lazio

Ipswich Town 1 Fulham 3

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I have been at work all day today, since before eight o’clock; not working at home as I usually am, but in ‘the office’, experiencing first-hand the sounds and smells of my fellow human beings and colleagues.  It’s been a long day, but now at nearly five o’clock I can release myself from the yoke of gainful employment and look forward to knocking off early tomorrow afternoon because I have clocked up an unseemly amount of flexi-time.  But I strive to live more in the moment, and before tomorrow afternoon’s idleness comes the hopeful pleasure of League Cup football at Portman Road, as second division Ipswich Town confront first division Fulham.

 It was almost exactly fifty years ago to the day that I first saw Ipswich Town play Fulham, and uncannily, or more probably just by mere coincidence, it was also in a League Cup tie, albeit a replay.  Like today, Ipswich were riding the crest of a wave, enjoying a season in which we would go onto beat Southampton 7-0 and win both legs of the Texaco Cup final against Norwich City, and in which we had already despatched Real Madrid and Lazio from the UEFA Cup and the then mighty Leeds United from the League Cup. Town were the only domestic club to beat Leeds United in the 1973-74 season before late February when Stoke City inflicted upon them their first League defeat of the season, and how everyone cheered, because everyone hated Leeds United back then; even Leeds United hated Leeds United back then.  Fulham would be the first second division team I ever saw. Town won 2-1 that night, but as I recall, and as the scoreline hints, it wasn’t an easy win.  My father was in the Royal Navy back then and was able to get his hands on the complimentary tickets to the director’s box that the club provided for the captain of HMS Ganges at Shotley.   We had those seats in the directors’ box for that match and as Town struggled to get the better of Fulham, I remember drawing disapproving glances from people who must have been Fulham officials as I shouted out “Come on Town, you can beat this lot, they’re only second division”. Tonight, fifty years on, the tables are turned.

It’s not much past six o’clock when I enter ‘the Arb’ and order a pint of Wolf Brewery Howler (£3.70 with Camra discount).  After a delay to look at a menu, I also order chips with chicken and chilli (£8) before retiring to the beer garden in which there only four other people, two young blokes, and a large woman who swigs beer from a bottle; she is with a smaller man who has a glass of fruit juice; they are  a drinks-based version of Jack Spratt and his wife.  Later, the man and woman will leave to be replaced by two couples and another man on his own.  Not unexpectedly for the first night of November, it’s not warm, and it’s breezy too.  I drink my beer and eat my food and try to read the programme (£3) that I had bought earlier in the club shop. But the light is dim, and I find it hard to read the small typeface.  I cannot find any mention of the match of fifty years ago in the programme, only the less specific reminiscences of  Simon Milton, who before becoming famed in the writings of Dave Allard of the Ipswich Evening Star as “the former paintsprayer and van driver from Thetford”, lived with his parents in Fulham.  I buy another beer, this time a pint of Nethergate Compete Howler (£3.87 with the Camra discount).  The two blokes beside me talk about television programmes they have seen.  One of them has seen a programme about prison inmates and says “One of them was a serial kidnapper and torturer, so he kidnapped people and tortured them.”  They ramble on to discuss cold hands and wearing hats and thermals, and a television character who had a “New York twinge” to his accent.

With no Mick with me tonight, because he has to attend his daughter-in-law’s birthday celebration, I sup up my beer and leave for Portman Road a bit earlier than usual.  Portman Road is busy and my path along it is regularly blocked at ninety degrees by queues for the Cobbold Stand. The mass of people at the back of the Sir Alf Ramsey Stands is so dense that I don’t even attempt to negotiate it and instead walk around the old Churchman’s building and approach from Russell Road, which is much easier, although I still have to queue for a few minutes to get to my beloved turnstile 62.  I feel a sense of achievement as I successfully pass through the turnstile using the QR code on the e-mail on my mobile phone, and to think, I failed my Physics ‘O’ level. Tonight, by way of a change, but mainly because the flat rate ticket price of £20 is an opportunity to sit somewhere ‘better’ than the cheap seats where I usually sit, I have purchased a seat in the upper tier of the Sir Alf Ramsey stand.  Thinking of the Sir Alf Ramsey stand as Sir Alf’s face, if my usual seat is somewhere on his chin or at the corner of his mouth, tonight I am up on his left cheek, at the corner of his eye, where in the days before Kieran McKenna the seats were probably always damp with Sir Alf’s tears.

I am in good time to see the teams parade onto the pitch tonight and hear stadium announcer Murphy attempt to enthuse the crowd with mention more than once of “being under the floodlights tonight”. Murphy proceeds to make a complete hash of reading out the teams, hurrying through the names like they’re a shopping list, failing to synchronise with the big screen as the faces of the players appear on it and failing to pause at all between first and second names so that the crowd can bawl out the surnames as if we were French. I do the best that I can to shout out those surnames, to the amusement of the two young men next to me, but Dom Ball is a step too far and in the mouth of Murphy sounds like Doughball.   Murphy then reads out Elkan Baggott’s name and number twice; if he read a bit more slowly, perhaps he wouldn’t make so many mistakes.  “Murphy, you’re bloody useless” I call out and the blokes beside me laugh again.

