norwich

Stade Brestois 1 Olympique Lyonnais 0

/ martinpbrooks / 2 Comments

Finistere is the most westerly departement or ‘county’ of metropolitan France, with its name translating pretty much as ’the end of the earth’.  Not far east of the most westerly point of the most westerly department is Finistere’s largest town, Brest, an historic port and naval city, which was almost totally flattened by allied bombing during World War Two because the Nazis occupied it and made it part of their strategic ‘Atlantic Wall’.  Today, having been rebuilt in the 1950’s with an emphasis on space and layout rather than impressive or pretty architecture, although the church of St Louis de Brest is a notable exception, Brest has a population a little larger than that of Ipswich, but serves a metropolitan area of twice as many people, and is home to Stade Brestois 29, a football club in their present incarnation now enjoying their longest spell in the French first division since the 1960’s. Tonight, Stade Brestois who are currently third in the first division table, play Olympique Lyonnais who are third from bottom and I will be there. A win for Brest will put them top of the league above OGC Nice who won 1-0 away to previous leaders AS Monaco last night.

My wife Paulene and I are staying in a city centre hotel, which proves very handy indeed for the Liberte tram stop, where I just manage to extract two tickets (€1.70 each) from the vending machine and jump aboard a bright lime green Ligne A tram before it shuts its doors and begins a gentle, whirring, electricity-drinking ascent up Rue Jean Jaures towards Place de Strasbourg, from where it is just a short walk along Rue de Quimper to Stade de Francois Ble, home of Stade Brestois 29 (the 29 is the number of the Finistere departement – for some reason the mainland departements are numbered from 1 to 100, although weirdly Corsica gets to be 2A and 2B).   A gathering crowd is plainly in motion as we alight from the tram, and there is no difficulty finding the stadium as we are consumed by the human tide being drawn by the glow of floodlights shining out through the Breton dusk, and the promise of beer from the bar immediately behind the ground.  There is something about the approach to the ground and its relationship to the street that reminds me of the old Dell in Southampton, but I don’t let it worry me and not seeing any indication of a club shop I follow Paulene into the stadium after the usual ‘patting down’ by a huge, friendly man of Franco-African origin, who ensures I am not smuggling flares or other unfashionable trousers into the stadium. 

My fears about being unable to source club merchandise are quickly allayed as I spot a small wooden hut which looks like it could double up for use at a Christmas market.  I‘ve done my homework on-line, and know that for a bargain €9.90 I might be able to obtain a T-shirt bearing the club crest and the slogan Marree Rouge  (Red Tide). I point at a box of red T-shirts which bear the markings described and ask if there is one in ‘Large’ size.  The helpful young woman searches, examining the labels in collar after collar, one by one, but without success.  Eventually, sensing my desperation she holds up XL and XXL shirts as if suspecting that I am the sort of bloke who looks capable of putting on several kilos in weight if it suddenly proves necessary.  Optimistically, believing that I can fool the world by holding my stomach in, I ask if there is not a medium sized shirt instead; there is, but then, as she delves into the cardboard box just one more time a miracle happens, and she pulls out a ‘Large’; very possibly the last one in existence that isn’t already being worn by a well-proportioned Breton.

Clutching my precious T-shirt, I head for stairway five of the Tribune Foucauld and having climbed three flights of concrete steps I find myself looking over the brilliant green, floodlit pitch; all that remains is a further climb to row X and our seats, which I bought on-line a couple of weeks back.  Stade Brestois operate a loathsome ‘dynamic’ pricing system in which the club acts like a tout and the price of a seat changes, according to how much they think they can get for it.  When I first looked, tickets were €80 each; I eventually scored two of the few remaining ones for €45.  The club says the system means that people playing top price for seats allows less well-off fans to get cheap seats, but presumably this is only if these poorer fans have nothing to do with their time but be permanently logged onto the club website, waiting for a ticket price they might be able to afford.  The stadium has a capacity of not many more than 15,000 and is almost full for every Ligue 1 game. We sit in our over-priced seats and enjoy the view, which includes, through fading light, sight of the wide inlet from the Atlantic Ocean, which gives Brest its advantage as a port and naval dockyard.  Opposite us, the Tribune Credit Mutuel Arkea has five thick tubular stanchions set at a rakish angle to hold up the roof; atop the stanchions and the roof are floodlights, although the ground also has lights in all four corners.  To our right is the open Tribune Atlantique, a metal temporary stand a la Gillingham, and it’s where the away supporters are inevitably penned into a corner, they don’t even get seats, just metal benches.  Behind the stand, the occupants of a block of flats get a free view and can be seen crowding around windows and Juliet balconies. To the left is the small but freshly renovated Tribune Quimper; the ‘home end’ where the majority of the Brest Ultras congregate.

Whilst Paulene stays put to get maximum value from her seat, I soon take a wander to see what I can see and to find a programme, which is as ever free, and tonight is of the newspaper variety; it tells me the squads and who the referee and linesmen are and that’s it, which is all I need to know.  On the mezzanine level one staircase down from our seats is a bar, above which is a banner advertising the Breton Lancelot brewery.   Expecting one of Lancelot’s tasty beers, I invest 5 euros.  The beer is sweet and nasty and probably non-alcoholic; I tell the barmaid so and ask if it is Lancelot, because it doesn’t taste like it.  She doesn’t know but thinks it’s probably Carlsberg.  I’ve been poisoned.  At either ends of the stand are what look like private members bars, “Le Caban” and “L’esprit des Legendes”.  Spectators entering these bars do so only after having received the nod from people dressed intimidatingly all in black; presumably that’s where they serve the good stuff.  I’m guessing those spectators aren’t in the cheap seats.

I return to my seat, and in the company of Paulene time passes quickly as we watch Zif, Brest’s pirate mascot, parade before the stand, and enjoy the arrival of the people in the seats around us, most of whom seem to be blokes in their seventies who all know each other.  The man next to me wears a beret and seems very clean, like Paul McCartney’s grandad in A Hard Day’s Night, but French. When the teams at last come onto the pitch, it’s to the fanfare of the Ligue 1 ‘anthem’, leaping flames, and the presentation of the match ball on a shiny plinth in front of banners displaying the two club badges and the Ligue 1 logo.  The public address system seems loud enough to make my ears bleed, but happily it doesn’t, although I do check.

When the game begins it is Lyon, generally known as OL in France, who get first go with the ball which they try and aim in the direction of the ocean whenever they can.  OL wear a frankly hideous, and annoyingly unnecessary away kit of all blue with red trim, whilst Brest are in their signature red shirts with white shorts and red socks. It’s been a warm day, but now a strong breeze blows up the hill from the dockyard and towards the OL goal. From the start, the slogan on my recently purchased T-shirt proves accurate as Brest sweep forward with wave after wave of attacking intent.  A shot goes way, way over the Lyon goal and then another soon earns a corner.  Brest are easily the better team but can’t find the final pass or the final touch that counts.  In midfield for Brest, Pierre Lees-Melou is brilliant, despite having previously played for Norwich City, and I imagine that the Canaries simply had no idea how to integrate a player into their team who can pass accurately, tackle, shoot, run with the ball and generally be quite good.  Fortunately, Lees-Melou seems to have suffered no ill-effects from his thirty-odd games wearing  yellow and green., but he’s probably receiving counselling.

