Ipswich Town 0 Newport County 1

The first and second rounds of the Football League Cup are always an early season treat, a chance to play an interesting ‘lower league’ club and maybe visit a ground never visited before, in fact that was almost guaranteed back in the days of two-legged ties.  Added to that, summer isn’t over (if it has ever started) and a hot and sticky road trip precedes a balmy evening of lengthening shadows beneath a maturing, setting sun. Early season evening games are blissful, beautiful occasions and I fondly remember visits to Torquay, Exeter, Scunthorpe, Darlington, Brentford, Stockport, Bolton and Wigan.   Sadly, Ipswich Town are now one of those lower league teams, and a decade or more of abject failure has transformed cup ties from nights of wonder and joy into painful experiences to be endured like a trip to the dentist or having your car MoT’d.

Tonight, our opponents are ‘little Newport County’, a phoenix club resurrected from the one that went bust in 1988, following relegation from the fourth division.  I recall seeing the original County play out a magnificently awful goalless draw at Layer Road, Colchester in that fabulously terrible relegation season, but I also recall their glorious 2-3 European Cup Winners Cup quarter final defeat to Carl Zeiss Jena at the same time as Town were cruising past St Etienne on our way to winning the UEFA Cup.  Again, like on Saturday when Morecambe played their first ever third division game at Portman Road sixty years after Town played our first ever top division game, it is somehow fitting that Newport and Town should meet forty years after both clubs’ finest moments in European competition. I visited Newport’s old Somerton Park ground back in 1988 and could only think how their opponents from the German Democratic Republic must have been glad to get back behind the ’iron curtain’, doubtless with renewed faith that Communism was far superior to Capitalism and produced much better football stadiums, which of course it is and did, if you do it right.  Communism is a bit like sex, a great idea but best only conducted between consenting adults.

Shamefully arriving by car and not public transport because of continuing Covid induced paranoia, I park-up in West End Road car park at a little after 7 pm; the tariff is £1.00 until 8.00pm, after which it is free.  Stepping from my trusty, air-conditioned Citroen C3 the warmth of the evening air hits me unexpectedly and stirs pleasant memories of going to night matches in more exotic locations such as Beziers, Nice, Marseille and Montpellier whilst on holiday in the south of France.  Musing that the stadium catering at Portman Road probably doesn’t serve espresso coffee or cheese and ham baguettes, I stroll to the ground where there are queues at the guichets (look it up). I buy a programme (£2.50) from a booth in which the gently smiling young female programme seller seems rather heavily made-up for the occasion, but then it’s nice that she’s made the effort.  Drinking in the pre-match ambience I pass by the back of the Sir Bobby Robson stand and enter Portman Road, which is strangely quiet.  I realise later that this is because the only people occupying the Cobbold Stand tonight are the 131 from Newport, many of whom will have travelled on the six-wheeled charabanc of Watt’s Coaches, which idles by the Portman Road bus stop; I ask one of the drivers how long the journey took; “Five and a half hours” he tells me stretching out his vowel sounds with his rich, lilting and somewhat tired sounding South Walean accent, which oozes Rarebit and Eisteddfods.

Returning to Sir Alf Ramsey Way the queues for turnstiles 43 to 47 are lengthening and beginning to snake, so I head for turnstile 49 where there’s hardly anyone ahead of me at all.  Inside the ground a line of Heras fencing separates the fanzone from those of us who have passed through the turnstiles. The back of the stand is a noisy place as a disco inside a shipping container seems to be operating from a corner of the fanzone, predictably no one is dancing, and I wonder what the point of it is.   Fearing that my hearing is being damaged I head for my seat which tonight is in Block H, so lettered I will discover because at the end of the match it’s difficult to get out of, like the prisoner cell block.

As I stand and flick through my programme, kick-off comes ever closer and the PA system which successfully scrambles any spoken word delivers a medley of tunes associated with the Town.  I enjoy the anthemic Edward Ebenezer Jeremiah Brown from the 1970’s, but cringe at the dire Singin’ the Blues of the George Burley era, which sounds as if it is performed by Vic Reeves and Suzi Quattro, and the surreal and corny Sweet Caroline.  My only pleasure is from a childish giggle provoked by the name of a Newport substitute, Evan Ovendale. 