The game begins and Fulham get first go with the ball, kicking it to their best of their ability in the direction of the Sir Bobby Robson Stand, Handford Road and Akenham and Barham far beyond.  Ipswich are wearing their traditional blue shirts and socks and white shorts and it’s pleasing to see that Fulham are also wearing their signature kit of white shirts and black shorts, just like they did back in 1973, although this year they have black sleeves also.  “Super Fulham, Super Fulham FC” sing the visiting supporters up in the Cobbold stand.  The opening action on the pitch is muddled and uncertain. It’s as if the teams know not everyone has taken their seats yet, so they’re waiting a bit until we’re all in before beginning in earnest. The seats behind me and in front of me are empty.  In the dullness of the early minutes, I notice how the bottom tier of the Cobbold Stand is painted matt black, like the interior of a 1980’s theme pub.  The Ipswich supporters in the other end of the Cobbold Stand and the Sir Bobby Robson stand are singing, but sound like they’re in the next room.  “Go on!” says the bloke next to me suddenly as a Town player gets the ball, and several in the crowd clap in time to the Sir Bobby Robson stand supporters singing “Addy, addy, addy-O”.  The row in front of me is being  filled with small children and their parents along with three teenage girls with very long straight hair, lots of make-up and hands grasping polystyrene containers full of chips.

Nine minutes have gone and as Fulham push forward Ipswich suddenly seem to have no left-back. Fulham exploit the oversight and the fulsomely named Bobby Decordova-Reid provides the wide pass that allows Harold Wilson time to take off his Gannex raincoat and light his pipe before taking the ball around Christian Walton and rolling it into an unguarded goal net. Fulham lead one-nil, which wasn’t expected. “Que sera sera, Whatever will be will be, We’re going to Wemb-er-ley” sing the Fulham fans joyously, and the two blokes next to me laugh.

“Here for the Fulham, You’re only here for the Fulham” sing the Fulham fans partly gloating and partly realising that they can’t see many empty seats, but more probably ironically acknowledging that no one other than a Fulham supporter would normally go anywhere to see Fulham.  Twelve minutes have gone forever, and referee Mr Lewis Smith awards the first free-kick of the game, to Fulham.  I notice that the name on the shirt of the Fulham number three is Bassey, and I wonder if he’s known as Shirley.  Ipswich now lose their right-back somewhere and in the aftermath Janoi Donacien deflects a Fulham shot onto the Town cross-bar.

Ipswich haven’t done much so far by way of creating goals of their own, but Kayden Jackson has a shot deflected past the post for a corner after Fulham generously give the ball away. “Come On You Blues” I chant four times making the blokes beside me laugh, but no one else up here makes a sound.  Janoi Donacien heads over the crossbar.  “We’re on our way” sing the Sir Bobby Robson Stand alluding to hoped-for promotion, which seems an odd thing to sing at a League Cup tie. These millennials eh?   From where I am sitting, I can see the top of the roof of the West Stand and forty years of accumulated lichens and grime; the stand looks quite old-fashioned and industrial from here, I rather like it.    

Back on the pitch, and Town’s passing isn’t always reaching its intended recipients, there is a degree to which these players don’t look as though they have played very much together before tonight.  “What’s going on here boys?” calls a bloke behind me, whilst another just says “Fucking shit”.  The Fulham fans meanwhile enjoy themselves with a snippet of opera to which they sing the words “Is this a library?”  and indeed, the Ipswich crowd is doing what it does best, keeping quiet in adversity.  Sone Aluko  draws some appreciation however, with a fine cross-field pass to Kayden Jackson and Mr Lewis then gives a  free-kick to Fulham, the bloke behind me exclaims “ That’s bloody bollocks that is”.  

  As the game enters its middle third, Mr Lewis suddenly remembers his yellow cards and books Marcus Harness, Fulham’s Sasa Lukic and Town’s Jack Taylor, although none of them had done anything particularly heinous.  If it was an attempt by Mr Lewis to get the crowd to sing about him it worked, and he is treated to numerous renditions of “Who’s the wanker in the black?”   which many a Welsh chapel or colliery choir would surely be proud of.   The young blokes beside me laugh, twice.

Half-time draws ever closer and both sets of fans have gone quiet, it’s that kind of a game.  Four minutes until half-time and the Fulham fans blink first and blurt out a song of encouragement, albeit just “Come on Fulham, Come of Fulham” which sounds more forlorn and desperate than it does inspiring, as if the words “Oh for God’s sake” have somehow been edited out. Just a minute before the first half is due to expire, and following a corner, Christian Walton has to make a save from a shot by Shirley Bassey.  Three minutes of added on time are announced by Murphy, although I doubt he’s got it right, and Town have the ball for a brief period. “Now we go, now we break” says a bloke behind me, but he’s wrong, and we don’t.  Half-time comes as a relief when it arrives and so I go downstairs to drain off some surplus ‘Howler’ and ‘Complete Howler’.

