Ipswich Town 2 Wigan Athletic 0

Sunday bloody, Sunday, a classic angst ridden film drama from 1971 directed by John Schlesinger starring Glenda Jackson, Murray Head and Peter Finch and featuring a doomed dog called Kenyatta, but also how I describe the Christian Sabbath when Town have to play on it.  I like my football on a Saturday and at 3 pm to boot.  Noon on a Sunday should be when the pubs open and nothing else.  To make matters worse today’s is the first match of the league season, a fixture which for the sake of symmetry if nothing else should kick off at the same time as every other club’s first game of the season.  As if Boris ‘Bozo’ Johnson being Prime Minister wasn’t enough to cope with.  Why do things only ever get worse?

Waking from my slumbers a little before 8 o’clock I draw the blinds and am bathed in bright early autumn sunlight. I shower and dress, donning my button neck, blue, Ipswich Town branded T-shirt purchased over the summer from the Planet Blue website, where my review of the garment has never appeared despite having been submitted three times (see previous blog post “Consumer City 1 Lockdown Town 0”); I’m not bitter, but the truth must be told. After a breakfast with my wife Paulene of bacon, egg, toast, tomatoes and mushrooms with tea and an espresso coffee, all prepared by me, I look for things to fill the time until shortly before noon when I will switch on my lap top, log on to the ifollow and hope that it lets me watch the match.  I have heard that yesterday Portsmouth supporters were unable to watch their game versus Shrewsbury Town on the ifollow and ended up listening to local radio.  I am soon in my garage breaking up cardboard boxes to put out for the refuse collection on Wednesday; it’s been a busy week of deliveries with two new toilet seats and thirty-two bottles of Fuller’s Bengal Lancer pale ale all arriving courtesy of men driving white vans.  Boxes crushed, I potter about and fold away the blue and white bunting that bedecks my garden each summer to celebrate the season the sun and the Town.

Time passes quickly and Paulene is soon telling me that she has logged me onto to the ifollow and  it’s working.  I pour myself a pint of water, which I liven up with a squirt of lime juice, and lie on my back on  the orange canvas bean bag that normally sits in the corner of the room, but which I have re-positioned centrally in front of the smart tv.   I have today’s match programme by my side; impressively it arrived in yesterday’s post in time for the match.  It’s not the best programme I’ve ever seen, it’s front cover, which appears to be an homage to the programmes of the 1980-81 season is a little speckled at the edges, like a poor photocopy, which is possibly the source of the design, but at least the cover price is a £1 cheaper than if this was a normal game.  I don’t mind if there are fewer pages and less to read, I just want a few folded sheets of paper that are specific to this match and which lists the teams or at least the names from which the teams will be selected.  Who actually reads all the other drivel that’s printed in the massive programmes we pay the price of a paperback book for anyway? Less is more in the world of football match programmes and I pine for those of the 1960’s and 70’s.  In France, the clubs that produce a programme do not charge for it.

I am now comfortably slumped and as the broadcast begins I am surprised, but pleased, to hear the familiar, nearly Geordie tones (he’s from Berwick-Upon-Tweed) of Brenner Woolley and the flat, steady delivery of Mick Mills.  Mick sets out on a lengthy monologue in which he immediately tempts fate by explaining that this is a good time to play Wigan.  He goes on to explain in a manner which suggest he thinks we should be surprised, that he has been doing a bit of research and had logged on to the Wigan website to see who is in their squad.  But he tells us that they have shipped out sixteen players and only brought in two so it was a waste of time; presumably he didn’t recognise any of the names. 

