Ipswich Town 1 Stoke City 1


After a week of beautiful winter sunshine today is grey.  As I am about to walk to the railway station I receive a text message from Roly to tell me that there are rail replacement buses between Colchester and Ipswich.  The gloom of the day deepens.  I leave the house forgetting to say goodbye to my wife Paulene.

At the railway station I see Roly over the tracks on Platform Two, he is eating a muffin and holds a paper cup of coffee.  Roly is a conspicuous consumer, of food. Our train journey is brief and we soon find ourselves boarding a sleek grey coach belonging to Tendring Travel, the front of the vehicle sports a Union flag, which no doubt goes down well in that land of hope and glory that leads to Jaywick.  Already on board there are people sporting the blue and white favours of Ipswich Town and it feels like we’re setting off on an away trip, but equally I feel like an extra in the Beatles’ Magical Mystery Tour, such is the magic of boarding a bus or coach.  A ‘steward’ in a day-glo coat quietly counts us on to the coach, she’s Tendring’s Wendy Winters, but predictably less glamourous. I cast a fat bloke over the aisle as Ringo’s auntie Jessie; the partly-vacant seat next to him is predictably the last to be occupied.  The unhappy looking driver is very anxious that his vehicle is not over-filled “I can’t have anyone standing” he says, twice in quick succession.  Someone has to alight but then we depart.  The bus is swelteringly hot.

We arrive in Ipswich twenty five minutes later than if we’d arrived by rail, but of course we have been charged the same price for this slower, less comfortable service.  If I’d wanted to save money by travelling by bus on Ipswich Buses service 93 from Colchester to Ipswich or by National Express coach I could have done so.  Instead I thought I would pay a bit more and travel by….oh dear, bus.

Reeling from our experience Roly and I hot foot it up Portman Road to St Jude’s Tavern, barely registering that the programme kiosks have been painted dark blue and therefore making me imagine even more vividly that each one is a Tardis piloted by Mick Mills  capable of time travel back to the 1970’s, that distant time when Ipswich Town first seduced me.  St Jude’s is busy with drinkers, but Roly and I claim a table where we sup our pints of today’s Match Day Special, Goblin’s Piss (£2.50) which I am relieved to discover tastes much, much, much better than it sounds.  Our conversation is of football and more precisely Ipswich Town and we conclude that playing Collin Quaner and Will Keane up front together is like having two Mich D’Avrays; a concept which we like very much.  We drink quickly, probably due to de-hydration from our coach trip and I soon return to the bar to buy a further pint and a half of the Match Day Special, which has now changed to St Jude’s Hoppy Jude (still £2.50).  Roly only has a half because he is nothing if not responsible and he will be driving his car later this evening (it’s a Vauxhall Astra). I suspect Roly also wants to leave space for something to eat once he gets to the ground; I sometimes wonder how he is not the size of Ringo’s auntie Jessie.

Under the insouciant gaze of Sir Alf Ramsey we part, Roly heads to the ‘posh’ seats of the East of England Co-op Stand and its gourmet offerings whilst I slum it in the cheap seats of Churchman’s, now the Sir Alf Ramsey Stand.  There is no queue at the turnstile where I thank the operator cheerily for his pedal-work and proceed to my seat via the toilet.  Unusually I get to my seat before the match ball has been plucked from its plinth. Pat from Clacton is here but ever-present Phil who never misses a game is not, he’s being wined and dined with supporters club supremos and is watching from a ‘posh’ seat somewhere.

Ipswich begin the game playing towards me and Pat from Clacton, as ever they wear blue shirts and socks with white sleeves  and shorts and display the deeply tacky logo of an organisation of on-line scammers across their chests.  Today’s opponents are Stoke City and to their everlasting credit they have eschewed the wearing of any unnecessary change kit and instead wear their traditional kit of red and white stripes with white shorts and socks. They look a bit like Signal toothpaste, and coincidentally this chimes with the novels of Arnold Bennett set in the Potteries in which the fictional local paper is called The Signal, although I do not recall any reference to toothpaste in any of the novels I have read. I can very much recommend ‘The Card’, which even weaves football into the story near the end.

The ‘Stokies’ assembled in the corner of  the Cobbold Stand (we will later be informed that there are 1,138 of them in the total crowd of 15,924) immediately burst into a chorus of Tom Jones’ Delilah for which they are rightly famous amongst people who pay any attention to these sorts of things.  Ipswich supporters seem to have given up already on inexplicably singing “Sweet Caroline” as our attempt at being quirky and interesting, possibly because it will now forever harbour painful, dark memories of the destructive Paul Hurst era, brief though it was.  Moving forward, as people now say instead of ‘looking ahead’ in these thrusting modern times, spectators in the Cobbold Stand, East of England Co-op Stand and Sir Alf Ramsey Stand could be given song sheets for Simon & Garfunkel’s ‘The Sound of Silence’.  Make it performance art and the song sheets could be blank.