Finally, my torture by music is ended when the teams come onto the pitch, and I’m pleased to report are warmly applauded as they ‘take the knee’.  The match kicks off; Newport pointing in the direction of the Sir Bobby Robson stand in their traditional amber shirts and black shorts and getting first go with the ball.  Barely two minutes pass and an Armando Dobra shot strikes Newport’s right hand goal post. Within a further two minutes Newport lead.  One of Town’s many debutants, Sone Aluko needlessly concedes a free kick, from which a low cross is diverted into the net via the heel of Timmy Abraham, who rather wonderfully sounds like he should be, and indeed he is, the little brother of the Chelsea player, Tammy Abraham.

At least we probably still have 90 minutes to score a couple of goals of our own. But inevitably, given Town’s recent record in cup competitions, I have a nagging sensation that some writing is already being daubed on a wall somewhere.  Meanwhile, Armando Dobra has a shot saved and the oddly named Macauley Bonne heads over the Newport cross bar.   When Newport are awarded the game’s first corner, the Sir Bobby Robson stand chant “Who the fuckin’ ‘ell are you” to the taker, displaying a boastfulness of their own ignorance that is fitting in a town that voted for Brexit.

Town may be losing, but the game is nevertheless an entertaining one and despite the mostly empty stands the spectacle is enhanced by the fading daylight. With 21 minutes gone Sone Aluko claims the glory as the first player to be booked by the strangely competent referee Mr Neil Hair, or Herr Hair as he would be known if this were the Bundesliga.  Quite suddenly at about ten past eight I notice that all sunlight has gone and the ground is totally in the shade of whatever the Pioneer stand is now called.  The oddly named Macauley Bonne strikes the outside of Newport’s left-hand post with a shot and some childish banter ensues between him and the Newport goalkeeper Nick Townsend, with Bonne clutching his stomach to indicate that that Townsend is not merely big-boned; you can take the boy out of Chantry High School but you can’t …etcetera.

Five minutes of the half remain, and Town produce a delightful passing move, sending the ball from Luke Woolfenden to Idris El-Mizouni (whose father incidentally drank a post-match coffee with me when AS Meudon played St Ouen L’Aumone in the Coupe de France in 2018) to Sone Aluko to Armando Dobra, whose cross is headed over by the oddly named Macauley Bonne.  There is still time for Newport’s short and dumpy, but wonderfully named and impressively numbered (he’s No 56) Aneurin Livermore to be booked, for Idris El-Mizouni to have a free kick saved, and for him to provide a deliciously whipped-in cross for the oddly named Macauley Bonne to head over the bar yet again.

Half-time brings relief from the claustrophobia of the oldest part of the stadium, as those around me leave to get refreshment; people genuinely were smaller in the 1950’s when the old West Stand was built, possibly because there was no stadium catering back then.  Tonight, I am seemingly surrounded by youths in their late teens and early twenties who are all about 2metres tall.  Two of them return with trays of chips and the game begins again.

My seat is closer to “Churchman’s” than the Bobby Robson Stand and perhaps that’s why I notice for the first time this evening that Tomas Holy is a vision in cerise, he’s quite a sight.  Five minutes pass and the oddly named Macauley Bonne heads a looping cross into the goal, the giants all around me stand as one, but I had already spotted the offside flag.  “You fat bastard” chant the North Standers, presumably at goalkeeper Townsend and not to the oddly named Macauley Bonne.

Tonight’s attendance of 6,154 is announced and a good proportion of that number applaud themselves like performing seals do after catching a fish thrown at them from a bucket.  Town’s Scott Fraser replaces Sone Aluko who looks like he knows he’s had a poor game.  “He’s weird in ‘e? He’s got funny little legs in ’e?” I hear a voice behind me say.  I think the voice is talking about Newport’s left-back Aaron Lewis, who indeed does have funny little legs; he also has hair like Grayson Perry; he’s not a bad footballer mind, and I like to think he might also be able to knock up some decent ceramics or tapestries.

Over an hour of the match has passed and a fine shot from Armando Dobra brings an equally fine flying save from the fat bastard in the Newport goal; James Norwood and Kayden Jackson replace Louie Barry and the oddly named Macauley Bonne.  Newport mount a rare attack down the right and Town’s Corrie Ndaba, whose first name reminds me of the episode in series nine of The Simpsons in which Lisa becomes addicted to ringing the ‘Corey hotline’, spectacularly and miraculously slices the ball into the arms of Tomas Holy who is stood behind him.