The players are now walking onto the pitch to the accompaniment of the crap-rock strains of Van Halen’s “Jump”, this despite the absence of a crowd.  I wonder to myself if the ‘entrance music’ is meant to inspire the players, and feel glad I am not a professional footballer.  Sadly the opportunity has not been taken to have some fun with the entrance music by playing something like Simon & Garfunkel’s “The Sound of Silence” or something by Roger Whittaker.  I’m pleased to see the players ‘take the knee’ and hope that all the people that it annoys, and sadly there are some,  are so annoyed that they slam their heads repeatedly against the nearest wall and pour boiling water over their own genitals.  Today’s referee and assistants are wearing purple tops which make them look like sporting Anglican bishops, which is appropriate for a Sunday game.  Meanwhile , Brenner Woolley tries to trump Mick Mills efforts to tempt fate by telling us that Wigan Athletic as a club are “in free fall”, which is probably not quite true.   At 12:02 little Alan Judge literally gets the ball rolling for Town who are resplendent in their new kit of all blue with Adidas decorations and the yellow  and blue badge that the team wore back in the days when it won Cups and was one of the very best in Europe, if not the World.  Wigan in contrast are today’s ‘baddies’, wearing all-black, although the gift of the tv close-up reveals that the shirt features a grim machine-like pattern of various shades of grey hexagon.

The game begins like a tennis match with the ball being knocked back and forward pointlessly between the two teams, but this disappointment is tempered by the realisation that Brenner Woolley’s radio commentary is actually much better than the usual tv commentary because he makes the effort to say who has the ball, and that is all we really need to know. On a tv screen the numbers and names on the backs of the players’ shirts are too small to read and most of the players look the same with their conscripts’ haircuts.

Eight minutes pass and Wigan should be ahead as 19 year old Nigerian Emeka Obi is left all alone to head Gary Roberts’ corner powerfully but clumsily past the post; the Ipswich defence seemingly need to learn the lesson that black lives especially matter when they’re in your own penalty area.  At about this time Paulene comes into the room and by some sorcery manages to make the screen bigger.  This naturally adds to my enjoyment but not as much as Teddy Bishop does in the eleventh minute as he heads into the goal an attempted clearance of a Freddie Sears’ left-wing cross.  It’s a goal that in its construction has something in common with Roger Osborne’s FA Cup winning goal in 1978, with the Wigan defender playing the role of the hapless Willie Young and with Freddie Sears as David Geddes.

As well as putting Town ahead, the goal highlights the fact that the commentary is fractionally ahead of the pictures on the screen as Brenner tells me that Teddy has scored a moment before the ball strikes the net.  As the game continues it’s a lack of synchronisation that ultimately proves reassuring as Emeka Obi is twice more left free to score, but Brenner promptly tells me that he fails to do so at the very moment when my heart is about to enter my mouth.  Brenner spoils it a bit though when he confirms that Wigan should be ahead, but adds, sounding slightly disappointed “…as it is , it’s 1-0 to Town”.  From wrongly placed bias Brenner then veers towards surrealism with the phrase “Ipswich Town’s ball, in the shape of Stephen Ward”.   The picture in the programme of Stephen only adds to my worries because I hadn’t realised he had a nose bigger than mine and hair neat enough to suggest he might follow a career as a referee once his playing days are over.

Whilst Brenner Woolley’s commentary adds things to the commentary not visible to the human eye, Mick Mills is I think having a very good day, providing some convincing and totally plausible tactical analysis about the full-backs and how the two teams’ respective line-ups and formations cancel each other out.  On days like this it’s as if Mick is wearing the number 4 shirt again in Frans Thijssen’s absence and is running the midfield.

Wigan had looked quite good for a spell but Town are looking better, and a passage of absolutely marvellous play ends with Teddy Bishop having a shot tipped away on to the post by Wigan goalkeeper Jamie Jones, whose name instantly has me breaking into the opening song on the Clash’s eponymous first album.  It’s easily the highlight of the match so far, but soon Brenner is competing with more weirdness as he tells how “Naismith scoops Sears’ cross away with his left shoe”.  His left shoe! No wonder we’re winning if Wigan are playing in their shoes; but presumably for these Lancastrians it’s better than playing in clogs.