All around the ground, the crowd brays with indignant disapproval whenever a Brest player is fouled. When referee Thomas Leonard books OL’s Ernest Nuamah for fouling Lees-Melou, the cheers sound like a goal has been scored.  I enjoy the wonderful name of Kenny Lala for Brest and the terrible haircut of Maxence Caqueret of Lyon, a player who looks like he was born 120 years too late and should have been the singer in a 1930’s dance band. On twenty-four minutes Lees-Melou has a shot tipped onto the cross bar by OL goalkeeper, the excellent Anthony Lopes, and then Brest’s Jeremy Le Douaran curls the rebound around the angle of the post and the bar.  “Allez-Allez-Allez” chant the home crowd from every stand.  A minute later OL get the ball into the Brest penalty area for the first time, but it comes to nought and instead all around is the noise of Brest fans urging their team on to score the goal the balance of play says they deserve.  The Ultras in the Tribune Quimper call out and the rest of the stadium answers back.  Mahdi Camara, a recent signing from Montpellier, dribbles deep into the OL box but again, there is no goal, only anticipation and excitement.  In the corner of the open end, the OL fans seem oblivious to their team’s ineffectiveness, other than in defence, and have sung and chanted all through the first half, prompted by two blokes perched astride the high metal fence that separates the supporters from the pitch.  Both blokes wield loud halers, but I don’t know if it’s the effect of the strong on shore breeze blowing away most of the sounds of their voices, but they both sound like Rob Brydon’s small man trapped in a box.

The fortieth minute is a milestone in the game as OL win their first corner, but of course it doesn’t result in a goal, and it’s the Brest supporters who remain in ebullient mood, holding their scarves aloft in the Tribune Quimper as the first half draws to a close in a sort of 1970’s tribute that suits the architecture of the stadium and the old blokes all around me who were themselves probably the Ultras of fifty years ago.  In front of me, a bloke wears double denim, and succeeds in accentuating the feeling, as if he’d come to a game in 1973 and never went home.

With half-time, the seats to our left are nearly all vacated, revealing the fact that they all sport red covers and suggesting perhaps that their occupants are now all enjoying some form of hospitality somewhere, perhaps in Le Caban or L’Esprit des Legendes. I will read later that the club owners wish to build a new stadium at the end of the tram line at the edge of the city, but that it will still only have a capacity of 15,000, no doubt because they want to be able to still charge top prices for the comfortable few and forget about the sweaty oiks who may be don’t wear shirts, and chant and light flares and drink too much beer containing alcohol in the bar across the road.

The second half begins and nothing changes, although encouragingly the block of seats to our left is soon re-populated, proving either that the occupants are genuinely interested in the match or that the hospitality isn’t free or unlimited. After just seven minutes however, OL roll the dice by replacing Ernest Nuamah, Diego Moreira and Paul Akounkou with Mama Balde, Tino Kadeware and Ainsley Naitland-Miles, who tonight wears a silly number 98 shirt and a few seasons ago mostly failed to excite when on loan at Ipswich from Arsenal.  The change sort of works for a short while and Alexandre Lacazette finds space to launch a thirty-yarder which flies over the Brest cross bar, but then a weak Caqueret pass is intercepted by Lees-Melou who dribbles away from his own half and to the edge of the OL penalty area before frustratingly shooting beyond the far post.  An hour has gone and Brest miss another chance, probably the best yet, as a low cross is somehow steered wide of the OL goal by Jeremy Douaron from just a couple of yards.  Whilst clutching their collective heads the crowds shout “Aye-Aye-Aye” and I find myself joining in with swelling chants of “Allez les Rouges! Allez les Rouges!”  Paulene, a Pompey fans says the atmosphere is like that of Fratton Park. “The same sort of people” she says. “What? All dockyard mateys” I reply, thinking of my dead father, a one-time Pompey based matelot who I know would have said exactly the same thing.

The game enters its final twenty minutes, and to mark the occasion tonight’s attendance is announced as being 14,636, and Brest substitute number seven, Martin Satriano for number nine, Steve Mounie.  But it’s OL who, still against the run of play, now come closest to a goal as Lacazette sends a decent low shot goalwards from the edge of the penalty area which Brest ‘keeper Marco Bizot dives to his right to stop and then jealously grab.  Lacazette lasts five minutes more before being replaced by Rayan Cherki, a man whose distinctly bushy facial hair and short back and sides give him the look of an Edwardian naval captain.

Three minutes of normal time now remain.  A move down the right produces a cross from Brest’s Kenny Lala, which Steve Mounie heads against the foot of Lopes’s left hand post.  As the crowd gasps in thrilled disappointment the ball runs back to Lala who crosses it again and Mounie, who has back-pedalled judiciously, this time hurls himself forward to head the ball past Lopes into the near top corner of the net, and Brest have the goal they deserve.  The crowd is on its feet, but OL defender Tino Kadewere is on the ground having been barged out of the way by the hurtling Mounie, although there was no real suspicion of a foul.

“Allez, Allez, Allez, Allez” we all sing triumphantly, Billal Brahimi shoots, Lopes saves, and Brest have a corner and five minutes of added on time in which to retain their clean sheet or even score again.  The very clean old bloke in the beret, next to me, leaves early, but very few others do.  Jonas Martin shoots and misses for Brest, and Naitland-Miles has a shot saved for OL, but there are no more goals and as the clock ticks towards eleven o’clock Monsieur Leonard blows his whistle for the last time.  Brest are top of the league, or more accurately given our geography, a la tete du classement.  We stay a short while to applaud before heading off into the night and back along Rue de Quimper to the tram stop, and a journey back to our hotel on the most crowded tram I have ever ridden on. It’s been a fantastic evening and still with our minds whirring excitedly, in our hotel room we celebrate Brest’s success by cracking open a small bottle of Cremant that had been cooling in the mini-bar, and unwind by watching the game all over again on Canal Plus tv. Allez les Rouges!

Ipswich Town 2 Shrewsbury Town 0

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It’s been a beautiful wet morning of silvery grey light beneath a shroud of pale cloud.   I woke early, before six, when the sky was blue and red as the sun came up, but that was too early, so I went back to bed, then overslept.

Earlier this week I woke up with my mind disturbed by vivid dreams of a time over forty years ago when I was a university student coming to terms with base desires to form shallow relationships with members of the opposite sex. Worryingly, in these dreams I fancied girls who at the time I didn’t think I did. Why my subconscious mind should want to re-appraise events of forty years ago I cannot fathom. The week has improved since then, and psychologically re-balanced I’ve now parked up my planet saving Citroen e-C4 and have stepped out across a slippery, soggy Gippeswyk Park, beneath Ancaster Road railway bridge and over the river to the old tram depot and Sir Alf Ramsey Way, where I cashlessly buy a programme for today’s match having waited my turn behind  a man who called the programme seller ‘mate’ at least four times and possibly as many as six during the  course of his brief transaction. I was tempted to address the programme seller as ‘programme seller’ but of course I didn’t. One day.

