Ipswich Town 1 Nostalgia 1

On a damp May evening three years ago, I recall thinking to myself that it feels like 1978 and Ipswich Town have won the FA Cup all over again.  With my Portsmouth supporting wife Paulene, I had gone to see the Wolsey Theatre’s production of ‘Our Blue Heaven’, the music-backed play that celebrated the fortieth anniversary of Town’s FA Cup win. I can honestly say it was the most enjoyable Ipswich Town related evening I had had in nearly twenty years, since that season in the sun at the start of the third millennium when Town did things like beating Liverpool and Manchester City at their own grounds, having finally managed the previous May, to win a play-off semi-final and victoriously tread the turf at the old Wembley stadium for the last time. 

Fast forward to October 9th 2021, and in the spirit of celebration of Town’s winning the UEFA Cup forty years and five months before, which the club itself has seen fit to mark with the sale of a wallet, luxury boxed badge, and travel mug, the New Wolsey Theatre is staging the final performance of its production ‘Never Lost at Home’, the story of the 1980-81 season, but mainly the winning of the UEFA Cup, something no ordinarily lovable, small town football club will probably ever do again.  Not keen on spending an evening in an enclosed space with about 400 other people, most of whom will probably not be wearing a face mask, I have opted to cough up the £20 to watch the two- and a-bit hour performance on-line from the safety of my living room.

Forty and a bit years ago in May of 1981, I had just finished my final exam at the University of Sussex and I was now just wasting my time, until the lease on my shared student house was up, by playing football, going on pub crawls, walking on the Downs, visiting friends at the other end of the country and taking days out in an aged, bright orange, Dutch registered, left-hand drive Fiat 600 which my friend Chris (mainly known as ‘Jah’ due to his love of Reggae) had borrowed from a woman on his Social Anthropology course.  A lack of available cash and the demands of academia had sadly meant that in Town’s run to the final of the 1981 UEFA Cup final, I had only seen two home games, those against Aris Salonika and FC Koln.  Of the other games, I mostly remember the nervous anticipation of waiting for the result on the radio or television news.  The away matches I recall most are those at St Etienne and Koln.  I remember learning that Town were a goal down in St Etienne and was very chuffed to hear they had equalised as I headed off to the Student Union bar that March evening.  When I discovered Town had won 4-1, I could hardly believe it, and indeed it was a performance that has gone down in history as one of the best-ever by a British club in Europe and possibly Ipswich Town’s greatest performance ever.  As for the game in Koln, I remember that my friend Stephen went to the game on a supporters’ coach from Shotley and I remember seeing Terry Butcher’s winning goal on television, having been fearful that the one goal lead from the first leg would not be enough.

On the morning of 20th May 1981 my sister dropped me and my father off at Ipswich railway station where we caught a chartered train to Parkeston Quay and a chartered ferry to the Hook of Holland before boarding a chartered coach to Amsterdam.  Everyone travelled with the Ipswich Town Supporters Club and Anglia Tours back then, and I still have the pennant to prove it.  I wouldn’t enter Holland again for another 35 years, until I drove through a small corner of it on my way to Dusseldorf for a pre-season game in 2016, but I recall it being very neat.  In Amsterdam my father and I spent the time before the game in a small bar where we drank Amstel, a beer rarely seen in Britain back then, thankfully.  My father had encountered it before in foreign ports when in the Royal Navy and had warned me that it was gnats’; he was right, but it was all there was, they didn’t have any Tolly Cobbold Original.    Amsterdam was beautifully warm that May evening, which was just as well because terraces of the Olympic Stadium were open to the elements, which given that it was built for the 1928 Olympics isn’t that surprising; stadium builders weren’t always big on rooves back then.  In 1987 the Dutch government designated the Olympic Stadium as a National Monument, obviously because Town won the UEFA Cup there, but also because of the fine brick architecture by Jan Wils, an exponent of the Amsterdamse School.  It’s good to know that there is a corner of the Dutch capital that will forever be imbued with the memory of the presence of 7,500 Town fans.

