Ipswich Town 5 ABBA 5

The football season is over save for the silly play-offs, and now it’s the height of Spring,  and with little else to occupy him a young man’s fancy lightly turns to thoughts of the Eurovision Song Contest;  or maybe not.  But last week’s transmission of the bizarre, annual , musical  television ritual extravaganza was inevitably accompanied by the airing of a clip show on BBC4 of past performances by the competition’s only notable success, Abba.  I have never bought, stolen, borrowed or owned an Abba record, tape, download or CD, but I will admit to being unable to suppress a smile when I hear one played.    Equally, I couldn’t resist watching that clip show and felt rewarded when it brought back memories of a road trip I made in the summer of 1995, which took me and my then girlfriend via Parkeston Quay, DFDS Seaways ferry, Gothenburg, Stockholm, Uppsala and Sundsvall to Pitea in northern Sweden, where we stayed with my girlfriend’s pen friend and her husband.  It was a very long drive for which the soundtrack for several stages of the journey came courtesy of a CD of Abba Gold belonging to my girlfriend.

The experience of listening to Abba on that road trip has stayed with me and it led to an article in the erstwhile Ipswich Town fanzine A Load of Cobbolds.  Now, in the spirit of nostalgia inspired by the fortieth anniversary of Ipswich Town’s UEFA Cup win and  in the absence of anything better to do I have reproduced that article below, updating it to modern times where necessary:

When you’re an eleven or twelve year-old football and pop music loom large as pre-pubescent priorities.   I bought my first record (Happy Christmas (War Is Over) by John Lennon & Yoko Ono) in 1971,  the same year that I started watching Ipswich Town, and I  soon began to feel that footie and pop music were somehow inextricably linked. The late Sixties and early Seventies was a time when it was easy to confuse footballers with pop stars and my two worlds satisfyingly collided.  The fashion for any bloke who aspired to being hip and trendy was an enormous thatch of hair coupled with equally vast sideburns.  Squeezed into a pair of bollock-hugging, crushed-velvet flairs and sporting a deafeningly loud shirt,  Ian Collard or Rod Belfitt might have been members of The Hollies, or Kevin Beattie a member of Nazareth.

The similarities in the appearance of pop stars and footballers subsided a bit as the Seventies wore on and sadly, sartorially Punk Rock never seemed to catch on with any footballers at all.  There were however still some startling lookalikes within the ranks of the PFA, I thought.  It could have just been my addled perception, but I always felt that Arsenal’s Frank Stapleton and Shakin’ Stevens were the same bloke.  Moving on into the 1980’s the separation at birth of Oldham Athletic’s Andy Ritchie and Jimmy Somerville was ‘well documented’ at the time, but less well-known is the fact that Roy Keane and Sinead O’Connor were also twins.

More amazing than these superficial similarities, which admittedly are largely the invention of my fevered imagination, is the very precise correlation between the success of one particular football club during the 1970’s and early 1980’s and a particular pop group.  Both were at their peak between 1973 and 1982. The football club of course was Ipswich Town and the pop group was Abba.

If you take time to trawl through the collected works of the famous Swedish songsters, as Dave Allard might have called them, you will not only enjoy a richly rewarding aural experience, but you will soon reach the conclusion that the fact that Town and Abba were both at the peak of their powers over precisely the same period of time is no coincidence.   Listen carefully to the lyrics and you will be able to trace the history of the Town’s success through that glorious era.  You will find that listening to Abba Gold (Greatest Hits) is as close to a religious experience as you can hope to get;  something akin to an Ipswich Town Dreamtime, harking back to an epoch when Portman Road was inhabited by ancestral figures of heroic proportions who possessed supernatural powers.   In the film Muriel’s Wedding the eponymous Muriel says that Abba’s songs are better than real life.  Now, as we sit in the murky depths of the third division and look back at Town’s glorious past you too will believe this is true.