 At ‘the Arb’, I am a little bemused that there is no Mauldon’s Suffolk Pride today, but on the barman’s recommendation I order a pint of Mauldon’s Silver Adder (£4.00) and retire to the beer garden, which is already occupied by several drinkers of late middle age. I drink alone today because my friend Mick might be required away at any moment to collect a ‘stiff’; my words, not his and is taking the calls. Despite Mick’s absence, death still stalks me as at a nearby table I overhear a man talking of a funeral he had recently been to at the Seven Hills Crematorium.  “They just talked a bit about his life, played some music, and that was it” he says.  Later, he will tell his fellow drinkers about watching football on tv in Arabic by means of his Firestick, and how Richard Keys and Andy Gray are still working for beinsports in Qatar, where their grubby attitude towards women is clearly tolerated.  I would like to hear Andy Gray speaking Arabic.

I read my programme, gleaning from it the fact that Sam Morsy has been booked twelve times this season, which is four more times than any other Town player and twice as many times as the third most booked player, Wes Burns.  Finishing the Silver Adder, I return to the bar for a pint of Lacon’s Encore (£3.51 with Camra discount), by way of an encore.  At about twenty to three I depart for Portman Road. In Crown Street a young man steps out of a barber’s shop and sprays what I assume to be deodorant under his armpits from beneath his T-shirt.  An ambulance speeds by with its siren blaring; “Go, go save that person” shouts a lairy youth, no doubt trying to impress his friends with his off-the-wall ‘humour’.

I reach Portman Road and behind what was the North Stand a bearded man I know called Kevin sidles up to me and says hello. Kevin’s pre-match ritual is to have a pint at St Jude’s Tavern; he would join me at the Arb but can’t not stick to his ritual in case it causes a calamitous result.  We walk to turnstile 61 together; Kevin uses turnstile 61 because 1961 was the year he was born.  On what used to be the Churchman’s terrace I edge past Fiona to my seat next but one to the man from Stowmarket, although Fiona says he’s actually from Stowupland.  Two rows in front of us are ever-present Phil who never misses a game and his young son Elwood.  Pat from Clacton arrives a little after I do; she’s going to Great Yarmouth tomorrow on a ‘whist holiday’.

The teams process onto the pitch and Stephen Foster, the former BBC Radio Suffolk presenter and class-mate of my friends Pete and Ian, reads out the teams.  Along with ever-present Phil, I bawl out the Town players’ surnames, pretending to be French. If I was French, I’d already be retired now, and depending on where I lived I might support Racing Club de Lens, Lorient, Clermont Foot or Montpellier. It’s something I think about a lot in my many idle moments.  After a minute’s applause for former Town director John Kerr who died this week, Shrewsbury Town take the knee and applaud whilst Town players form a huddle, and then the match begins. Shrewsbury get first go with the ball attempting to send it mostly in the direction of the goal just in front of me, Pat, Fiona, Phil and Elwood.  Shrewsbury are sporting a change kit today because their usual, distinctive blue and yellow striped shirts would clash with Town’s all blue shirts.  Disappointingly,  Shrewsbury have opted for all-black, the magnolia of modern-day football kits,  for people who choose club kits but who also lack imagination. The addition of red smudges over the shoulders does nothing to alleviate the depressing absence of colour.  The referees however are doing their best for us and are wearing orange shirts.

An intimidating, brooding wall of silence encloses the ground providing the soundtrack to the games’ opening moves, but a bit of noise eventually emanates from the Blue Action section in the lower tier of the Sir Bobby Robson Stand, followed by the curious chants of “Addy, Addy, Addy-O”.  It’s damp, and a faint mist seems to hang over the pitch.  Town have the ball mostly, but all of a sudden Christian Walton is leaping acrobatically to tip a header from Luke Leahy (I like to think Leahy is pronounced leaky) over the cross bar to give Shrewsbury the game’s first corner. Quickly it has been established that Shrewsbury are going to be one of those teams who are all free-kicks, set pieces and shoving people over.  It’s a style of ‘football’ that is effective for a bit, but people soon get tired of it and that includes the players, just ask Mick McCarthy. 

Town soon re-establish their superiority, which manifests itself in three corners in five minutes as crosses and shots are blocked.  A dozen minutes have gone forever and half the pitch is now bathed in mottled sunlight and the other half wallows in the shadows of the stands.  I am struck by how spindly the legs of Shrewsbury’s number 33, Tom Flanagan, are and just to prove the point he slips over like new born Bambi.  The fifteenth minute arrives and Wes Burns scampers off down the wing, crosses the ball and George Hirst rises high, twists his neck, and heads the ball gloriously into the goal beyond goalkeeper Marko Marosi.  It’s the sort of goal centre forwards used to score all the time, and at half-time Ray will tell me how it reminded him very much of Trevor Whymark’s best work, and he’s right.  Town lead 1-0.

The sun is shining, the Town (Ipswich not Shrewsbury ) are winning and all is right with the world as I sit back and wait for Town’s next goal.  Before that however, comes the first booking as Wes Burns is tripped by Jordan Shipley, who forty years ago might have been called Gordon Shipley.  All twenty outfield players are within forty yards of the Shrewsbury goal as the resulting free-kick is taken, but the ball goes straight into the arms of Marosi.

With the game entering its second quarter, it feels like Town ease off a little as what had been a busy period of crosses and constantly probing possession comes to an end.  But the rest, is just a rest and soon Town are winning more corners. “Come On You Blues” I bawl.  “ They can’t hear you” says Pat from Clacton.  “I don’t think anyone can” I tell her, disappointed that all across the bottom tier of the Sir Alf Ramsey stand people haven’t joined in with me. “I can hear you” says Fiona, sounding like she wishes she couldn’t.

We descend towards half-time and from another  Wes Burns cross it looks as though the until now excellent Massimo Luongo has an open goal, but somehow he contrives to head the ball where we and presumably he didn’t want it to go, not into the goal.  In the interests of variety, Shrewsbury are awarded a corner as Cameron Burgess clears the ball behind from a rare, but awkward foray forward by the visting team, and Christian Walton saves a shot from that Gordon Shipley, before Conor Chaplin restores order but shoots wide of the Shrewsbury goal.  The half closes with an homage to BBC tv sitcom Dad’s Army as Shrewsbury number 15, Rekeil Pyke  fouls Luke Woolfenden, and hopefully referee Ollie Yates adopts a German accent to say “ Your name will also go into the book, what is it?”  From the touchline I think I hear Shrewsbury manager Steve Cotterill shout “Don’t tell him Pyke!” and both benches and Mr Yates fall about laughing.