My memory of the match that night in Amsterdam is one of anxiety and tension, despite taking an early lead that put us 4-0 up on aggregate and then gaining a second away goal.  AZ 67 Alkmaar were a bloody good team, but happily not quite good enough, despite Town being visibly knackered at the end of a colossal sixty-six game season. Forty years is a long time, and I’m not sure now what I remember from being there and what I remember from having seen various tv clips since.  I think I remember being frustrated that in the second half we couldn’t keep the ball away from Alkmaar, but I know I do recall wishing away the last twenty minutes of the game, and constantly checking my watch; willing Alkmaar not to score again and the Town defence to hold firm.  I remember nothing of the journey home, although I think my father might have invested in the luxury of a two-berth cabin in the hope of a couple of hours of sleep.

Tonight, “Never Lost at Home” picks up the story of the fictional Coombes family who followed Town to Wembley in “Our Blue Heaven”, and the story very much has the feel of being a sequel, which of course it is.  This time the tale begins with the family vowing to have someone at every game for what promises to be the greatest season in the club’s history as it vies to win an unprecedented treble.  Once again, the story is set against the background of the events of the times, in particular the high rates of unemployment resulting from the Thatcher government’s monetarist policies and indeed Scott loses his job to create some jeopardy in the story as it inevitably hinders his ability to get to games. Once again also, the story and the season unfold to a soundtrack of popular tunes of the time, although just like in ‘Our Blue Heaven’ it doesn’t, because several of the songs are from as much a four years later, which rankles somewhat because songs such as Tears for Fears ‘Everybody wants to rule the world’ (1985) were actually the soundtrack to avoiding relegation, not seeking glory.

Despite the failure to use the actual music of 1980 and 1981 (what a pity we never played Rapid Vienna or IK Start), rather than just generic 1980’s hits, there is nevertheless an authentic feeling of nostalgia for a time and a place.  I can’t fully explain why, but I had tears in my eyes in the first part of this production.  It might have been because I was reminded of how awful some of the music of the 1980’s was; I always hated ‘Eye of The Tiger’ (1982) and have consequently never seen any of the ‘Rocky’ films, but more likely I was mourning my lost youth and my lost football team, both of which seemed to go missing at much the same time.

 One major departure from the mostly repeated formula of “Our Blue Heaven” is the introduction in “Never Lost at Home” of one of the players as a recurring character, that player being the now legendary Arnold Muhren.  The choice of Arnold was, if not inspired, then obvious, because perhaps more than any other player, even his fellow Dutchman Frans Thijssen, Arnold somehow personifies that 1980-81 team, despite having actually joined Town three years before in September of 1978.  Again, the story employs a little artistic license as it almost implies that Arnold and Frans joined for the 80-81 season, but that is easily forgiven and does add to the mythology of that remarkable season.  I can only think that in casting actor Dan Bottomley as Arnold Muhren, one of the main considerations must have been his legs, because these have the same straight up and down shape of Arnold’s.  Not for Arnold the meaty thighs of Mick Mills or Paul Mariner; Arnold was a sinewy thoroughbred, built for the measured pass, the clever change of pace and direction in a single stride, the sort of footballer who simply danced through midfield and no longer exists in a game where speed, strength and bulk has usurped grace and subtlety.

The greatest triumph of ‘Never Lost at Home’, as it was of ‘Our Blue Heaven’, is the performance of Peter Peverley as Bobby Robson.   Not only does Peverley, with his gently hoarse County Durham accent, and perfectly observed Robson-esque mannerisms create a wholly believable vision of the Town manager, but he also delivers the great man’s words as he sends his team out in search of glory.  So stirring and convincing are Peverley’s words it might be an idea if the current Town management employed him to give Paul Cook’s team talks.

Oddly perhaps, ‘Never Lost at Home’ tails off towards the end, in contrast to the prequel which had something of a grand finale as the stories of the characters all came together on 6th May with a birth, a marriage and the Cup Final itself.  This time the characters don’t have their own stories to be resolved other than what happens to them as they travel across Europe in the rounds leading up to the final. We all know the ending, and although Town ultimately win the UEFA Cup, sadly mine and a lot of people’s memories of 1980-81 are probably tinged with a feeling of ‘what should have been’ with the loss of the FA Cup semi-final to the hugely inferior Manchester City and the loss of the ever-elusive League Championship to Aston Villa, a team we beat no less than three times over the course of the season.  But as one of the characters in the play points out, we had already won the Cup and the League before, so if it was to be only one out of three, best that it was the UEFA Cup.   Reassuringly however, it’s good to know that we only lost out in the Cup and the League because none of the characters in the play could get to the Cup semi-final or the penultimate League game of the season at Middlesbrough.