With the match in the final twenty minutes Newport players twice clear the ball off their own goal line in the space of a few seconds and James Norwood heads a decent cross from Bailey Clements over the bar in a manner which I had thought was the preserve of the oddly named Macauley Bonne.  Just a short while later Norwood begins to limp and then leaves the field of play to be replaced by no one at all because we’ve used all our substitutes.  The bloke next to me doesn’t notice for a further few minutes that we are down to ten men and when he does, he thinks we’ve had someone sent off; “What happened?” he asks; and I thought I was guilty of not paying attention.

Newport’s shaven headed forty-two-year-old, Kevin Ellison is substituted and hobbles off, clearly attempting to eke out the remaining time in a way which doesn’t involve football being played. “Get off you old git” I bawl at him despite being almost twenty years his senior. I’m not sure what came over me, although these West Standers seem rather dull and need livening up.  Unfortunately, Ellison and his team win the day with their time-wasting ways and despite five minutes of added on time Ipswich fail to score, and so once again leave the League Cup at the earliest opportunity, leaving Newport County and the likes of Forest Green Rovers, Barrow and Oldham Athletic to seek the sort of glory we can only dream of.

Despite the result it’s been an enjoyable match, with some fine performances from young players, particularly Bailey Clements, Idris El-Mizouni and Cameron Humphreys. As I stand helplessly waiting to get out of the slowly clearing stand, I applaud Newport and their intrepid supporters and reassure myself by believing that although the score reads as another Cup defeat I have simply witnessed the birth pangs of a Grand Projet that will one day see us reach the next round.

Ipswich Town 1 Arsenal 0 – Our Blue Heaven

It’s Saturday May 6th 1978, I will be eighteen in about seven weeks’ time and today I am going to the FA Cup final. I am going with my dad; we were two of the 24,207 who saw Town beat Hartlepool United in the fourth round of the FA Cup and the 29,532 who witnessed the 3-0 win in the fifth round replay against Bristol Rovers; we went to the semi-final at Highbury on a supporters’ coach from Shotley. We saw Landskrona Bois, Las Palmas and Barcelona at Portman Road back in the autumn and have seen about a dozen league games on top of that, so we had the requisite vouchers to get tickets for the final. But this morning my father has woken up feeling unwell; he doesn’t think he’ll be up to going to Wembley and so for my friend Tim who lives five doors away, it’s his lucky day. I walk along the street, knock on his front door and ask if he wants to come to the FA Cup final; he does. Tim’s dad Charlie will this evening deliver a bottle of sherry by way of a thank you.
I listen to a few selected tracks from Blondie’s first album ‘Blondie’ (released in December 1976 )as I get ready to go; ‘Look good in Blue’ seems apposite this bright morning as does ‘In the sun’ with its lyric “In the sun , we’re gonna have some fun”. We get to Ipswich railway station somehow; on the 202 bus, or does someone give us a lift? Ticket to WembleyFrom Ipswich we are on a special chartered train that turns right at Stratford and plots a course through north London round to Wembley Central. In Wembley Stadium the terrace steps at the tunnel end are much bigger and steeper than those in Churchman’s or in front of the East Stand, blue and white abounds. The sun shines and Arsenal, wearing yellow and blue, kick off with Ipswich playing towards that blue and white tunnel end. Paul Mariner hits the cross bar, John Wark twice shoots against a post, Pat Jennings saves acrobatically from George Burley, Paul Mariner misses, bigmouth Malcolm McDonald is rubbish, Clive Woods is brilliant, David Geddes crosses, Willie Young is a lumbering donkey, Roger Osborne scores, we cheer, we sing, Roger Osborne is substituted for Mick Lambert, Town win and Mick Mills lifts the FA Cup and turns to show it to us.
Back at Wembley Central railway station after the match a half-brick or a stone bounces off the window of our train as we wait to depart back to Ipswich. Arriving back in Ipswich, Tim and I celebrate with a couple of pints of Tolly Cobbold bitter in the Railway Tavern on Burrell Road as we wait for a lift home in Tim’s dad’s green Morris Minor 1000.

