wes Burns is replaced with Kayden Jackson, although I reserve the right to change that view should Wes Burns prove to have been injured.   “Kayden Jackson? We’d be better off with Gordon Jackson” I think to myself, involuntarily remembering both the 1970’s ITV series ‘Upstairs, Downstairs’. Thankfully I didn’t shout it out.

In due course the final whistle sounds to the inevitable boos from those elements of the home crowd ignorant of, or unable to see the truths in the words of Rudyard Kipling’s admittedly sexist poem “If”, about attitudes to triumph and disaster.  I must admit however to preferring Lindsay Anderson’s film.   I leave the Sir Alf Ramsey stand in the company of Ray, who is heading for Fonnereau Road where his wife Roz will pick him up, whilst appropriately, given the nightmare I’ve just witnessed, I head for the car park on Elm Street.   But what do I care, the best of my day is yet to come and I know it.