Isle of Wight

Robyn Hitchcock 17 Norwich 0

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When I win a large amount of money on the Premium Bonds and the biographical film of my life comes to be made, many of the best bits of the soundtrack will be to the music of Robyn Hitchcock who has provided much of the soundtrack to my adult life.  When my good friend Mr Goold told me therefore that Robyn would be performing at Norwich Puppet Theatre, a venue a mere 24 kilometres from Mr Goold’s abode, I was obviously quick, well in truth not that quick, to buy a ticket (£18, plus £2.30 to anonymous middle men) and invite myself to sleep on my good friend’s floor for the night.  My other good friend Pete decided he would also like to come along on what his consumption of American popular culture and resultant outlook on life told him would be a road trip in the style of Hunter S Thompson.

It’s a dreamy drive through the Norfolk countryside on a September evening in Mr Goold’s golden 2004 Nissan Micra, the sun is setting to our left casting long shadows.  Reaching Norwich, having been driven for the first time in my life through Poringland, I am struck by how much like a proper city Norwich is, from its riverside roadways, medieval cathedral and monumental County Council building to its elevated four lane highway; a pity about its football club. Mr Goold’s Nissan Micra comes to rest in Magdalen car park in the shadow of a concrete flyover, our ultimate destination less than 200 metres away.  We walk through the fading light to the 15th/16th century church of St James the Less, now re-purposed as the Norwich Puppet Theatre.  I muse on St James the Less being appropriate given that puppets are like miniature people. At my behest Pete poses with the cathedral as a backdrop; I photograph him but fail to make the spire give him the appearance of a man wearing a tall, pointed hat; I can’t helping thinking that it’s an opportunity missed.  My life is full of regrets.

Inside the theatre we drink at the bar, Mr Goold drinks coffee, Pete drinks Adnams Ghostship, I down Adnam’s Broadside. We check out our fellow audience members; people in late middle age like us, Norwich’s arty set and younger people dragged along by their elders against their will. I make assumptions about people.  Eager to get ‘good seats’, when we see the first people departing the room we follow, hoping we’re not just pursuing them into the toilet. The auditorium has been dropped neatly into the nave of the church, and the interweb tells me it has over 150 seats, my eyes tell me these are split either side of a central gangway; it is steep giving a good view of the stage.

At 8 o’clock the support act, Jessica Lee Morgan and Christian Thomas play a set of unfortunately forgettable songs very competently indeed and they seem very nice.  Jessica is the daughter of Mary Hopkin and Tony Visconti and she tells us so in case we didn’t know.  After the set, as we wait for Robyn Hitchcock to appear I tell Mr Goold that from now on I might begin telling people that my mother is Daphne Brooks and Reg Brooks was my father.  In spite of the snidey implications of the previous sentence the support act are alright.

At nine o’clock Robyn Hitchcock appears, being helped onto the stage and to a seat at a Clavinova digital piano, a product of the Yamaha company.  Robyn explains that the previous evening he fell over and whilst not damaged in terms of breakages to bone and sinew, he is clearly in pain and standing up and moving about is a problem for him.  In an unfortunate way however, this is a good thing for his paying audience as we receive the rare treat of hearing Robyn playing piano and sounding not unlike the Plastic Ono band.  I can’t now wholly remember which four songs are played, but ‘Ted, Woody and Junior’, a song about three men lathering each other with soap is one, and by way of an apparent insight into this song Robyn tells us about his grandma’s Ray-Bans, which were comparable in a competitive way to those owned by Andy Warhol, and how her wearing them at home on the Isle of Wight was concomitant to and therefore related to the meeting of Andy Warhol, Bob Dylan and Brian Jones in New York.  Many of Robyn’s songs are about moments in time such as this.

After four songs on the piano, Robyn shuffles out from behind it to a stool, where he is handed his acoustic guitar by Chris Thomas of the support act who has been pressed into the role, hopefully only temporarily, of carer.   Again, the audience is in luck as a less than satisfactory pick-up on the guitar causes Robyn to come to the very front of the stage to perform un-plugged and un-miked.

The first of five songs Robyn plays on his acoustic guitar is ‘I’ve got the hots for you’, a tune dating back to 1980 when Robyn existed in a previous incarnation as member of the Soft Boys, but still wrote excellent songs.     ‘Hots’ as I have stupidly decided to call it here for the sake of brevity, although these words of explanation have of course taken longer to type and read than the full title is on the life-enhancing LP ‘Underwater Moonlight’, and is a song of which I have always been especially fond. My fondness for ‘Hots’ is in a good part due its reference near the end of the song to “a piece of Hake”.  I have always enjoyed this lyric, ‘Hake’ being such a fine word and few artists ever mention fish in their songs. Tonight this song has extra poignancy as I have recently returned from Brittany where I had a particularly good time watching FC Lorient, a football team who call themselves Les Merlus, and have a mascot called Merlux; Merlu is the French word for Hake and Merlux therefore translates approximately as Hakey.  Incidentally, Lorient beat FC Nantes, a team known as the Canaries just like the local team in Norwich. I don’t think Robyn has any knowledge whatsoever of football or its mascots, but it’s as if he knew. It’s a situation not unlike that of Andy Warhol and Robyn’s grandmother.