The heavy grey cloud and hint of damp in the air lend the afternoon a sombre atmosphere but the floodlights are on and once again, as on Wednesday night versus Derby, this feels like a proper football match; the Sir Bobby Robson Stand, or more accurately the corner of it occupied by the Blue Action supporters group is audible.  From the lower tier of the Sir Alf Ramsey Stand however, the Stokies are more audible and soon sing “One Gordon Banks, there’s only one Gordon Banks”.  Many Town supporters in the Sir Alf Ramsey Stand begin to applaud and frankly I’m confused as to whether this is a one minute’s applause for the deceased goalkeeper or just applause directed at the Stoke fans singing “One Gordon Banks”.  Modern football with its sentimentality is complicated.

Stoke are dominating possession but not in an exciting way; they don’t look much like scoring and their fans are hopefully being ironic when they sing “We’ve got the best team in the land”; having been to Stoke On Trent I think it likely that Stoke supporters are capable of irony.  For Town, little Alan Judge (Judgie) looks our best player by some way and when he picks himself up off the turf after being fouled the spectators around me applaud him warmly, showing far more enthusiasm for this ‘resurrection’ than they do for supporting and getting behind the team the rest of the time.  “Shoot!” bellows someone from behind as Town players circle in front of the Stoke penalty area. “They don’t know where the goal is anyway” mumbles the old boy behind me, clearly hankering for the latter days of Mick McCarthy’s reign when we only came to games to be miserable.

It’s twenty-five past three and as little Judgey crosses the ball with speed and purpose a chant of “Come on Ipswich, Come on Ipswich” comes out of the blue from the Sir Alf Ramsey Stand; a spontaneous, instinctive, momentary burst of enthusiasm in a dull first half. Less than ten minutes later and Alan Judge is floored again as he is fouled by Stoke’s James McClean who becomes the first and only player to be booked by the small, balding referee, Mr Scott Duncan.  Hilariously McClean tries to make out that it is he who has been fouled by then diving outrageously; he is fully deserving of the chorus sung just for him by the Sir Bobby Robson Stand of “Wanker, Wanker…”  It makes me wonder why so many professional footballers are such bare-faced cheats and why the normally po-faced Football Association puts up with it.

Four minutes to go until half-time and the game is hardly thrilling.  “That’s gettin’ misty” says the old girl behind me, understandably more engaged by the weather than the match.  Stoke have had better chances to score than Ipswich, but fortunately seem to believe that the cross-bar is much higher than it actually is. A minute before half-time however, Town’s Jonas Knudsen loses all sense of where he is in relation to the rest of the planet and heads a harmless looking cross away from rather than to Bartosz Bialkowski in the Ipswich goal, allowing the cheating James McClean to run on and score from less than a yard into an empty goal; even he couldn’t miss that or fall over. Once again justice doesn’t play to the whistle and has gone early for a half-time cuppa. 

Half-time follows and after a chat with Ray I let out some more of the Goblins Piss and Hoppy Jude.  I take a look at the half-time scores and search for a Panda brand liquorice stick that I thought I had in the inside pocket of my coat.  I will eventually find it later this evening in the coat lining, I should probably buy a new coat, this one has to be twenty-five years old at least.  The new half begin at five past four and Ipswich improve a little and the crowd remain with them, politely applauding an over-hit pass which last season would have drawn scorn and bile from the stands.

Teddy Bishop begins to run with the ball. He does it once; he does it again and is brought down to win a free-kick. “I knew that would happen” says the old boy behind sounding annoyed as if to say he shouldn’t have bothered.  “But he’s won a free-kick” says the old girl displaying a more measured tactical approach to the game.  Alan Judge draws a spectacular flying save from the Stoke goalkeeper Jack Butland when the kick is taken.

Collin Quaner goes down injured and the game is stopped with Stoke in possession. Sportingly, the Stoke fans boo, revealing their proud Premier League heritage.  When I was at university I knew a Stoke City supporter; his name was Tony and he was a lovely, friendly bloke, fun to have a drink with. He lived in Wolverhampton but went to watch Stoke he told us, because of the violence.  He was very proud of his sexual conquest of the daughter of a local Chief Constable and he once defecated in a milk bottle; I didn’t see him do this, but I saw the milk bottle, which was enough.

Fifty seven minutes have been played and the Stokies sing “Is this a library?” It’s a mark of how things have improved at Portman Road that they have had to wait this long to sing it; they do so only once; it’s almost as if it’s a condition of sale on the tickets.  Stoke press forward and earn a corner, the ball runs back to the edge of the box and one of their number, I have no real idea who, but it could have been Oghenekaro Etebo , wellies the ball nominally goalwards; travelling like a comet the ball drifts left in a graceful curve under the influence of an unseen gravitational force and heads at speed directly towards me.  I remain seated but raise my arms, succeeding only in getting a finger-tip touch which barely alters its trajectory.  “Why didn’t you catch it?” shouts Ray “I would have if I could be bothered to stand up” I tell him “I’m just very lazy, it’s why I’m not in the team”.