Having returned to my seat, there’s not much to enjoy about half-time. Murphy interviews some local boxer and makes an arse of himself by speaking like a boxing bout compere, but when that’s over I enjoy the fountain-like pitch sprinklers and the odd names of what I assume are children attending their first matches tonight; I hope Jonah doesn’t live up to his name and wonder about the origins of Beau and Guinea.  If I have a dull moment before the Swansea City game I think I might write to the club claiming I shall be attending my first match and that my name is Kermit or Beaker. I always liked the Muppets.

At nine minutes to nine, according to my mobile phone, the football resumes. Five minutes in and Fulham lead two-nil as a well angled cross from the Fulham right is tucked into the Ipswich goal from about seven metres out by a Brazilian called Rodrigo Muniz. If there is anything wrong with the Ipswich Town squad at the moment it is that we don’t have enough foreign players. As World Cups repeatedly show, teams of players who aren’t from Britain are invariably better than ones who are from Britain.  Impressively the Fulham starting eleven fields just a Welshman and a Scot as the only representatives of the British Isles.  “Who are ya, Who are ya?” chant the Fulham fans inquisitively, as if to say “you can’t be anyone special because you’re losing to us”, which is a fair point.

Whilst Town came back from two-nil down to beat First Division Wolverhampton Wanderers in the previous round of the League Cup, what has happened so far tonight does not suggest such a comeback will happen again this evening and indeed Fulham continue to pass the ball amongst themselves most of the time and Ipswich don’t.  Much of the remainder of the game belongs to the Fulham supporters whose chanting is as close to witty as football chants ever get.  “We love you Fulham” whilst not witty sounds heartfelt, but the singing of the Internationale with words altered to speak of shoving “your blue flag up your arse” is amusing both because it is directed at Britain’s greatest poseur football club Chelsea, and because it resurrects memories of Fulham’s most famous fictional fan, Citizen ‘Wolfie’ Smith.

“One of ya!” bawls a bloke behind me as Kayden Jackson and Sone Aluko both go for the ball at once and both miss it, and then the increasingly creative Fulham fans begin to sing about their former, but now deceased owner Mohamed Al-Fayed, although I guess they could be singing about his son Dodi.  I have no idea what they’re singing, but I imagine it’s fun. With time running down, Town bring on Elkan Baggott, a young man who apparently has nearly as many Instagram followers as the club itself.  With their team comfortably two goals up the Fulham supporters surpass themselves with the surreal chant of “Shit Leyton Orient, you’re just a shit Leyton Orient” to the Latin strains of Guatanamera. The young blokes beside me laugh, and so do I at what I think might be the first genuinely funny football chant I have ever heard.

There are twenty-one minutes of normal time remaining as George Hirst and Omari Hutchinson step forward onto the pitch charged with the task of pulling back two goals, and Freddie Ladapo and Janoi Donacien sink back into what look like knock-off sports car seats where the dugouts used to be.  “Blue and White Army” chant the home crowd, digging deep for some optimism and Murphy announces tonight’s attendance “here at Portman Road”, just in case we wondered where we were, as 28,221 including 1,685 Fulham followers. 

“We can still do this” people are surely thinking to themselves drawing on the spirit of Escape to Victory, but then Fulham break down the right and Tom Cairney scores from about 12 metres out shooting at and through Christian Walton.  A legion of faithless, soulless, part-time Town supporters get up and leave, the clatter of their tipping up seats sounding like sarcastic applause to the imaginative ear.   The game is lost it seems, but hope springs eternal, and consolation and a large two-fingers to the receding backs of all those who have just left the stadium comes just two minutes later as Town win a free-kick and Elkan Baggott stoops to head the ball into the Fulham goal and Town once again trail by only two goals, not three.  The last ten minutes of the match runs down with barely renewed hope, but the home chants suggest we don’t care anyway because “E-i, E-i, E-i-o, Up the Football League We Go”, and apparently that’s more important than getting to the next round of the sort of trophy Norwich City were once capable of winning.  We only came out tonight for a laugh, or the blokes next to me did, and they leave early too.

The last minutes of the game are some of Town’s best, but Fulham don’t look likely to give up the ghost just yet and Hallowe’en was last night anyway.  A stonking eight minutes of time added on give us incurable romantics another dollop of hope, but whilst Omari Hutchinson, Dominic Ball and Kayden Jackson all manage shots on goal, none of them realises the prize and Town’s League Cup run is over yet again.

Ultimately, it has been a disappointing evening.  It’s not been a great match; it was okay, but Fulham were too good for Town’s second- best team, who never really did much, but we knew it had to end at some time or other.  At least we can’t lose at home to Birmingham City in the next round like we did in 1973.

