clacton

Ipswich Town 3 Southampton 2

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I woke up this morning and without moving my leaden carcass squinted at the bedside clock. It was nine minutes past seven. I rolled over and soon descended back into a drowsy, drifting sleep.  After what I thought was about twenty minutes I awoke and looked at the clock again. It was seven minutes past eight and l lay there thinking I should get up, whilst also  becoming depressed at the thought that this is Easter Monday and I will have to go back to work tomorrow.  I guess that with still a whole day of the four-day Easter break in front of me and a trip to Portman Road too, such thoughts must mark me down as a pessimist.  I don’t think so though, I think I just don’t like having to work for a living.

Outside it is sunny, but it’s also breezy, so everything in the garden is moving and jiggling about, like I’m watching a Roobarb and Custard cartoon.  My internal dialogue adopts the breathless voice of the late Richard Briers and I think of a young Felicity Kendal before wondering what people from the time before television thought of in idle moments.  I get up, shower, eat breakfast, drink coffee and probably make my wife Paulene suspicious by performing a range of domestic tasks including ‘hoovering’ and ironing, before we enjoy a comforting late lunch of bangers and mash.

As a I step outside to walk to the railway station, it is spitting with rain; Paulene was watching  men in lycra cycling around San Sebastien on the telly as I bade her farewell, and she gave me strict instructions that Ipswich Town must win today because they are playing Southampton and Paulene is a Pompey person, a former joint owner no less, before the rest of them sold out to Walt Disney.  The train is on time but it’s an uneventful train journey, there aren’t many other passengers on board, although a young blonde woman asks me to look after her bag when she goes to the loo.  I tell her “Don’t be long, I’m getting off in Ipswich.”  But she’s back in her seat even before we glide on past one of the Wherstead Polar Bears, who appears to be hiding from the small handful of people who have paid to see him, or her.

In Ipswich, I exit the train and cross the railway tracks by the old footbridge because it has fewer steps than the new one.  The streets are busy with policemen in baseball hats and day-glo gilets standing in pairs and watching.  As ever, I stop in Portman Road to buy a programme (£3.50) from one of the ice cream booths, the vendor looks very young and is possibly very careless too as the screens on both her mobile phone and card reader terminal thing are cracked. “Did you drop them both?” I ask her, but don’t catch the reply; I’m beginning to worry about my hearing.

Approaching ‘the Arb’ however, I can hear the distinctive burble of pub conversation and the chink of glasses. Inside, ‘the Arb’ is heaving with people gathered around the bar, although most of them aren’t buying the drinks, but just waiting for them as if worried that theirs will be forgotten or slyly stolen.  Next time I buy three drinks or more at once, I’m going to ask for a tray and reduce congestion at the bar; I urge everyone to do the same.  But today it is academic as I am on my own; Mick still convalesces from the operation on his foot, whilst Gary has travelled by car with his brother.  After acquiring a pint of Mauldon’s Suffolk Pride (£3.78 with Camra discount) I retire to the beer garden where there are no unoccupied tables except for one which would seem to be designed for standing at, so that’s what I do as I flick through my programme.   Nearby, at a metal table a Mick Channon era Southampton shirt stretches across a beer belly and has me thinking about the first time I saw Ipswich play Southampton.   It was during the three-day week, on a Saturday evening in February 1974 and Ipswich won 7-0.  Southampton would go on to be relegated from what people now call the Premier League, along with Manchester United, and Norwich. The Seventies weren’t all bad.

Not getting a seat and having to queue at the bar felt like conceding early goals, but I’m back in the game with a second pint of Suffolk Pride, for which I don’t have to queue, and a seat at a Yogi-Bear style picnic table as the Johnny-Come Lately’s to Portman Road, who possibly weren’t alive in 1974, leave early for kick-off and a chance to be on the telly.  By ten past five I’m on my own as a Town fan in the pub garden, or in the pub itself for that matter, so feeling lonely I drain my glass and head for Portman Road too.

I arrive at turnstile 62 early and have to queue, but I’m seemingly in the company of people who are unusually proficient in the wielding of bar codes and after a succession of green lights I’m soon bidding good evening to Pat from Clacton, Fiona and the man from Stowmarket (Paul),  as I settle in a couple of rows behind ever-present Phil who never misses a game and his son Elwood. The teams parade onto the pitch and I feel the warmth of the pyrotechnics on my face, a mildly spectacular if not poetic expression of professional football’s double-standards.  Murphy the stadium announcer does his stuff and for a second game in succession reads out the Town players’ names as they appear on the scoreboard, and we all pretend to be in France as we bawl out their surnames together. By ‘all’ I mean ever-present Phil and me.  It’s taken him a while, (eighteen matches excluding the one he missed) but to mis-quote Rex Harrison (Henry Higgins) in the film My Fair Lady, like Eliza Doolittle “By George he’s got it!” I should really write to congratulate him.

At twenty-eight minutes to six the match begins very noisily.  It’s Southampton that get first go with the ball, aiming it roughly in the direction of the telephone exchange and London Road Baptist church whilst wearing an un-Southampton-like kit of what looks like red and pink halved shirts with black shorts, “Are they in red and pink?” says a text from my wife, who I am guessing is no longer watching blokes in lycra on bicycles.   In fact, the pink turns out to be an optical illusion created by very thin red and white stripes.  Town of course are in their signature blue and white.

The visiting supporters are in good voice, probably as loud as any away fans this season as they launch into “When the Saints go marching in”, although I still prefer Louis Armstrong’s version from 1938.  “E-I, E-I, E-I, O, Up the Football League we go” sing supporters of both teams being equally optimistic, but with eight minutes gone  Southampton are selfishly keeping the ball to themselves to the extent that I momentarily lose interest and count the number of seagulls on the girder that holds up the roof of the Sir Bobby Robson Stand; there are eight of them.  A minute later and the Southampton fans start to sing “Your support is fucking shit” but strangely their chant gets drowned out by the noise as Leif Davis sweeps the ball wide of the goal for the game’s first missed chance.

Four minutes later and the ball is briefly becalmed in midfield before Sam Morsy plays it wide to Leif Davis, who takes one touch before it hits the back of the Southampton goal net. From my seat, almost directly in line with Davis’s shot, I feel as though I must have momentarily blinked; one second the ball was at his feet, then it hit the net.  I guess the Southampton goalkeeper feels much the same way, but just a little less cheerfully so, although he had an even better view than I did; except for the hitting the net bit, that is.

I will admit the early goal was unexpected; I had been prepared to wait a while against one of the teams capable of packing out their goal mouth with parachutes stuffed full of cash.  I sit back to enjoy the spectacle and unfortunately so do the Town players as a low cross from in front of the Cobbold Stand is tapped home from close range and Southampton equalise with what can only be described as indecent haste.  There seems to be some debate as to the validity of the goal in the Sir Bobby Robson Stand, where the conclusion is quickly reached through the medium of song that “Linesman, linesman, you’re a cunt”.  The miracle of television however, will later confirm that it was a valid goal, although it won’t mention the status of the linesman. 

Things soon get worse as a Southampton player falls over and the referee Mr Michael Salisbury heaps the blame on Sam Morsy, whom he books.  “Sing when you’re winning” chant the Southampton fans, which is a bit odd given that Town were barely winning for long enough for anyone to clear their throats, let alone start singing.  They proceed to follow it up by letting Conor Chaplin know that like the linesman earlier,  they think his GP is actually a gynaecologist, and all because long ago he played for Pompey.

The first half is now half over as one bloke in pink passes to another, who runs half the length of the pitch and passes to another who strokes the ball beyond Vaclav Hladky and Town are losing. “Top o’ the league, you’re avin’ a laugh” sing the Southampton fans to the tune of Tom Hark before turning the knife with chants of “Football in a library, doo, doo, doo”.  We are no match for their untamed wit, but I gain some solace from a Southampton free-kick hopelessly launched into touch as the occupants of the Cobbold stand shield their eyes from the slowly setting sun.

Southampton are keeping the ball to themselves still, and they’re still winning, and a Conor Chaplin shot goes straight to the visiting goalkeeper before the clock turns six and it’s time for a drinks break as Keiffer Moore is attended to for what looks like a bad back.  Within five minutes Ali Al-Hamadi has replaced him.  Kayden Jackson gets to chase a ball into the penalty area, but stupidly opts to fall over and look around expectantly for a penalty, when if he’d carried on somebody might really have kicked him.  “We need to start waking up” says the bloke behind me as a low cross travels the full width of the Town goalmouth.