With half-time, I hasten away beneath the stand to make use of the facilities and enjoy the luxury of the new hand dryers which since the last home game have replaced the old asthmatic ones.  I return to talk with Ray and his grandson Harrison at the front of the stand. Ray seems disappointed with the first half because Shrewsbury have had a couple of reasonable chances and Town have only scored once, but he liked the goal and talks of Trevor Whymark and Alan Lee.

The football resumes at seven minutes past four and I eat a Nature Valley honey and nut cereal bar, which I finish before Town seemingly score again as Conor Chaplin taps the ball in at the far post after a deep cross, but apparently he is offside; he doesn’t argue so he probably was, or he is the first player to work out that referees do not change their decisions.   The disappointment is only temporary however, but what isn’t?  Two minutes later there’s a cross, a Conor Chaplin shot is blocked and Massimo Luongo places a precise hooked shot inside the far post to put Town 2-0 up.

It feels to me like we’ve won already and it’s just a matter of how many goals Town can get. Shrewsbury are putting up decent resistance but we’re too good for them and almost proving the point George Hi⁸rst thumps a shot against a goal post, although he must ask himself why he missed the 7.32m wide gap to its left.  A minute later  Shrewsbury’s Matthew Pennington is booked for reacting childishly to a perceived dive by Nathan Broadhead and then an unseemly melee ensues with all the usual posturing and macho behaviour that you would expect from the drivers of enormous black SUVs.   When the free-kick is eventually taken, Leif Davis uncharacteristically launches it wastefully over the cross bar.

Ipswich’s early dominance of the second half nevertheless inspires some noise from the home crowd and the Sir Bobby Robson stand treat everyone else to the usual truncated rendering of Harry Belafonte’s, or may be Boney M’s, Mary Boy Child with specially adapted lyrics that tell of what now seem like mythical fights with Norwich on Boxing Day.  Shrewsbury are first to blink with regard to substitutions and two are made together, one of them being the aforementioned Pyke. 

Time rattles on by twenty minutes and Shrewsbury win a corner and Nathan Broadhead is booked for being fouled in the Shrewsbury penalty area despite Shrewsbury players concernedly helping him to his feet rather than pointing accusing fingers.  Todays’ attendance is announced by Stephen Foster as 26, 432 with 343 from Shropshire, and weirdly but as per usual, people applaud themselves  or each other, or may be they’re applauding Stephen Foster.  On the Clacton supporters coach the guess the crowd competition is won by Pat from Clacton’s great nephew Liam, who is just visiting for the weekend and is a West Ham United supporter.  Understandably, Pat seems disappointed that this ‘part-time supporter’ has won the prize and suggests various other guesses  on her list to Fiona and me that might be closer, but none of them are.

Fifteen minutes remain and it’s time for Town to begin their usual catalogue of substitutions and Freddie Ladapo and Marcus Harness replace George Hirst and Nathan Broadhead.  Another Shrewsbury corner sees Chey Dunkley strike the Town cross-bar  with a header, but typically for a team reliant on ‘big blokes’  there has been a foul, and Town are awarded a free-kick and Christian Walton receives lengthy treatment whilst everyone else enjoys a break by the touchline.  “Get Up!” shouts a frustrated pre-pubescent voice behind me.  His dad explains that you don’t shout “Get Up” at your own players, but the child simply replies ”But it’s taking forever”.  When he’s older he’ll realise that some of life’s best moments are when nothing is happening.

The last ten minutes of normal time have found their way here and it still time for two more Shrewsbury players to be shown Ollie’s yellow card  for fouling Conor Chaplin, and Kayden Jackson, who has replaced Wes Burns, although they probably would have fouled him too given the chance.   The eternal treatment to Christian Walton results in only seven minutes of added on time and whilst I hope for a third Town goal which would mark out the result as a modest thrashing rather than just a satisfactory win, it doesn’t happen, despite two more Town substitutions and an outbreak of rhythmic clapping.

Finally, at a minute before five o’clock the game ends and my little band of ultras and I bid our adieus until Good Friday.  It’s been a fine performance from Ipswich and ultimately a comfortable, if hard fought victory.  I will travel home this evening content, and safe in the knowledge that in forty years’ time it is unlikely my subconscious mind will unexpectedly want to re-appraise todays events, because I expect I will be dead.

IpswichTown 2 Sheffield Wednesday 2

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In my near fifty-two seasons of watching professional football, I’ve seen Sheffield Wednesday play twenty-five times, and today will be the twenty-sixth.  The majority of those games have also involved Ipswich Town, with just two being against Colchester United.  Like those Colchester matches, today’s game, in common with the previous two is a third division fixture.  This is a very boring introduction to this match report, but it’s about history, which for many is possibly the whole point of watching football.  Both Ipswich Town and Sheffield Wednesday have a history of glory which they currently exist in the shadow of.  Ipswich’s glory was over forty years ago, but it’s recent compared to that of Sheffield, which was over forty years before that, with Wednesday last winning the FA Cup in 1935 and the League in 1930, beyond living memory for most mortals.  Today is important therefore.

Looking forward and only in my rear view mirror when necessary I park up my air-quality enhancing Citroen e-C4 and head across Gippeswyk Park for Portman Road and the joys of ‘The Arb’ beyond. The streets are full of policemen in uniforms that look as if they have been designed to be wipe-clean.  A tall, wide-eyed man approaches me and asks what the score will be. “2-0 to Town” I say because I always expect Ipswich to win and he cheers and lurches off up the road.  Two policemen eye him suspiciously as if it might be a crime to be a bit eccentric or off your gourde. In Portman Road, the boringly grey Sheffield Wednesday team bus is backing into its parking space behind the Sir Alf Ramsey Stand. I stop at one of the kiosks which look like they should sell ice cream,  and attempt to buy a programme (£3.50) using my season ticket card.  Predictably this doesn’t work,  but I realise my mistake at the about the same time as the young man in the kiosk and blame it on my bank card and season ticket card both being blue.

At ‘the Arb’ I order a pint of Mauldon’s Suffolk Pride (£3.41 with the 10% Camra discount) and retire to the beer garden where the covered shelter is occupied by people who seem unable to talk without shouting; it’s as if I’m hearing a conversation between a group of town criers.   I move away into the beer garden fearing permanent damage to my ears.   Mick soon appears, unexpectedly making his entrance through the side gate. He disappears into the building and quickly returns with his own pint of Suffolk Pride and packet of Fairfield’s Farms cheese and onion crisps.  We talk of our distrust and dislike of Ipswich’s Tory MP’s and their attempts at political point scoring off Ipswich’s Labour led council,  of forthcoming fixtures, of Grayson Perry, of transitioning and of sexual politics.   

At about two-thirty the beer garden suddenly falls silent as everybody else departs for the match leaving just Mick and I supping alone. For a moment we don’t know what to say other than to remark on how quiet it is.  We drain our pint glasses and it’s not long before we leave for Portman Road ourselves, feeling like reluctant followers of fashion. We part in Sir Alf Ramsey Way as I head off between the assembled supporters’ buses and coaches towards the Constantine Road entrance and Mick finds a place to park his pushbike. At the portal to the Sir Alf Ramsey stand there are no queues and of turnstiles 59 to 62, only the latter is not open, I choose  turnstile 61 and am entreated to “enjoy the match” by the brown-haired woman who nonchalantly scans my season ticket card.  In the stand, Pat from Clacton, Fiona, ever-present Phil who never misses a game, the man from Stowmarket, and his grandson are all here and the sense of anticipation is palpable. 

