Ramadan

Cheltenham Town 1 Ipswich Town 1

/ martinpbrooks / Leave a comment

I’m not sure I have ever been to Cheltenham before. If I did ever rock up here, most likely during a family holiday in the 1960’s or 1970’s, I don’t remember it, although for what it’s worth I know I have been to nearby Gloucester. Today however, I am definitely in Cheltenham after a roughly ninety-minute, 120-kilometre drive from Chineham near Basingstoke, where I have craftily engineered a weekend stay with step-son number three and his family in order to both make my wife happy and to ensure I don’t have so far to travel in Bank Holiday Monday traffic.

It’s been a pleasant enough drive in my planet-saving Citroen e-C4, despite Hampshire being wet and grey when I set off passing signs for Aldermaston and Greenham Common, locations that loom large in the history of British people bothering to protest about things. But by the time I was skirting Swindon, the sun was successfully dodging the clouds and as I descended Leckhampton Hill and the appallingly pitted, broken surface of the Old Bath Road, Cheltenham lay stretched out invitingly below.  It’s only about a quarter past twelve, so having parked up in a street that could easily double for somewhere on Ipswich’s Gainsborough or Racecourse estates I visit the Cheltenham Town club shop to check out the essential club-branded pencils, rulers, teddy bears and fridge magnets.  After not entirely unexpectedly bumping into ever-present Phil who never misses a game, his young son Elwood and a man called ‘Cookie’, who gives me the news that he had to have his gall bladder removed, I leave the lounge-diner sized ‘boutique’ with its artexed ceiling, clutching a match programme (£3.00), and a pennant (£7.99) to add to the collection that hangs above the cistern in my upstairs toilet.

‘Cookie’ is heading off in search of a local chip shop, but having placed my purchases in the Citroen I make for the town centre in search of the elegant Regency architecture for which Cheltenham is known.  Although Ipswich and Cheltenham are of a similar size, they mostly look very different.  Whilst Cheltenham became fashionable in the late eighteenth century, after the visit of King George III to its spa, the ensuing years before the construction of the wet dock seemed to pass Ipswich by, and Lord Nelson even shipped his wife off to the town, probably because Ipswich was the sort of place where he and  Lady Emma Hamilton and everyone else could forget about her.  So, Ipswich stayed mostly medieval, whilst Cheltenham went all John Nash and Jane Austen, and so they remain.  But whilst Cheltenham looks and sounds a bit ‘poncey’ on the surface, with its ladies’ College, tasteful terraces, and various festivals firmly aimed at a middle-class audience, like everywhere else it has its underside because someone has to clean the well-off people’s toilets, fix their Audis and deal their cocaine.

I discover that there are indeed plenty of Regency buildings in Cheltenham, but they’re not really to my taste, a bit too pretty and neat. I prefer the stained concrete of the 1970’s Post Office building to the warm Cotswold stone.  I also prefer Marks & Spencer chicken and bacon sandwiches (£3.75) and a bottle of orange juice (£2.00) to chip shop fare.  Having eaten the sandwiches and drunk half the juice, whilst sat on a bench under the plane trees on The Promenade, I wander idly about finding statues of Gustav Holst (born in Cheltenham) and a hare sat next to the Minotaur, (no idea why). After a while I decide it’s time to re-trace some of my steps and head back towards what is currently known as the Completely-Suzuki Stadium, but in simpler times was just the Victory Stadium or Whaddon Road.

Whaddon Road is a suburban street with a recreation ground, bowling green, a groovy 1960’s Evangelical Presbyterian church, a small parade of shops and a football ground sat amongst twentieth century houses.  The football ground sits beyond a large car park and betrays its non-league roots with a cluster of modest, ugly, cheap-looking buildings set about what looks like a pre-World War Two main stand, although my copy of ‘Football Grounds from the Air, Then and Now’ tells us it was built as recently as 1963. Red painted signs and sponsors’ logos abound. I queue at Gate 2 and the QR code of my ticket is read by a friendly man with a mobile phone; I click through an aged red turnstile that must pre-date the swinging sixties.  Inside the ground, bright sunlight streams through the skylight in the four-urinal gents toilet, which smells surprisingly sweet and better than many after shaves.  I ascend a flight of stairs and find myself at the front of the stand looking down on a terrace.  A walkway passes through the directors’ box; if any directors had been sat in the front row with legs outstretched I might have tripped over their feet.