After seven minutes of added on time, a Southampton corner and fulsome roars of “Come On You Reds” . It’s half-time and, as I tell Dave the steward , we can but hope for a better second half.  I predict we will win 5-2 because that’s what we did in February of 1982, and when it’s not doing something different, history repeats itself.  I speak to Ray, his son Michael and his grandson Harrison and offer them Marks & Spencer mint choccy speckled eggs because it’s Easter.  Ray doesn’t seem as cheerful as usual and bemoans that Axel Tuanzebe is really a centre-half playing at full-back,  and although he can be a bit unreliable at times he’d rather see Harry Clarke.

Back in my seat, I share some speckled eggs with Fiona and Pat from Clacton and at twenty to seven the football resumes. “Shit referee, shit referee, shit referee” sing the Sir Bobby Standers to no particular tune that I know of, as Mr Salisbury picks up where he left off and doesn’t award Town a free-kick. Southampton win a corner.  “Come on You Reds” we hear. Southampton win a free-kick.  Vaclav Hladky makes a fine flying save.  Southampton win a corner. “Come On You Reds” again.  Not fifteen minutes of the half have gone and I look up at the scoreboard, it still reads 2-1 to Southampton, but it feels like we’re losing by more. Southampton win another corner.

The game is two-thirds over and it’s the traditional time for mass substitutions.  Kayden Jackson, Axel Tuanzebe and Massimo Luongo are replaced by Nathan Broadhead, Harry Clarke and Jack Taylor.  Murphy announces this evening’s attendance as 29,393 with 1,969 from the place my wife calls Scumton. “Here for the Scummers, You’re only here for the Scummers” chant the Scummers to the traditional Hampshire tune of Guantanamera, and some people applaud. I can’t work out if they’re applauding themselves, each other, Murphy, the singing or just life itself.

Six minutes later and it looks like Ali Al-Hamadi must score, but his shot strikes a goal post, although from where I’m sitting it looks like he’s shot horribly wide as the ball rebounds back at an angle.  “Blue and White Army, Blue and White Army, Blue and White Army, Blue and White Army” chant the Sir Bobby Robson Standers, and then possibly again, but I’m not counting.   The substitutions have made a difference and just to prove it Jack Taylor plays a first time pass to Nathan Broadhead who from just inside the Southampton penalty area turns and scores, shooting beyond goalkeeper Bazunu, who interestingly also used to  play for Pompey,  just like Conor Chaplin, who Fiona and I both decide must, for the sake of the Southampton fans, now score the winning goal.

Southampton are no longer dominating possession, and Town only have to win a throw-in for the home crowd to roar them on. “Come On Ipswich! Come On Ipswich!”.  The stands are moving with waving, punching arms and fists and wide-open, shouting mouths, and probably some spittle too.  Pat from Clacton tells Fiona and me she’s been ill during the week; I ask her if she brought the lurgi back from Norfolk where she was playing whist in Great Yarmouth the week before. She won £95.00, she tells us.

“Oh when the Town go marching in” bawl the far end of the ground gloatingly, as if only the supporters of the team in the ascendency are allowed to sing black spirituals.  Ali Al-Hamadi runs at goal and Conor Chaplin shoots wide with fifteen minutes left of normal time before Southampton substitute Che Adams, whose parents I like to think were, and hopefully still are, both Marxists, with Sam Edozie.  Five minutes later and Southampton make a double substitution bringing on the lanky and totally bald Will Smallbone, who sounds like a character from a novel by Charles Dickens (born in Pompey) and looks like the popular perception of what an alien looks like, which is a remarkable coincidence because the other Southampton substitute is called Rothwell, which is how people who lisp pronounce Roswell.

Five minutes of normal time remain and as ever Leif Davis runs down the left, but this time he  will be through on goal if defender James Bree doesn’t foul him and get sent off.  Bree makes the long walk of shame to the dressing room last as long as he can, doing his best not to look ashamed or remorseful and as Nathan Broadhead lines up to eventually shoot the ‘Bree-kick’ into the defensive wall,  I count fifteen seagulls on the roof of the Sir Bobby Robson Stand; squawks have spread .

After Conor Chaplin is substituted for Jeremy Sarmiento, who of course is on loan from Brighton (the Seagulls), in the final minute of normal time I put my notepad and pencil away in my coat pocket knowing that if Town score now I might throw them up in the air and never find them again.  Seven minutes of added time is more than enough for Town to score again and somehow I think they will, perhaps because it seems they always do, and it seems like everyone else feels the same.

The final minute of added on time inevitably arrives on time and equally inevitably Sam Morsy finds Leif Davis on the left. Davis plays the ball into Jeremy Sarmiento, who ‘skilfully’ meets it with his left foot as he stumbles forward, falls, and stabs it with his right into the corner of the goal as he gets up again. The roar from the crowd is the biggest I’ve heard at Portman Road since Jim Magilton slalomed through the Bolton defence to score in the play-off semi-final twenty-four years ago.  Men, women, children are hugging each other in scenes of reckless abandon, not the sort of thing that happens in puritan Suffolk at all.  Like in a dream there’s barely time for the game to re-start before it ends, and yet again Town have won.

One day I might wake up and not find myself in another dream, but I hope not.

Ipswich Town 6 Sheffield Wednesday 0

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Although I began watching football in 1971, it took until September 1984 for me to first see Sheffield Wednesday play Ipswich Town.  This was largely because, despite an illustrious past back in the days of Arthur Balfour and then Ramsay McDonald,  Sheffield Wednesday were until 1984 bobbing about in the second division and then even visiting the likes of Layer Road, Colchester rather than Portman Road.  Indeed, I had first seen Wednesday five years before when they played out a thrilling goalless draw at Layer Road in what was only my third ever visit to the then home of our pauper cousins from over the border in Essex. That first encounter with Ipswich ended in a draw also, but four goals were shared that late summer or early autumn day, I honestly don’t remember which it was. Since then, I have seen Town play Sheffield Wednesday a further twenty-four times and of those games Ipswich have won a paltry six, with Sheffield winning an indecent eleven, including a five-nil embarrassment at Hillsborough in April 1994 and a relegation confirming one-nil defeat in May of 1986.  So, with this record in mind I feel I have good reason to bear Sheffield Wednesday a degree of ill-will, and on the morning of our latest encounter I hope for retribution, vengeance and other things Jesus wouldn’t have approved of.

It’s been a beautiful, bright spring morning; I had awoken to sunlight streaming into the bedroom and birds chirruping from the branches of the tree outside my window, in spite of the world of pain beyond.  After a hearty breakfast and a morning of garden tidying and playing at being Andy Warhol with photos of Ray Crawford and Ted Phillips, I leave my wife watching people in lycra cycling round Italy, to catch the train to Ipswich.  The train arrives on time, but leaves late. I sit opposite an elderly Town fan who I recognise from previous journeys to the match.  He tells me how watching football has been “…a way of life” for him, and how he would travel on the train to watch Sudbury Town when he was at Earls Colne Grammar school.  He asks me if I remember certain players like he does, they all have names like Len and Reg, Syd and Larry.  He’s seen them all he tells me, but the best player he thinks he ever saw was Ipswich’s Billy Baxter.  I ask him how old he is; he’s eighty-seven, and every other Saturday his daughter buys him a match ticket and a train ticket and puts him on the train to Ipswich.  I hope I’m still doing this when I’m eighty-seven, I think to myself.

Approaching the next stop, I remember I had arranged to meet Gary on the train, but I’ve been so busy talking about football in the 1950’s I have forgotten to text him to tell him which carriage I’m in.  Fortuitously, my carriage pulls up against the platform just where a slightly perplexed looking Gary is standing.  I leave my seat and walk over to the door as it opens so Gary can see me.  Unfortunately, I have lost my seat by the man from the 1950’s, but I’ll look out for him next time. Arriving in Ipswich, Gary and I head for ‘the Arb’ pausing only so that I can buy an ice cream in Portman Road, but as usual I come away with just a programme (£3.50).   At the bottom of Lady Lane an odd-looking man on an electric scooter covered in stickers weaves his way past us with a mobile phone pressed up against his ear.  Gary and I look at one another and burst out laughing.  I tell him I often see strange things in this part of town, but then, Lady Lane was the site of a medieval Catholic shrine.