OLYMPUS DIGITAL CAMERA
Forty years and eighteen days later it’s a dank evening in Ipswich, I have been to work, visited my mum, parked up in Portman Road and arrived at the New Wolsey theatre, which didn’t exist in 1978, although there was repertory theatre in Tower Street. I am with my wife Paulene. My father has been dead for nine years, happily his cause of death was unrelated to his illness of 6th May 1978, he enjoyed almost 21 years of good health subsequent to that and made it to the UEFA Cup final second leg in Amsterdam. Tim now lives in Weymouth and oddly he still only gets to see the Town when I get him a ticket (this season we went to Brentford). The Railway Tavern has been demolished; the green Morris Minor was scrapped long ago. But the name of Ipswich Town is still inscribed on the plinth of the FA Cup.
My seat at the Wolsey theatre tonight is in the front row of the auditorium, my wife Paulene is sat in the row behind; she sat behind to give me more legroom. The production is so popular we couldn’t get two seats together. We are the first people in the auditorium, Paulene’s asthma means she needs time to acclimatise. I read the programme (£4) and think “Cup final prices”. The stage is just a metre in front of me, the ‘boards’ are under a green covering patterned to look like turf. At the back of the stage a pair of blue doors look like the doors at the back of the old North Stand, above them is a projection of the type of corrugated cladding also redolent of the old North Stand. But there was never a sign that said ‘Welcome to Portman Road’ back then, there isn’t now. Also part of the projection is the old Ipswich Town crest, the slightly imperfect yellow and blue one, which should be restored out of respect to the past and to John Gammage who won the competition to design a distinct crest for the club back in 1972.41429848635_33f2609053_o
I watch the ‘crowd’ as the auditorium fills up to the sounds of assorted 1970’s pop hits, nostalgic but mostly awful. The majority of people here seem to be my age or older, old enough to have witnessed the 1978 Cup final. A few people are sporting blue and white scarves; one man wears a bright red blazer as if he’s just got here from Butlins. In the front row are three young lads, pre-teens, one of them wears a parka which lends an unexpected layer of 1970’s authenticity. Paulene says she feels cold, I say if I’d known she was going to I would have brought a blue and white bobble hat for her.
The lights dim and tonight’s performance of ‘Our Blue Heaven’ begins with Blondie’s “Hanging on the telephone” played live as the soundtrack to a domestic scene in which a young couple, Mel and Scott arrange their wedding for Saturday 6th May 1978, and then the draw for the third round of the FA Cup is announced. I resist the temptation to put my hand up to point that Blondie’s Parallel Lines album, from which ‘Hanging on the telephone’ was taken as a single would not be released until September 1978. I am not really a pedant and whilst I may not always like it, I do understand the concept of artistic licence and have been known to use it myself; I deny all accusations that it was merely lying.
Mel’s sister Sue is a dedicated and faithful Town fan and from the start foresees that she will want to be at Wembley on May 6th. Meanwhile, in a parallel story Smudger and Ange are awaiting their first child, with Ange’s ‘expected date of confinement’ surprisingly enough being 6th May, although the nurse at the hospital, who happens to be Mel and Sue’s mum Sheila tells them that babies never arrive on time. Smudger is as committed a Town fan as Sue and is predictably torn between his love for the Town and supporting his wife.
The simple domesticity portrayed is all a bit ‘Play for Today’, particularly when it transpires that Mel and Sue’s dad Paul is a striking fireman, whilst Scott’s dad Brian is a Thatcherite policeman; and that just adds to the authenticity and feel that it is 1978. I am transported back in time on a wave of Nostalgia (from the Buzzcocks Love Bites album and like Blondie’s Parallel Lines, also not released until September 1978, but also sadly not in the show).
Scenes from the two families’ stories are spliced with Town’s progress through each round of the FA Cup introduced by popular songs of the time, Bowie’s ‘Heroes’, Patti Smith’s ‘Because the night’, something or other by the Bee Gees. For the sixth round trip to Millwall the band plays the Clash’s London Calling, at which point I really do want to put my hand up because the Clash’s album was not released until December1979, a whole 20 months later. I only hold back when London Calling runs into White Riot, which is much more temporally authentic having been released as a single in March 1977, and a cracking tune to boot.