The game drifts away, meandering towards time added on as the evening chill sets in. I sense disappointment and frustration behind me. “Come on! You can beat this lot. They’re nearly as bad as you are” calls the old girl cruelly. “That’s all very pretty…” says the old boy as the Town pass the ball across the pitch and back “…but does absolutely nothing”.  He sounds bitter and his attitude illustrates why English football will always be inferior to French or Spanish or Italian, because we can’t abide all that soppy passing.

Time added-on arrives and Town are pressing, but not looking likely to score; they win a corner and in a stroke of good fortune Paul Lambert, still wearing his black Marks & Spencer v-neck jumper and black slacks still has one substitute left.  On to the field comes Suffolk’s favourite 1.93m high Congolese centre back Aristote (Toto) N’Siala.  I can almost hear the Stoke players thinking “Who the feck is going to pick him up?” Possibly several players go to mark Toto and as the corner is taken I see the ball and the number fourteen on the shirt of Will Keane converging.  “Goal!” I shout and a fraction of a second later Keane’s head sends the ball into the net and Town have equalised.     It is a moment I may not forget, like when Mich D’Avray scored from Kevin O’Callaghan’s cross against Liverpool in February 1986.  

There’s barely time left for either side to score again and a little predictably they don’t.  The game ends and for the second match in a row Town have not lost and we are deliriously happy.  This is truly one of the weirdest season’s I have ever known at Portman Road.  We are still bottom of the league and we never get appreciably closer to the teams above us, but for some reason it feels good and a good number of people are enjoying it.   Are the Russians putting something in the water or the Match Day Special?

Ipswich Town 1 Rotherham United 0

January is reputedly the most miserable and depressing of months and the closer to the middle of January it gets the more miserable and depressing it becomes. The third Monday in January has been designated ‘Blue Monday’; nothing to do with The Blues of Ipswich Town but rather something to do with the pleasure and happiness of Christmas having worn off completely and the realisation for people that they are now deep in debt; the weather has something to do with it too. Today is only 12th January however, I have no debt and my Christmas was not noticeably any more happy or pleasurable than any other couple of days off work, and although the weather is grey and overcast today, I have an afternoon at Portman Road to look forward to.
My erstwhile colleague and still current friend Roly is waiting for me at the railway station, he is drinking a cup of coffee which I imagine he imagines lends him an air of sophistication. Ignoring this, I tell him how I long for the weekends when I see Town play and how I feel a curious kinship with the many species of Mayfly that live for but a few short hours. It’s a twelve carriage train so we wander down the platform away from everyone else knowing that we won’t have so far to walk to the bridge over the tracks when the train arrive at Ipswich station; every second counts in the all too brief joy of a pre-match drink and then the match. Roly fritters away some of our precious time getting a fresh twenty pound note from a cash machine, but we are soon heading for St Jude’s Tavern where we are going to meet Mick. Portman Road is busy, the ticket enquiry office bleeds out into the road with a queue of late comers taking advantage of the special offer of tickets in any part of the ground for just £12. People with nothing better to do queue for the turnstiles to open. I buy a programme (£3) from one of the portable kiosks, which always make me think of a Tardis piloted by a Dr Who played by Mick Mills, transporting us back to the 1970’s. The programme seller is unsmiling and I wonder if he and his colleagues have been instructed to no longer invite customers to “Enjoy the match”; if programme buyers are anything like many of the nasty, ignorant and rude people who seem to inhabit social media I imagine such words of goodwill are generally met with verbal abuse. How I long to live in a civilised country like France where it is impossible to even make eye contact with club employees on a match day without them wishing you “bon match”.
In St Jude’s Tavern a group of three very young looking lads with Yorkshire accents buy two Coca-Colas and a pint of lager whilst I wait to purchase two pints of the Match Day Special (£2.50 a pint), which today is Cliff Quay Brewery Neptune’s Nip; Mick appears, like the shopkeeper in Mr Benn to bump my order up to three pints and the barman for some reason makes an un-necessary association between Neptune’s Nip and Poseidon’s penis. Roly, Mick and I sit at a table next to the young Yorkshiremen. We talk of Ipswich’s new signings and Mick is impressed at Roly’s knowledge, which he imparts with a weightiness of tone as if to say “…these are the facts, think otherwise if you wish, but I will not be held responsible.” I sit and listen and hope he gets to the bar soon because I need to drink as much as possible before the match to dull the pain. Roly buys the next round of Match Day Specials which is now Cliff Quay Brewery’s Tolly Roger (still £2.50 each). Whilst Roly is at the bar I get Mick to show me how he has so neatly tied his blue and white scarf around his neck. “It’s like a cravat” he tells me. I follow his instruction and achieve the desired look of Michael Palin in the episode of Ripping Yarns entitled ‘Golden Gordon’. The Yorkshire lads have left leaving two half glasses of Coca Cola and most of a pint of lager, very strange. I imagine they’ve gone to see if there is a rain gauge at the town hall. Before we leave I feel the solitary need to sink a further half pint of Cliff Quay Brewery Sir Roger’s Porter (£1.70), and then one of the retired gentlemen I drank with before the Millwall game on New Year’s Day comes over to say hello and remarks that I have some friends with me today. I tell him yes and that I therefore don’t need his company.
Glasses drained and returned to the bar, we negotiate the door and descend Portman Road, crossing Handford Road and joining the expanding throng of match-goers. At the turnstiles in Sir Alf Ramsey Way we walk past the end of the queues of the first block of gates to reach the second turnstile block where there are no queues; I smile to myself about how stupid people are who join the first queue they come to and surmise that they probably voted ‘leave’ too. The lady turnstile operator and I smile broadly to one another as I pass through and Mick reveals that she smiled at him too when Roly complains that his turnstile operator was miserable. He cannot understand it he tells us, explaining that he is so much younger and therefore more attractive than Mick and me.
Once inside the East of England Co-op stand bladders are emptied and we head for our seats. Because the tickets are a mere £12 each today I have traded up my usual seat with the groundlings of the lower tier of the Sir Alf Ramsey stand and have taken up a place with Mick in the upper tier of the East of England Co-op Stand. The view of the game is better here, but it is also somehow a little too far removed from it, as if we are watching on TV and I sense that some of the people around me will be just waiting for a convenient break in play to go and put the kettle on. It wouldn’t occur to them to shout or chant in support of the team, they truly are just spectators and nothing more.