Also within the acoustic set, Robyn plays a new song entitled ‘I am this thing’, a song which has appeared on-line but is so new it has not been played live before.  Robyn tells us that this song has been requested this evening and after the show Mr Goold tells Pete and me how he was particularly taken with the track when hearing it on-line, and it was he who had asked that Robyn play it tonight. Whilst secretly grateful to Mr Goold, we don’t let on too much and I admit to thinking the song sounds a bit like another of Robyn’s songs, although typically I can’t remember which one, but obviously it’s a good one.

After the five acoustic tunes, Robyn hobbles back to be handed his electric guitar on which he plays four more songs including a reverberating version of ‘I often dream of trains’ and the almost-title track from his new album Shufflemania, which is entitled ‘The Shuffleman’.  Robyn remarks how his fall has resulted in his becoming the Shuffleman himself, although alternatively, given the venue, his movements could be said to be puppet-like , as if Thunderbirds had had a member of the International Rescue team who just sat about and rescued people by playing groovy music.

The final quarter of the gig sees Robyn joined on stage by Jessica and Chris for another four songs, with Robyn managing to stand up to play his electric guitar. After a beautiful rendition of ‘Queen of Eyes’, which almost brings a tear to my eye as it again takes me back to 1980 and my lost youth, Robyn advises that these songs are the encores, which whilst disappointing is understandable unless Robyn can somehow be magically lifted up from the stage and then set down on it again like some sort of over age Peter Pan.  The ‘encore’ also comprises the stonking ‘Brenda’s Iron Sledge’ which includes the lyric “Please don’t call me Reg, It’s not my name”, the galloping ‘Oceanside’ and finally ‘Airscape’, probably a favourite of Robyn himself.  

Applause for Robyn and his band is not thunderous, because there aren’t enough of us in the puppet theatre for that, but it is heartfelt and enthusiastic and barely ends before the lights go up confirming that that was indeed the encore. It has been a fabulous evening and possibly a unique one, what with Robyn both playing piano and going doubly unplugged.

As a final act before departing the puppet theatre, which has been an excellent venue, I purchase a copy of a seven-inch single entitled ‘Mr President’, which I like for the picture on the cover of Robyn on the telephone against a back drop of overhead trolleybus or tram wires.  Such records and CDs along with his weekly shows on-line will now have to suffice until we can see Robyn play live again, and driving back to Mr Goold’s abode our happy reminiscences of the evening inspire us to resolve to get tickets for Robyn’s seventieth birthday concert at the Alexandra Palace next February. 