As you might expect from Europe’s foremost supergroup many of the songs make reference to Town’s European campaigns of that era in the UEFA and European Cup Winners’ cups.  It is likely that it was through Town’s exploits on the continent that the talented Swedes first became Town supporters, although we were actually only drawn against Swedish opposition  once when in 1977 we met Landskrona Bois and most inconveniently The Stranglers played the Ipswich Gaumont on the very same night as the home leg.  Naturally, I missed The Stranglers concert and sadly never got a second opportunity to see them.    There is clearly a reference to Town’s UEFA Cup triumph over Lazio in the title of the number one hit ‘Mamma Mia!’, a song which also contains a lyric that suggests one of Abba had perhaps had a brief flirtation with a Town player or supporter and may explain the uncanny connection between Abba and the mighty Blues;

“Yes, I’ve been broken hearted, Blue since the day we parted.”

The moving ballad ‘Fernando’ is sung to an imaginary Spanish fan and recalls those sultry September and cooler autumn evenings when we entertained Iberian opposition from Real Madrid, Las Palmas and Barcelona.

“There was something in the air that night, the stars were bright, Fernando….

Though we never thought that we could lose, there’s no regrets. If I had to do the same again I would, my friend Fernando”

That last line referred to the fact that Town were twice drawn to play Barcelona, whilst the line  before that refers to our having lost both ties despite being confident after winning the first leg.  Another song, ‘Super Trouper’, whilst still referencing games played under floodlight, perhaps because of the lack of daylight hours in Sweden during the English football season, refers to an individual player and employs little-known Swedish rhyming slang in a thinly disguised paean to goalkeeper Paul Cooper.

“Super Trouper lights are gonna find me shining like the sun, Smiling having fun feeling like a number one”

In the 1978 Abba hit “Take a chance on me”   the subtle Swedish Blues fans reveal the little known story of how Frans Thijssen successfully pleaded with Bobby Robson to let him join his compatriot Arnold Muhren at Portman Road and to try his luck in English football. 

Honey I’m still free, take a chance on me. If you need me let me know and I’ll be around. Gonna do my very best and it ain’t no lie, if you put me to the test, if you let me try”.

Although those days were such wonderful times for Town, not every song described a happy or uplifting event.  There were sad days too at Portman Road back in the Seventies and hard decisions had to be made for the good of the team.  The 1977 ‘Number One’ hit ‘Knowing Me, Knowing You’ was about the departure of former Portman Road favourite David Johnson, the one-time ‘King of Portman Road’, who left Town to join rivals Liverpool.  In the song, the reflective Scouser looks back on the good times he has had at Portman Road since his move to Town from Everton four years earlier.

  “Memories, good days, bad days, they’ll be with me, always”

David appreciates however that his recent form has not been good and in the circumstances a move is the best thing for everyone.

  “Knowing me, knowing you, there is nothing we can do, we just have to face it this time we’re through; Breaking up is never easy I know but I had to go, Knowing me, knowing you it’s the best I could do”.

Back in the Seventies, money wasn’t the driving force in football that it is today.  Nevertheless, the spending power of clubs such as Manchester United, who were able to make expensive signings virtually every season despite being rubbish, rankled with Bobby Robson and he longed to be able to make big signings for Town.  Abba’s “Money, Money, Money” was a song about his frustration. 

“In my dreams I have a plan, if I got me a wealthy man…  “

”All the things I could do if I had a little money…”

“Money, money, money, always sunny in a rich man’s world”

Both ‘Knowing Me, Knowing You’ and ‘Money, Money, Money’ showed something of the downside of those glory years and as we look back on those days from the fag-end of the first quarter of the miserable twenty-first century a melancholy aura pervades our memories, in part because ultimately Town failed to win the League Championship that we deserved, but perhaps also because even at the time we knew it all had to end one day, and when Bobby Robson left to manage England in 1982 we secretly knew it had.  Abba knew it too and two of their hits put these feelings in to sharp perspective.  The haunting melody of ‘Winner takes it all’ explores the pain that looking back on the good times would bring; it begins:

 “I don’t want to talk about things we’ve gone through, though it’s hurting me now it’s history”