I carry on to the middle of the stand past rows of original, wooden, tip-up seats. “Are you Row C seat 34?” I say to a large coated, bearded man in the seat next to mine. “I am” he says. “Well, I’m seat 35” I tell him, “Pleased to meet you”.  When I sit down, I find the leg room so tiny that I am wedged into the seat.  “It’s a bit tight, isn’t it” I say to my neighbour. “It is if you’re tall” he says, being generous to the 1960’s architect, “But very good for your posture”.  He’s right, there is no option but to sit bolt upright.  In a sort of window box on the front of the stand sit a row of half a dozen blokes with lap-tops and earphones.  The seats in front of us fill up.  A man shows the QR code on his phone to the man sat next to him. “When he scanned this, it said the ticket had already been used” says the man, shrugging his shoulders. “I says I don’t know why. So he let me in anyway, said he couldn’t be arsed to query it”.

Eventually, the teams appear from beneath us somewhere off to our left. The ska classic ‘The Liquidator’ by The Harry J All Stars plays over the PA system and singularly fails to provoke any response from the crowd, except for a bloke behind me who occasionally claps in time to the beat.  The referee breaks up the Ipswich team huddle, which had been going on for a while, and the game begins. In the corner of the ground the electronic scoreboard reads “1st half”, just in case anyone is experiencing déjà vu or is any doubt that the game has only just begun. Ipswich get first go with the ball and are kicking roughly in the direction of the town; the Cheltenham racecourse is somewhere off behind Christian Walton’s goal. Both teams wear their ‘proper’ first choice ‘home’ kits as they should do when there is no clash of colours. My raincoat, which I’m glad to say I haven’t really needed, is trapped under the tip up seat of a balding man in seat 36, I ask him if he’d mind getting up for a moment to free my coat; smilingly he obliges.

“Ole, Ole, Ole” sing the Town fans off to my right, whilst opposite in the corner of the brilliantly named Colin Farmer Stand, a Cheltenham fan beats a drum. Six-minutes pass and Town win a corner after a Wes Burns cross is met by George Hirst and deflected away. George Hirst is involved in an ongoing battle with his marker Tom Bradbury who has hold of Hirst’s shirt and won’t let it go.  Hirst has to try and beat him off as he runs across the pitch.  This is taking man to man marking to extremes and Bradbury seems obsessed with his task beyond all reason and is rightfully booked by referee Mr  Stocksbridge,  who because he has a fine head of grey hair, makes me think of Alan Woodward of 1970’s Sheffield United, and by association the wonderfully monikered Len Badger. Sam Morsy takes a shot which is comfortably saved.  It might be Easter Monday, but the Town fans won’t give up on Harry Belafonte’s “Mary’s Boy Child” as they imagine a far-off time when Town still played Norwich on Boxing Day.  Easter, Christmas, Passover, Ramadan, it’s all the same to some people.

The afternoon is bright,  but a strong wind is blowing from the direction of the town holding up any high kicks from Christian Walton.  Town are happy to pass the ball about between Morsy, Woolfenden, Burgess and Clarke and draw Cheltenham on to them. When a pass is intercepted Cheltenham win a corner and Walton has to make a sharp save from a header.  White cloud populates the blue skies above the Cotswold Hills that form a dramatic back drop to the low stands opposite. It’s a blustery afternoon of coarse shouts, harsh voices and jeers which are carried on the wind whenever a pass goes astray or a player goes to ground.  Wes Burns runs at the Cheltenham defence and shoots, but straight at the goalkeeper.  Eighteen minutes have gone and a decent passing move around the Cheltenham penalty area releases Marcus Harness, he has just the goalkeeper in front of him but shoots wide; he could and probably should have scored.  Conor Chaplin then shoots high over the bar from another low Wes Burns cross.  “Come On Ipswich, Come on Ipswich” chant the Town fans as frustration and nerves bite.  “Come On Norwich” calls someone off to my right sounding like he thinks he is being witty; perhaps just saying ‘Norwich’ is enough to get a laugh in these parts, although I can’t hear much evidence of it.