With a half hour gone there is a drinks break and the camera lingers on Wigan manager John Sheridan and his coach gesticulating and pointing enthusiastically as if relaying the latest odds on another relegation to the club’s former owners.  Meanwhile Town manager Paul Lambert is wearing a rather unpleasant shiny grey Adidas training top and a blue Ipswich Town branded baseball cap.  I’m not a fan of baseball caps, to me they just say “Sir Francis Chichester”, and whilst I have nothing against the sadly deceased circumnavigator, he wasn’t a Town fan.  What have you done with your v-neck black jumper Paul? That looked much more classy.

As the end of the half draws nigh Joe Garner hits the Town cross bar with an overhead kick and my attention is grabbed by his nascent ginger beard, but also his skinhead haircut, which makes him look like he could be a member of the BNP, although I’m certain he isn’t.  The half ends with Mick Mills telling us that “A second goal would be handy to say you’re in a good position” before the sound from Radio Suffolk takes on a weirdness to match Brenner’s commentary making the co-commentators sound like a cross between the Daleks and Peter Frampton. Oddly it’s an aural effect that suits Mick more than Brenner.

Half-time brings adverts like on the real telly and I am being encouraged to purchase the services of Screwfix, something called Utilita, some sort of video game and to watch the EFL on Quest, and then it happens all over again as if I might need reminding.  Not really interested in this commercially driven filling of the football broadcast sandwich I head to the fridge and pour myself a glass of Faro Foudroyante lambic beer.  Paulene is watching the Tour de France on the telly in the kitchen and expresses her surprise that Town are winning.  My beer tastes a bit like cider and is very refreshing on a warm day like today.

The joys of the ifollow broadcast return with Norwood replacing Drinan for Town and Perry replacing a Wigan player; like Mick Mills, I don’t know who.  At 13:07 the fun begins again and soon Brenner is saying “Norwood takes the ball on his shoe”. What is it with these northerners playing in shoes? Are Church’s and Clark’s suddenly offering better sponsorship deals than Nike and Adidas?  This doesn’t bode well I’m thinking; thank goodness we’ve already scored one goal because I can’t see Norwood scoring  if he’s not wearing boots.  Idiot.  I’m surprised Paul Lambert allows it.

The second half is interesting enough to begin with; but Wigan are doing better and Brenner suggests that Town let Gary Roberts go too soon, although he is now thirty-six years old; but it’s an opinion I support. In recent years Town and English football in general have valued athleticism and endurance above skill far too much. I want to watch football not long distance running.  Brenner now adds incontrovertible facts to set alongside his opinions and lets us know that Town have won only four of their last sixteen home games before Mick Mills advises that someone else should have a go at the free-kicks after Freddie Sears sends  a second hopelessly over the cross bar; I couldn’t quite understand why he took them when Bishop and Dozzell are both playing, but perhaps  I am wrong to see them as the heirs to Peter Morris, Arnold Muhren, Mark Brennan, Ian Redford and Jimmy Juan.

An hour has passed and Luke Chambers is the first player booked, but the match is becoming a bit boring; Mick Mills euphemistically describes it as ‘mundane’ and asks if Wigan aren’t beginning to be the better team.  If I didn’t have beer to hand I’d be hoping for Pat from Clacton to appear with a bag of sweets now; hopefully the sugar would help me feel less queasy at the sight of Joe Garner’s completely tattooed left arm, which makes him look as if he has a nasty skin condition, all his veins and capillaries are a little too close to the surface  or he hasn’t washed his arm for a year.  But more to do with the game I am currently unimpressed with Norwood who seems to be wrongly playing beyond the defender who is marking him (Naismith), which means the ball is always intercepted before it reaches him, whereas Drinan played in front of the defender, received the ball, controlled it and laid it off bringing Dozzell and Bishop, the attacking midfield players, into the game.  I like to think that Mick Mills would be impressed with my tactical evaluation.