As stadium announcer and former BBC Radio Suffolk presenter Stephen Foster reads out the Town team I shout out the surnames in the French style and am pleased that ever-present Phil joins in , although I botch it a bit because the scoreboard isn’t keeping up with Stephen Foster and I find I’m not quite as good at picking the right surnames to match the first names as I ought to be. It’s a lot of fun nevertheless,  but then we pause to show our respects to the many thousands who have died in the recent earthquake across southern Turkey and Syria.  The silence is well observed as it should be; the only sounds being the squawking of seagulls and shushes from the Sheffield fans to those of their number emerging onto the stand ignorant of the gesture being made.

At two minutes past three o’clock the games begins with Town getting first go with the ball and hoping to stick it in the net closest to me, Pat, Fiona and Phil.  Town are in resplendent in royal blue shirts and white shorts whilst Wednesday are anaemic in pale yellow shirts with pale blue sleeves and pale blue short; it’s a kit that looks like it’s been washed too many times or has faded in strong sunlight whilst on the washing line.  “Hark now here the Wednesday sing, United ran away” chant the northerners in the Cobbold Stand showing an unexpected appreciation of Harry Belafonte and Boney M, which is matched by the Town fans in the Sir Bobby Robson stand who proceed to sing the same song but about Town and Norwich.  Other parts of the ground remain silent as if still remembering the earthquake victims. 

Almost a quarter of an hour passes before any football breaks out and supporters are reduced to jeering and cheering throws and mis-placed passes. A tall man sat next to me tenses and jerks forward every time it looks like the ball will come near the goal. Conor Chaplin bounces a shot into the ground which is easily collected by the Wednesday goalkeeper Cameron Dawson, who is a vision in cerise. A Wednesday shot travels spectacularly high over the Town cross bar. “Tell you what, they’re big at the back int they” says the bloke behind me of the three Sheffield defenders Akin Famewo, Dominic Iorfa and Aden ‘Larry’ Flint.   Iorfa previously played for Town,  but looks to have been on a course of steroids since then.

The afternoon is dull and still, the flags on the Cobbold stand hang lifelessly beneath heavy grey cloud, it’s like a summer’s day, just a bit colder.  The fifteenth minute brings a corner to Town and then another. With the second corner kick Wes Burns falls to the ground inside the penalty area. I see him fall but don’t spot the perpetrator who must have had a getaway car waiting, and it seems like that is everyone’s experience including the referee’s assistant who gingerly and briefly signals for a penalty kick. The referee, Mr Geoff Eltringham walks over to speak to his assistant before a posse of Wednesday players run over to argue the toss like professional footballers always do.  “Get over it” I shout, uncharacteristically. “Haven’t you ever conceded a penalty before?” I’m not sure what’s the matter with me.

Eventually, about four minutes later, the penalty is taken and Conor Chaplin’s kick fails to find any of the important corners inaccessible to goalkeepers and instead it strikes the diving figure of Dawson. What disappointment.  But life and the game carries on.  “He’s a unit, we’re not gonna beat him in the air” says the bloke behind me of ‘Larry’ Flint, still obsessing about the size of the Wednesday defenders as a Wes Burns cross is repelled.  It takes twenty-five minutes, but finally the Wednesday supporters find  their Welsh hymn books and sing “Your support , your support , your support is fucking shit”.  Two minutes later their piety and use of rude words is rewarded as Town ignore the fart-joke aficionados’ favourite player Josh Windass, allowing him as much time and space as he wants to cross the ball for the more prosaically named Michael Smith to twist a spectacularly decent header from near post to far post and into the Town net, and Sheffield lead.

Depression is setting in at Portman Road and only mild relief comes from Geoff the ref showing Wednesday’s Will Vaulks his yellow card for aimlessly wandering off with the ball in an attempt to waste time.   The pleasure this brings is soon lost however as a minute later Wednesday score a second goal when the ball is crossed and then drops to the ground conveniently for George Byers to smite into the goal.  Another goal almost follows as Town get in a muddle and Vaulks has a shot saved by Christian Walton.  A few rows behind me it’s all too much for one bloke who erupts into a tirade of expletives and sounds like he might burst into tears at any moment. A woman with him seems to plead for a more rational approach but this only seems to fuel his ire provoking a full scale ‘domestic’ which ends with what sounds like him telling her “Leave me alone”.   All this and a football match to watch too!

The quiet, even silent brooding of the home crowd ,with the obvious exception of the two having the domestic, is worrying me and as Town win a free-kick for a foul on Nathan Broadhead near the penalty area I begin to sing “Come On You Blues” and “Allez les bleus” in the hope that others will join in to build a crescendo of noise which will carry the team to victory. Ever-present Phil joins in and I think Fiona and Pat do too; I keep it going for long enough for several people to look round fearfully to see who the weirdo is.  Then Nathan Broadhead takes the free-kick and hits the top right-hand corner of the goal net with the ball, it’s a fantastic goal. “Your singing, it worked” says a young girl in front of me smiling broadly amongst the cheers and the joy. Well, why wouldn’t it?

Four minutes of added on time are the prequel to half-time and I go down the front to see Ray and his grandson Harrison. The consensus is that Wednesday are big and physical and do a lot of pushing for which the Geoff the ref has not given us the appropriate number of free-kicks.  Also, until we let Wednesday score we were doing alright; after that it wasn’t so good.  Ray asks about my solar panels because his wife has asked him to ask me about them.  Regrettably I have not come to football armed with the facts and figures, so I tell him I will have to gather the data and let him know, although the main point is that money aside, whilst the solar panels are making electricity no one is having to burn fossil fuels to power my house or car, hence life on Earth will be saved and future generations will be able to enjoy football like we do.

Returning to my seat, the bloke behind me apologises for his language, I shrug my shoulders and purse my lips as if I were French.  I hadn’t really noticed to be honest, and he should probably apologise to Pat rather than to me.  The game resumes. Within five minutes the scorer of Wednesday’s second goal, Byers, is booked for a foul on Conor Chaplin and from the free-kick  Leif Davis launches the ball into the top corner of the goal.  That’ll teach Byers.  It’s a fabulous comeback by Town and without doing much more than taking a couple of free-kicks after getting hacked down by the dirty Wednesday players.  I am at once both ecstatic that we are no longer losing but disappointed that we haven’t yet scored a proper goal by carving open the opposition defence with cunning passes and superior wit. Pat from Clacton reveals that in the ‘draw the correct score’ competition on the Clacton supporters’ bus she has drawn 3-2 to Town.