Phil and Pat

After group photos for the family album are posed in the centre circle, the game begins with Town kicking-off with their backs towards ever-present Phil who never misses a game and Pat from Clacton, who I can see in their usual seats in the Sir Alf Ramsey Stand, or Churchman’s as us people who remember the ’good old days’ call it. Town sport their usual blue and white kit despoiled by an ugly advertisement for an organisation of on-line scammers. The usual team colours of today’s opponents Rotherham United are red and white, but eschewing the opportunity to recreate the classic blue and white versus red and white Subbuteo encounter, they wear an un-necessary change kit of yellow shirts with pale blue sleeves, and pale blue shorts and socks.

insipid kit and a yellow card

Sadly Rotherham’s kit is insipid and somewhat effete; it detracts from the spectacle and speaks nothing to me of Yorkshire grit and scrap reclamation for which Rotherham is rightly famed.
The match is fast and furious and lacks finesse but unusually Ipswich have the upper hand. There is an air of expectation as a bevy of debutants (or debutantes if you prefer to see this match as a sort of ‘coming out’ ball) before the home crowd. The transfer window is open and a wind of change is blowing through Portman Road as Paul Lambert gets to choose his own players rather than just make do entirely with what he has inherited from that false Messiah, Paul Hurst.

James Collins

Outstanding in the Ipswich defence is an enormous bald-headed man by the name of James Collins; he is thirty-five years old but looks fifty, he is a colossus and carries the Ipswich rear guard on his back like Atlas, though not literally of course. If for some bizarre reason I were to make a TV adaptation of Victor Hugo’s Les Miserables, I would cast James Collins as Jean Valjean, not Dominic West.
With only twelve minutes gone referee Mr James Linington brandishes his yellow card in the direction of Rotherham’s Zak Vyner, a man whose name is distinguished by having more than its fair share of letters from the back end of the alphabet and is worth a decent score in the brand of imaginary Scrabble in which only footballers names and not proper words are currency. It’s one of the few popular actions Mr Linington makes all afternoon, although I do approve of his choice of all-black kit; it’s what referees should wear.
A half an hour passes and Freddie Sears scampers down the left; he gets beyond the Rotherham defence and crosses the ball low to the near post. No one has control and the ball looks like it is trying to escape, but it only runs as far as new signing Will Keane, who despite the unpleasant associations of his surname and a hairstyle more becoming of the Eastern Counties League strikes a low shot into the goal. The crowd rises as one and all but the 729 Rotherham United fans in the corner of the Cobbold Stand enter a state of joyful delirium. Town lead 1-0.
It’s half-time and the toilet beckons; as I enter the ‘smallest room’ in the stadium I hear Roly giving his friend Andrew from Bury St Edmunds the benefit of his analysis of the first half; he sounds very earnest, like a bearded, Caucasian Garth Crooks; I stand next to him at the urinal and open-zippered tell him I disagree with his analysis, although in truth I hadn’t heard what he had said. I wash my hands and am amused by the words ‘Danger Electricity’ which appear on the top of the hand dryer “ Ah, the old enemy , electricity” says Roly convincingly.
The game begins again and the two blokes behind me discuss refurbishing a kitchen; “ Seriously, if you do it, I can get you a 10% discount at B&Q.” says one “ Does that include stuff already on offer?” says the other, looking a gift horse in the mouth. But I shouldn’t be surprised, these two haven’t a clue who any of the Town players are and are clearly here because the tickets are cheap. Out of the kitchen and back on the pitch the match has changed. Ipswich no longer dominate, quite the opposite in fact. They are incapable of retaining the ball for more than a few seconds and have seemingly abandoned all attempts to pass it to one another. Rotherham produce wave after wave of ineffectual attacks which are repelled by a mighty rear guard action from the Blues. This is good on one level but immensely frustrating, worrying and disappointing on another. We are making Rotherham look like Paris St Germain; lose this and they’ll be wanting to take the Eiffel Tower down for scrap.
Despite Town’s apparent ineptness, brought on in my opinion by a shortage of proper midfield players, the crowd of 20,893 remain firmly behind the team. The lower tier of the Sir Bobby Robson Stand, galvanised by the Blue Action supporters group and some welcome support from a bunch of fans of Fortuna Dusseldorf, Town’s unofficial ‘twinned club’ are proving inspiring, and every now and then even people in the East of England Co-op Stand are moved to clap their hands rhythmically. The floodlights are on as darkness envelopes the town and we benefit from the atmosphere of a night match, but Town still struggle to do anything but defend. On the touchline Paul Lambert the Town manager is very active, prowling up and down the technical area and swinging his arms directorially. I suggest to Mick that he’s probably just trying to keep warm because as ever he is in black slacks and a v-necked Marks & Spencer jumper and not wearing a coat, but Mick tells me in an authentic sounding Scottish accent that this is T-shirt weather.