The half is half over and after several failed attempts at tackles and clearing the ball by Town players, Cheltenham’s Alfie May gets free on the left and sends the ball across the face of the Town goal;  only nifty footwork from Leif Davis averts embarrassment.  Town aren’t playing badly but they’re not playing that well either, despite having most of the possession.  Perhaps the wind and condition of the pitch are having an impact, or perhaps Cheltenham’s harrying is working.  On the touchline, the Cheltenham manager is at times like an irritable toddler, in contrast to Kieran McKenna who, in his black roll neck jumper and slacks looks like he could be about to sit back and listen to some mellow jazz.   But occasionally his frustration shows itself and at one point a bit of white shirt breaks loose between his jumper and waistband. Thirty-six minutes gone and Sam Morsy is booked for a trip. Four minutes later there is more mayhem in the Town penalty area as for a second time the ball escapes Town control and crosses the face of the goal before Luke Woolfenden lashes it away for a corner.  The half expires, but two minutes of time are added on and the screen in the corner reads ‘2 Added Time,’ just so anyone who suddenly woke up and looked at the screen would know it would soon be time for a half-time cuppa.

With half-time there is a mass exodus from the stand down a flight of stairs between me and the director’s box.  I finish off my orange juice, taking care to dispose of the plastic bottle in a large bin at the side of the press box, then take a wander down the stairs; I find myself out in the car park. Unimpressed, and curious, but not that curious to see where everyone went, I return to my seat and await the second half.

Kyle Edwards has replaced Marcus Harness and Cheltenham swap one anonymous midfielder for another so as not to feel left out. The attendance is announced as 5,445, which means the ground is only three quarters full. In the corner, the electronic scoreboard reads “2nd Half”,  presumably as proof that football is a always a game of two halves.

Unsportingly, Cheltenham soon win a corner, and then another, and five minutes later another.  Conor Chaplin shoots wide as Town restore order and behind me a single person claps.  “Come On Ipswich” roar the Town supporters sensing that the early Cheltenham pressure has been weathered and when on fifty-five minutes Town win their own corner it is met with an enthusiastic cheer and a chorus of “Come On You Blues”, which is repeated almost five times, which in the modern age is probably a record.  By the time the kick comes to be taken however, the stadium is a tin box of silent anticipation.

Ipswich are now on top, but not so much that I haven’t noticed that there are Leylandii peaking over the roof of the home terrace, known as the Prestbury Road end.  Another corner to Town and more chants of “Come On You Blues”, then George Hirst makes space and launches an angled, rising shot against the cross bar when the goal beneath it was gaping. An hour of football has gone forever, but in the corner of the ground the scoreboard no longer says “2nd half”. Momentarily, I worry about space and time, but am quickly reassured by the wide range of modular sofas and comfortable chairs that appear on the screen in a lengthy advertisement for the local branch of FABB Furniture. Kyle Edwards makes a run towards goal and produces a bending shot that doesn’t have enough bend not to miss the goal. Cheltenham make a double substitution with blokes called Caleb and Aiden replacing Lewis and Will.

With Ipswich on top the home fans seem to be getting their kicks where they can, and seem to to be easily pleased by a tackle here and a throw-in there.  We reach the sixty-fifth minute and a long throw on the right finds a way across the penalty area and Conor Chaplin almost unexpectedly just taps it into the corner of the Cheltenham goal, and Ipswich lead 1-0.

A chorus of “E-i, E-i, E-i-o, Up the Football League we go” rolls down the ground from the Ipswich supporters’ end, followed by every known boastful, celebratory football song; it’s like listening to an imaginary LP of K-tel’s 50 greatest promotion chants.  When eventually it’s the turn of “The Town are going up, The Town are going up, and they int gonna believe us, and they int gonna believe us” the handful of singing Cheltenham fans in the corner of the Colin Farmer Stand, clearly still fearful of relegation, join in, but sing “The Town are staying up”, which I think my wife would think was rather sweet.

Twenty minutes to go, another substitution for Cheltenham as a second Will replaces Ben. The man who likes to say ‘Norwich’ continues to sing his own predictable version of any songs he hears that have the name of Ipswich in them.  I can’t decide if this is borne of bitterness or stupidity, or both.  Town make the usual swap of George Hirst and Freddie Ladapo, and Wes Burns and Kayden Jackson. Thirteen minutes to go, Town are top of the league and Harry Clarke surges forward and gives Kyle Edwards the chance to shoot over the cross bar, which he takes.  Eleven minutes to go and Town win a corner. “Come On You Blues, Come On You Blues, Come On You Blues”.  The chant stops dead after four ‘verses’.  Eight minutes to go and Freddie Ladapo shoots, but it’s a weak effort and too close to the goalkeeper.