In truth, ‘Never Lost at Home’ wasn’t quite as good as ‘My Blue Heaven’, although my seeing it through the television screen rather than in the flesh is doubtless a factor in that. The story doesn’t have the drama of its predecessor and by drifting further into 1980’s the music is not so much ‘not as good’, as ‘worse’. Nevertheless, it was still massively enjoyable all the same, bringing back those memories of what genuinely was a marvelous time to be a Town supporter and which seems even more so given all that’s happened since. I can only hope that both ‘Our Blue Heaven’ and ‘Never Lost at Home’ are both resurrected in ten years time, not only to celebrate the fiftieth anniversaries of the FA Cup and UEFA Cup wins, but also their own 10th anniversaries; or perhaps we could have a musical about going to a musical about winning the FA Cup and UEFA Cup; I’d watch it.

Ipswich Town 1 Arsenal 0 – Our Blue Heaven

It’s Saturday May 6th 1978, I will be eighteen in about seven weeks’ time and today I am going to the FA Cup final. I am going with my dad; we were two of the 24,207 who saw Town beat Hartlepool United in the fourth round of the FA Cup and the 29,532 who witnessed the 3-0 win in the fifth round replay against Bristol Rovers; we went to the semi-final at Highbury on a supporters’ coach from Shotley. We saw Landskrona Bois, Las Palmas and Barcelona at Portman Road back in the autumn and have seen about a dozen league games on top of that, so we had the requisite vouchers to get tickets for the final. But this morning my father has woken up feeling unwell; he doesn’t think he’ll be up to going to Wembley and so for my friend Tim who lives five doors away, it’s his lucky day. I walk along the street, knock on his front door and ask if he wants to come to the FA Cup final; he does. Tim’s dad Charlie will this evening deliver a bottle of sherry by way of a thank you.
I listen to a few selected tracks from Blondie’s first album ‘Blondie’ (released in December 1976 )as I get ready to go; ‘Look good in Blue’ seems apposite this bright morning as does ‘In the sun’ with its lyric “In the sun , we’re gonna have some fun”. We get to Ipswich railway station somehow; on the 202 bus, or does someone give us a lift? Ticket to WembleyFrom Ipswich we are on a special chartered train that turns right at Stratford and plots a course through north London round to Wembley Central. In Wembley Stadium the terrace steps at the tunnel end are much bigger and steeper than those in Churchman’s or in front of the East Stand, blue and white abounds. The sun shines and Arsenal, wearing yellow and blue, kick off with Ipswich playing towards that blue and white tunnel end. Paul Mariner hits the cross bar, John Wark twice shoots against a post, Pat Jennings saves acrobatically from George Burley, Paul Mariner misses, bigmouth Malcolm McDonald is rubbish, Clive Woods is brilliant, David Geddes crosses, Willie Young is a lumbering donkey, Roger Osborne scores, we cheer, we sing, Roger Osborne is substituted for Mick Lambert, Town win and Mick Mills lifts the FA Cup and turns to show it to us.
Back at Wembley Central railway station after the match a half-brick or a stone bounces off the window of our train as we wait to depart back to Ipswich. Arriving back in Ipswich, Tim and I celebrate with a couple of pints of Tolly Cobbold bitter in the Railway Tavern on Burrell Road as we wait for a lift home in Tim’s dad’s green Morris Minor 1000.

