Ipswich Town 1 Fleetwood Town 1

Back in the late 1960’s when Ipswich were climbing out of the second division and I was at primary school, I would walk home for lunch most days except on a Friday when, having checked with the head cook, who conveniently was my mother’s cousin, that fish and chips was on the menu, I would stay for a ‘school dinner’.  Like a lot of people of I’ve always liked fish and chips and for lunch today I had a polystyrene box of cod and chips with mushy peas at the Suffolk County Council canteen.  As much as I like fish and chips however, and savour those first few delicious mouths full, by the time I get to the end the batter on the fish and the oil on the chips is beginning to get the better of me; I feel a bit bloated and in a couple of hours it’s going to repeat on me.

Tonight, in a second bout of Friday night football at Portman Road in the space of six weeks, Ipswich Town are playing Fleetwood Town, from the Lancashire fishing port probably once responsible for most of the cod dished up on Fridays in East Suffolk primary schools.  The game has been moved to Friday because there is little hope that most people will be boycotting the Qatar World Cup, and had England qualified for the last sixteen by finishing second in their group, they would have been playing on Saturday afternoon.  Football at three o’clock on a grey winter’s afternoon is great, but an evening match under the bright white glow of the floodlights is always a beautiful thing; it seems to heighten and enhance the usual match day sensations, a bit like listening to The Beatles’ best album Revolver whilst sucking on a sherbet fountain or having smoked something illicit.  A night game also provides the opportunity to go straight from work to the pub, which is really living.

I cross the Cornhill as the town hall clock strikes six o’clock and hit “The Arb” as I have decided to call the Arbor House (formerly The Arboretum), no more than ten minutes later, seconds after Mick has phoned me to tell me he is already there, and is thinking that sitting out in the beer garden on what is a cold and intermittently drizzly and blowy December evening might be an overly hardy thing to do.  I point out that we are going to be sitting outside watching football for the best part of two hours anyway. Mick concedes that this is a fair point.  Ultimately, fate dictates that there is nowhere left to sit inside the building and so, having ordered a pint of Lacon’s Encore and a mushroom and chestnut burger with sweet potato fries for Mick and a pint of Tindall’s Ditchingham Dam (£4.10) and  a scotch egg (£4.00) for me, we step outside again into the beer garden,  where we are warded off sitting at one table by an elderly man who says he has reserved it for his family. When the man’s family do arrive, they all sit at the table he’s sat at.  The man then causes confusion by trying to accept an order for a full-stack burger and a half-stack burger with fries which aren’t his.  He manages to eat a chip before his family arrives from the bar and points out that they have only just ordered the food so it is unlikely to be here already; the food is quickly whisked away to the rightful diners.

As usual, our conversation is diverse and as usual includes death, as we speak of the demise a day or two ago of his former partner’s 20-year-old cat Archie, and how long ago it was that I had my dog Alfie put down.  Lightening up matters, I tell Mick that yesterday I had an electric charging point installed at my house and Mick tells me that his now deceased father once had an affair with the village post mistress.  Time passes quickly as we eat our food and then I buy a Dalwhinnie single malt whisky for Mick and a pint of Woodforde’s Norfolk Nog for me (£8.90).  Unhappily the Nog is on the turn, so I swap it for a pint of Mauldon’s Suffolk Pride.

By the time we come to leave, we are the only people left in the beer garden, but we carry on our conversation as we head purposefully and full of expectation to the ground.  Crossing the Portman Road car park, I tell Mick of Decimus Burton the nineteenth century architect who planned the centre of Fleetwood and built the North Euston Hotel as a staging post for rail travellers on the way from London to Scotland, expecting that railway lines would not be able to cross the Lake District and that journeys would continue by steam ship. 