Abba’s last big hit ‘Thank you for the music’ is sung from the perspective of our legendary club captain Mick Mills who reminisces, having regretfully left Town for Southampton, about the joy and beauty of those days between 1973 and 1982.  If you’ve listened to the slightly dull monotone of Mick’s summaries as he sits alongside commentator Brenner Woolley on BBC Radio Suffolk, you will appreciate the opening lines to this song; 

“I’m nothing special in fact I’m a bit of a bore, If I tell a joke, you’ve probably heard it before…”

But Mick’s talent was as full-back and captain of the greatest Ipswich Town side ever and this was the ‘music’ referred to in the title of this most moving of Abba songs.  This was a song from the heart of ‘Mr Ipswich Town’, Mick Mills, and it is truly uncanny how Mick with his blond locks and luxurious facial hair even looks like a bit like a composite of Bjorn Ulvaeus and Benny Anderson the song’s composers.  This song is the ultimate celebration of those ten seasons at the top in which Mick thanks fate for the glorious hand he was dealt.

“I’ve been so lucky, I am the girl with golden hair

I want to sing it out to everybody

What a joy, what a life, what a chance

So I say Thank You for the music

The songs I’m singing

Thank you for the joy they’re bringing…”

The songs of Abba define and encapsulate a golden period in the story of the twentieth century and the time before Thatcherism and neo-liberalism destroyed your innocence.  Abba’s songs, their success and the glory of Ipswich Town, the nicest professional football club the world had ever known did not happen together by coincidence.  The proof is in the lyrics of the songs, and shows that cosmic forces were at work.  Those of us who lived through the 1970’s were truly blessed to have experienced the music of Abba as it happened, but we are doubly blessed to have been Ipswich Town supporters too.

Thank you for the music Bobby Robson and Mick and all the lads who played for us between 1973 and 1982 , and thank you for the music Agnetha Faltskog, Benny Anderson, Bjorn Ulvaeus and Anni-Frid Lyngstad.

Ipswich Town 2 Brentford 0

Ipswich Town have won their first four matches this season, something the team hasn’t done since 1999. It’s enough to make an Ipswich Town fan feel a bit giddy and I do, and worried. The last three of those wins have all been away from home and now the team return to Portman Road for today’s match versus Brentford, a club who I still can’t help thinking has its name prefaced by the words ‘fourth division’. That’s the division Brentford were in when I saw their most well-known (only?) celebrity fan, Rick Wakeman live at Ipswich Gaumont back in the mid 1970’s. As an Ipswich Town fan my most memorable football experiences are all rooted in the past. I haven’t got used to Brentford being a second division club, even though I know that in the 1940’s they were in the Premier League or First Division as George Orwell, Clement Attlee, Clark Gable and Josef Stalin knew it. I apologise to Brentford supporters everywhere, although hopefully some of you pine for those days of games against Colchester United and Crewe Alexandra.
Ipswich Town has something to lose, so it is with a sense of trepidation that I set out to catch the train. Can the Town maintain their unbeaten, all-conquering run? I am not used to such questions. As I stand on the platform waiting, on the other side of the tracks a poster36677654895_b0685b3db9_o-1 advertising The SAMARITANS picks out the words “I’ve lost hope” which normally would be the case, but today I don’t know what to think. There is hope it seems, but is there really hope? Surely this run of consecutive wins will end now the team must play again in front of its taciturn, mostly silent, unsupportive home supporters. The pressure of playing in front of Brexit voting miserabilists will prove too much to bear, won’t it?
I try and enjoy the journey. Opposite me a man is taking his very young son to his first match. As the train passes through Colchester, he points out the Asda store to him. No, not Colchester castle, or Jumbo the water tower, or the fine Edwardian town hall clock tower; Asda, f…ing Asda. Perhaps he wasn’t a complete philistine, maybe he just worked in retail.
Arriving in Ipswich at about 13:25 it’s a temperate afternoon, but cloudy. The turnstiles of Portman Road are yet to open, but a few people, presumably with nothing else in their lives, wait at the doors to get in when they do. Otherwise Portman Road is quiet, the programme kiosks stand isolated by the kerb looking like designs rejected by the BBC for Dr Who’s Tardis. The statue of Bobby Robson stands alone looking as if he is directing people around the corner; polythene ‘goody-bags’ containing the local newspaper, a packet of crisps and a bottle of water litter the pavement waiting to be bought.