I dare to think of a ninth consecutive win, a tenth consecutive game without conceding a goal. Ipswich repel a crude, up in the air attack, but the ball comes back, hoofed hopefully. Confident Christian Walton thinks he can claim this and get possession, he strides out from his goal and jumps, but the ball bounces out of the bowl he has made of his arms as he collides with two players who were ready to head the falling ball. The ball makes a break for it and runs to Alfie May and he half-volleys it into the Ipswich goal. It’s one-all. Bugger.

“You’re not top of the league” is the shout from ‘Norwich man,’ and now for the first time this afternoon the home crowd is noisy. “You’re not singing anymore” they chant, to a tune that the Evangelical Presbyterians down the road might know, even if the gloating sentiment isn’t exactly a Christian one.  Janoi Donacien replaces Leif Davis just for something to do, and five minutes of added time offers five minutes of hope, but that’s all.    Oh well, it was fun whilst it lasted. 

Extracting myself from my seat without the use of shoe horns, spanners or tyre spoon levers I applaud briefly, out of politeness, and then make my way to the exit.  I had got used to winning every game and never conceding a goal, it was nice.  But it’s probably best that the run has ended, because life’s not like that,  is it? Football definitely isn’t.  At least I’ve now been to Cheltenham.

Ipswich Town 2 Wigan Athletic 2

/ martinpbrooks / Leave a comment

Back on Tuesday 8th March I erroneously believed that the glorious two-goal victory over the Imps of Lincoln City would be the last time this season that I would witness our heroes play a match under the dreamy luminous glow of the Portman Road floodlights.  But my capacity for getting things wrong is pretty much limitless, and courtesy of Sky Sports TV moving our Good Friday excursion to Rotherham to Saturday lunchtime, what should have been a relaxed end of season stroll of a game on a sunny Easter Monday afternoon has been transformed into a final, atmospheric night game.  Sky TV and its parent company Comcast may have completely ruined professional football in England with their money and meal-time kick-offs, but it is an extremely ill-wind that blows no good at all and I love a mid-week game under floodlights, even if our opponents tonight will only be third division leaders Wigan Athletic and not Real Madrid, Feijenoord or Lokomotiv Leipzig as they once would have been.

For an evening match it’s still very light as I walk down through Gippeswyk Park and along the river behind the Pentahotel, but then it is only half-past six on an April evening in the Northern Hemisphere.  The salty, pungent smell of seaweed and mud is carried on the wind and Oyster Catchers whistle like demented referees as they swoop above a group of Canada geese, ornithological reminders of Frank Yallop, Jaime Peters, Craig Forrest and Jason De Vos.  I’m heading for what was the Arboretum pub but is now the Arbor House for a pre-match pint. I stop off in Sir Alf Ramsey Way to buy a programme in the modern cashless way. “Is it working?” I ask the cheery young female programme seller. “At the moment” she replies, cheerily. ”We’d better be quick then” I say, tendering my blue plastic card. Disappointingly the sale does not transact. “I think we probably don’t take that card” says the girl letting me down gently.  “No, I don’t expect you do” I say, proffering a second blue card, “That was my season ticket”.   It’s the sort of faux pas to rival those of my dear mother, who once on a day trip to France asked a waiter if he spoke French.

At the Arboretum, or Arbor House, I purchase a pint of Mauldon’s Suffolk Pride (£3.90) using my bank card and sit in the garden alone. I take my programme from my jacket pocket expecting to just ‘flick through’ it, but to my surprise I end up actually reading two quite interesting pieces about Sone Aluko’s experiences playing for Nigeria and how Idris El Mizouni copes with being a professional sportsman during Ramadan.   After a half an hour of beer and contemplation I head back to Portman Road beneath the setting sun shining through pearlescent clouds. Turnstile 61 is my favoured portal tonight, it was a choice between that and No 59. The pleasant lady turnstile operator smiles me into the ground and I make for the gents where I enjoy a tinny rendition of Edward Ebenezer Jeremiah Brown before I wash my hands.   Up in the stand, ever-present Phil who never misses a game is concealed within a blue hoody and Pat from Clacton is talking to the bloke who sits to my left and I think is from Stowmarket; they’re talking about how cold it is this evening and indeed a lazy East wind is blowing across the bottom tier of the Sir Alf Ramsey stand, causing me to raise my collar and do up the top button of my coat.  Fiona arrives, returned from her cruise and other excursions.