Mr Lambert and his 'Marks and Spencer' jumper

Mr Limington the referee awards a catalogue of free-kicks to Rotherham, most, seemingly because a Town player has simply stood too close to one from Rotherham or has given him a funny look. The crowd tell Mr Limington he doesn’t know what he’s doing although I would prefer that they had asked “Who’s the bastard in the black?” Flynn Downes replaces German debutant Collin Quaner for Town as Paul Lambert reacts to that need for a stronger midfield and the bloke behind me with the kitchen asks “Who’s that?” “ Number twenty-one” says the bloke with connections at B&Q.
Finally, after five minutes of added time and a couple of narrow escapes for Town, Mr Limington gets something right and blows the full-time whistle unleashing rapturous scenes. The Sir Bobby Robson Stand finds a bigger voice than at any time during the match and hails the winners. It is a famous victory, as any victory is in this season mostly of defeats. But whilst the win is much needed and keeps hope alive, what this match has really shown is that people still care enough to come to a game, discounted prices or not, and Suffolk is still behind its team. Whether Town escape relegation or not, if managed properly this could be the start of a renaissance for Town and a re-connection with its fan base; I bloody well hope so.

Ipswich Town 1 Arsenal 0 – Our Blue Heaven

It’s Saturday May 6th 1978, I will be eighteen in about seven weeks’ time and today I am going to the FA Cup final. I am going with my dad; we were two of the 24,207 who saw Town beat Hartlepool United in the fourth round of the FA Cup and the 29,532 who witnessed the 3-0 win in the fifth round replay against Bristol Rovers; we went to the semi-final at Highbury on a supporters’ coach from Shotley. We saw Landskrona Bois, Las Palmas and Barcelona at Portman Road back in the autumn and have seen about a dozen league games on top of that, so we had the requisite vouchers to get tickets for the final. But this morning my father has woken up feeling unwell; he doesn’t think he’ll be up to going to Wembley and so for my friend Tim who lives five doors away, it’s his lucky day. I walk along the street, knock on his front door and ask if he wants to come to the FA Cup final; he does. Tim’s dad Charlie will this evening deliver a bottle of sherry by way of a thank you.
I listen to a few selected tracks from Blondie’s first album ‘Blondie’ (released in December 1976 )as I get ready to go; ‘Look good in Blue’ seems apposite this bright morning as does ‘In the sun’ with its lyric “In the sun , we’re gonna have some fun”. We get to Ipswich railway station somehow; on the 202 bus, or does someone give us a lift? Ticket to WembleyFrom Ipswich we are on a special chartered train that turns right at Stratford and plots a course through north London round to Wembley Central. In Wembley Stadium the terrace steps at the tunnel end are much bigger and steeper than those in Churchman’s or in front of the East Stand, blue and white abounds. The sun shines and Arsenal, wearing yellow and blue, kick off with Ipswich playing towards that blue and white tunnel end. Paul Mariner hits the cross bar, John Wark twice shoots against a post, Pat Jennings saves acrobatically from George Burley, Paul Mariner misses, bigmouth Malcolm McDonald is rubbish, Clive Woods is brilliant, David Geddes crosses, Willie Young is a lumbering donkey, Roger Osborne scores, we cheer, we sing, Roger Osborne is substituted for Mick Lambert, Town win and Mick Mills lifts the FA Cup and turns to show it to us.
Back at Wembley Central railway station after the match a half-brick or a stone bounces off the window of our train as we wait to depart back to Ipswich. Arriving back in Ipswich, Tim and I celebrate with a couple of pints of Tolly Cobbold bitter in the Railway Tavern on Burrell Road as we wait for a lift home in Tim’s dad’s green Morris Minor 1000.