Ipswich Town 5 ABBA 5

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The football season is over save for the silly play-offs, and now it’s the height of Spring,  and with little else to occupy him a young man’s fancy lightly turns to thoughts of the Eurovision Song Contest;  or maybe not.  But last week’s transmission of the bizarre, annual , musical  television ritual extravaganza was inevitably accompanied by the airing of a clip show on BBC4 of past performances by the competition’s only notable success, Abba.  I have never bought, stolen, borrowed or owned an Abba record, tape, download or CD, but I will admit to being unable to suppress a smile when I hear one played.    Equally, I couldn’t resist watching that clip show and felt rewarded when it brought back memories of a road trip I made in the summer of 1995, which took me and my then girlfriend via Parkeston Quay, DFDS Seaways ferry, Gothenburg, Stockholm, Uppsala and Sundsvall to Pitea in northern Sweden, where we stayed with my girlfriend’s pen friend and her husband.  It was a very long drive for which the soundtrack for several stages of the journey came courtesy of a CD of Abba Gold belonging to my girlfriend.

The experience of listening to Abba on that road trip has stayed with me and it led to an article in the erstwhile Ipswich Town fanzine A Load of Cobbolds.  Now, in the spirit of nostalgia inspired by the fortieth anniversary of Ipswich Town’s UEFA Cup win and  in the absence of anything better to do I have reproduced that article below, updating it to modern times where necessary:

When you’re an eleven or twelve year-old football and pop music loom large as pre-pubescent priorities.   I bought my first record (Happy Christmas (War Is Over) by John Lennon & Yoko Ono) in 1971,  the same year that I started watching Ipswich Town, and I  soon began to feel that footie and pop music were somehow inextricably linked. The late Sixties and early Seventies was a time when it was easy to confuse footballers with pop stars and my two worlds satisfyingly collided.  The fashion for any bloke who aspired to being hip and trendy was an enormous thatch of hair coupled with equally vast sideburns.  Squeezed into a pair of bollock-hugging, crushed-velvet flairs and sporting a deafeningly loud shirt,  Ian Collard or Rod Belfitt might have been members of The Hollies, or Kevin Beattie a member of Nazareth.

The similarities in the appearance of pop stars and footballers subsided a bit as the Seventies wore on and sadly, sartorially Punk Rock never seemed to catch on with any footballers at all.  There were however still some startling lookalikes within the ranks of the PFA, I thought.  It could have just been my addled perception, but I always felt that Arsenal’s Frank Stapleton and Shakin’ Stevens were the same bloke.  Moving on into the 1980’s the separation at birth of Oldham Athletic’s Andy Ritchie and Jimmy Somerville was ‘well documented’ at the time, but less well-known is the fact that Roy Keane and Sinead O’Connor were also twins.

More amazing than these superficial similarities, which admittedly are largely the invention of my fevered imagination, is the very precise correlation between the success of one particular football club during the 1970’s and early 1980’s and a particular pop group.  Both were at their peak between 1973 and 1982. The football club of course was Ipswich Town and the pop group was Abba.

If you take time to trawl through the collected works of the famous Swedish songsters, as Dave Allard might have called them, you will not only enjoy a richly rewarding aural experience, but you will soon reach the conclusion that the fact that Town and Abba were both at the peak of their powers over precisely the same period of time is no coincidence.   Listen carefully to the lyrics and you will be able to trace the history of the Town’s success through that glorious era.  You will find that listening to Abba Gold (Greatest Hits) is as close to a religious experience as you can hope to get;  something akin to an Ipswich Town Dreamtime, harking back to an epoch when Portman Road was inhabited by ancestral figures of heroic proportions who possessed supernatural powers.   In the film Muriel’s Wedding the eponymous Muriel says that Abba’s songs are better than real life.  Now, as we sit in the murky depths of the third division and look back at Town’s glorious past you too will believe this is true.

As you might expect from Europe’s foremost supergroup many of the songs make reference to Town’s European campaigns of that era in the UEFA and European Cup Winners’ cups.  It is likely that it was through Town’s exploits on the continent that the talented Swedes first became Town supporters, although we were actually only drawn against Swedish opposition  once when in 1977 we met Landskrona Bois and most inconveniently The Stranglers played the Ipswich Gaumont on the very same night as the home leg.  Naturally, I missed The Stranglers concert and sadly never got a second opportunity to see them.    There is clearly a reference to Town’s UEFA Cup triumph over Lazio in the title of the number one hit ‘Mamma Mia!’, a song which also contains a lyric that suggests one of Abba had perhaps had a brief flirtation with a Town player or supporter and may explain the uncanny connection between Abba and the mighty Blues;

“Yes, I’ve been broken hearted, Blue since the day we parted.”

The moving ballad ‘Fernando’ is sung to an imaginary Spanish fan and recalls those sultry September and cooler autumn evenings when we entertained Iberian opposition from Real Madrid, Las Palmas and Barcelona.

“There was something in the air that night, the stars were bright, Fernando….

Though we never thought that we could lose, there’s no regrets. If I had to do the same again I would, my friend Fernando”

That last line referred to the fact that Town were twice drawn to play Barcelona, whilst the line  before that refers to our having lost both ties despite being confident after winning the first leg.  Another song, ‘Super Trouper’, whilst still referencing games played under floodlight, perhaps because of the lack of daylight hours in Sweden during the English football season, refers to an individual player and employs little-known Swedish rhyming slang in a thinly disguised paean to goalkeeper Paul Cooper.