For each match a group of male and female dancers act out the crucial on-pitch events to the background of the songs and a BBC radio style commentary. My friend Gary texted me before the performance to tell me there was just one thing he did not like about the production and later he will tell me that it was the football sequences. Re-creating football well is notoriously difficult to do, as proven by awful films such as Yesterday’s Hero, in which incidentally the football sequences were filmed at half-time during a game at Portman Road; this is why I don’t consider that the director really bothered to do so. The dancers don’t look like footballers and they are only dancing, creating an impression through movement; they could have been supporters recreating the goals, children doing so in the school playground, and that is authentic. So Gary, you are wrong and need to brush up on your critiquing skills.
The intertwined stories of the families and the FA Cup run are good ones, there is drama, pathos, human emotion aplenty, humour and of course a happy ending. But the thread that runs through the production is the character of Bobby Robson who intermittently comes on to the stage like some sort of visiting angel wearing a series of 1970’s style suits and coats, imparting words of wisdom and assorted homilies about football and the wider experience of our lives beyond. As if this isn’t enough, the actor playing him, Peter Peverley does so brilliantly, better even than Michael Sheen’s rendering of Brian Clough in The Damned United. Peverley has the accent which is easy enough, and he has perfected the mannerisms too, but more than that he has captured the slight hoarseness in the voice, it’s almost uncanny. He wears a pretty bad wig though.
The finale to the production has the marriage, the birth and the FA Cup final taking place on stage simultaneously following the singing of Abide With Me, the Cup final hymn since 1927; a maudlin little number but a cracker nevertheless because it is the Cup final hymn and has been marinated in 90 years of Cup final history. Being sat right at the front, my view is now partly obscured by some of the on stage props, so I watch the audience. People who know the words sing along with Abide With Me, whilst others hold their scarves aloft. It is likely that many of the people here, like me were at the Cup final in May 1978 and are part of the story, but this makes people feel involved all over again, it’s nostalgia with knobs on, re-enacting the past, albeit part fictional, but this is somehow how it felt.
The story ends and it truly feels like Town have won the FA Cup all over again, and then Roger Osborne, the personification of the day because he scored the winning goal enters the stage, inevitably to a standing ovation. The ultimate finale however, comes with the cast all assembled on stage with Bobby Robson leading us in a sing-song, some Cup final community singing of our own; a rousing rendition of Edward Ebenezer Jeremiah Brown. It’s bloody marvellous and everything that matches at Portman Road no longer seem to be, utterly joyous. I give it my all.
I have had a most marvellous evening and for much of it I am not ashamed to admit I have had a tear in my eye. I have been taken back in time, but don’t know if I’m tearful for my lost youth and the passing of the days when Ipswich Town was such a wonderful football club and team, and when the FA Cup was something that really mattered, or if these are tears of joy and happiness, for a love of my team and a sense of belonging that has been re-kindled.
Nostalgia is warm and cosy, but it’s not a healthy thing, because we cannot go back and we have to live in the present; but tonight after watching Our Blue Heaven I genuinely feel uplifted.
My name is Edward Ebenezer Jeremiah Brown
I’m a football supporter of Ipswich Town
Wherever they play, you’ll find me
I haven’t missed a game since I was three
With me scarf and me rattle and me big rosette
Singing where was the goalie when the ball went in the net
Follow the Town
Up or Down
I’m Edward Ebenezer Jeremiah Brown but everybody calls me Ted.

Football, Football,
Whose the greatest of them all,
Let’s put it to the test
Come to Portman Road on a Saturday and you’ll see the best
Oi!
Ipswich! Ipswich! Come On The Town!
Ipswich! Ipswich! Come On The Town!

My name is Edward Ebenezer Jeremiah Brown
I’m a football supporter of Ipswich Town
Wherever they play, you’ll find me
I haven’t missed a game since I was three
With me scarf and me rattle and me big rosette
Singing where was the goalie when the ball went in the net
Follow the Town
Up or Down
I’m Edward Ebenezer Jeremiah Brown but everybody calls me Ted.

2-4-6-8 who de we appreciate?
It isn’t hard to tell
Just you take a closer look at me
And you’ll know darn well
Oi
Ipswich! Ipswich! Come On The Town!
Ipswich! Ipswich! Come On The Town!

La la la
La lala la lala lalala
Lala lalala la lala lalala
La lalala lalala, and lots more lalalaing, you get the picture ?