Once at ‘the Arb’ I buy Gary a pint of Lager 43 and myself a pint of Maldon’s Suffolk Pride (£8 something with Camra discount) before we repair to the beer garden where all the seats at tables are taken and we have to sit on a park bench next to the back gate.   We talk of people we worked with in the 1990’s,  how Gary’s season ticket is next to someone who is a close relative of a friend of my sister, and discover that Gary has forgotten that we have tickets to see Stewart Lee at Chelmsford Civic Theatre next Friday.  Gary buys another pint of Lager 43, and another pint of Suffolk Pride for me and has spotted a free table which we then occupy.   Soon we are the only people left in the beer garden and it’s not even twenty to three; belatedly we join the herd.

Having bid Gary farewell within earshot of Sir Alf Ramsey’s statue, it’s not long before I’m queuing at turnstile 62 and then shuffling past Pat from Clacton and Fiona to my seat, next but one to the man rom Stowmarket (Paul) and two rows behind ever-present Phil who never misses a game, and his son Elwood.  As usual, my arrival has pretty-much coincided with the appearance of the teams and I joke with the man from Stowmarket that this is because I have in fact just left the dressing room having given the team talk.  On the pitch one of today’s mascots is wearing a Town shirt and pink party dress, I hope the kit designers at Umbro are taking notes. Murphy the stadium announcer reads out the teams, and as if in a French football crowd ever-present Phil and I shout out the surnames.  As usual, the first few names appear on the scoreboard and Murphy is in time with them, but it doesn’t usually continue like that . The names keep appearing and Murphy keeps on reading and the names keep appearing and Murphy keeps on reading and I’m still waiting for the two to fall out of sync, but we’ve reached the substitutes and they haven’t.  Ever-present Phil turns around wide-eyed and incredulous, we can’t believe what we’ve witnessed, Murphy has only gone and done it!  He’s read out the team in sync with the names appearing on the scoreboard.  “Crikey” I think to myself “We must be going to win by seven or eight today”.

The game begins, Sheffield Wednesday getting first go with the ball and pointing it mostly in the general direction of the Co-op on Norwich Road, Castle Hill and Whitton Sports Centre.  Sheffield wear a smart but not eye-catching kit of white shirts and black shorts, like Germany or Port Vale.  As ever, Town are in their signature blue and white. “Hi-Ho, Sheffield Wednesday” sing the visiting fans to the tune of Jeff Beck’s ‘Hi-Ho Silver Lining’, although Wikipedia tells us that the song was first released by a band called The Attack a few days before Beck’s version in March 1967.  Weirdly, the Wednesday fans only sing those four words, as if they couldn’t think up any other lyrics, but liked the tune anyway.  The net effect is like a musical version of driving into a cul de sac, but there’s no harm in it and they soon move on to April of 1967 with a fuller rendition of Frankie Valli’s ‘You’re just to good to be true’ .  Their efforts deservedly earn Wednesday a corner after just four minutes, which is a full six minutes before Ipswich ‘s first corner and my first chance to bellow “Come On You Blues”, but to no avail .  “Not comfortable at the back” says the bloke behind me of Sheffield Wednesday.  “Don’t like pressure do they?” adds his sidekick.

Fourteen minutes pass. “Football in a library, do-do-do”.  So far, so ordinary, then Wes Burns crosses the ball from the right. The ball is played to Omari Hutchinson, he turns and in a perfect impersonation of Conor Chaplin accurately places a not unnecessarily hard shot inside a post and into the net. Town lead one-nil.  “Aye Aye Ippy Ippy Town, Singing Aye Aye Ippy Ippy Town” I sing, hoping to encourage a new craze of referring to Ipswich as “Ippy” because it sounds appropriately hip and happening.

Eighteen minutes gone and Town win another corner and I bawl again,  and then a minute later,  mysteriously six people in black anoraks arrive and sit down just over the gangway from us. “Men in black” says the bloke behind me. “Is there a funeral?” I ask Fiona.   Nobody knows, but with the half, half over Axel Tuanzebe earns another Town corner. “Come On You Blues” chant our tiny band of Ultras.    But it’s soon Vaclav Hladky who is being applauded as he has to make a diving save and Sheffield have a corner of their own before Town win another and as Sheffield threaten to breakaway, Omari Hutchinson is booked by the uncharacteristically tall referee Mr Leigh Doughty for nothing more than a playful shove.

There are ten minutes until half-time and disaster strikes as despite having won yet another corner for Town, Wes Burns is down on the pitch clutching his leg and has to go off; the only good thing being that he only had a short walk to the players’ tunnel, although I don’t suppose players generally think to themselves “I don’t mind getting injured as long as I don’t have to walk far back to the players’ tunnel”.

When the corner is eventually taken, Keiffer Moore heads the ball against the cross bar, it drops down, isn’t cleared and Cameron Burgess wellies it into the net from inside the six-yard box.  Town lead 2-0 and Cameron’s goal possesses the blunt, messy ugliness that has us reminiscing about the days of Mick McCarthy.  Kayden Jackson replaces Wes Burns and Portman Road is very nearly reverberating to the sound of chants of “Blue and White Army, Blue and White Army”.  For pretty much the first time in the game the Sheffield fans have fallen silent.  “Ipswich Town, Ipswich Town FC, The finest football team the world has ever seen” sing the Sir Bobby Robson Stand digging into their stash of Irish folk songs.

Another Town corner comes and goes before Wednesday’s number thirty-six, Ian Poveda runs worryingly at the Town defence.  “Don’t stand off ‘im Wolfie” calls the bloke behind me not expecting his advice to be taken. “As soon as he lets him get in the box he’s fucked” says his sidekick.  But happily disaster is averted, nothing unfortunate happens to Wolfie  and with three minutes of injury time announced Kayden Jackson sprints down the right, crosses low towards the goal and Nathan Broadhead subtly clips the ball into the goal from close range to give Town a 3-0 lead. It’s the best goal so far and makes half-time a time to kick back, relax and hope for another three goals in the second half, which is what I tell Dave the steward and Ray.

No sooner have I eaten a Nature Valley Oats and Honey Crunchy bar than the second half is upon us and Sheffield have substituted their star player, Barry Bannan, which is a shame because players called Barry are a rarity.  Omari Hutchinson quickly shoots over the cross-bar before there is a minute’s applause for another recently deceased Town fan, someone myself, Fiona, Pat from Clacton and ever-present Phil all remember from our days twenty-odd years ago of travelling to away matches with the Clacton branch of the supporters’ club.  By beautiful coincidence and synchronisation worthy of  stadium announcer Murphy,   on the stroke of the minute ending,  Town score a fourth goal, Omari ‘Mbappe’ Hutchinson despatching a decisive shot after an equally decisive run and pass from Nathan Broadhead.  The goal provokes a dash for the exits from an indecently large  number of Sheffield Wednesday supporters who have either just remembered they have urgent appointments elsewhere or who feel unable to support their team when the going gets this tough.

Happily, I have never seen Town surrender a four goal lead and so I am now confident of victory.  Massimo Luongo is as confident as me it seems and shoot from almost the half way line to earn yet another corner. “E-i, E-i, E-i-o, Up the Football League We Go! “ Sing the Sir Bobby Robson Stand triumphantly and a substituted Sheffield Wednesday player walks grimly, head down, along the touchline to the tunnel, in a long black hooded coat, looking a bit like he’s lost his scythe.

The pre-match blue skies have now gone to be replaced by a glorious grey expanse , like one massive dull cloud that surrounds the stadium making it feel like a shining, green, floodlit  island within a becalmed sea of gloom.  I can’t imagine how the Sheffield supporters are feeling.  Keiffer Moore shoots over and Town win another corner as the first hour of the game recedes into recent history and Pat tells us that she’s off to Great Yarmouth next week to play whist.  All of a sudden, Sheffield unexpectedly break away and Ike Ugbo is bearing down on goal, but as he shoots Cameron Burgess whisks the ball away for a corner “He came from nowhere” says the bloke beside me,  exaggerating very little.

“ We love you Wednesday, we do” sing the Wednesdayites admirably, before reprising “You’re just too good to be true” and then going on the offensive with the oddly familiar chant of “ Your support is fucking shit”, which despite occasional outbursts of passion is a mostly a fair point, well made.   If Ipswich has a distinct ‘fan culture’ it is one of stoic reticence. “Four-nil and you still don’t sing” chant the Wednesdayites providing the evidence to back up their earlier assertions.