“Super Trouper lights are gonna find me shining like the sun, Smiling having fun feeling like a number one”

In the 1978 Abba hit “Take a chance on me”   the subtle Swedish Blues fans reveal the little known story of how Frans Thijssen successfully pleaded with Bobby Robson to let him join his compatriot Arnold Muhren at Portman Road and to try his luck in English football. 

“Honey I’m still free, take a chance on me. If you need me let me know and I’ll be around. Gonna do my very best and it ain’t no lie, if you put me to the test, if you let me try”.

Although those days were such wonderful times for Town, not every song described a happy or uplifting event.  There were sad days too at Portman Road back in the Seventies and hard decisions had to be made for the good of the team.  The 1977 ‘Number One’ hit ‘Knowing Me, Knowing You’ was about the departure of former Portman Road favourite David Johnson, the one-time ‘King of Portman Road’, who left Town to join rivals Liverpool.  In the song, the reflective Scouser looks back on the good times he has had at Portman Road since his move to Town from Everton four years earlier.

  “Memories, good days, bad days, they’ll be with me, always”. 

David appreciates however that his recent form has not been good and in the circumstances a move is the best thing for everyone.

  “Knowing me, knowing you, there is nothing we can do, we just have to face it this time we’re through; Breaking up is never easy I know but I had to go, Knowing me, knowing you it’s the best I could do”.

Back in the Seventies, money wasn’t the driving force in football that it is today.  Nevertheless, the spending power of clubs such as Manchester United, who were able to make expensive signings virtually every season despite being rubbish, rankled with Bobby Robson and he longed to be able to make big signings for Town.  Abba’s “Money, Money, Money” was a song about his frustration. 

“In my dreams I have a plan, if I got me a wealthy man…  “

”All the things I could do if I had a little money…”

“Money, money, money, always sunny in a rich man’s world”

Both ‘Knowing Me, Knowing You’ and ‘Money, Money, Money’ showed something of the downside of those glory years and as we look back on those days from the fag-end of the first quarter of the miserable twenty-first century a melancholy aura pervades our memories, in part because ultimately Town failed to win the League Championship that we deserved, but perhaps also because even at the time we knew it all had to end one day, and when Bobby Robson left to manage England in 1982 we secretly knew it had.  Abba knew it too and two of their hits put these feelings in to sharp perspective.  The haunting melody of ‘Winner takes it all’ explores the pain that looking back on the good times would bring; it begins:

 “I don’t want to talk about things we’ve gone through, though it’s hurting me now it’s history”

Abba’s last big hit ‘Thank you for the music’ is sung from the perspective of our legendary club captain Mick Mills who reminisces, having regretfully left Town for Southampton, about the joy and beauty of those days between 1973 and 1982.  If you’ve listened to the slightly dull monotone of Mick’s summaries as he sits alongside commentator Brenner Woolley on BBC Radio Suffolk, you will appreciate the opening lines to this song; 

“I’m nothing special in fact I’m a bit of a bore, If I tell a joke, you’ve probably heard it before…”

But Mick’s talent was as full-back and captain of the greatest Ipswich Town side ever and this was the ‘music’ referred to in the title of this most moving of Abba songs.  This was a song from the heart of ‘Mr Ipswich Town’, Mick Mills, and it is truly uncanny how Mick with his blond locks and luxurious facial hair even looks like a bit like a composite of Bjorn Ulvaeus and Benny Anderson the song’s composers.  This song is the ultimate celebration of those ten seasons at the top in which Mick thanks fate for the glorious hand he was dealt.

“I’ve been so lucky, I am the girl with golden hair

I want to sing it out to everybody

What a joy, what a life, what a chance

So I say Thank You for the music

The songs I’m singing

Thank you for the joy they’re bringing…”

The songs of Abba define and encapsulate a golden period in the story of the twentieth century and the time before Thatcherism and neo-liberalism destroyed your innocence.  Abba’s songs, their success and the glory of Ipswich Town, the nicest professional football club the world had ever known did not happen together by coincidence.  The proof is in the lyrics of the songs, and shows that cosmic forces were at work.  Those of us who lived through the 1970’s were truly blessed to have experienced the music of Abba as it happened, but we are doubly blessed to have been Ipswich Town supporters too.

Thank you for the music Bobby Robson and Mick and all the lads who played for us between 1973 and 1982 , and thank you for the music Agnetha Faltskog, Benny Anderson, Bjorn Ulvaeus and Anni-Frid Lyngstad.