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Forty years and eighteen days later it’s a dank evening in Ipswich, I have been to work, visited my mum, parked up in Portman Road and arrived at the New Wolsey theatre, which didn’t exist in 1978, although there was repertory theatre in Tower Street. I am with my wife Paulene. My father has been dead for nine years, happily his cause of death was unrelated to his illness of 6th May 1978, he enjoyed almost 21 years of good health subsequent to that and made it to the UEFA Cup final second leg in Amsterdam. Tim now lives in Weymouth and oddly he still only gets to see the Town when I get him a ticket (this season we went to Brentford). The Railway Tavern has been demolished; the green Morris Minor was scrapped long ago. But the name of Ipswich Town is still inscribed on the plinth of the FA Cup.
My seat at the Wolsey theatre tonight is in the front row of the auditorium, my wife Paulene is sat in the row behind; she sat behind to give me more legroom. The production is so popular we couldn’t get two seats together. We are the first people in the auditorium, Paulene’s asthma means she needs time to acclimatise. I read the programme (£4) and think “Cup final prices”. The stage is just a metre in front of me, the ‘boards’ are under a green covering patterned to look like turf. At the back of the stage a pair of blue doors look like the doors at the back of the old North Stand, above them is a projection of the type of corrugated cladding also redolent of the old North Stand. But there was never a sign that said ‘Welcome to Portman Road’ back then, there isn’t now. Also part of the projection is the old Ipswich Town crest, the slightly imperfect yellow and blue one, which should be restored out of respect to the past and to John Gammage who won the competition to design a distinct crest for the club back in 1972.41429848635_33f2609053_o
I watch the ‘crowd’ as the auditorium fills up to the sounds of assorted 1970’s pop hits, nostalgic but mostly awful. The majority of people here seem to be my age or older, old enough to have witnessed the 1978 Cup final. A few people are sporting blue and white scarves; one man wears a bright red blazer as if he’s just got here from Butlins. In the front row are three young lads, pre-teens, one of them wears a parka which lends an unexpected layer of 1970’s authenticity. Paulene says she feels cold, I say if I’d known she was going to I would have brought a blue and white bobble hat for her.
The lights dim and tonight’s performance of ‘Our Blue Heaven’ begins with Blondie’s “Hanging on the telephone” played live as the soundtrack to a domestic scene in which a young couple, Mel and Scott arrange their wedding for Saturday 6th May 1978, and then the draw for the third round of the FA Cup is announced. I resist the temptation to put my hand up to point that Blondie’s Parallel Lines album, from which ‘Hanging on the telephone’ was taken as a single would not be released until September 1978. I am not really a pedant and whilst I may not always like it, I do understand the concept of artistic licence and have been known to use it myself; I deny all accusations that it was merely lying.
Mel’s sister Sue is a dedicated and faithful Town fan and from the start foresees that she will want to be at Wembley on May 6th. Meanwhile, in a parallel story Smudger and Ange are awaiting their first child, with Ange’s ‘expected date of confinement’ surprisingly enough being 6th May, although the nurse at the hospital, who happens to be Mel and Sue’s mum Sheila tells them that babies never arrive on time. Smudger is as committed a Town fan as Sue and is predictably torn between his love for the Town and supporting his wife.
The simple domesticity portrayed is all a bit ‘Play for Today’, particularly when it transpires that Mel and Sue’s dad Paul is a striking fireman, whilst Scott’s dad Brian is a Thatcherite policeman; and that just adds to the authenticity and feel that it is 1978. I am transported back in time on a wave of Nostalgia (from the Buzzcocks Love Bites album and like Blondie’s Parallel Lines, also not released until September 1978, but also sadly not in the show).
Scenes from the two families’ stories are spliced with Town’s progress through each round of the FA Cup introduced by popular songs of the time, Bowie’s ‘Heroes’, Patti Smith’s ‘Because the night’, something or other by the Bee Gees. For the sixth round trip to Millwall the band plays the Clash’s London Calling, at which point I really do want to put my hand up because the Clash’s album was not released until December1979, a whole 20 months later. I only hold back when London Calling runs into White Riot, which is much more temporally authentic having been released as a single in March 1977, and a cracking tune to boot.