But oddly, the game has gone a bit flat. “Come On Town” calls the bloke behind me echoing my inner dialogue and right on cue Kieran Mckenna, like someone brandishing a carton of Shake n’Vac,  makes the substitutions needed to put the  freshness  back.  Jeremy Sarmiento and Ali Al-Hamadi replace Nathan Broadhead and Keiffer Moore, and Murphy tells us that collectively we are 29,325 with 1,945 from Sheffield.  “Thank you for your continued support” he adds, like a man fully capable of reading out the team names as they appear on the scoreboard.

Sixteen minutes of the future still to look forward to and Al-Hamadi runs and shoots, but embarrassingly wide. To make Ali feel better about himself, Kayden Jackson then fluffs a volley with equal aplomb.  “Football in a library, do-do-do” chant the Wednesdayites again, reliving one of their early triumphs of the first half before revisiting the well-worn path of our support being faecal and the familiar and satisfying rhyming couplet of “No noise from the Tractor Boys”.  The Wednesday fans are sounding increasingly angry at the Town fans for being so quiet, as if it is almost an affront to them, which it probably is. I can imagine them sitting in the Cobbold Stand saying “These Ipswich fans, 4-0 up, they don’t know they’re born. Back in my day we’d be thirty-four nil down at half time, with ten players sent off, and we’d have all had our heads cut off by over zealous stewards and we’d still be singing.”

But now the final ten minutes are here, the time when in popular fan culture Ipswich are lucky because they score goals and win the game.  Today of course we’re all ready 4-0 up so it’s just for old times sake that Omari Hutchinson runs, Jeremy Sarmento shoots and Ali Al-Hamadi taps in the rebound after the Wednesday goal keeper only parries Sarmiento’s shot.  It’s 5-0 to Ipswich and more Wednesday fans remember urgent appointments.  “We want six” I chant.   “Stand up if you’re five-nil up” chant lots of Town fans and we have to stand up or else we can’t see anything. Why can’t we just do something like “Go Weeee” if we’re five-nil up, why is it always the standing up?  

Six minutes left and we haven’t scored enough goals in the final ten minutes yet, so the remainder of the midfield is replaced.  “You’re fucking shit, you’re fucking shit, you’re fucking shit” chant the Sir Bobby Robson Stand uncharitably to the visitors, but no doubt finally confident that with less than five minutes to go Town shouldn’t lose now, before optimistically asking “ Can we play you every week?”.  The final minute arrives and we still need another goal to fully avenge that 5-0 defeat in 1994. Omari Hutchinson runs, he shoots or may be crosses the ball and Al-Hamadi taps in again, and Town will win six nil for the third time in twelve months. “We want seven” I chant greedily, but three minutes of added on time evaporates and I have to make do with six.

With the final whistle, Pat and Fiona are quickly away into the early evening. I linger to applaud the team and Kieran McKenna and reflect on a day of perfect timings.  I shall be cracking open the Cremant tonight.

Ipswich Town 3 Bristol City 2

/ martinpbrooks / Leave a comment

One of my favourite books in my embarrassingly large library of books about football is the Observer’s Book of Association Football, a handy pocket-sized publication which is invaluable whenever I want to pretend it is still the early 1970’s.   The page on Bristol City begins with the sentence “Nothing they have achieved since can compare with Bristol City’s performances before the First World War”.   Unfortunately, for the club from what before 1st April 1974 was the biggest city in Gloucestershire, despite the Observer’s book of Association Football now being over fifty years old this sentence still holds true, and Bristol City have an even emptier trophy cabinet than Norwich City.  Tonight, Ipswich Town play Bristol City at Portman Road, and after five consecutive victories for the Town I have been increasingly looking forward to the match, safe in the knowledge that all Bristol City’s best players must by now be at least one hundred and thirty years old.  Oddly enough, had he not died in 1971, possibly at about the time when I was first enjoying the Observer’s book of Association Football, today would have been the eve of my grandfather’s  one-hundred and thirty-fourth birthday, although as far as I am aware he was only ever associated with Shotley Swifts.

A week-night football match as ever makes the working day a little more bearable, and despite today otherwise being depressingly dreary and wet, my lunchtime was unexpectedly and inexplicably brightened by the discovery of the Bristol City team bus in the miserable, puddle-bound temporary car park on West End Road. I do like a team bus.  I escape work at a bit after half past four and head for the club shop to buy a programme (£3.50), noticing on my way a posse of   what look like nightclub bouncers at the back of the Sir Bobby Robson stand who wear coats bearing  the name Achilles Security.  It’s an odd choice of name for a security firm I think to myself, and one which doesn’t inspire confidence, suggesting as it does that despite being mostly strong, ultimately they also have a fatal weakness.  

Worrying about how much Ipswich’s purveyors of security services know about classical mythology I leave beautiful down-town Ipswich in order to spend a bit more than an hour drinking breakfast tea and discussing current affairs with Mick, who is sadly unable to get to the match tonight because he is convalescing after an operation on his right foot, although not on his heel.  Mick hopes to be fit enough to re-enter the fray of spectating from the West Stand in early April.  From the cheery parlour of Mick’s Edwardian, suburban home I proceed to ‘the Arb’ to practice the all-important pre-match ritual of drinking, albeit on my own, sad and friendless as I now am.  Shockingly, there is no Mauldon’s Suffolk Pride on the beer menu tonight, so it is a pint of Lacon’s Fireside (£3.96 with Camra discount) that I clutch in my cold right hand as I head for the beer garden, where I sit alone and read my programme whilst waiting for a dish of “Very French” thick-cut chips (£8.00), which come doused with bacon, brie and onion marmalade as if I and they were in Le Chambon-Feugerolles or Fontevrault-l’Abbaye.  Having eaten my chips and sunk the Fireside, I again make for the bar for a pint of Moongazer Harewood porter (£3.96 with  Camra discount). Returning to the beer garden I discover that the table where I had been sitting has been taken over by two women and three men who engage in witty conversation about nothing in particular and what they’ve watched on the telly.  None of them seem to have watched S4C’s Sgorio, so I lose interest and return to my programme and the haven of my private thoughts.

I leave for Portman Road at about twenty to eight , politely returning my glass to the bar as I depart. It’s a cool and damp evening and at the bottom of Lady Lane a young woman stands on a tree stump like an animated statue, gazing  out across the adjacent car park looking for someone who she is speaking to on her mobile phone.  Hoping this is a new art installation, I break my stride for a second,  but then walk on,  realising I am more drawn by the lights of Portman Road than the promise of the Avant-garde.  Portman Road is busy with queues for the turnstiles.  Two policemen gaze down at their mobile phones, probably watching the girl on the tree stump on tik-tok when they should be watching for football hooligans and people needing to know the time. I join the queue at turnstile 62; next to me in the queue for turnstile 61 is a man I know called Kevin, who asks “Why turnstile 62?”, and then tells me he uses turnstile 61 because it was the year in which he was born. 

The queue at turnstile 62 moves quickly, although not as quickly as that at turnstile 61,  but before I know it I’ve drained my bladder , waved to a woman I know but whose name I can’t remember and am hearing Pat from Clacton say “Here he is” as I shuffle to my seat next to Fiona, next but one to the man from Stowmarket (Paul), and two rows behind ever-present Phil who never misses a game.  With the game on Sky TV tonight we are treated to erupting flames and momentarily warmed faces as the teams and their acolytes stream onto the pitch.  I half expect to detect the smell of singed hair and melted polyester but fortunately never do.  Murphy the stadium announcer reads out the teams and as ever almost gets half way through the team before he gets out of sync with the names appearing on the scoreboard. I shout the surnames out as they appear on the screen nevertheless, pretending to be French. If there was a lycee or Conservatoire for stadium announcers Murphy would be in the remedial class.

At last the game begins, Town having first go with the ball and mostly directing it towards the goal just in front of me and my fellow fanatical ultras in our cheap, mass produced blue and white knitwear.  Town are of course in blue shirts and white shorts, whilst Bristol City are also wearing their traditional signature kit of red shirts and white shorts, although their shirts are adorned with white stripes, which are too thick to be pinstripes and too thin to be real stripes.  With their goalkeeper in all black with multi-coloured day-glo squiggles, there is vague 1990’s vibe to their couture.