I walk on to St Jude’s Tavern which is quieter than usual, although there is a table of Brentford fans who obviously appreciate good beer. I consume a pint of Earl Soham Albert Ale with a beef and onion pie (£5.00 the pair) and later a pint of Milton Medusa (£3.40) and talk with a friend who has just returned with his partner from a week in Berlin; he tells me he didn’t get to see the home of Hertha Berlin but we agree that virtually everywhere either of us has ever visited in Europe is nicer than Britain. We don’t discuss why but I think it’s because we still have a monarchy and have failed to properly embrace social democracy.
Beer glass drained, it is time to head back down to Portman Road which is still not that busy even at ten to three. As I head towards the stadium a big-breasted woman walking the other way shouts swearily into her mobile phone. A seagull sits on a lamp standard looking down on the statue of Alf Ramsey,36672917115_22e6776e6b_o but with a beady eye on the burger van adjacent to him and any discarded junk food; it’s a good place for a scavenger to hang out. On the Cobbold Stand the club crest and the union flag fly together in the strong breeze and in the street below a35863643543_fd0a0303c0_o Brentford fan is either playing aeroplanes or is being frisked as he queues to enter the ground. Inside the ground the lack of custom at the “matchday essentials” kiosk suggests it’s not really selling essentials at all.
I urinate in the appropriate place and then take up my seat in the stand. The teams enter the field and everyone applauds. The game begins. Brentford, whose nickname is The Bees, probably just because ‘B’ is the first letter in Brentford, wear red and white striped shirts with black shorts and red stockings, or socks as they are more prosaically known; they look a picture as teams in striped kits often do. In the away supporters’ stand two flags bearing the St George cross indicate that Brentford supporters are from as far afield as Yorkshire, Oxfordshire and Ealing Road.35863614623_f780c5d607_o
After some early, even sparring Brentford start to dominate possession of the ball, selfishly kicking it about amongst themselves, whilst Ipswich just try to keep it away from their own goal. The only cheer to emanate from Ipswich fans is when the Brentford goalkeeper slips over. Predictably the ‘keeper then stares at the turf where he slipped as if expecting to see a carelessly discarded banana skin which would explain away his embarrassment. The scoreboard dies; scoreboardwe do not see it re-illuminated all afternoon. The Brentford fans chant “Come on Brentford, Come on Brentford” which seems a bit superfluous because their team are doing fine, they just haven’t scored, and it seems that that sentence fragment is missing the word ‘yet’ on the end.
The Ipswich fans have to seek happiness where they can in a situation like this and helpfully the Bees number nine, Neal Maupay lies still on the ground after Jordan Spence brushes past him to win the ball. Receiving no free-kick Maupay jumps up quickly, too quickly, to remonstrate with the referee Mr Oliver Langford, thus proving his guilt as a diver and a cheat and according to the North Stand a “wanker” too. Maupay is a recent signing from France’s finest club St Etienne (although he was on loan at Stade Brestois last season) and being born at Versailles, although presumably not in the palace, he is French, so he may not have understood the word; for future reference the French translation for wanker would be branleur.
Maupay’s histrionics are perhaps a sign of The Bees growing sense of frustration and at about twenty-five to three that is increased as David McGoldrick runs into the penalty box and falls to the ground under a challenge; as everyone turns to the referee to see him signal no penalty, the ball and Town’s Martyn Waghorn are seemingly the only objects to keep moving and ‘Waggy’ joyously sweeps the ball past the Brentford goalkeeper to give Town a lead which, on the balance of attacking play is somewhat unexpected and undeserved. But the ‘balance of play’ has never counted for anything and probably never will unless the big six clubs in the Premier League consistently begin to lose every week despite having the ‘balance of play’.