Ipswich Town 3 Leeds United 2

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And so, in the words of what was reputedly Sir Bobby Robson’s favourite song, Ipswich Town face the final curtain of this singularly unsuccessful season in Football League Division Two.  There have been a few regrets, some too painful to mention or admit to, but we’ve seen the season through, we’ve  laughed and cried and not really succeeded in doing what we had to do; there have been a lot of doubts and we’ve had more than our fair share of losing.   I can’t imagine anyone would own up to it being their way of doing anything, unless they set out to get relegated.  It is with a sense of blithe resignation therefore that I set off for Portman Road beneath cloudy grey skies into the teeth of a cold northerly breeze.   It’s not even ten o’clock yet and I curse Sky Sports and their dictat on reality, which is that if something doesn’t happen on subscription television, it doesn’t really happen.  There are supporters of both Ipswich Town and Leeds United at the railway station and sadly, Chelsea.  The train is three minutes late although the electronic display claims it is on time; another example of the truth being what we are told it is.  The train is busy with Bank Holidaying passengers; middle-aged women dressed up to the nines cackle excitedly, one wears a semi-transparent wide brimmed-hat like a gossamer sombrero.  Legs apart blokes stand by the sliding doors and drink cheap lager from shiny blue cans.  An invisible cloud of acrid body spray creates a tickling sensation in my nose, it spreads and transforms itself into a stabbing pain in what feels like the root of a tooth, I reminisce about hay-fever.

In Ipswich a state of emergency has been declared and would-be passengers vie for space in the railway station booking hall with a platoon of police, all hand-cuffs and hi-vis. On the station ‘plaza’ more police; fashionable police in baseball hats with riot-helmets swinging casually from their utility belts.  Opposite in the garden of the Station Hotel the marauding Yorkshire hordes enjoy some drinks and a barbecue, the smell of charcoal smoke wafts across the river. I head for St Jude’s Tavern taking a detour along Constantine Road past the Corporation bus garage because Portman Road is closed. The Leeds United team bus sweeps by, it’s blacked out windows hiding its precious cargo from the gaze of the common people; a BMW waits where parking has been suspended; it’s always a BMW.  At the corner of Portman Road early diners wrestle with paper napkins of meat-based, bun encased lunches, jealously guarding their sauce and onions. I buy a programme, a souvenir of the end of a sixty-two-year-long era.

St Jude’s Tavern has been open five minutes, but already a bevy of fifty-something drinkers crowd around the bar.  “We’re all going on a League One tour” chants one before expressing his excitement at the prospect of an away match against Southend United.  I turn to the barmaid “It doesn’t get much better than a day out it Southend, does it” I say with a hint of sarcasm.  She looks confused, so I ask for a pint of the Match Day Special which is St Jude’s Elderflower Bitter (£2.50).  It doesn’t taste too good. “It’s the elderflowers” she tells me and swaps it for a pint of Nethergate Venture at no extra charge.  It makes me think of the ‘French’ John Cleese in ‘Monty Python and the Holy Grail’. I talk to one of the regulars about his replacement knee and elderflower cordial before Mick arrives; he buys me a pint of Elgood’s Plum Porter (£3.60), which is characteristically kind and generous of him.  Mick and I discuss his current affliction with bursitis (Housemaid’s Knee) and I wince at the size of the bump on his leg.

Time passes quickly and I am soon drawn down Portman Road by the beaming blue face of Sir Bobby Robson peering between the bright green foliage of the trees beyond Handford Road.  I enter the ground from Constantine Road past the array of planet-destroying, over-sized, show-off cars owned by the players and through the little used turnstile number 60. “It’s a quiet little number having this turnstile, isn’t it” I say to the young woman enclosed in her brick and mesh cubicle, she smiles nicely and doesn’t disagree.  I stroll to my seat via the WC facilities beneath the stand where I hear the recorded stadium safety announcement; “If you hear this sound  – wooooh, wooooh…” says the disembodied female voice with a faintly Irish accent.  I imagine a woman from Donegal called Sheila who is capable of creating the strange whooping sound with her natural voice, like some sort of gainfully employed banshee.

Emerging up the steps from beneath the stand my eyes are met by a long blue and white banner at the Sir Bobby Robson stand end of the ground.  “There is a light that never goes out” it reads.  I like the music of The Smiths and Morrissey as much as the next miserabilist, but wonder at the relevance of this random snatched lyric and also if Morrissey will be pursuing a royalty.  The lyrics of the Smiths are an odd choice if looking for uplifting words, and I would like to see the banner that announces “Heaven knows I’m miserable now”.  Recovering my joie de vivre I see in my mind’s eye a banner at Carrow Road which reads “Ha ya got a loight boy?” and wonder what other lyrics from popular song are suitable to ‘celebrate’ relegation. I decide that “Wiping the dirt from his hands as he walks from the grave, no one was saved” sums up my feelings nicely and I imagine makes Morrissey jealous that it isn’t one of his lyrics.

As ever, ever-present Phil who never misses a game and Pat from Clacton are here today, but far fewer of the seats about us are vacant and I marvel at the increased level of support the club has garnered from becoming the plucky underdogs.  Town kick-off towards us in their traditional blue and white shirts, befouled by the hideous logo of a firm of on-line shysters.  Leeds United are also the lackeys of an on-line betting company, but with a nicer logo and they wear yellow shirts and socks with blue shorts, looking like Newmarket Town, but with more expensive and exotic haircuts and tattoos.