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Forty years and eighteen days later it’s a dank evening in Ipswich, I have been to work, visited my mum, parked up in Portman Road and arrived at the New Wolsey theatre, which didn’t exist in 1978, although there was repertory theatre in Tower Street. I am with my wife Paulene. My father has been dead for nine years, happily his cause of death was unrelated to his illness of 6th May 1978, he enjoyed almost 21 years of good health subsequent to that and made it to the UEFA Cup final second leg in Amsterdam. Tim now lives in Weymouth and oddly he still only gets to see the Town when I get him a ticket (this season we went to Brentford). The Railway Tavern has been demolished; the green Morris Minor was scrapped long ago. But the name of Ipswich Town is still inscribed on the plinth of the FA Cup.
My seat at the Wolsey theatre tonight is in the front row of the auditorium, my wife Paulene is sat in the row behind; she sat behind to give me more legroom. The production is so popular we couldn’t get two seats together. We are the first people in the auditorium, Paulene’s asthma means she needs time to acclimatise. I read the programme (£4) and think “Cup final prices”. The stage is just a metre in front of me, the ‘boards’ are under a green covering patterned to look like turf. At the back of the stage a pair of blue doors look like the doors at the back of the old North Stand, above them is a projection of the type of corrugated cladding also redolent of the old North Stand. But there was never a sign that said ‘Welcome to Portman Road’ back then, there isn’t now. Also part of the projection is the old Ipswich Town crest, the slightly imperfect yellow and blue one, which should be restored out of respect to the past and to John Gammage who won the competition to design a distinct crest for the club back in 1972.41429848635_33f2609053_o
I watch the ‘crowd’ as the auditorium fills up to the sounds of assorted 1970’s pop hits, nostalgic but mostly awful. The majority of people here seem to be my age or older, old enough to have witnessed the 1978 Cup final. A few people are sporting blue and white scarves; one man wears a bright red blazer as if he’s just got here from Butlins. In the front row are three young lads, pre-teens, one of them wears a parka which lends an unexpected layer of 1970’s authenticity. Paulene says she feels cold, I say if I’d known she was going to I would have brought a blue and white bobble hat for her.
The lights dim and tonight’s performance of ‘Our Blue Heaven’ begins with Blondie’s “Hanging on the telephone” played live as the soundtrack to a domestic scene in which a young couple, Mel and Scott arrange their wedding for Saturday 6th May 1978, and then the draw for the third round of the FA Cup is announced. I resist the temptation to put my hand up to point that Blondie’s Parallel Lines album, from which ‘Hanging on the telephone’ was taken as a single would not be released until September 1978. I am not really a pedant and whilst I may not always like it, I do understand the concept of artistic licence and have been known to use it myself; I deny all accusations that it was merely lying.
Mel’s sister Sue is a dedicated and faithful Town fan and from the start foresees that she will want to be at Wembley on May 6th. Meanwhile, in a parallel story Smudger and Ange are awaiting their first child, with Ange’s ‘expected date of confinement’ surprisingly enough being 6th May, although the nurse at the hospital, who happens to be Mel and Sue’s mum Sheila tells them that babies never arrive on time. Smudger is as committed a Town fan as Sue and is predictably torn between his love for the Town and supporting his wife.
The simple domesticity portrayed is all a bit ‘Play for Today’, particularly when it transpires that Mel and Sue’s dad Paul is a striking fireman, whilst Scott’s dad Brian is a Thatcherite policeman; and that just adds to the authenticity and feel that it is 1978. I am transported back in time on a wave of Nostalgia (from the Buzzcocks Love Bites album and like Blondie’s Parallel Lines, also not released until September 1978, but also sadly not in the show).
Scenes from the two families’ stories are spliced with Town’s progress through each round of the FA Cup introduced by popular songs of the time, Bowie’s ‘Heroes’, Patti Smith’s ‘Because the night’, something or other by the Bee Gees. For the sixth round trip to Millwall the band plays the Clash’s London Calling, at which point I really do want to put my hand up because the Clash’s album was not released until December1979, a whole 20 months later. I only hold back when London Calling runs into White Riot, which is much more temporally authentic having been released as a single in March 1977, and a cracking tune to boot.
For each match a group of male and female dancers act out the crucial on-pitch events to the background of the songs and a BBC radio style commentary. My friend Gary texted me before the performance to tell me there was just one thing he did not like about the production and later he will tell me that it was the football sequences. Re-creating football well is notoriously difficult to do, as proven by awful films such as Yesterday’s Hero, in which incidentally the football sequences were filmed at half-time during a game at Portman Road; this is why I don’t consider that the director really bothered to do so. The dancers don’t look like footballers and they are only dancing, creating an impression through movement; they could have been supporters recreating the goals, children doing so in the school playground, and that is authentic. So Gary, you are wrong and need to brush up on your critiquing skills.
The intertwined stories of the families and the FA Cup run are good ones, there is drama, pathos, human emotion aplenty, humour and of course a happy ending. But the thread that runs through the production is the character of Bobby Robson who intermittently comes on to the stage like some sort of visiting angel wearing a series of 1970’s style suits and coats, imparting words of wisdom and assorted homilies about football and the wider experience of our lives beyond. As if this isn’t enough, the actor playing him, Peter Peverley does so brilliantly, better even than Michael Sheen’s rendering of Brian Clough in The Damned United. Peverley has the accent which is easy enough, and he has perfected the mannerisms too, but more than that he has captured the slight hoarseness in the voice, it’s almost uncanny. He wears a pretty bad wig though.
The finale to the production has the marriage, the birth and the FA Cup final taking place on stage simultaneously following the singing of Abide With Me, the Cup final hymn since 1927; a maudlin little number but a cracker nevertheless because it is the Cup final hymn and has been marinated in 90 years of Cup final history. Being sat right at the front, my view is now partly obscured by some of the on stage props, so I watch the audience. People who know the words sing along with Abide With Me, whilst others hold their scarves aloft. It is likely that many of the people here, like me were at the Cup final in May 1978 and are part of the story, but this makes people feel involved all over again, it’s nostalgia with knobs on, re-enacting the past, albeit part fictional, but this is somehow how it felt.
The story ends and it truly feels like Town have won the FA Cup all over again, and then Roger Osborne, the personification of the day because he scored the winning goal enters the stage, inevitably to a standing ovation. The ultimate finale however, comes with the cast all assembled on stage with Bobby Robson leading us in a sing-song, some Cup final community singing of our own; a rousing rendition of Edward Ebenezer Jeremiah Brown. It’s bloody marvellous and everything that matches at Portman Road no longer seem to be, utterly joyous. I give it my all.
I have had a most marvellous evening and for much of it I am not ashamed to admit I have had a tear in my eye. I have been taken back in time, but don’t know if I’m tearful for my lost youth and the passing of the days when Ipswich Town was such a wonderful football club and team, and when the FA Cup was something that really mattered, or if these are tears of joy and happiness, for a love of my team and a sense of belonging that has been re-kindled.
Nostalgia is warm and cosy, but it’s not a healthy thing, because we cannot go back and we have to live in the present; but tonight after watching Our Blue Heaven I genuinely feel uplifted.
My name is Edward Ebenezer Jeremiah Brown
I’m a football supporter of Ipswich Town
Wherever they play, you’ll find me
I haven’t missed a game since I was three
With me scarf and me rattle and me big rosette
Singing where was the goalie when the ball went in the net
Follow the Town
Up or Down
I’m Edward Ebenezer Jeremiah Brown but everybody calls me Ted.