Mick and I part in what was Portman Walk where he enters the Magnus west stand and  I proceed to turnstile 61, the Sir Alf Ramsey Stand and the delights within.   Kick-off is imminent as I take my seat in the company of ever-present Phil who never misses a game, Fiona, and the man from Stowmarket. But Pat from Clacton is still wheezing having had covid and is staying home to watch the game on the interweb; Elwood is not here either.  Stadium announcer Stephen Foster reads out the teams, introducing Fleetwood as the Cod Army and the game begins with Ipswich getting first go with the ball and unusually for the first half, they are aiming at the goal at the Bobby Robson Stand end of the ground.   Town are rightly in our traditional blue and white whilst Fleetwood are impersonating Arsenal, or Stade de Reims if you are in France and Rotherham United if in South Yorkshire.  Quickly Town are on the attack, win a corner, have a Conor Chaplin shot blocked, have a Freddie Ladapo shot saved and then score from very close range as Luke Woolfenden appears heroically at the far post; the game is less than two minutes old.  As Fiona says,  almost complaining, we haven’t really got ourselves settled in yet, and in all the unexpectedly early excitement we forget to take a photo of ever-present Phil celebrating the goal to send to Pat from Clacton.

In the row behind me someone has missed the kick-off. “Did you see the goal?” he asks. “Some of us got here on time” is the answer, “I’ve been here since the Buxton game”.   For the benefit of someone who missed the goal it is described as an eighteen-yard pile-driver.  A goal up, Town continue to be the better team.  Fleetwood briefly break away in a moment of confusion and the ball drifts past Christian Walton’s far post before Conor Chaplin and Freddie Ladapo hit shots straight at the Fleetwood goalkeeper whose first name is the same as Homer Simpson’s middle name, which I’d like to say is appropriate because they’re both big and yellow, but sadly it’s not true as the goalkeeper is wearing green.   Drizzle sweeps across the pitch and into the front of the stand and people sat at the front are offered transparent ponchos, which could be quite alluring on the right people in the right circumstances.

Freddie Ladapo forces a fine save from the goalkeeper and Fiona says “Quick, you can get your photo taken with Bluey” as the Town mascot moves amongst his people behind us.  Only 20 minutes have gone and Fleetwood substitute Penny’s brother Paddy Lane with Nora’s brother Dan Batty before referee Mr Sam Purkiss, who sounds a bit like he could be a character from a Charles Dickens’ novel, makes an appalling decision.   Wes Burns and Fleetwood’s Josh Earl both slide in on the wet turf to claim a loose ball, Burns gets to it first and races away, but Earl stays down on the ground and Burns is booked.  At this moment I take a strong dislike towards Purkiss and it’s not long before I’m turning to Fiona and asking if she would agree that he looks a bit like Matt Hancock MP.

The crowd had been in good voice when Town dominated and looked likely to batter the ‘Cod Army’, but they quieten down as Fleetwood have a spell of possession before the zeitgeist amongst the home crowd switches again to positivity and the occupants of the Sir Bobby Robson stand chant “Blue and White Amy, Blue and White Army”, at least three times.   Town are worth another goal, but Fleetwood are taking an increasingly physical approach to play and the worst example is when Kyle Edwards is scythed down, but the Hancock lookalike referee doesn’t even give a foul, when a caution for the Edwards’ assailant looked the only possible outcome. 

Four minutes of time added on are announced by Stephen Foster and when Conor Chaplin is given a free-kick after being fouled, the decision is met with ironic cheers from the stands.   Town win a final corner of the half, but it comes to nought and at twenty-five to nine the first forty-five minutes of the game finish.  “You don’t know what you’re doing” chants the young bloke in front of me at Hancock’s double as he passes by and a bloke a few rows behind rants furiously and possibly in a foreign language whilst I boo enthusiastically. I love a good boo at the referee, especially when he looks like a former member of the Cabinet, and even more when he seems bent enough to be one.

After a short pause to calm myself down after all that booing, I take a trip to the front of the stand to speak with Harrison and his dad Michael.  Michael’s dad Ray is away on holiday, cruising somewhere in the Azores.  Harrison tells me he has now heard Robyn Hitchcock’s new album ‘Shufflemania’ on Spotify and his review is positive; I’m not sure I could have spoken with him again if it hadn’t been.  We speak of the World Cup, although I haven’t been watching it, and Michael makes the very good point that this World Cup doesn’t seem like a World Cup because it’s not summertime, and so there is still real Ipswich Town-based football to occupy our minds and to leave the house for.