 Seventy-three minutes pass and Edwards replaces Sears, and three minutes later Huws replaces Bishop and the game swings back in Town’s favour.  Just four minutes after Huws comes on Edwards doubles Town’s lead after a second excellent passing moving from Town, again down the left, and our record of sixteen successive games televised by Sky tv without a win looks set to end.  The game is as good as won and the remaining highlights are reduced to seeing Wigan substitute Oliver Crankshaw massaging his right buttock, although he does have reassuringly long hair.  Town attempt to end the game with panache, playing ‘keep ball’ until it reaches Luke Chambers and it’s good to see Emyr Huws then kick Joe Garner in the stomach. But there’s nothing more to this and at four minutes to two referee Mr Thomas Bramall calls time. 

It’s been an afternoon of mixed and fluid emotions just as should be the case with proper football matches.  The game has been won, but the result was often in doubt and credit to Messrs Woolley and Mills, today they have reflected and explained the turmoil, the trouble and the ultimate satisfaction, a much better performance than last Saturday.  The ifollow has also done its job and I feel more confident about watching future broadcasts, even if I am paying over the odds just to watch the telly.

Ipswich Town 1 Arsenal 0 – Our Blue Heaven

It’s Saturday May 6th 1978, I will be eighteen in about seven weeks’ time and today I am going to the FA Cup final. I am going with my dad; we were two of the 24,207 who saw Town beat Hartlepool United in the fourth round of the FA Cup and the 29,532 who witnessed the 3-0 win in the fifth round replay against Bristol Rovers; we went to the semi-final at Highbury on a supporters’ coach from Shotley. We saw Landskrona Bois, Las Palmas and Barcelona at Portman Road back in the autumn and have seen about a dozen league games on top of that, so we had the requisite vouchers to get tickets for the final. But this morning my father has woken up feeling unwell; he doesn’t think he’ll be up to going to Wembley and so for my friend Tim who lives five doors away, it’s his lucky day. I walk along the street, knock on his front door and ask if he wants to come to the FA Cup final; he does. Tim’s dad Charlie will this evening deliver a bottle of sherry by way of a thank you.
I listen to a few selected tracks from Blondie’s first album ‘Blondie’ (released in December 1976 )as I get ready to go; ‘Look good in Blue’ seems apposite this bright morning as does ‘In the sun’ with its lyric “In the sun , we’re gonna have some fun”. We get to Ipswich railway station somehow; on the 202 bus, or does someone give us a lift? Ticket to WembleyFrom Ipswich we are on a special chartered train that turns right at Stratford and plots a course through north London round to Wembley Central. In Wembley Stadium the terrace steps at the tunnel end are much bigger and steeper than those in Churchman’s or in front of the East Stand, blue and white abounds. The sun shines and Arsenal, wearing yellow and blue, kick off with Ipswich playing towards that blue and white tunnel end. Paul Mariner hits the cross bar, John Wark twice shoots against a post, Pat Jennings saves acrobatically from George Burley, Paul Mariner misses, bigmouth Malcolm McDonald is rubbish, Clive Woods is brilliant, David Geddes crosses, Willie Young is a lumbering donkey, Roger Osborne scores, we cheer, we sing, Roger Osborne is substituted for Mick Lambert, Town win and Mick Mills lifts the FA Cup and turns to show it to us.
Back at Wembley Central railway station after the match a half-brick or a stone bounces off the window of our train as we wait to depart back to Ipswich. Arriving back in Ipswich, Tim and I celebrate with a couple of pints of Tolly Cobbold bitter in the Railway Tavern on Burrell Road as we wait for a lift home in Tim’s dad’s green Morris Minor 1000.