Football, Football,
Whose the greatest of them all,
Let’s put it to the test
Come to Portman Road on a Saturday and you’ll see the best
Oi!
Ipswich! Ipswich! Come On The Town!
Ipswich! Ipswich! Come On The Town!

My name is Edward Ebenezer Jeremiah Brown
I’m a football supporter of Ipswich Town
Wherever they play, you’ll find me
I haven’t missed a game since I was three
With me scarf and me rattle and me big rosette
Singing where was the goalie when the ball went in the net
Follow the Town
Up or Down
I’m Edward Ebenezer Jeremiah Brown but everybody calls me Ted.

2-4-6-8 who de we appreciate?
It isn’t hard to tell
Just you take a closer look at me
And you’ll know darn well
Oi
Ipswich! Ipswich! Come On The Town!
Ipswich! Ipswich! Come On The Town!

La la la
La lala la lala lalala
Lala lalala la lala lalala
La lalala lalala, and lots more lalalaing, you get the picture ?

 

Ipswich Town 2 Sheffield Wednesday 2

An evening match at Portman Road and it’s not worth going home after work, so I stay a little later, but not that late and then take ‘tea’ in St Jude’s Tavern. My walk to St Jude’s takes me past Portman Road where the scene is being set for later in the evening. It’s half past five so darkness already shrouds the streets, but the bright white strip lights inside the Bobby Robson stand already illuminate it, and a silent expectation spills down in to Sir Alf Ramsey Way. Isn’t it daft that the Sir Bobby Robson stand is in Sir Alf Ramsey Way and the Sir Alf Ramsey Stand is at the other end of the ground? In Sir Alf Ramsey Way and Portman Road three burger vans are set-up; like the lights inside the stand they spill out a neon glow and with the absence of diners they possess a harsh, stark sadness, like paintings by Edward Hopper.