The game seems slow to start and I miss nothing when Fiona hands me a birthday card to sign for Adam in the row in front, who turned eighteen earlier in the week.  “Many Happy Returns to Portman Road” I write, confusingly.   Town win an early free-kick, but it is poor and easily forgotten. Nine minutes elapse and Bristol look like they have the games first corner, provoking a single chant of “Come On You Reds” from the Bristolians up in the Cobbold Stand , but it’s not a corner and they’ve wasted their breath on a mere throw- in.  But Portman Road is cacophonous as Blue Action in the Cobbold Stand and two sections of the Sir bobby Robson Stand all seem to be singing different songs.  But all the same, it sounds better than the usual “When the Town go Marching In” dirge.

Seventeen minutes have gone forever, and all Town have done so far is have a hopeless free-kick, which I haven’t forgotten after all.  From the stands, the songs sound sort of slurred as if everyone’s been in the pub all afternoon, perhaps they have.  Five minutes later, Towns first shot on goal sees Sam Morsy put Keiffer Moore through, but the ball dribbles weakly to the goalkeeper.  “Carrow Road is falling down” sing the Sir Bobby Robson Stand,  which in terms of wit and cutting humour is on a par with “Jingle Bells, Delia smells, The canary laid an egg”, which I actually prefer.

It’s the twenty-eighth minute and Bristol City win a corner, hastily pursued by another, and the Bristolians chant “Come On You Reds” just once, as if it’s rationed.  “We’ve got super Keiran Mckenna, He knows exactly what we need” sing both ends of the Sir Bobby Robson Stand, but not at the same time so it sounds like they’re singing rounds, which in fact would be really good if they could pull it off.  Drizzle is falling,  appearing through the beams of the floodlights like  a fine cascade over the roof of the stand.  Occasionally I feel a drop on my face and hands.  “You’re quiet tonight” says Pat from Clacton, and she’s right. “There’s not much to make a noise about” I tell her to my shame, believing that that’s exactly when crowds should make most noise.  On cue, Town win a corner and I’m able to bellow “Come On You Blues” repeatedly from the time Leif Davis begins to walk to the corner flag until his kick falls disappointingly short of the near post and is easily cleared.

There are eight minutes left of the first half. “What a save!”  exclaims the bloke beside me, and a second later so does Adam in the row in front of me, meanwhile Vaclav Hladky has just caught a diving header.  Just four minutes until half-time now and there is a prostrate Bristol player thumping his hand on the lush Portman Road turf, using what has become international sign language for “Pay me some attention, I’m hurt, but I’m only putting it on really”.  I tell Fiona how last night I saw a David Attenborough programme about animals and sound, and how Kangaroo Rats will thump their feet on the ground to ward off snakes.  Fiona hopes there aren’t any snakes on the Portman Road pitch. 

The game resumes and from the far end of the ground comes an Oasis song which I can’t recall the title of, and then a chorus of “Lala, lala, lala, lalalala, la, Keiffer Keiffer Moore, Keiffer Moore, Keiffer Keiffer Moore” to the tune of “Baby give it up”, a song in which in the original lyrics the singer seems to be pestering a pretty girl for sex.  It was a UK number one for KC and the Sunshine Band in 1983.  Just when it seems the half will end, Murphy announces that there will be at least another four minutes, close to the end of which Bristol win another corner after Town carelessly give the ball away and once more there is a solitary chant of “Come on your Reds” from up in the Cobbold Stand .

The break in play is a relief, after one of the less enjoyable halves of the last two seasons.  Ray and I analyse the reasons for this and decide upon Bristol’s constant harassment of Town players and a weak referee, who doesn’t know a foul when he sees one.  We’re not unduly bothered though as Ipswich pretty much always seem to win in the end, whatever happens.  As we chat, two boxers ponce about on the pitch and one of them reveals that he is wearing a Norwich City shirt, which is what can happen if you get punched in the head a lot.  Quite a few people are hurling vitriolic abuse at the poor man, seemingly having missed the point that they’re part  a pantomime for grown-ups.

Despite having welcomed half-time,  I’m now pleased to have the football back, although things don’t improve much, with repetitive chants of “Red Army, Red Army” from the Stalinist Bristolians and I decide that Mr Webb is  spoiling the game by allowing their teams gulag-style rough house  tactics.  Then, with nine minutes of the half gone things get even worse and Bristol score, as their number eleven Anis Menmeti is allowed to run at the goal until he’s close enough to easily shoot past an indecently exposed Vaclav Hladky.  Worse almost follows five minutes later as Bristol’s  Sam Bell strikes the Town cross bar and some other bloke in a red shirt misses an easy looking header as he follows up.   Town’s response is quick and decisive with the biggest mass substitution ever seen at Portman Road as Jack Taylor, Wes Burns, Ali Al-Hamadi and  Jeremy Sarmiento usurp Massimo Luongo, Omari Hutchinson, Keiffer Moore, Keiffer Moore, Keiffer Keiffer Keiffer Moore and Marcus Harness.  Bristol make a substitution too but nobody notices before Leif Davis shoots and Ali Al-Hamidi flicks the ball over the goal, line possibly with a deft touch, or possibly because he simply couldn’t get out of the way quickly enough. Town are level.

Bristol resort to even more blatant fouling as Wes Burns is steamrollered, although Mr Webb refuses to reach for his yellow card and I am reminded of the previous two season’s games against Cheltenham Town, who like Bristol City are from Gloucestershire, wear red and white and are also known as the Robins; Bristol City it seems are just a slightly upmarket version.  “Hark now hear, the Ipswich sing, the Norwich ran away” chant the Sir Bobby Robson Stand summoning the combined powers of Harry Belafonte and Boney M, which earns Town a corner before Murphy announces tonights’ attendance of 28,001 including a fairly meagre 410 Bristolians.

Things have taken a turn for the better with the the arrival of Wes Burns and Ali Al Hamadi, who are running at the Bristol defence. But just as I start thinking all is right with the world again Anis Menmeti hits the Town cross bar and only moments after Harry Clarke replaces Axel Tuanzebe, Leif Davis misjudges a punt forward allowing it to bounce up for Eric Sykes to stretch and hook over to Russ Conway who appears from the subs bench to loop a header into the top corner of the Town goal.  Only thirteen minutes of normal time to go and we’re losing again. 

With ten minutes of normal time left however, and following a foul on Al-Hamadi, which must have been a really bad one because Mr Webb books the perpetrator, Leif Davis crosses the free-kick to the near post and Conor Chaplin heads a second equaliser.  The roar from the crowd is the sort to lift roofs and worry any passing Tyrannosaurus.    Pat from Clacton begins to look forward again to her pre-bedtime snack of Marks & Spencer cheesey Combos and then Town have a penalty as Wes Burns is fouled by someone called Pring.  After much debate, standing about on the penalty spot, and a booking for the Bristol goalkeeper, Ali Al-Hamadi steps up to take a very poor penalty, which the miscreant goalkeeper undeservedly saves.  There’s no time to be disappointed or down-hearted however, and, because we are watching Ipswich Town, it isn’t really a surprise when three minutes later the ball goes forward, is nodded on and Leif Davis runs onto it,  dodges a burly Bristolian and shoots past the Bristol goalkeeper; there’s another Bristolian on the goal line to get the final touch, although he needn’t have bothered, it was going in anyway. At last, what we had  all expected, Ipswich are winning and I’ve not known celebrations like it at Portman Road since the play-off semi-final against Bolton Wanderers twenty-four years ago.

Added on time sees Town win two more corners, narrowly lose a game of bagatelle in the Bristol penalty area, have Jack Taylor hit a post with a shot, and have shots from Sarmiento, Chaplin, Burns and Al-Hamadi all blocked or saved as Town pack a game’s worth of attacking intent into just eight minutes.

 The final whistle brings relief and glory and a realisation that this has been one of the most extraordinary games I’ve ever seen.  Bristol City might have run Town close for eighty-four minutes tonight, but happily there’s still no reason for anyone to re-write their page in the Observers book of Association Football just yet.

Ipswich Town 2 West Bromwich Albion 2

/ martinpbrooks / Leave a comment

Waking up on a Saturday morning is never quite as good as I think it should be. All through the week I’m usually awake shortly before my alarm clock goes off and I lie there in my warm bed, longing for the weekend, drifting in and out of cosy consciousness, wanting to go back to sleep but knowing that in a few minutes the alarm will sound, and I will have to get up and get ready for work.   But on Saturdays, despite the fact that I can go back to sleep, I seldom do, and the lovely lazy feeling of luxuriating in a warm bed somehow doesn’t materialise. It’s as if existence just wants me to be dissatisfied.