With hands shaken and knees taken and applauded the game begins;  Town getting first go with the ball and pointing it mostly in the direction of the goal in front of me, Pat, Phil, Fiona and my neighbour who might be from Stowmarket and whose grandson is here with him tonight. “Everywhere we go” sing the Wigan fans up in the Cobbold stand, but I can’t quite catch what it is about everywhere they go that they want to tell us. Everywhere they go is quite nice? Everywhere they go is better than Wigan and not as nice as Ipswich?  Everywhere they go they are politely asked to leave? I may never know. As if not to be out done by the visitors, which is unusual, the Sir Bobby Robson stand breaks into the same tune but with different words, the ones that begin “Addy, Addy, Addy-O”. In terms of atmosphere, it’s a good start and it’s not even properly dark yet.   My first thoughts on the game itself are that the Wigan players all look extremely big and their all-scarlet kit stands out particularly well even if it does lack style. But the football soon chases away all thoughts of haute couture as Town embark on a first half of fine attacking football, raining in crosses from left and right from Wes Burns and Matt Penney and winning corners courtesy of Janoi Donacien and the clever passing of Conor Chaplin.

Only an announcement asking the owner of a black Ranger Rover in the Sir Alf Ramsey car park to move it breaks my concentration and I realise I never knew Sir Alf had a car park named in his honour.  The incident reminds me of when my own car achieved similar fame at Barnet, with the registration being read out over the public address system.  My car was also black, but it was a Ford Fiesta, and I didn’t have to move it, just turn the lights off. When I got back to my car after the game the battery was flat, but some friendly Barnet fans gave me a push start.  Wigan have a few moments of possession, but it ends with Town breaking swiftly with Wes Burns, who lays the ball off to the oddly named Macauley Bonne who feeds it to the overlapping Matt Penney who shoots hopelessly high and wide of the goal from 20 metres out.

This is a good game with Conor Chaplin threading more inviting passes into the box and Bersant Celina shooting into the arms of the Wigan goalkeeper and Old Testament prophet Amos.  As Amos then spills the ball from a Sam Morsy shot , a man a couple of rows behind me laughs like Goofy, the anthropomorphic Walt Disney dog. A cross curves in a graceful arc from the boot of Bersant Celina but eludes the head of the oddly named Macauley Bonne and another chorus of “Addy, Addy Addy-O” emanates from the North Stand before echoing from pockets around the ground where people seem to know the rest of the words too.  Up in the Cobbold Stand the Wigan fans sing of balm cakes, coal and canals, possibly.  A man next to the man who laughs like Goofy, laughs like a chimpanzee.

Above the North Stand roof and floodlights a smear of cloud adopts a pinkish tinge as the sun sinks down over Sproughton and a lone seagull glides above the pitch on its way back to the coast for the night. Twenty-five minutes have passed and Wigan’s Kelland Watts, whose name sounds a bit like the formal version of former Coronation Street character ‘Curly’ Watts, gets to be the first player shown the yellow card of referee Mr Will Finnie, after he fouls Conor Chaplin.  Matt Penney and Bersant Celina rain in more crosses, which Wigan’s tough centre-back Jack Whatmough (pronounced Whatmuff I hope) sends out for another Town corner. “Are you working from home still?” asks Pat from Clacton of Fiona; she is.  Town are all over Wigan like a rash but just can’t score.  My neighbour from Stowmarket and I turn to one other and share how we just know that Wigan are going to go up the other end and score.

With half-time approaching Sam Morsy is shown Mr Finnie’s yellow card as a bloke called Bennett wriggles on the turf and rubs his face.  No free-kick is given to Wigan and indeed Town have a corner, during  the taking of which Mr Finnie watches intently as the miraculously recovered Bennett proceeds to give Sam Morsy a huge bear hug to prevent him from making a run towards the ball or anywhere else. Incredibly Mr Finnie evidently doesn’t consider that being hugged by an opposition player as the ball is crossed into the box is any sort of a foul, perhaps he simply thought  Bennett hadn’t seen Morsy for a long time and was understandably overcome with emotion.  From the corner, Wigan break away and Luke Woolfenden is booked for bringing down Stephen Humphrys. The free-kick leads to Wigan winning their first corner of the match; it’s the forty-fifth minute and Wigan score as Will Keane runs free and glances a header inside the far post.  We knew it would happen.

Four minutes of added on time give the Wiganers in the Cobbold Stand the opportunity to sing “We’re gonna win the league, We’re gonna the league, And they int gonna believe uz , And they int gonna believe uz” to the tune of “For he’s a jolly good fellow”,  but curiously they develop a Midlands accent as they do  so. 