The second half largely belongs to Ipswich. Corners are won and the ball is passed and seldom comes near Christian Walton’s goal.  Town have shots on goal, but most are blocked and when Conor Chaplin fashions a seemingly spectacular effort, turning and striking the ball athletically in a single movement it seems impossible that it ends up going straight to the goalkeeper for an easy catch.  The usual clutches of substitutions are made, and for once they don’t make much difference. For a short while Wednesday get back into the game as they hurl in some long throws and win a couple of  corners that threaten, and ‘Larry’ Flint finds space to head across goal and then blast the ball over the cross bar.  Today’s ‘sold out’ attendance is announced by Stephen Foster as  29,072 with 2,148 fans from Sheffield although he doesn’t mention that where I am sat there are at least six empty seats within a couple of metres of me.  For a sell-out crowd the level of vocal support for the Town has been very disappointing however, just as it was against Plymouth, with an aire of tortured anxiety pervading the stands.

The game rolls on towards its not fully satisfactory conclusion. Desperation arrives as Pat from Clacton releases the figure of the masturbating monkey from her bag and rubs his head for luck.  Sadly, the powers of this Cambodian or Vietnamese lucky charm seem to have drooped or left him altogether. Sheffield Wednesday substitute their small Scottish captain Barry Bannan for Dennis Adeniran and I remark to Fiona that there have never been many players called Barry, past or present.  We try to think of some, but all I can come up with are Barry Sheen and Barry White, neither of whom were footballers.  At primary school a teacher sat me next to a boy called Barry, hoping I would be a good influence on him, but sadly it was bad Barry who had more influence on me.  A late flurry sees Freddie Ladapo have a shot which looks like it is goalward bound, but it flies past the side of the goal post that doesn’t have a net to stop it and that’s that, the game is drawn.

It’s both a point gained and two points lost for Town today, so it’s best not to dwell on it, we can leave that for the future when it  won’t feel like it matters so much and it’s just history .

Post Script: I remember Barry Butlin playing for Luton Town.

Ipswich Town 1 Cheltenham Town 1

/ martinpbrooks / Leave a comment

In the final scenes of Lindsay Anderson’s 1968 film ‘If’, the central character Mick Travis, played by Malcolm McDowell, and his nameless girlfriend launch a machine gun attack on the parents, teachers and governors at a school speech day.  The scene was filmed at Cheltenham College and it’s one of my favourite scenes in one of my favourite films; Wikipedia tells us that ‘If’ won the Palme d’Or at Cannes in 1969 and in 1999 the British Film Institute ranked it as the 12th greatest British film of all time.  As if that association with such a great film is not enough kudos for Cheltenham, it also has a football team that has never lost to Ipswich Town. Today Ipswich Town and Cheltenham Town meet at Portman Road for only the second time in recorded history.  I don’t know it yet, but later today I’m going to feel like Mick Travis.

In north Essex it has been a stupendously dull morning, both still and depressingly grey, like November days should be. It’s only when I approach Ipswich that a diffuse yellow light begins to filter through the grimness and then bright sunshine bursts from a clear blue sky like a metaphor for the end of the working week and the arrival of Saturday, heralding a match at Portman Road.  Before the game I visit my mother and we reminisce about all manner of things from years ago and she tells me how her grandfather, Sam Scarff, an agricultural labourer from Needham Market, enrolled with a friend for evening classes, joined the police and rose to the rank of inspector in the Met’ before retiring to become a game-keeper in Shotley; his friend became a police commissioner, and I thought social mobility was a 1960’s thing.

Leaving my mother with her memories, I drive across town and park up on Chantry. The streets are busy with people in football-supporting attire. I walk across the wet grass of Gippeswyk Park and marvel at how lush and green the turf now is compared to how dried up, brown and withered it was on the first day of the football season three months ago.  In Sir Alf Ramsey way I attempt to buy a programme (£3.50) in the modern cashless manner, but the technology isn’t working today.  I laugh and hand over a five pound note to the somewhat miserable and overweight looking youth in the programme booth.  The Arbor House, formerly known as The Arboretum, is busy with pre-match drinkers, but I am served quite quickly and order a pint of Nethergate Complete Howler (£4.00). I head for the garden where Mick is already sat at a table with a pint of a dark beer from the Grain brewery which he’s not very keen on, I take a sip and agree that it’s not exactly moreish, but then the Grain brewery is located in Norfolk, albeit with an IP postcode.  Before long Roly joins us and proceeds to dominate the conversation, mainly because he seems to have the ability to talk without drawing breath, which means a polite person like me can’t get a word in edgeways, not that I have much to say.  We, by which I mean mostly Roly, talk of local council chief executives, Roly’s five-year-old daughter Lottie, primary schools on the Essex Suffolk border and the performances of Town player Dom Ball.  Between twenty-five and twenty to three we leave via the back gate of the beer garden and head for Portman Road.  I bid Mick and Roly farewell by the turnstiles to the Magnus Stand, formerly known as the West Stand.  We speak briefly of when we will next meet; it will be for the five o’clock kick off v Buxton in the FA Cup on Sunday 26th November.   I won’t be going to the mid-week game versus Portsmouth as I am boycotting the Papa John’s EFL Trophy, not because I have anything against oily, takeaway pizza, but because I think the competition has been debased by the inclusion of Evil Premier League under-21 teams.  I am particularly looking forward to not going to Wembley should Town make it to the final, when I will blow a metaphorical raspberry to all those people who believe that anyone boycotting the competition will automatically abandon their principles if Town get to the final.  Such beliefs help explain why we have a Tory government.

Most unusually, today there is a queue at the turnstiles for the Sir Alf Ramsey Stand which are accessed from Constantine Road, but quite soon an extra turnstile opens up (No61) and a cheerful man presents bar codes to a screen and I pass through the portal to another world.  That pint of beer has already found its way to the exit and from the gents beneath the stand I hear stadium announcer Stephen Foster reading the team line-ups from the scoreboard in his best local radio DJ voice.  I arrive at my seat just as a minute’s silence begins for Armistice day, although that was actually yesterday.  Oddly, the Football Association have decided not to cancel the fixtures today as they did when they felt they couldn’t trust football crowds to observe a minute’s silence for the death of Queen Elizabeth back in September.  The minute’s silence is of course observed perfectly. Stephen Foster reads from Laurence Binyon’s 1914 poem ‘For the Fallen’ and the last post is played exquisitely, even if it does slightly spoil the solemnity and dignity of the moment to then be told by Stephen Foster that Jon Holden who played it is a member of the Co-op East of England Brass Band.  It’s probably just me, but I can’t help sniggering a little at any mention of the Co-op.

After a fly-past by a couple of Army helicopters, and a brief burst of ‘Hey Jude’, the game begins with Town getting first go with the ball and kicking towards me , Pat from Clacton, ever-present Phil who never misses a game, Fiona and the man from Stowmarket.  Town are thankfully back to wearing their blue shirts and white shorts after the all-black aberration against Derby, whilst Cheltenham Town are wearing red shirts and shorts with their ruddiness off-set by white socks and a white pin-stripe on their shirt fronts.  Quickly, Portman Road sounds in good voice as the altered version of ‘Mary’s Boy Child’ in which she eternally fights Norwich on Boxing Day rings around the ground.  On the touchline, Town manager Kieran McKenna is looking stylish, if a little drab in a black jacket and trousers with a plain jumper, which I at first think is beige but then think is grey; perhaps it’s taupe?