Buoyed to ridiculous proportions by the goal, the North Stand fans break into a chorus of the folk song The Wild Rover , singing “ Ipswich Town, Ipswich Town FC, they’re the finest football team the world has ever seen” . This is a song not heard at Portman Road in some time and it stirs memories of the early 1980’s when the words rang true. Meanwhile the Bees have been stung into action and a very, very firmly struck shot hits the Ipswich cross bar with such force that the woodwork springs up and down in blurry resonance and I surmise that had an unsuspecting seagull been sat upon it, the unfortunate bird would have been catapulted up over the roof of the stand. Despite continuing Brentford possession of the ball, Ipswich do not yield and can enjoy their half-time teas and reflect on being in the lead.
I enjoy half-time by eating a Traidcraft mixed berries chewy cereal bar, which I did not purchase in the ground because such ethically sourced snacks are not available from the club’s food and drink outlets. With a captive audience, football clubs could prioritise the sale of locally and ethically sourced products, but they don’t, perhaps because they just don’t care. Later I muse upon a pitch- side advertisement at the far end of the ground for Red7 Marine who, apparently, are ‘jack-up barge specialists’. 36508278362_db3bd9aa74_oDo many football supporters often require the services of a jack-up barge specialist? Is this a good place to advertise? What is a jack-up barge? I conclude that there are many things in this world of which I have no understanding. God bless Google and their tax dodging ways, they will explain.
Fortunately the second half begins, although once again it’s Brentford who are buzzing while Ipswich just drone on, sportingly kicking the ball back to their guests to give them another go. But then at about ten past four Ipswich win a corner and Joe Garner’s diving header is cleared off the goal line; except that it’s not, because the ball has crossed the line and a slightly delayed celebration signifies that Ipswich now lead by two-goals to nil.
The spectators in the lower tier of the North Stand, who last season berated manager Mick McCarthy for this ‘shit football’ now become either self-deprecatingly ironic or simply overcome with such deep joy that they lose all sense of self-awareness and, rather endearingly, to the tune of the children’s song Skip to My Lou, they chant “Super, Super Mick, Super, Super Mick, Super, Super Mick, Super Mick McCarthy”. I imagine Mick McCarthy would find this amusing whilst muttering under his breath “duplicitous bastards”.
The game returns to its familiar pattern with Brentford players kicking the ball from one to another and occasionally to a Town player. Ipswich attack now and then as possession of the ball permits, but defend mostly and they do this very well indeed. Brentford pass the ball neatly, but they seem to be playing without forwards; Maupay is mopey and is booked. Ipswich are probably as likely to score as Brentford, although it’s not that comfortable an experience to watch for Town fans. I am struck by how much the Brentford number six resembles the FA Cup with his fashionable short back and sides haircut accentuating his sticky-out ears.
Happily Town are hanging on to win the match and the crowd appreciate their efforts, for this is a much weakened team missing all the club’s recognised senior centre-halves and two or three first choice midfield players. Naturally the majority of the crowd do not chant their appreciation in the traditional manner of football spectators, because this is Ipswich where voices are weak and people a bit shy, but there are bouts of rhythmic clapping; I am reminded of John Lennon telling the audience in the expensive seats at the Royal Variety Performance to rattle their jewellery to show their appreciation.
With the final whistle from the bonny Mr Langford, a wave of relief flows from the stands and the tannoy blares out the Dave Clark Five’s “Glad All Over”; the only explanation for which must be that Town’s next match (a League Cup tie) is at Crystal Palace and that’s what they do there. Personally, I prefer the cover version by The Rezillos.
That’s five consecutive victories and the two-fingers raised to those who lacked the faith and the understanding of what it is to be a football supporter and therefore failed to renew their season tickets grows larger, although they will doubtless claim vindication as soon as Town inevitably do lose. Branleurs.

36677654895_b0685b3db9_o-1

Whatever you’re going through, call us free any time, from any phone on 116 123.
We’re here round the clock, 24 hours a day, 365 days a year. If you need a response immediately, it’s best to call us on the phone. This number is FREE to call. You don’t have to be suicidal to call us.

SAMARITANS