At seven minutes to nine the game resumes and it’s Fleetwood who are the team who mostly have the ball at their feet, which isn’t what we’ve come to expect at all.  Faintly heard chants carry on the wind from the upper tier of the Cobbold Stand where the small, loyal band of Fleetwood fans are sat, no doubt sucking on Fisherman Friends lozenges to lubricate their vocal chords.  The easterly breeze that buffets the flags on the roof of the stand whispers something about a red and white army. 

“Filthy fucker” bawls a bloke from somewhere behind me as Josh Earl floors Conor Chaplin at thigh height and inevitably Mr Purkiss doesn’t think the foul worthy of a booking. “Shit referee, shit referee” is the verdict of the Sir Bobby Robson Stand before they simultaneously clear their minds of such negativity and worries about cultural appropriation with a burst of “I-pswi-ch To-wn, Ipswich To-wn FC, They’re by far the greatest team the world has ever seen” to the tune of the Irish Rover.   They must be in the mood for traditional music tonight as a short while later they’re trudging their way through the dirge version of “When the Town go marching in”, sounding like they’ve learnt it by listening to a 45 rpm record being played at 33 rpm.

Fleetwood are the better team this half without ever having a decent attempt on goal, a bit like they’re being managed by Paul Lambert.  Kyle Edwards is replaced by Kayden Jackson, and Fleetwood’s Dan Batty vainly dives in the penalty area, perhaps to test out just how bad a referee Mr Purkiss is; bad, but thankfully not that bad.  For his trouble Batty is serenaded with a chorus of “Who the fuck, Who the fuck, Who the fuckin’ ‘ell are you?” by the Sir Bobby Robson stand.

Despite not playing very well at all in the second half, Ipswich nevertheless retain the ability to make one match-winning opportunity and with thirteen minutes of normal time remaining Sam Morsy moves forward and passes wide to Wes Burns who releases an overlapping Janoi Donacien and his low cross from the goal line is met by Cameron Humphreys, who bounces the ball wide of the goal.  I clutch the sides of my head like the bloke in Edvard Munch’s painting ‘The Scream’.  John Wark would have scored, Tommy Miller would have scored, Matt Holland would have scored; but that was then and this is now, I don’t know why I mentioned it.

Smothering our regrets, Stephen Foster delivers tonight’s attendance figure which is 22,801, of whom a stonking 66 are from Fleetwood, although the bloke behind me doesn’t think there are that many and I will admit to having tried to count them and I came up with barely fifty. It seems that about sixteen ‘Codheads’, for that is what natives of Fleetwood  are known as, have gone AWOL, caught in a net somewhere perhaps, or victims of diminishing fish stocks.

Ten minutes to go and Freddie Ladapo makes way for the rangy Gassan Ahadme.  “This is fucking embarrassing  ,I tell ya” says the bloke behind me as Mr Purkiss makes another characteristic non-decision when Conor Chaplin is pushed over from behind.  But at least Fleetwood don’t look like scoring, even though they are still the ones with the ball at their feet most of the time.  They can pass, but they don’t create any chances, although one goal line clearance has been needed.

Town make their final substitutions and for Fleetwood Dan Batty suffers the ignominy of being a substitute who is substituted. There will be six minutes of added on time and for five of them the same pattern continues. It’s a bit frustrating that Town don’t seem able to keep the ball themselves, when we’re usually so good at it, but it seems pretty safe letting Fleetwood have it because if they don’t shoot they wont score and if we don’t have the ball Fleetwood can’t attempt limb threatening tackles that they won’t get punished for.   Then Cian Hayes seems to realise there is no time left to do anything but shoot, so he strides forward a couple of paces and does so, it’s not a great shot, it shouldn’t be a worry, but it hits someone and arcs up and over Christian Walton onto the far post, off which it deflects into the goal in exactly the way that Town shots that hit posts never seem to.  Fleetwood have equalised.