For each match a group of male and female dancers act out the crucial on-pitch events to the background of the songs and a BBC radio style commentary. My friend Gary texted me before the performance to tell me there was just one thing he did not like about the production and later he will tell me that it was the football sequences. Re-creating football well is notoriously difficult to do, as proven by awful films such as Yesterday’s Hero, in which incidentally the football sequences were filmed at half-time during a game at Portman Road; this is why I don’t consider that the director really bothered to do so. The dancers don’t look like footballers and they are only dancing, creating an impression through movement; they could have been supporters recreating the goals, children doing so in the school playground, and that is authentic. So Gary, you are wrong and need to brush up on your critiquing skills.
The intertwined stories of the families and the FA Cup run are good ones, there is drama, pathos, human emotion aplenty, humour and of course a happy ending. But the thread that runs through the production is the character of Bobby Robson who intermittently comes on to the stage like some sort of visiting angel wearing a series of 1970’s style suits and coats, imparting words of wisdom and assorted homilies about football and the wider experience of our lives beyond. As if this isn’t enough, the actor playing him, Peter Peverley does so brilliantly, better even than Michael Sheen’s rendering of Brian Clough in The Damned United. Peverley has the accent which is easy enough, and he has perfected the mannerisms too, but more than that he has captured the slight hoarseness in the voice, it’s almost uncanny. He wears a pretty bad wig though.
The finale to the production has the marriage, the birth and the FA Cup final taking place on stage simultaneously following the singing of Abide With Me, the Cup final hymn since 1927; a maudlin little number but a cracker nevertheless because it is the Cup final hymn and has been marinated in 90 years of Cup final history. Being sat right at the front, my view is now partly obscured by some of the on stage props, so I watch the audience. People who know the words sing along with Abide With Me, whilst others hold their scarves aloft. It is likely that many of the people here, like me were at the Cup final in May 1978 and are part of the story, but this makes people feel involved all over again, it’s nostalgia with knobs on, re-enacting the past, albeit part fictional, but this is somehow how it felt.
The story ends and it truly feels like Town have won the FA Cup all over again, and then Roger Osborne, the personification of the day because he scored the winning goal enters the stage, inevitably to a standing ovation. The ultimate finale however, comes with the cast all assembled on stage with Bobby Robson leading us in a sing-song, some Cup final community singing of our own; a rousing rendition of Edward Ebenezer Jeremiah Brown. It’s bloody marvellous and everything that matches at Portman Road no longer seem to be, utterly joyous. I give it my all.
I have had a most marvellous evening and for much of it I am not ashamed to admit I have had a tear in my eye. I have been taken back in time, but don’t know if I’m tearful for my lost youth and the passing of the days when Ipswich Town was such a wonderful football club and team, and when the FA Cup was something that really mattered, or if these are tears of joy and happiness, for a love of my team and a sense of belonging that has been re-kindled.
Nostalgia is warm and cosy, but it’s not a healthy thing, because we cannot go back and we have to live in the present; but tonight after watching Our Blue Heaven I genuinely feel uplifted.
My name is Edward Ebenezer Jeremiah Brown
I’m a football supporter of Ipswich Town
Wherever they play, you’ll find me
I haven’t missed a game since I was three
With me scarf and me rattle and me big rosette
Singing where was the goalie when the ball went in the net
Follow the Town
Up or Down
I’m Edward Ebenezer Jeremiah Brown but everybody calls me Ted.

Football, Football,
Whose the greatest of them all,
Let’s put it to the test
Come to Portman Road on a Saturday and you’ll see the best
Oi!
Ipswich! Ipswich! Come On The Town!
Ipswich! Ipswich! Come On The Town!

My name is Edward Ebenezer Jeremiah Brown
I’m a football supporter of Ipswich Town
Wherever they play, you’ll find me
I haven’t missed a game since I was three
With me scarf and me rattle and me big rosette
Singing where was the goalie when the ball went in the net
Follow the Town
Up or Down
I’m Edward Ebenezer Jeremiah Brown but everybody calls me Ted.

2-4-6-8 who de we appreciate?
It isn’t hard to tell
Just you take a closer look at me
And you’ll know darn well
Oi
Ipswich! Ipswich! Come On The Town!
Ipswich! Ipswich! Come On The Town!

La la la
La lala la lala lalala
Lala lalala la lala lalala
La lalala lalala, and lots more lalalaing, you get the picture ?