OLYMPUS DIGITAL CAMERA
Forty years and eighteen days later it’s a dank evening in Ipswich, I have been to work, visited my mum, parked up in Portman Road and arrived at the New Wolsey theatre, which didn’t exist in 1978, although there was repertory theatre in Tower Street. I am with my wife Paulene. My father has been dead for nine years, happily his cause of death was unrelated to his illness of 6th May 1978, he enjoyed almost 21 years of good health subsequent to that and made it to the UEFA Cup final second leg in Amsterdam. Tim now lives in Weymouth and oddly he still only gets to see the Town when I get him a ticket (this season we went to Brentford). The Railway Tavern has been demolished; the green Morris Minor was scrapped long ago. But the name of Ipswich Town is still inscribed on the plinth of the FA Cup.
My seat at the Wolsey theatre tonight is in the front row of the auditorium, my wife Paulene is sat in the row behind; she sat behind to give me more legroom. The production is so popular we couldn’t get two seats together. We are the first people in the auditorium, Paulene’s asthma means she needs time to acclimatise. I read the programme (£4) and think “Cup final prices”. The stage is just a metre in front of me, the ‘boards’ are under a green covering patterned to look like turf. At the back of the stage a pair of blue doors look like the doors at the back of the old North Stand, above them is a projection of the type of corrugated cladding also redolent of the old North Stand. But there was never a sign that said ‘Welcome to Portman Road’ back then, there isn’t now. Also part of the projection is the old Ipswich Town crest, the slightly imperfect yellow and blue one, which should be restored out of respect to the past and to John Gammage who won the competition to design a distinct crest for the club back in 1972.41429848635_33f2609053_o
I watch the ‘crowd’ as the auditorium fills up to the sounds of assorted 1970’s pop hits, nostalgic but mostly awful. The majority of people here seem to be my age or older, old enough to have witnessed the 1978 Cup final. A few people are sporting blue and white scarves; one man wears a bright red blazer as if he’s just got here from Butlins. In the front row are three young lads, pre-teens, one of them wears a parka which lends an unexpected layer of 1970’s authenticity. Paulene says she feels cold, I say if I’d known she was going to I would have brought a blue and white bobble hat for her.
The lights dim and tonight’s performance of ‘Our Blue Heaven’ begins with Blondie’s “Hanging on the telephone” played live as the soundtrack to a domestic scene in which a young couple, Mel and Scott arrange their wedding for Saturday 6th May 1978, and then the draw for the third round of the FA Cup is announced. I resist the temptation to put my hand up to point that Blondie’s Parallel Lines album, from which ‘Hanging on the telephone’ was taken as a single would not be released until September 1978. I am not really a pedant and whilst I may not always like it, I do understand the concept of artistic licence and have been known to use it myself; I deny all accusations that it was merely lying.
Mel’s sister Sue is a dedicated and faithful Town fan and from the start foresees that she will want to be at Wembley on May 6th. Meanwhile, in a parallel story Smudger and Ange are awaiting their first child, with Ange’s ‘expected date of confinement’ surprisingly enough being 6th May, although the nurse at the hospital, who happens to be Mel and Sue’s mum Sheila tells them that babies never arrive on time. Smudger is as committed a Town fan as Sue and is predictably torn between his love for the Town and supporting his wife.
The simple domesticity portrayed is all a bit ‘Play for Today’, particularly when it transpires that Mel and Sue’s dad Paul is a striking fireman, whilst Scott’s dad Brian is a Thatcherite policeman; and that just adds to the authenticity and feel that it is 1978. I am transported back in time on a wave of Nostalgia (from the Buzzcocks Love Bites album and like Blondie’s Parallel Lines, also not released until September 1978, but also sadly not in the show).
Scenes from the two families’ stories are spliced with Town’s progress through each round of the FA Cup introduced by popular songs of the time, Bowie’s ‘Heroes’, Patti Smith’s ‘Because the night’, something or other by the Bee Gees. For the sixth round trip to Millwall the band plays the Clash’s London Calling, at which point I really do want to put my hand up because the Clash’s album was not released until December1979, a whole 20 months later. I only hold back when London Calling runs into White Riot, which is much more temporally authentic having been released as a single in March 1977, and a cracking tune to boot.