From the start Ipswich dominate and it feels as if everyone, from the supporters to the players really wants to win this match. We all remember the life-denying, spirit crushing goalless draw against Cheltenham from last season and that’s our inspiration to see Town give these upstarts, better known for their poncey Regency spa a sound thrashing.   Crosses rain into the Cheltenham penalty area and although one from Conor Chaplin goes a bit off course and strikes Wes Burns in the throat Sam Morsy soon has the first shot on goal and then from a corner Luke Woolfenden hooks the ball into the goal from close range and Town lead 1-0.  Woolfenden runs off sucking his thumb with the ball up his jumper and ever-present Phil mentions something about the birth of wolf cubs; I suggest he has simply discovered the joy of sucking his thumb. 

More corners and crosses follow and I chant “Come On You Blues” and so does Phil, but no one else does.  “Two of you singing, there’s only two of you singing” announces Pat from Clacton, sort of singing herself, which is ironic.  Janoi Donacien strides forward into a rare bit of space and pulls the ball back to Marcus Harness; the Cheltenham defence is rent open like a tin of corned beef on which the key has broken half-way round and it’s been necessary to open both ends with a tin-opener to get the meat out. Harness must score, but somehow the ball strikes the under-side of the cross bar as if deflected away from the goal net by some invisible force…either that or Harness made a hash of it.

There are more corners to Ipswich, loads of them, and Phil and I keep chanting “Come On You Blues” vainly hoping someone will join in with us. We change to the simpler “Come on Ipswich, Come on Ipswich” but the occupants of the Sir Alf Ramsey stand aren’t moved.  I think to myself that I might as well be singing in French and so I do “Allez les Bleus, Allez les Bleus” I chant; Fiona says I’ve gone too far. On the pitch Janoi Donacien is hurt and is replaced by Kane Vincent-Young and the ball skims off the top of Cheltenham number six Lewis Freestone’s head as if he was a man who had applied too much brylcreem to his hair.  Another cross and Leif Davis precisely places a carefully controlled header over the Cheltenham cross bar.  Within a minute, Cheltenham equalise as Ryan Broom sweeps forward and shoots at Christian Walton, who somehow cannot stop the ball squirming around, or under,or through him into the goal.  It might have been the brylcreem on the ball.  It will prove to be Cheltenham’s only real shot of the game and up in the Cobbold stand a knot of about twenty excited youths jump around and wave their arms about like bookies on a race course, or idiots trying to fly.

Disappointing as that equaliser is, Town press on, although not quite as well as before.  When the Cheltenham goalkeeper parries a low Marcus Harness cross out to Cameron Humphreys, somehow the ball comes straight back to him.  Two minutes of added on time are announced very noisily by Stephen Foster, as if he’d turned the PA system up to eleven. “Speak Up” says Pat from Clacton.   I applaud Town off the field with the half-time whistle and go and talk with Ray, his son Michael and grandson Harrison.  I ask Harrison if he has got the new Robyn Hitchcock album ‘Shufflemania’ yet, he says he may get it for Christmas as he looks at his dad.

The match resumes at six minutes past four and a chorus of ‘Blue and White Army’ briefly rolls around the stands, not exactly like thunder. On the stroke of the 53rd minute the crowd rises for a minute’s applause in memory of Supporters’ Club Chairman Martin Swallow who died at the end of October.  A lone seagull floats above the pitch; no doubt someone would think it poignant. 

With Cheltenham confined to their half of the pitch due to constant Ipswich possession, this is the sort of game where every moment lost through a Cheltenham player sitting on the grass or receiving treatment is going to be attributed to time-wasting, and so it proves. Referee Mr Eltringham, a man with ‘ten to two’ feet, books the Cheltenham goalkeeper as a warning shot to his team-mates in this regard and in all fairness, they do not break the game up as much as they did in the goalless game last season, but it’s not enough to stop the bloke behind me from saying “He’s gotta be one of the worst fuckin’ refs we’ve ‘ad down here”.   When Cheltenham players do receive treatment their physio runs on with a huge bag and what looks like a small surf board; with a blonde wig and high cut one piece swim suit he could have doubled for Pamela Anderson in Baywatch. 

“Over and in” says Pat from Clacton in the time-honoured fashion, but it never happens. Marcus Harness heads carefully past the post in the same way Leif Davis headed over the bar in the first half, Wes Burns and Marcus Harness are replaced by Kayden Jackson and Kyle Edwards, but it makes little difference.  Chances come and inevitably go as if there is no possible way to get a ball across the line between the two goalposts.  The crowd is announced as 25,400 including 175 from Cheltenham; it’s the smallest away following at any Ipswich match this season; so more credit to those who did bother.  “Here for Cheltenham, you’re only here for the Cheltenham” they sing which I guess they are, and on the Clacton supporters coach Chris wins the prize with his guess of 25,444; Pat is disappointed that so few pet animals have been attributed guesses this week.

With time slipping away, the gloom of the late autumn evening descends along with a seasonal mist which softly shrouds the floodlights. “There’s nothing wrong with you, there’s nothing wrong with you” chant the North Stand appropriating some Verdi opera as another Cheltenham player takes a breather by sitting on the turf.  The final minute arrives and Panutche Camara replaces Conor Chaplin. There will be at least seven minutes of additional time, which is time enough for Camara to strike a shot against the inside of a goal post; again, the ball of course stays out of the goal rather than deflecting into it. All too soon the final whistle is blown and for a second time this year Cheltenham Town have clung on to a point at Portman Road with resolute defending and huge dollops of luck.  With defending like this and the ball having such an aversion to crossing their goal line, it seems odd that Cheltenham Town have ever lost any match.

“Frustrating” says the man from Stowmarket as he edges past me to the exit “Yes, but we’ve seen it all before, just a few weeks ago” I reply, re-living the pain of the match versus Lincoln.  But my comment hides my disappointment and beneath my reasonable exterior irrational thoughts and questions swirl in a maelstrom of post-match angst and anger; how can Ipswich Town be so much better than the opposition but still not beat them? Is Ipswich Town somehow cursed?  Where is there a high roof from which a sniper could shoot freely and indiscriminately?

Robyn Hitchcock 17 Norwich 0

/ martinpbrooks / Leave a comment

When I win a large amount of money on the Premium Bonds and the biographical film of my life comes to be made, many of the best bits of the soundtrack will be to the music of Robyn Hitchcock who has provided much of the soundtrack to my adult life.  When my good friend Mr Goold told me therefore that Robyn would be performing at Norwich Puppet Theatre, a venue a mere 24 kilometres from Mr Goold’s abode, I was obviously quick, well in truth not that quick, to buy a ticket (£18, plus £2.30 to anonymous middle men) and invite myself to sleep on my good friend’s floor for the night.  My other good friend Pete decided he would also like to come along on what his consumption of American popular culture and resultant outlook on life told him would be a road trip in the style of Hunter S Thompson.