Incompetent Mr Finnie

Half-time begins with me booing the referee for his incompetence and then Ray stops for a chat on his way to using the facilities beneath the stand.  The football resumes at seven minutes to nine with the replacement of Matt Penney with Dominic Thompson and Pat from Clacton remarks on how Thompson receives a lot of unfair abuse from some Town supporters on social media;  but we all agree that he’s alright and we like him.  I would even go so far as to say that with his beard that sometimes looks like massive sideburns and his hair that looks like tied-back dreads (it might actually be tied-back dreads), he is easily the coolest player Town have ever had.

Town pick up where they left off about fifteen minutes ago and dominate possession whilst also sending in more crosses that are cleared. “Ole, Ole, Ole” or “Allez, Allez, Allez” sing the Sir Bobby Robson stand lower tier, along with other words that I have even more difficulty deciphering and therefore don’t bother trying to; I just enjoy the noise. The fifty third minute and Sam Morsy shoots over the cross bar. The attendance is announced in a very jolly manner over the PA system by Stephen Foster, former Radio Suffolk presenter and school chum of my friends Ian and Pete, as 21,329 with the number of Wigan supporters in that total being 402, or as Stephen in full DJ mode pronounces it “foouur, huuuundred and twooo.”   “You’re support is fucking shit” chant the Wiganers to the ever adaptable Welsh hymn tune of Cwm Rhondda,  which in turn provokes more chimpanzee style laughter from the  bloke a couple of rows behind me.  

Back on the pitch and with an hour gone Wigan’s Callum Lang scythes down Conor Chaplin and is justly booked by the otherwise inept Mr Finnie.  Lang’s protestations of innocence are as credible as those of Boris Johnson; it was a blatant foul, but probably less cynical than our Prime Minister’s lies.  From the free-kick the ball pings about a bit in the penalty area before it falls to Conor Chaplin who makes a small clearing and pops the ball into the back of the net to equalise.   “Top of the league, your ‘avin’ a laugh” taunt the Sir Bobby Robson standers to the tune of Tom Hark, originally recorded by Elias and his Zig Zag Jive Flutes in 1958, which seems a bit harsh given that Wigan are both genuinely top of the league and, for all Town’s possession and good play, are not actually losing. But the goal has enthused the home crowd and a pledge of “Ipswich ‘til I die” is heard before James Norwood replaces the oddly named Macauley Bonne and then Wigan almost reclaim the lead, as Dominic Thompson inexplicably heads across his own penalty area forcing Christian Walton into two point-blank saves from the lurking Bennett.

Within four minutes Wigan are punished for missing the gift we had tried to give them as Wes Burns’ cross is headed back across the face of the correct goal by Dominic Thompson, atoning for his earlier error and an incoming Sam Morsy does a passable impression of John Wark by lashing the ball into the roof of the net.  It’s a proper goal, but foolishly and conceitedly the home crowd find it necessary once again to chant “Top of the league, you’re ‘avin’ a laugh” and go on to compound their error with more than one chorus of “Keano, Keano, What’s the score?”. It’s almost as if the crowd have forgotten that Will Keane no longer plays for us and they actually still want him to score.  What other explanation for such flagrant tempting of fate can there be?

Will Keane has already scored once and eludes the defence again to shoot at Christian Walton before the inevitable happens and with four minutes of normal time remaining he again slips all trace of marking to flick a low cross past Walton from close range.  Keane has looked mean and lean all game and much sharper than he ever did playing for Town, and when he has needed to he has made easy work of Town’s zonal ‘marking’ system.  Up in the Cobbold stand the scenes are more reminiscent of Wigan Casino  than Wigan Athletic  as the foouur, huuuundred and twooo dance and celebrate being top of the league (still) and Will Keane scoring both of his team’s goals.

The game is more even now, not only in terms of goals scored. The final whistle sees Wigan having the last laugh at being top of the league; we might have mostly outplayed them but they didn’t lose and it seems unlikely they won’t be going up as Champions,  whilst Town will be hoping Bolton and Portsmouth let us finish higher than eleventh. Some people find solace by saying that age is just a number, well perhaps so is your team’s league position, unless of course it’s bottom like Norwich’s.

 Watching your team play well is always a pleasure whatever league they’re in and tonight’s has been a marvellous match, a fitting finale to this season’s floodlit fixtures, which is just as well because courtesy of Sky TV the last game of the season is at bloody lunchtime, so we can all fast like it’s Ramadan. Bon appetit.