Having had first kick, Town quickly lose the ball to their opponents and struggle to get it back.  “Marching on together, We’re gonna see you win” sing the Leeds support presumptuously from the top tier of the Cobbold stand.  Below them in front of the executive boxes a couple of rows of Leeds fans sit with flags spread out on the seats in front of them, they look like they’re all together in a giant bed.  If they were Norwich supporters they would be.

Eleven minutes pass and I’m a little bored already,   Ipswich are sadly not doing much but chasing Leeds players and the ball. For a few moments Leeds play the ball around across their penalty area like a French or Brazilian team, confident in their ability to pass and control the ball, Town captain Luke Chambers looks on, mouth agape.  The Leeds United goalkeeper Kiko Casilla appears to be somewhat bandy-legged; I ponder the likelihood of anyone from sunny Spain suffering with rickets.

A smattering of Leeds fans swing their scarves about their heads like slingshots, recalling the Gelderd Road end of Leeds’ ground in the 1970’s whilst the Town fans in the Sir Bobby Robson Stand sing “Que Sera Sera, whatever will be will be, we’re going to Shrewsbury” which is a worthwhile boast because the Shropshire town is a one of the Football League’s loveliest, up there with Oxford and our very own Ipswich.  It is the nineteenth minute of the game and Town win a corner, bucking the trend of Leeds dominance. Andre Dozzell’s kick fails to travel beyond the Leeds defender at the near post however.  A conversation ensues behind me the final words of which are “We need a new team, mate”.  On the touchline Leeds manager Marcelo Bielsa adopts his customary squatting pose.  The Argentine is sometimes considered to be an eccentric character and his moving to Leeds having managed Lazio and Marseille rather proves the point; he was a legendary figure at Marseille, adored by the Ultras and I am proud to say I saw him sit on a cup of coffee at the Velodrome, which may be why he is choosing to squat today.

The game is not living up to expectations and to pass the time the Sir Bobby Robson Stand goad the Leeds support by singing “Top of the League and you fucked it up” which is a bit rich from supporters of a team that has been bottom of the league virtually all season.  Compared with our own team’s performance this season Leeds United are world beaters. “One Mick McCarthy” sing the Yorkshiremen in response, which is fair enough, but easy to say given that he’s only ever bored them until they cried with his attritional, joyless football as manager of the opposition.

I’ve been watching this game for almost half an hour and all of a sudden a couple of passes send our angular on-loan German Collin Quaner through on goal with just Casilla to beat; Casilla comes out of his penalty area and runs straight at Quaner who pushes the ball beyond him and hurdles the Spaniard’s lunging frame before crashing to the turf.  The lower tier of the Sir Alf Ramsey Stand bay for blood but referee Mr Gavin Ward proffers only a yellow card in the direction of Casilla, possibly because he couldn’t conceive of the current Ipswich Town team of having a goal scoring opportunity, let alone being denied one.  But the resultant free-kick proves Mr Ward wrong as the ball sails high into the six yard box and no one is able to send it decisively in any direction, so it drops to the ground and Town’s Flynn Downes is nearest and able to hook it into the goal net.  Ironically, it’s the sort of goal that owes a lot to the methods of Mick McCarthy.

“We’re winning a game, we’re winning a game, how shit must you be, we’re winning a game” sing the Town fans, once more invoking the sound of ‘Sloop John B’.  Surfing on a wave of a single Beach Boys tune the Sir Bobby Robson Stand ill-advisedly seek to push home their perceived advantage. “Premier League, you’re having a laugh, Premier League, you’re having a laugh” they chant to the tune of Tom Hark.  If only they’d stopped to think about the probable response.  “Championship, you’re having a laugh” is the inevitable short-vowelled response.  A battle of wits, it’s not.

Happiness reigns until the final minute of the half when Myles Kenlock omits to prevent Luke Ayling, who incidentally sports the day’s daintiest coiffure, from crossing the ball and Pole Mateusz Klich is allowed a free shot at goal, from which he scores Leeds’ equalising goal.  It’s disappointing of course and a little ‘out of the blue’ but not really unexpected.  What I have come to enjoy most about this season is how little it now hurts when the opposition score; I have perhaps achieved some kind of state of grace.

The half-time break allows time to relieve myself of more surplus liquid, consume a Panda brand liquorice stick and gawp up at the half-time scores on the TV screen beneath the stand.  Once again the statistics shown on the TV screen are inaccurate, with neither team apparently having had a player booked.  If that stat is wrong, and it blatantly is, I cannot trust the others.  Thwarted again in my search for truth I climb back up the steps into the stand and talk with Ray, a reassuringly honest man.  I tell him that next Saturday I shall be watching Dijon FCO v RC Strasbourg at the Stade Gaston-Gerard; Ray tells me that he’s heard good things of Dijon, “they’re mustard” he says without any trace of embarrassment.  In fact Dijon face relegation, so even Ray lied, albeit in the name of ‘comedy’.