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A gaggle of stewards head for their evening’s work of standing about in hi-vis jackets and the local newspaper ‘goodie bags’ are being lined-up on the pavement.
I pass by quickly and have soon ordered a chicken a mushroom pie (although the barman said it was steak and kidney) and a pint of Cliff Quay Powder Monkey, a bitter, for a fiver. I sit and read for a short while as I eat and sup my beer before I am joined by a friend who buys me a pint of Cliff Quay Anchor (£3.40) which I prefer to the Powder Monkey. As usual the St Jude’s is being patronised by pre-match drinkers, but not packed out by them, which is good because it’s not a very big pub. My friend and I discuss the scandal that is Universal Credit, the Budget, living in France, my friend’s heart condition, and haircuts; I order another pint of Anchor and my friend, whose name is Mick, as in Mills, Hill, McCarthy and Jagger has a half.
Glasses drained and farewells said I find myself in Portman Road, it’s not very busy, but then the game is on the telly and Ipswich ‘supporters’ are quick to abandon their club when the going gets tough, even though prices are reduced to a very reasonable £15 all over the ground tonight; as a season ticket holder I feel a little cheated by that. Entry into the ground offers nothing of note tonight, but the stand is pitted with empty seats, it seems likely that many deserted the cheap seats tonight due to that special offer. There are plenty of supporters from Sheffield, well over a thousand and despite being from the city of the Arctic Monkeys, Pulp and The Human League they hit on Depeche Mode’s “ I just can’t get enough” as their anthem from the start; frankly I am disappointed.
The match kicks off and the ball is soon in the air and the game isn’t as beautiful as the publicity or Pele say; there’s a lot of pushing and shoving. There’s not too much to excite and therefore the Ipswich fans are quiet, whilst the more effusive people of South Yorkshire continue to show no regional loyalty moving seamlessly from Depeche Mode to Jeff Beck with a rendition of “Hi Ho, Sheffield Wednesday…” although without ever finishing the lyric; they must just like the fact that those four words scan so neatly. With the Ipswich supporters typically silent, it takes just fourteen minutes before the Wednesdayites appropriate a bit of opera to sing “Is this a library”, as all but the very smallest and quietest gatherings of away supporters do at Portman Road, and justifiably so.
Eventually, after twenty minutes or so, Ipswich have a couple of shots which inspire their supporters to launch into a few dull, atonal chants of “Blue Army”. Sheffield Wednesday dominate possession, as most teams do against Ipswich, but in the English second division that counts for nothing as few teams are capable of converting possession into goals. Ipswich are doing okay. Then it’s half time and I wander dispiritedly beneath the stand, worried as ever by the ageing demographic of Ipswich’s supporters. I toy with the idea of sitting somewhere else for the second half, but my enthusiasm has been sucked from me by the stiflingly silent attitude of the home crowd and I return to my own seat amongst the living dead to continue this passionless marriage with the club that once moved me.
The second half begins as the stomping “Singing The Blues” fades from the tannoy and the Sheffield Wednesday fans take up the tune with a gusto unknown in Ipswich, though for their own wicked purposes of encouraging their team. But within three minutes Ipswich score; Joe Garner tapping the ball simply and easily into the net at the far post after a corner is headed across goal. Now that Ipswich are winning, Ipswich supporters in The Bobby Robson Stand can be heard supporting their team and things are looking up; Ipswich are playing pretty well. It’s all a bit a shock therefore when fifteen minutes later Ipswich’s Jordan Spence mindlessly, needlessly and almost invisibly handles the ball to gift Sheffield Wednesday a goal from the penalty spot. Happily Martyn Waghorn restores Ipswich’s lead with a looping header about five minutes later and Ipswich continue to be the more effective team, even if they still don’t possess the ball as often as Sheffield.
The mood is uncharacteristically upbeat although of course you couldn’t say the stadium is reverberating to the sound of passionate support; “The noise, the passion, the sense of belonging” that Bobby Robson said defined a club remain elusive in the Sir Alf Ramsey Stand . Portman Road will never rival St Etienne’s Stade Geoffrey Guichard as “The Cauldron” ; not so much Le chaudron as le cemetiere.
The final twenty minutes see substitutions borne of desperation from Sheffield and fear of losing from Ipswich. Sheffield resort to an enormous bearded Kosovan, Atdhe Nuhui, who is 1.96m tall. Ipswich resort to trying to keep the ball in the far corner of the pitch rather than continuing to play proper football, which could bring a third goal. In the final seconds of the match Ipswich lose the ball, Wednesday break away, cross the ball and the giant Kosovan heads the ball into the top corner of the goal. The game finishes and the Ipswich ‘supporters’ break their Trappist vows to boo, forgetting most of the previous ninety four minutes and preferring to concentrate on the final disappointing seconds. It does feel like defeat but heck most of the people here are old enough to have seen this all before; I am.

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