Portsmouth 0 Crewe Alexandra 1

/ martinpbrooks / 2 Comments
Portsmouth is one of the smaller cities in England (Population 200,000ish) but it is also one of the best, probably the best. What other city has a port, a naval dockyard, an historic seaside resort, two piers, a ferry service, a concrete viewing tower, a hovercraft service, four tides a day and most importantly a supporters owned football club. If you don’t think those are all things worth having then you can only be a hopeless misery or from Southampton.0The upshot of this glowing first paragraph in praise of Portsmouth is to show that for footie fans a fixture at Fratton Park is wonderful thing and far better than any of the traditional long weekend attractions of away games at seaside towns such as Blackpool, Brighton or Torquay. Incidentally, why anyone would want to stay in Blackpool I cannot imagine, what a dump! A sleazy, greasy, grubby, outside toilet of a town.
Back to Portsmouth. My prelude to the match took in a Friday evening in the Meat n Barrel pub in Southsea, a trendy establishment, which felt like a Student Union bar and had a hipster-friendly décor of bare brick walls and girders, metal light shades and school canteen style tables and chairs. It made for harsh acoustics and was reminiscent of a 1980’s New York loft apartment or squat, but the beer was good, although at £3.95 a pint it needed to be. Saturday morning brought breakfast in the shadow of the Spinnaker Tower and then a trip at 4metres per second up said tower to take in the views over Portsmouth, the Solent and the Isle of Wight,which are bloody marvellous. The sun shone, clouds swirled and scudded, rain fell over the English Channel and the water sparkled. It’s only the existence of Manchester United, Chelsea and Robbie Savage that stops me believing in God when confronted with such beauty.
With my soul and spirits still soaring I arrived at Fratton Park, a wonderful football ground which isn’t that much altered from when I first attended a game there in 1979. The ground’s character comes from the two lateral stands which both date from the 1920’s, the North stand is cranked towards the pitch a third of the way along and inside is a warren of steel girders and wooden floorboards perched on an earth bank. There is still an advert for Brickwood’s beers at the back of the stand, ales that haven’t been brewed for the best part of forty years, but a part of Pompey’s heritage.
My seat was in the South Stand, a similar structure in some ways to that opposite, but designed by the illustrious Archibald Leitch, ‘architect’ of football stands all across Britain in the early years of the twentieth century. One of the joys of watching Pompey is Fratton Park itself; it is a museum piece, but that only adds to the atmosphere once the stands are occupied as the noise of the crowd echoes beneath the low roof and bounces off the wooden floorboards and staircases. Not that Pompey needs helpful acoustics, because Portsmouth supporters are arguably the most passionate and loyal of any in England. What other club would get larger gates in the Fourth Division than in the Second Division; only a few thousand down on when they were in the First Division?
It was visiting Crewe Alexandra in their boring all-black away kit who started the game brightest as they strove to quell the atmosphere that had built with the approach of kick-off. But Pompey very quickly began to behave as the home team should and soon the ball stayed mostly at the Fratton end of the ground where the Crewe goalkeeper stood. But despite there being 16,810 people in the ground, the majority wearing blue, they weren’t getting behind the team like they normally do. Expectation was high, a win for Pompey and defeat for Carlisle United would see Pompey climb into 3rd place in the league table, an automatic promotion position. But that rain I’d seen over the English Channel in the morning was now over Fratton Park and seemed to dampen spirits and the supporters weren’t their usual noisy, committed selves. There was a chill breeze too which blew away the warmth of the morning’s sun. Not good. On the pitch Pompey were like a superior life form from another planet, probing and prodding the Crewe defence as if they were hicks abducted by UFO from mid-west America, but they got nowhere; the Crewe defence was unfathomable, like why those Americans chose Donald Trump as their leader.
Despite being ‘on top,’ Pompey were not really performing. Gary Roberts, the slow-paced former Ipswich Town winger was running the midfield, but up front Kyle Bennett, whose parents may be watched South Park, skipped around a lot but was ineffective showing no inclination to kick the ball at the goal. Crewe’s defenders were big blokes and Kyle has the frame of a pasty-faced teenager and a haircut which looks like he has a small fish on top of his head; he was no match for them. Meanwhile, Pompey’s former Ipswich defender Matt Clarke could only lump the ball forward aimlessly; I can’t imagine where he learned to do that. Shocking.
In the stand I was growing frustrated like my fellow spectators, but mainly because of a teenage girl and boy who kept wanting me to stand up so they could pass by and go down onto the concourse to buy coke or burgers or some such crap. The lack of space is the drawback of a 1920’s football stand; it wasn’t built for well-fed, strapping 6ft 2 inch smart arses such as me; it was built for weedy, flat capped, malnourished tuberculosis sufferers, traumatised by their experiences in the First World War . I felt conflicted. When those youths asked me to let them by I wanted to say “ No, it’s not half-time yet” but I wasn’t going to do that. I felt guilty for having such curmudgeonly thoughts, but also for not actually telling them to go back , sit down and watch the match; added to which I was an Ipswich Town season ticket holder watching Portsmouth and secretly wondering how the Towen were doing at home to Brentford. I was a seething mass of internal conflict, but fortunately it was half-time before I knew it, although there were plenty of clues with loads of other people now going downstairs to the concourse to beat the queue for the khasi, beers, teas and burgers, which are what people really go to football for after all.
Despite the relative disappointment of the first half there was still a tangible air of optimism for the second half. Pompey had had more possession and more clearly wanted to win, rather than not lose like their opponents, so surely that would count for something. Well, it didn’t. Crewe Alexandra, if anything, played a bit better and although they won a few corners and somebody fell over in the penalty area Pompey were probably less threatening towards the Crewe goal than they were in the first half. Such was their ineffectiveness, that my thoughts turned to how much Pompey centre- half Christian Burgess, with his pony tail, looked like an 18th century sailor; all he really needed was a ribbon and perhaps a tricorn hat. He could have “Mr Christian” printed on the back of his shirt like those Brazilians do who don’t play under their real names. I also mused on whether Crewe’s curly blonde-haired striker Alex Kiwomya was a relative of former Ipswich Town waif Chris Kiwomya; Wikipaedia tells us he is his nephew.
Crewe were now so much improved on their first half showing that they had the cheek to score a goal; a bout of pinball ending with a header in to a far corner of the Pompey goal which they seemed to have forgotten about. Although there was in theory plenty of time for an equaliser, the goal caused of mass exodus of Pomponians who deserted ship as if they’d got wind of an imminent torpedo attack. As large numbers made for the lifeboats Pompey continued to flounder and despite desperate substitutions their play deteriorated to the point that they could barely string two passes together. The now predictable outcome was that Crewe Alexandra emerged victorious, but I was still a trifle disturbed to hear a chorus of “What the fucking hell was that? “ from a phalanx of disgruntled Pompey fans as they headed for the exits after the final whistle.
The Pompey team had disappointed this afternoon, but unusually so had the Pompey supporters who had failed to get behind their team when they most needed it. I left Fratton Park somewhat disillusioned. Pompey is normally the antidote to miserable, moany Ipswich for me, but something had gone wrong today; I think it was perhaps that there was expectation. As a football supporter you can only ever have hope, expectation is a step too far and you will be punished for having it. Oh, but if you support Manchester United or Chelsea that is a good thing.