For each match a group of male and female dancers act out the crucial on-pitch events to the background of the songs and a BBC radio style commentary. My friend Gary texted me before the performance to tell me there was just one thing he did not like about the production and later he will tell me that it was the football sequences. Re-creating football well is notoriously difficult to do, as proven by awful films such as Yesterday’s Hero, in which incidentally the football sequences were filmed at half-time during a game at Portman Road; this is why I don’t consider that the director really bothered to do so. The dancers don’t look like footballers and they are only dancing, creating an impression through movement; they could have been supporters recreating the goals, children doing so in the school playground, and that is authentic. So Gary, you are wrong and need to brush up on your critiquing skills.
The intertwined stories of the families and the FA Cup run are good ones, there is drama, pathos, human emotion aplenty, humour and of course a happy ending. But the thread that runs through the production is the character of Bobby Robson who intermittently comes on to the stage like some sort of visiting angel wearing a series of 1970’s style suits and coats, imparting words of wisdom and assorted homilies about football and the wider experience of our lives beyond. As if this isn’t enough, the actor playing him, Peter Peverley does so brilliantly, better even than Michael Sheen’s rendering of Brian Clough in The Damned United. Peverley has the accent which is easy enough, and he has perfected the mannerisms too, but more than that he has captured the slight hoarseness in the voice, it’s almost uncanny. He wears a pretty bad wig though.
The finale to the production has the marriage, the birth and the FA Cup final taking place on stage simultaneously following the singing of Abide With Me, the Cup final hymn since 1927; a maudlin little number but a cracker nevertheless because it is the Cup final hymn and has been marinated in 90 years of Cup final history. Being sat right at the front, my view is now partly obscured by some of the on stage props, so I watch the audience. People who know the words sing along with Abide With Me, whilst others hold their scarves aloft. It is likely that many of the people here, like me were at the Cup final in May 1978 and are part of the story, but this makes people feel involved all over again, it’s nostalgia with knobs on, re-enacting the past, albeit part fictional, but this is somehow how it felt.
The story ends and it truly feels like Town have won the FA Cup all over again, and then Roger Osborne, the personification of the day because he scored the winning goal enters the stage, inevitably to a standing ovation. The ultimate finale however, comes with the cast all assembled on stage with Bobby Robson leading us in a sing-song, some Cup final community singing of our own; a rousing rendition of Edward Ebenezer Jeremiah Brown. It’s bloody marvellous and everything that matches at Portman Road no longer seem to be, utterly joyous. I give it my all.
I have had a most marvellous evening and for much of it I am not ashamed to admit I have had a tear in my eye. I have been taken back in time, but don’t know if I’m tearful for my lost youth and the passing of the days when Ipswich Town was such a wonderful football club and team, and when the FA Cup was something that really mattered, or if these are tears of joy and happiness, for a love of my team and a sense of belonging that has been re-kindled.
Nostalgia is warm and cosy, but it’s not a healthy thing, because we cannot go back and we have to live in the present; but tonight after watching Our Blue Heaven I genuinely feel uplifted.
My name is Edward Ebenezer Jeremiah Brown
I’m a football supporter of Ipswich Town
Wherever they play, you’ll find me
I haven’t missed a game since I was three
With me scarf and me rattle and me big rosette
Singing where was the goalie when the ball went in the net
Follow the Town
Up or Down
I’m Edward Ebenezer Jeremiah Brown but everybody calls me Ted.

Football, Football,
Whose the greatest of them all,
Let’s put it to the test
Come to Portman Road on a Saturday and you’ll see the best
Oi!
Ipswich! Ipswich! Come On The Town!
Ipswich! Ipswich! Come On The Town!

My name is Edward Ebenezer Jeremiah Brown
I’m a football supporter of Ipswich Town
Wherever they play, you’ll find me
I haven’t missed a game since I was three
With me scarf and me rattle and me big rosette
Singing where was the goalie when the ball went in the net
Follow the Town
Up or Down
I’m Edward Ebenezer Jeremiah Brown but everybody calls me Ted.

2-4-6-8 who de we appreciate?
It isn’t hard to tell
Just you take a closer look at me
And you’ll know darn well
Oi
Ipswich! Ipswich! Come On The Town!
Ipswich! Ipswich! Come On The Town!

La la la
La lala la lala lalala
Lala lalala la lala lalala
La lalala lalala, and lots more lalalaing, you get the picture ?