It’s a dreamy drive through the Norfolk countryside on a September evening in Mr Goold’s golden 2004 Nissan Micra, the sun is setting to our left casting long shadows.  Reaching Norwich, having been driven for the first time in my life through Poringland, I am struck by how much like a proper city Norwich is, from its riverside roadways, medieval cathedral and monumental County Council building to its elevated four lane highway; a pity about its football club. Mr Goold’s Nissan Micra comes to rest in Magdalen car park in the shadow of a concrete flyover, our ultimate destination less than 200 metres away.  We walk through the fading light to the 15th/16th century church of St James the Less, now re-purposed as the Norwich Puppet Theatre.  I muse on St James the Less being appropriate given that puppets are like miniature people. At my behest Pete poses with the cathedral as a backdrop; I photograph him but fail to make the spire give him the appearance of a man wearing a tall, pointed hat; I can’t helping thinking that it’s an opportunity missed.  My life is full of regrets.

Inside the theatre we drink at the bar, Mr Goold drinks coffee, Pete drinks Adnams Ghostship, I down Adnam’s Broadside. We check out our fellow audience members; people in late middle age like us, Norwich’s arty set and younger people dragged along by their elders against their will. I make assumptions about people.  Eager to get ‘good seats’, when we see the first people departing the room we follow, hoping we’re not just pursuing them into the toilet. The auditorium has been dropped neatly into the nave of the church, and the interweb tells me it has over 150 seats, my eyes tell me these are split either side of a central gangway; it is steep giving a good view of the stage.

At 8 o’clock the support act, Jessica Lee Morgan and Christian Thomas play a set of unfortunately forgettable songs very competently indeed and they seem very nice.  Jessica is the daughter of Mary Hopkin and Tony Visconti and she tells us so in case we didn’t know.  After the set, as we wait for Robyn Hitchcock to appear I tell Mr Goold that from now on I might begin telling people that my mother is Daphne Brooks and Reg Brooks was my father.  In spite of the snidey implications of the previous sentence the support act are alright.

At nine o’clock Robyn Hitchcock appears, being helped onto the stage and to a seat at a Clavinova digital piano, a product of the Yamaha company.  Robyn explains that the previous evening he fell over and whilst not damaged in terms of breakages to bone and sinew, he is clearly in pain and standing up and moving about is a problem for him.  In an unfortunate way however, this is a good thing for his paying audience as we receive the rare treat of hearing Robyn playing piano and sounding not unlike the Plastic Ono band.  I can’t now wholly remember which four songs are played, but ‘Ted, Woody and Junior’, a song about three men lathering each other with soap is one, and by way of an apparent insight into this song Robyn tells us about his grandma’s Ray-Bans, which were comparable in a competitive way to those owned by Andy Warhol, and how her wearing them at home on the Isle of Wight was concomitant to and therefore related to the meeting of Andy Warhol, Bob Dylan and Brian Jones in New York.  Many of Robyn’s songs are about moments in time such as this.

After four songs on the piano, Robyn shuffles out from behind it to a stool, where he is handed his acoustic guitar by Chris Thomas of the support act who has been pressed into the role, hopefully only temporarily, of carer.   Again, the audience is in luck as a less than satisfactory pick-up on the guitar causes Robyn to come to the very front of the stage to perform un-plugged and un-miked.

The first of five songs Robyn plays on his acoustic guitar is ‘I’ve got the hots for you’, a tune dating back to 1980 when Robyn existed in a previous incarnation as member of the Soft Boys, but still wrote excellent songs.     ‘Hots’ as I have stupidly decided to call it here for the sake of brevity, although these words of explanation have of course taken longer to type and read than the full title is on the life-enhancing LP ‘Underwater Moonlight’, and is a song of which I have always been especially fond. My fondness for ‘Hots’ is in a good part due its reference near the end of the song to “a piece of Hake”.  I have always enjoyed this lyric, ‘Hake’ being such a fine word and few artists ever mention fish in their songs. Tonight this song has extra poignancy as I have recently returned from Brittany where I had a particularly good time watching FC Lorient, a football team who call themselves Les Merlus, and have a mascot called Merlux; Merlu is the French word for Hake and Merlux therefore translates approximately as Hakey.  Incidentally, Lorient beat FC Nantes, a team known as the Canaries just like the local team in Norwich. I don’t think Robyn has any knowledge whatsoever of football or its mascots, but it’s as if he knew. It’s a situation not unlike that of Andy Warhol and Robyn’s grandmother.

Also within the acoustic set, Robyn plays a new song entitled ‘I am this thing’, a song which has appeared on-line but is so new it has not been played live before.  Robyn tells us that this song has been requested this evening and after the show Mr Goold tells Pete and me how he was particularly taken with the track when hearing it on-line, and it was he who had asked that Robyn play it tonight. Whilst secretly grateful to Mr Goold, we don’t let on too much and I admit to thinking the song sounds a bit like another of Robyn’s songs, although typically I can’t remember which one, but obviously it’s a good one.

After the five acoustic tunes, Robyn hobbles back to be handed his electric guitar on which he plays four more songs including a reverberating version of ‘I often dream of trains’ and the almost-title track from his new album Shufflemania, which is entitled ‘The Shuffleman’.  Robyn remarks how his fall has resulted in his becoming the Shuffleman himself, although alternatively, given the venue, his movements could be said to be puppet-like , as if Thunderbirds had had a member of the International Rescue team who just sat about and rescued people by playing groovy music.

The final quarter of the gig sees Robyn joined on stage by Jessica and Chris for another four songs, with Robyn managing to stand up to play his electric guitar. After a beautiful rendition of ‘Queen of Eyes’, which almost brings a tear to my eye as it again takes me back to 1980 and my lost youth, Robyn advises that these songs are the encores, which whilst disappointing is understandable unless Robyn can somehow be magically lifted up from the stage and then set down on it again like some sort of over age Peter Pan.  The ‘encore’ also comprises the stonking ‘Brenda’s Iron Sledge’ which includes the lyric “Please don’t call me Reg, It’s not my name”, the galloping ‘Oceanside’ and finally ‘Airscape’, probably a favourite of Robyn himself.  

Applause for Robyn and his band is not thunderous, because there aren’t enough of us in the puppet theatre for that, but it is heartfelt and enthusiastic and barely ends before the lights go up confirming that that was indeed the encore. It has been a fabulous evening and possibly a unique one, what with Robyn both playing piano and going doubly unplugged.

As a final act before departing the puppet theatre, which has been an excellent venue, I purchase a copy of a seven-inch single entitled ‘Mr President’, which I like for the picture on the cover of Robyn on the telephone against a back drop of overhead trolleybus or tram wires.  Such records and CDs along with his weekly shows on-line will now have to suffice until we can see Robyn play live again, and driving back to Mr Goold’s abode our happy reminiscences of the evening inspire us to resolve to get tickets for Robyn’s seventieth birthday concert at the Alexandra Palace next February.