The second half begins at thirty-four minutes past one, and before twenty-five to two the Towen are winning; Collin Quaner passing to Andre Dozzell in the sort of space usually only seen between Ipswich defenders.  Dozzell scores with aplomb; it’s the first time Towen have scored as many as two goals at home since New Year’s Day.   Leeds are quick and inventive but lack accuracy, although they still get chances they contrive to waste them. “That’s a ruddy good save” says the old boy behind me appreciatively, but with an odd hint of grudging reluctance as Bartosz Bialkowski dives to his left to tip a shot away for a corner.  “One Bobby Robson, There’s only one Bobby Robson” sing the overly nostalgic and sentimental supporters in the stand that bears the dead man’s name.  The Leeds supporters are not similarly moved to mention Don Revie OBE, despite the marvellous picture of the man in the match programme in which he looks a bit like Grouty (Peter Vaughan) in the TV sit-com ‘Porridge’.  It’s easily the best thing in the programme.

All is going well and I dare to dream of seeing Town win.  But I should know better by now.  Ayling of the hair crosses the ball; the weirdly named Kemar Roofe hits the cross-bar with a close range shot and the ball seemingly just bounces off Stuart Dallas and into the net.  There is a suspicion amongst Town fans that Ayling’s pony tail was offside and that Dallas handled the ball into the net, and to make the point ever-present Phil is off his seat and waving his arms in anger and frustration, but referee Mr Ward pays no heed; if he only knew how many consecutive Town games Phil has seen he might be more sympathetic. Heartless, ignorant git.  

As the Towen kick-off the game once again a long line of riot police string themselves out along the front of the lower tier of the Sir Alf Ramsey Stand and the disabled enclosure, sitting themselves down on the cold concrete floor.  To a man, woman and child, the occupants of the stand are bemused.  “Do you think they’ll get piles?” asks the old dear behind me, laughing.  Ever-present Phil may be disgruntled but he’s never been known to lead a pitch invasion, neither has Pat from Clacton nor Ray, nor the old boy behind me, despite his occasional vitriolic tone.  Ray’s grandson Harrison has got a pretty nifty new wheelchair so he’s not likely to throw it onto the pitch in a fit of pique, even if we helped him pick it up.  Perhaps Police Intelligence (ha-ha) has identified me; I do have previous after all, having fallen foul of the stewards on separate occasions for banging a tambourine, sitting in the seat behind my allotted one and taking photographs; I might be considered dangerous, I like to think so, but really, as my own Smith’s inspired banner might say “ I’m not the man you think I am”.

With my mind racing Town’s defence lose concentration too and after a corner to Leeds Kemar Roofe drops to the ground after contact, of a sort, with Town captain Luke Chambers, who appears to have tried to tickle him.   Mr Ward is decisive and doesn’t stop to think twice, or perhaps even once as he awards Leeds a penalty and sends Chambers off, which is a pity because it’s his name that features on the front of the match programme and he was also voted the supporters player of the year.  Mr Ward should really do some research before refereeing his next match; today he is just making social faux pas after social faux pas.    I doubt we’ll ask him back after this.

The ticklish Kemar Roofe dusts himself off before stepping up to take the penalty.  What happens next is probably the funniest most blissful thing I have seen at a game since Robert Ullathorne’s back pass at Portman Road in April 1996, as Roofe appears to cross himself and then deftly kicks his own leg away from under him and sends the ball high and wide, appropriately towards the roof of the stand; I can’t swear to ever seeing the ball land, perhaps it hasn’t.  If Charlie Chaplin or Buster Keaton had taken the penalty they couldn’t have bettered Roofe’s effort for pure slap-stick. I’d like to see it again in flickering black and white, slightly speeded up. If goals that go in are followed by Tom Hark or Chelsea Dagger over the public address system, moments like this deserve the Looney Tunes music and the scoreboard proclaiming “That’s All Folks!”

I feel satiated, enough has gone on this early afternoon to tide me over until next season.  It might be disappointing not to win having twice had the lead, but this is 2019 in Ipswich, it’s good enough.  But no, for the first time this season at Portman Road fate has something good in store and in the final minute of normal time Casilla and a Leeds defender both jump for a cross at once and succeed in knocking it on to Collin Quaner who has time and space to simply kick the ball into an open goal for another moment of high comedy and delirium.

The game ends and the season ends and at last Ipswich have a decent win in front of the Portman Road crowd.  But I can’t help but feel a little sorry for Leeds; I grew up hating them like everyone else but they are part of the landscape of my football following life and I like them to be there looming large.   I hope they get promoted if that’s what they want; although they should be careful what they wish for.

So Town have been relegated and will be a third division club next season, but it’s been rather fun getting here and Portman Road is a far nicer place to come now than it was last season. I just hope it’s as good or better come Christmas.  Relegation isn’t so different to promotion really; we will still just end up playing a load of different teams to the ones we played this year.  As a fan of the Smiths might print on a large banner  “What difference does it make?” Norwich may have been promoted and we have been relegated, but let’s see who wins more games next season.