It’s not much of a consolation, but as the Fleetwood players celebrate wildly there’s one who goes too far, and it happens to be Josh Earl who is sent off by the hopeless Mr Purkiss, perhaps in a mis-guided attempt to atone for his earlier leniency.  Enough time remains for Purkiss to wave away appeals for what seems from the nearby Sir Alf Ramsey Stand like a clear penalty as Kayden Jackson looks to be barged over, but that’s all the time there is, and the appeals are still being heard as Purkiss blows the final whistle.

As I leave the ground I see the disappointment etched on supporters faces.  What had started out like cod and chips with that delicious first mouthful of an early goal has ended like cod and chips, feeling a bit bloated and uncomfortable and knowing it’s going to repeat on me.

Ipswich Town 1 Arsenal 0 – Our Blue Heaven

It’s Saturday May 6th 1978, I will be eighteen in about seven weeks’ time and today I am going to the FA Cup final. I am going with my dad; we were two of the 24,207 who saw Town beat Hartlepool United in the fourth round of the FA Cup and the 29,532 who witnessed the 3-0 win in the fifth round replay against Bristol Rovers; we went to the semi-final at Highbury on a supporters’ coach from Shotley. We saw Landskrona Bois, Las Palmas and Barcelona at Portman Road back in the autumn and have seen about a dozen league games on top of that, so we had the requisite vouchers to get tickets for the final. But this morning my father has woken up feeling unwell; he doesn’t think he’ll be up to going to Wembley and so for my friend Tim who lives five doors away, it’s his lucky day. I walk along the street, knock on his front door and ask if he wants to come to the FA Cup final; he does. Tim’s dad Charlie will this evening deliver a bottle of sherry by way of a thank you.
I listen to a few selected tracks from Blondie’s first album ‘Blondie’ (released in December 1976 )as I get ready to go; ‘Look good in Blue’ seems apposite this bright morning as does ‘In the sun’ with its lyric “In the sun , we’re gonna have some fun”. We get to Ipswich railway station somehow; on the 202 bus, or does someone give us a lift? Ticket to WembleyFrom Ipswich we are on a special chartered train that turns right at Stratford and plots a course through north London round to Wembley Central. In Wembley Stadium the terrace steps at the tunnel end are much bigger and steeper than those in Churchman’s or in front of the East Stand, blue and white abounds. The sun shines and Arsenal, wearing yellow and blue, kick off with Ipswich playing towards that blue and white tunnel end. Paul Mariner hits the cross bar, John Wark twice shoots against a post, Pat Jennings saves acrobatically from George Burley, Paul Mariner misses, bigmouth Malcolm McDonald is rubbish, Clive Woods is brilliant, David Geddes crosses, Willie Young is a lumbering donkey, Roger Osborne scores, we cheer, we sing, Roger Osborne is substituted for Mick Lambert, Town win and Mick Mills lifts the FA Cup and turns to show it to us.
Back at Wembley Central railway station after the match a half-brick or a stone bounces off the window of our train as we wait to depart back to Ipswich. Arriving back in Ipswich, Tim and I celebrate with a couple of pints of Tolly Cobbold bitter in the Railway Tavern on Burrell Road as we wait for a lift home in Tim’s dad’s green Morris Minor 1000.