Today is Saturday, and having risen from my bed, showered, prepared and eaten a hearty breakfast of bacon and eggs and toast and honey with both tea and coffee to help it down, and then kissed my wife goodbye, I am off to face the world of trains, public houses and football.  I hurriedly leave the house to escape the sound of The Stone Temple Pilots who my wife has invited to play very loudly because she knows I won’t be there to complain; not that I would, I’d just stick my fingers in my ears and pull faces or go and play outside.  Outside, it’s a beautiful, clear, bright Saturday morning beneath blue skies dappled with altocumulus.  At the railways station I look over the wall at the back of the platform to see three Christmas tree baubles and I count five ladybirds on surrounding plants.  I didn’t know ladybirds celebrated Christmas, and in February too.  Once on the train I am vexed by one bloke in a group of four ‘lads’, who cannot speak without shouting as they talk of Ibiza, women and Fantasy Football.  I peer out of the train window at the wet fields; after a couple of days of rain everything is sodden and today courtesy of Sky TV it’s another sodden 12:30 kick-off; it will be gone three-thirty by the time I get home, virtually a whole day gone, and at my age I don’t know how many I’ve got left.

Arriving in Ipswich, I head for ‘the Arb’ via Portman Road, where I stop at a kiosk to buy an ice cream but ask for a programme instead (£3.50). The girl who effects my debit card transaction is the youngest looking person I have ever seen working in retail, she looks about twelve.  I thank her sincerely and she thanks me in return but doesn’t wish me ‘bon match’ as a French programme seller would, if they had them.  At ‘the Arb’ I buy a pint of Mauldon’s Suffolk Pride (£3.60 with Camra discount) and retire to the garden to await Mick.  I sit in the shelter that backs onto High Street , but plagued by more people who can’t talk quietly I move to sit in the open where piercing voices won’t echo off the roof and walls.  It’s not long before Mick appears from the back gate and once he has acquired his own pint of Suffolk Pride we talk of honey, Europe’s most obese nations (Greece and Croatia) , kebabs and takeaway food, e-numbers, water filters, bowel movements,  blood tests and prostates, driving to France, Spain , Italy and Belgium, and Mick becoming a grandfather again next week and having an operation on his foot.  At some stage I also buy another pint of Suffolk Pride and a Jamieson’s, ‘Stout’ Whisky for Mick (£8.56 with Camra discount).

It must be nearly 12:15 by the time we leave for Portman Road, and I consider it a badge of honour that we are the last to leave.  We go our separate ways near the statue of Sir Alf Ramsey as Mick makes for the West Stand and I head to what will to some always be Churchman’s; I pause on the way to help a short woman of Asian origin who is trying to take down the portable gazebo from which East Anglian Daily Times ‘goody bags’ were being sold.  There are no queues at the turnstiles, but disappointingly I am directed away from turnstile 62 by a steward because it doesn’t seem to be working properly; I use turnstile 61 instead, which is almost as good, but not quite.  After syphoning off some excess Suffolk Pride, I emerge onto the stand where Pat from Clacton, Fiona, ever-present Phil who never misses a game, his son Elwood and the man from Stowmarket (Paul) are already in position as the team walk on and flames erupt around the edge of the pitch, warming our faces and any other bare patches of flesh we may have on show.  Meanwhile, Murphy the stadium announcer makes his usual appalling hash of reading out the names of the Town team, failing hopelessly as ever to synchronise with the names appearing on the score board.  By the latter half of the team, I just give up and simply shout the names out as they appear, regardless of what Murphy is reading out.

Today’s opponents are West Browich Albion and it is they who get first go with the ball as they attempt to put it in the goal net at the Castle Hill and Akenham end of the ground.  Whilst Town are in their signature blue and white, West Brom are kitted out in an all-peppermint green number, which seems ill-advised, although conceivably it has been devised to simply perplex the opposition who will be too busy mouthing “WTF” to one another to properly defend set-pieces.

The Albion supporters are in good voice and immediately break into a song about Albion which sounds suspiciously like one that Town fans sing about ITFC.  Not sixty seconds have elapsed and West Brom’s number 31 has the game’s first shot at goal, albeit way off target. West Brom then win the game’s first corner and it takes repetition of the mantra “Blue and White Army” at least three times to get the ball back off them.  “Shall we sing, shall we sing, shall we sing a song for you?” enquire the West Brom fans in generous mood and as fictional supporters might have if there had ever been a Hollywood musical about football.  I notice that West Brom’s number four is called Cedric Kipre and hope his surname is pronounced ‘Kipper’, but I don’t suppose it is given that he’s from Cote d’Ivoire. 

Suddenly, it looks like Town might be on the attack, but Wes Burns is offside, and we get to see how unfortunate he looks with his new haircut.  He needs to grow it back as soon as possible and I hope the barber asked if he wanted anything on it to help it grow, and that he accepted.  There used to be a barber and avid town fan on Felixstowe Road (John) who would always ask that, it was one of the reasons I used to go there.  “We want the action down this end” complains Pat from Clacton as I see that the West Brom goal-keeper is called Palmer, which depending on how good he is might almost be a case of nominative determinism.

It’s only the fifteenth minute, but I seem to have been here longer. Seagulls are hovering above the Cobbold stand perhaps looking for burgers and other mechanically reclaimed meat products hurriedly discarded in Portman Road before kick-off.  West Brom win another corner “Come On You Baggies” chant their fans.  The corner takes an age to be taken and results in a shot over the Town bar.  Two minutes later Luke Woolfenden looks to be brushed off the ball a bit too easily and West Brom’s number thirty-one Tom Fellows runs on to score rather too easily.  The only good thing is that I am momentarily reminded of Graham Fellows and his alter ego “Jilted John” , who along with his album “True Love Stories” was another of many highlights of 1978.

The West Brom team have an extended celebratory drinks party on the touch line before returning to resume the match, whilst the referee Mr David Coote, who sadly isn’t bald (unless he’s wearing a toupe) , looks on pathetically.  Two minutes later and Town have a corner of our own and I bellow “Come On You Blues” as loudly as possible to make up for the thousands who remain silent, lost in quiet contemplation. The corner is far too easily cleared and frankly wasn’t worth my effort.  The Baggies fans continue to sing and the Town fans don’t, although someone is banging a drum, albeit mournfully.

I don’t realise it at the time, but the twenty-fourth minute is the peak of the first half for Town as Nathan Broadhead glides into the penalty area and pulls back a low cross which Conor Chaplin proceeds to boot high above the cross bar with ‘the goal at his mercy’.  I shake my fist at the sky.  The West Brom fans couldn’t laugh more if they’d been watching Charlie Chaplin. “Bus stop in Norwich, You’re just a bus stop in Norwich” they sing. “Better than being a public convenience in Smethwick” I think to myself in a Midlands accent.   A half an hour has receded into history and Sam Morsy is booked for bumping into Fellows twice in a few seconds, “David Coote’s a Moron” I sing to myself in the style of Jilted John.  Four minutes later Sam Morsy has a shot on goal, but it’s too weak for Palmer to even have to palm away.  “There’s more of them on the pitch than us” complains Pat unhappily.  I tell her it’s an illusion created by their peppermint shirts.

There are less than ten minutes to go until half time and it seems like West Brom are going to try and spend the whole nine minutes taking a throw-in.  We wait and wait, and Mr Coote starts waving his arms about as if relaying what the odds are on a thirty-sixth minute throw in, before circling his hands about one another like a John Travolta hand jive in Saturday Night Fever.  Town win another corner and I bellow “Come On You Blues” again, not discouraged by the fate of the last corner kick.  Two minutes later, Wes Burns shoots and a deflection produces another corner, and I’ m bellowing once more, but to no effect.  “We all hate Walsall” chant the Baggies fans, I think. “Shit referee, shit referee, shit referee” sing the home fans and the Baggies claim that they had forgotten the home fans were here, although I bet they can remember who won the FA Cup in 1968.

It’s the 43rd minute already and Palmer palms a fine Harry Clarke shot over the cross bar and for the final time this half I get to bellow to no effect. Two minutes of added-on time are added-on and as the first half approaches its finishing line Darnell Furlong dillies and dallies with a throw-in and encouraged by the home crowd, Mr Coote shows him the yellow card.  Time remains however for a final through ball into the penalty area which Conor Chaplin can’t quite reach, “because his legs are too short” suggests Fiona, and we agrees that some sort of clown shoe could make the necessary difference.

With the half-time whistle Mr Coote is booed from the pitch, but it seems likely he’s used to it.  I head down to the front of the stand to speak with Ray, his son Michael and grandson Harrison, stopping briefly to speak with Dave the steward with whom I used to work back in the 1980’s and early 1990’s, in the days of Frank Yallop, Graham Harbey and Ulrich Wilson.  Ray shocks me by saying that a profile picture I posted on social media made him think of how he imagines a young Boris Johnson might have looked. I may not speak to Ray at the next home game.   

No sooner has the match re-started than Ipswich equalise, George Edmundson nodding the ball on for the excellent Nathan Broadhead to skilfully and acrobatically prod inside the far post on the half-volley.  Nathan Broadhead is such a beautiful player to watch,  with great balance and poise; he just needs longer hair.  Town will surely now go on to win provided Mr Coote allows it, although very soon he is suggesting he might not as he books Harry Clarke for a supposed tackle from behind, but then he does award a free-kick after a foul on Keiffer Moore, which invites ironic and prolonged jeers from the home crowd.

Town are now the better side and dominate possession.  Another corner is won by Town, and Sam Morsy shoots over the cross bar before West Brom decide something better change, and they make two substitutions.  In an isolated West Brom attack,  a free-kick is handled into the Town goal by an Austrian whose name looks like he could be Scotsman, Andi Weimann (Andy Wee-Man), and he is rightly booked, although why keeping the ball out of the net by handling it is a sending off offence, but putting it into the net by handling it isn’t is a mystery; it’s all cheating of the worst kind that could directly affect the result.

A half an hour of normal time remains and at the Sir Bobby Robson Stand end of the ground “When the Town going marching in“ is sung as if someone has died, although a minute or two later a more cheery version is heard.  Meanwhile, West Bromwich have a man down as the Town fans sing “Sky TV is fucking shit”, a point of view with which I concur incidentally, although much more politely. The club golf buggy appears and as the game is put on hold it trundles around the pitch to collect the unfortunate Darryl Dikes and transport him back to the player’s tunnel.  He sits on the back in a pose that resembles Auguste Rodin’s “The Thinker”.  The buggy moves slowly. “Put your foot down” I shout, eager for the match to resume; the driver takes no notice.  The bloke behind me suggests this has been the highlight of the whole match.

In due course the match resumes as before with Town actively seeking a goal and West Brom hoping for one. Marcus Harness and Omari Hutchison replaces Conor Chaplin and Wes Burns. Murphy announces today’s attendance as 29,016 including 1,670 Baggies fans. The scoreboard operator, seemingly unable to resist the joy of mental arithmetic, shows the attendance as 30,686.  “They’re there for the taking “ says the bloke beside me.  Moments later West Brom’s number 19, John Swift shoots from outside the Town penalty area and scores, the ball somehow evading the outstretched hands of Vaclav Hladky, who looked all set to save it. “Wasn’t expecting that” says the bloke behind me, and indeed there had been no indication whatsoever that the next goal would not be in the West Brom net.  It feels a lot like fate has been conspiring against us lately.

As Town get back to staying in the West Brom half, the visiting fans come over all religious and start singing Psalm 23, and indeed divine intervention would seem to be the only plausible explanation for their team once again being ahead.   Town win consecutive corners but a lot of time is taken up with West Brom goalkeeper Palmer catching Town crosses.  Seven minutes of normal time remain and Massimo Luongo and Nathan Broadhead make way for Ali Al Hamadi and Jeremy Sarmiento.  Seven minutes later and there will be at least another eight minutes to play.  Two minutes in and Town win another corner before a game of bagatelle ensues with crosses and shot being blocked before the ball drops to Omari Hutchison. At first it seems he hasn’t controlled it, but then as it drops for a second time he strikes it through a crowded penalty area, past Palmer’s palm and on into the goal and Town have equalised again, and deservedly so.

The relief is palpable, isn’t it always? But Town should have won this game and continue to want to do so.  A shot, a save, another corner; almost another minute over the eight, but there is no third goal, and the game ends as a draw.    At least we haven’t lost.   As I leave for the railway station, I think how, much like waking up on Saturday mornings, football often isn’t as good as it should be, but then again I think I might be wrong.

Ipswich Town 0 Queens Park Rangers 0

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Matches between Ipswich Town and Queens Park Rangers don’t register very high, if at all, on my imaginary list of the memorable events in my life.  I don’t recall anything about the first time I witnessed the fixture back in April 1974 (a one-all draw), nor do I remember the most recent fixture at Portman Road in October 2018, when QPR won 2-0.  The only thing I recall of any of the near thirty games I’ve seen between the two teams at Portman Road is some mild crowd trouble back in the 1980’s, when some youths with their jumpers fashionably tucked into their stonewashed jeans spilled onto the pitch to goad and then run away from each other before anyone could say anything derogatory about their ‘girly’ haircuts.

Tonight is a rare Friday evening fixture at Portman Road, and happily, after the debacle of Boxing Day, public transport exists again and I can catch the busy, stiflingly hot train to Ipswich.  A bloke sits next to me who talks to his friend across the gangway; he has a deep voice and an estuary accent, but he doesn’t say much, mostly “yeah”, which he elongates rather weirdly, a bit like a less well-educated Jeremy Paxman. Their conversation is about football.  I would switch off and look out of the window, but it’s dark outside.

Arriving in Ipswich, it’s a Raymond Chandler evening and the pavements are all wet.  It must have rained recently and large drops of water cling to car bonnets and windows, held there by pre-match surface tension.  On Portman Road the ground is not yet open but the club shop is, I venture in to buy a programme for the Norwich match (£3.50) , which I didn’t do at the time, and one for tonight’s game too (also £3.50); I am told I have £1.75 on my club card, so I ask that it is deducted from the total.  As I thank the sales assistant, pick up the programmes and turn to leave he entreats me to enjoy the match, which is nice. As I head off towards ‘the Arb’ I feel my heels rubbing painfully against the backs of my shoes, which is very odd as the shoes aren’t new and it’s never happened before. 

Arriving at the Arb, I find Mick already here and waiting to be served at the bar. He buys a pint of Mauldon’s Suffolk Pride for himself and very kindly, a pint of Nethergate Blackadder for me.  I had originally asked for a pint of Suffolk Pride too, but changed my mind as I do enjoy dark beer in the winter. The bar is warm and quite noisy, and we retire to the cool and calm of the beer garden where fortunately there is a single free table in the shelter where we sit and talk of houses of multiple occupation, rogue landlords, television comedy, my impending trip to see Town play Wimbledon in the FA Cup, the dip in the number of funerals over the Christmas period and what we did on Christmas Day.  I buy a further pint of Mauldon’s Suffolk Pride for me and a Jameson Whisky for Mick and we talk some more, this time about tonight’s match and Town’s weakened team.  By the time we depart for Portman Road the bar has emptied out, leaving only those people not going to the match.

Mick and I bid one another farewell at the junction of Portman Road and Sir Alf Ramsey Way, until the next match, the awkward five-thirty kick off on January 13th;  I might have to have dinner at about 9 pm that day. There are queues at the turnstiles in Portman Road, but no queue at all at my beloved turnstile 62, where I wave my season ticket about in the usual confused manner and walk right in.  After syphoning off excess Suffolk Pride, I find myself at the portal to another world, at the foot of the steps up into the stand.  Of course, Pat from Clacton, Fiona, the man from Stowmarket (Paul), ever-present Phil who never misses a game and his son Elwood are all here already; if I didn’t see them leave at the end of each match I might think they were here all the time.  Apart from the blisters on my heels, things have been going well but then I hear stadium announcer Murphy is back after not being here for the Boxing Day game; like Wizzard I wish it could be Christmas everyday.  Murphy makes his usual botched job of reading out the team, failing hopelessly to synchronise with the images of the players on the electronic scoreboard as he races to his climax like an inept lover; and I give up being French for another day.

The game begins and QPR get first go with the ball which they are mainly trying to send in the direction of the goal in front of the Sir Bobby Robson Stand.  Town are as ever in blue shirts ad white shorts whilst the QPR team are all dressed as Dennis the Menace.  I look for Gnasher in the dugout but can’t spot him.  The QPR fans are quick to tell us that somewhere, presumably the bit of London where they are from, is wonderful.  According to their song it is “…full of tits, fanny and Rangers”, although I haven’t been able to verify this on visitlondon.com website. 