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Forty years and eighteen days later it’s a dank evening in Ipswich, I have been to work, visited my mum, parked up in Portman Road and arrived at the New Wolsey theatre, which didn’t exist in 1978, although there was repertory theatre in Tower Street. I am with my wife Paulene. My father has been dead for nine years, happily his cause of death was unrelated to his illness of 6th May 1978, he enjoyed almost 21 years of good health subsequent to that and made it to the UEFA Cup final second leg in Amsterdam. Tim now lives in Weymouth and oddly he still only gets to see the Town when I get him a ticket (this season we went to Brentford). The Railway Tavern has been demolished; the green Morris Minor was scrapped long ago. But the name of Ipswich Town is still inscribed on the plinth of the FA Cup.
My seat at the Wolsey theatre tonight is in the front row of the auditorium, my wife Paulene is sat in the row behind; she sat behind to give me more legroom. The production is so popular we couldn’t get two seats together. We are the first people in the auditorium, Paulene’s asthma means she needs time to acclimatise. I read the programme (£4) and think “Cup final prices”. The stage is just a metre in front of me, the ‘boards’ are under a green covering patterned to look like turf. At the back of the stage a pair of blue doors look like the doors at the back of the old North Stand, above them is a projection of the type of corrugated cladding also redolent of the old North Stand. But there was never a sign that said ‘Welcome to Portman Road’ back then, there isn’t now. Also part of the projection is the old Ipswich Town crest, the slightly imperfect yellow and blue one, which should be restored out of respect to the past and to John Gammage who won the competition to design a distinct crest for the club back in 1972.41429848635_33f2609053_o
I watch the ‘crowd’ as the auditorium fills up to the sounds of assorted 1970’s pop hits, nostalgic but mostly awful. The majority of people here seem to be my age or older, old enough to have witnessed the 1978 Cup final. A few people are sporting blue and white scarves; one man wears a bright red blazer as if he’s just got here from Butlins. In the front row are three young lads, pre-teens, one of them wears a parka which lends an unexpected layer of 1970’s authenticity. Paulene says she feels cold, I say if I’d known she was going to I would have brought a blue and white bobble hat for her.
The lights dim and tonight’s performance of ‘Our Blue Heaven’ begins with Blondie’s “Hanging on the telephone” played live as the soundtrack to a domestic scene in which a young couple, Mel and Scott arrange their wedding for Saturday 6th May 1978, and then the draw for the third round of the FA Cup is announced. I resist the temptation to put my hand up to point that Blondie’s Parallel Lines album, from which ‘Hanging on the telephone’ was taken as a single would not be released until September 1978. I am not really a pedant and whilst I may not always like it, I do understand the concept of artistic licence and have been known to use it myself; I deny all accusations that it was merely lying.
Mel’s sister Sue is a dedicated and faithful Town fan and from the start foresees that she will want to be at Wembley on May 6th. Meanwhile, in a parallel story Smudger and Ange are awaiting their first child, with Ange’s ‘expected date of confinement’ surprisingly enough being 6th May, although the nurse at the hospital, who happens to be Mel and Sue’s mum Sheila tells them that babies never arrive on time. Smudger is as committed a Town fan as Sue and is predictably torn between his love for the Town and supporting his wife.
The simple domesticity portrayed is all a bit ‘Play for Today’, particularly when it transpires that Mel and Sue’s dad Paul is a striking fireman, whilst Scott’s dad Brian is a Thatcherite policeman; and that just adds to the authenticity and feel that it is 1978. I am transported back in time on a wave of Nostalgia (from the Buzzcocks Love Bites album and like Blondie’s Parallel Lines, also not released until September 1978, but also sadly not in the show).
Scenes from the two families’ stories are spliced with Town’s progress through each round of the FA Cup introduced by popular songs of the time, Bowie’s ‘Heroes’, Patti Smith’s ‘Because the night’, something or other by the Bee Gees. For the sixth round trip to Millwall the band plays the Clash’s London Calling, at which point I really do want to put my hand up because the Clash’s album was not released until December1979, a whole 20 months later. I only hold back when London Calling runs into White Riot, which is much more temporally authentic having been released as a single in March 1977, and a cracking tune to boot.
For each match a group of male and female dancers act out the crucial on-pitch events to the background of the songs and a BBC radio style commentary. My friend Gary texted me before the performance to tell me there was just one thing he did not like about the production and later he will tell me that it was the football sequences. Re-creating football well is notoriously difficult to do, as proven by awful films such as Yesterday’s Hero, in which incidentally the football sequences were filmed at half-time during a game at Portman Road; this is why I don’t consider that the director really bothered to do so. The dancers don’t look like footballers and they are only dancing, creating an impression through movement; they could have been supporters recreating the goals, children doing so in the school playground, and that is authentic. So Gary, you are wrong and need to brush up on your critiquing skills.
The intertwined stories of the families and the FA Cup run are good ones, there is drama, pathos, human emotion aplenty, humour and of course a happy ending. But the thread that runs through the production is the character of Bobby Robson who intermittently comes on to the stage like some sort of visiting angel wearing a series of 1970’s style suits and coats, imparting words of wisdom and assorted homilies about football and the wider experience of our lives beyond. As if this isn’t enough, the actor playing him, Peter Peverley does so brilliantly, better even than Michael Sheen’s rendering of Brian Clough in The Damned United. Peverley has the accent which is easy enough, and he has perfected the mannerisms too, but more than that he has captured the slight hoarseness in the voice, it’s almost uncanny. He wears a pretty bad wig though.
The finale to the production has the marriage, the birth and the FA Cup final taking place on stage simultaneously following the singing of Abide With Me, the Cup final hymn since 1927; a maudlin little number but a cracker nevertheless because it is the Cup final hymn and has been marinated in 90 years of Cup final history. Being sat right at the front, my view is now partly obscured by some of the on stage props, so I watch the audience. People who know the words sing along with Abide With Me, whilst others hold their scarves aloft. It is likely that many of the people here, like me were at the Cup final in May 1978 and are part of the story, but this makes people feel involved all over again, it’s nostalgia with knobs on, re-enacting the past, albeit part fictional, but this is somehow how it felt.
The story ends and it truly feels like Town have won the FA Cup all over again, and then Roger Osborne, the personification of the day because he scored the winning goal enters the stage, inevitably to a standing ovation. The ultimate finale however, comes with the cast all assembled on stage with Bobby Robson leading us in a sing-song, some Cup final community singing of our own; a rousing rendition of Edward Ebenezer Jeremiah Brown. It’s bloody marvellous and everything that matches at Portman Road no longer seem to be, utterly joyous. I give it my all.
I have had a most marvellous evening and for much of it I am not ashamed to admit I have had a tear in my eye. I have been taken back in time, but don’t know if I’m tearful for my lost youth and the passing of the days when Ipswich Town was such a wonderful football club and team, and when the FA Cup was something that really mattered, or if these are tears of joy and happiness, for a love of my team and a sense of belonging that has been re-kindled.
Nostalgia is warm and cosy, but it’s not a healthy thing, because we cannot go back and we have to live in the present; but tonight after watching Our Blue Heaven I genuinely feel uplifted.
My name is Edward Ebenezer Jeremiah Brown
I’m a football supporter of Ipswich Town
Wherever they play, you’ll find me
I haven’t missed a game since I was three
With me scarf and me rattle and me big rosette
Singing where was the goalie when the ball went in the net
Follow the Town
Up or Down
I’m Edward Ebenezer Jeremiah Brown but everybody calls me Ted.

Football, Football,
Whose the greatest of them all,
Let’s put it to the test
Come to Portman Road on a Saturday and you’ll see the best
Oi!
Ipswich! Ipswich! Come On The Town!
Ipswich! Ipswich! Come On The Town!

My name is Edward Ebenezer Jeremiah Brown
I’m a football supporter of Ipswich Town
Wherever they play, you’ll find me
I haven’t missed a game since I was three
With me scarf and me rattle and me big rosette
Singing where was the goalie when the ball went in the net
Follow the Town
Up or Down
I’m Edward Ebenezer Jeremiah Brown but everybody calls me Ted.

2-4-6-8 who de we appreciate?
It isn’t hard to tell
Just you take a closer look at me
And you’ll know darn well
Oi
Ipswich! Ipswich! Come On The Town!
Ipswich! Ipswich! Come On The Town!

La la la
La lala la lala lalala
Lala lalala la lala lalala
La lalala lalala, and lots more lalalaing, you get the picture ?