After just three minutes QPR win a corner. “Come on you R’s” chant their supporters quite a bit more enthusiastically than most Town fans ever sing “Come on you Blues”.  Fortunately, it makes no difference however, and  three minutes later a peachy through ball releases Freddie Ladapo into the QPR penalty box. But in the time it takes for Freddie to think “ooh, this is good, just the goalkeeper to beat, now where shall I aim the ball” a defender blocks his view and he has to lay it back for Marcus Harness to shoot straight at goalkeeper Asmir Begovic, who I seem to remember once played a few decent  games on loan for Town back in 2009 and is the only member of the QPR team who hasn’t come in fancy dress as Dennis the Menace.

Eight minutes have passed and the QPR fans are singing “You’re support is fucking shit” in the time honoured fashion and then Freddie Ladapo is through again thanks to a precision through ball from Marcus Harness. This time Freddie shoots but the ball strikes Begovic and balloons into the air descending to earth just the netted side of the cross bar. From the corner Dominic Ball shoots at Begovic.  With less than ten minutes gone, Town have possibly already had their two best chances of the game although no one yet knows that  yet, which is just as well because knowing what people are like, a lot of them would probably clear off home.

 QPR win another corner; their fans ask “Is this a library?” and “Where were you when you were shit?” All these questions, it’s like watching a game in front of a stand full of toddlers.  QPR win another corner and are selfishly keeping the ball to themselves much of the time, although without ever managing a shot at goal.  Omari Hutchinson runs down the wing when he can and pockets of Town support sing an overly wordy song that ends in Ole, Ole, Ole  but doesn’t provide the inspiration the team seems to lack.  We need a Marseillaise, but all we have is God save the King.

On twenty-two minutes there is applause and I wonder why. Fiona tells me it is for a Town supporter who has died; he was just twenty-two years old. “Oh” I say, and Fiona tells me that there will be another applause in the sixty-sixth minutes for another Town fan who has died, who was sixty-five.   As sad as death is, I find these applauses mawkish and a bit weird, I also worry that when my mother dies we are going to need extra time, because she’s already ninety-eight.  Fortunately, she’s not a football fan, so I don’t think she’ll be too bothered.

Three minutes later and the QPR fans are taunting the Town fans with chants of “No noise from the Tractor Boys.”  The Town fans’ response is a stony silence. Then Hutchinson breaks down the left again, Williams makes a run in to the box, but Hutchinson is tackled. “I hope Williams didn’t swear then” says Fiona. “I think he did” says the man in the row in front, whose name is Kevin.

QPR win yet another corner and from my vantage point over 100 metres away it looks very much like Town almost concede an own goal, although QPR might have hit a post, but either way I’m not too bothered because the QPR score remains ‘nil’, although so does the Town score, and an Omari Hutchinson shot being tipped over the cross-bar by Begovic for a corner does not alter matters.  Only ten minutes of the first half remain and I bawl “Come On You Blues” for all I’m worth.  “Three of us singing, there’s only three of us singing” sings Pat from Clacton sotto voce.  The corner is cleared and Conor Chaplin is the first player to be booked by referee Mr David Webb, who I think I remember playing for QPR in the 1970’s.  The booking is probably for a well-conceived foul, although as Fiona points out Chaplin seems to be the only player on the pitch who is shorter than Mr Webb, so it might just be bullying.

The teams exchange more corner kicks to more chants of “Come On You R’s” and I once again bawl “Come On You Blues” raising the fever pitch in the lower tier of the Sir Alf Ramsey stand to something  like  sitting in a bucket of cold custard.  The corners come to nothing as ever, and then as Hutchinson is flagged offside, a QPR player applauds the linesman, I can’t decide if he’s being sarcastic or if this is genuine expression of appreciation of a job well done, in which case he’s being patronising.

A minute of additional time is added in which the QPR fans sing cheerily of football in a library and people start to leave their seats for the underworld beneath the stand.  “Dire that, innit” says a bloke as he passes by. “Not good” says his companion, possibly commenting on his friend’s grammar as much as the match.  With half-time, the man from Stowmarket (Paul) and I agree that we haven’t played as we would have hoped, and I then nip to the front of the stand to talk with Ray and his grandson Harrison about what I was given for Christmas.  When I return to my seat I eat a Nature Valley Oat and Chocolate Crunchy bar, but the start of the second half is delayed for some time by what Murphy tells us is a ‘medical emergency’ in the Sir Alf Ramsey Stand lower tier, and in due course the crowd applauds the team of paramedics and the sight of a departing stretcher party, which is thankfully, but somewhat chillingly screened from our gaze.

When the match resumes at about ten past nine it is with added gusto, both on and off the pitch, as if the events of half-time have sharpened our appreciation of, and our lust for life, as well they might.  “Blue and White Army “chant the Sir Alf Ramsey Stand a good four or five times in succession, and then, after not too long a delay, they do it again.  A couple of minutes later they do it yet again. “Sit down if you shag your mum” respond the QPR fans, boldly recycling humour popular in year seven throughout the comprehensive schools of West London.

The first half was lack lustre, but now the match is fast and furious, which makes it more exciting but no easier to watch.  If I could lip read and knew what ‘purists’ looked like, I am sure I would see them saying to themselves “this isn’t the game for me”.  Luke Woolfenden is booked for a doomed attempt at winning the ball and Freddie Ladapo heads wide of the QPR goal. The QPR supporters tell us that QPR are “by far the greatest team the world has ever seen”, but I’m not inclined to believe them any more than I would Boris Johnson.   “Come on Blue Eyes” says Pat to the dreamily blue-eyed Marcus Harness, and he almost obliges with a shot which looked to me like it was saved, but for which QPR get a goal-kick.

“Come On Ipswich, Come on Ipswich” chants the crowd sounding increasingly desperate and as if sensing this a triple substitution follows with Harry Clarke, Kayden Jackson and Jack Taylor replacing Williams, Ladapo and Ball.  “Hark now hear the Ipswich sing, the Norwich ran away” sing the Sir Alf Ramsey Stand possibly having heard the question on last night’s University Challenge about the Harry Belafonte and Boney M recordings of Mary’s Boy Child.  Town win a corner and twenty-five minutes of the match remain plus any time added on for bad behaviour and injuries.

Tonight’s attendance is 29,100, with 1,698 supporting QPR we are told. Thank you for your “magnificent support tonight and all year” announces Murphy, toadying to the public. “Ere for the Rangers, You’re only ‘ere for the Rangers” chant the QPR supporters as if singing about Vincent Van Gogh. Twenty minutes remain and things are so desperate Pat from Clacton gets out the masturbating monkey charm along with several others that she carries in her purse, including a random owl and the Hindu deity Ganesh. If this doesn’t work, nothing will.

Thirteen minutes remain, and QPR’s appropriately named Ilias Chair sits down near the far touchline; he is ignored, and the game carries on before he is eventually substituted.  “Come On Ipswich, Come On Ipswich, Come On Ipswich, Come On Ipswich, Come On Ipswich” chant the home crowd. “Fuck off Ipswich” reply the away crowd, employing what possibly passes for an exchange of pleasantries in places like Willesden.  “Lovely feet” says the bloke behind me as Vaclav Hladky checks his stride to fool an opponent and then clears the ball.  Begovic is booked for time wasting and QPR win two more corners in a rare second half attack. “We’ve got super Kieran Mckenna…” chant the home support, relieved that the ball has been cleared, before a final switch sees Blue Eyes and Hutchinson replaced by Sone Aluko and Gerard Buabo, who nobody seems to have ever heard of.

The announcement of eight minutes of added on time comes as a bit of a welcome surprise; Fiona thinks it’s because of QPR’s time-wasting ‘tactics’. The added time passes all to quickly however and despite angry, desperate calls and shouts Town cannot score, although more happily they don’t concede either.  After such a marvellous twelve months at Portman Road it is a disappointing match with which to end the year, the only home league game in which we haven’t scored since October 2022, but it is also the only match in which all five of our five best attacking players have not been available to play; it has been the sort of team selection we would more usually expect if playing a first round League Cup tie against Sutton United or Crawley Town.  

Disappointed, but not downhearted, or even that bothered I leave the stadium and hobble to the railway station.  It feels like old times, comfortably yet uncomfortably familiar. This is what football used to be like before we started all this winning malarkey, this is what real football is about, as lovely as the success is.  I’m sure we will return to winning ways when the missing players return,  but for now I’m going to enjoy listening to and smiling at the wailing and gnashing of teeth of supporters who haven’t benefitted from having had a season ticket every year since 1983.