Andy Warhol

Ipswich Town 0 Brentford 1

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It seems to have been a week of looking back on momentous events, with the 80th anniversary of the liberation of Europe, my own twenty-fifth wedding anniversary, and also the forty-seventh anniversary of Ipswich Town winning the FA Cup.  Today however, I am returning to the present and am preparing to see Ipswich play Brentford, a club which back in 1978 had just won promotion from the fourth division, which perhaps helps explain why I always think of them as a ’lower division’ team, like Colchester United or Newport County.

For the first time this year It is warm enough not to need a coat, and I walk to the railway station beneath a clear blue sky.  It’s a pleasant walk, disturbed only by the loud, wailing sirens of four ambulances and a police car, which careen past me slaloming between lanes of traffic.  The train seems on time, but I don’t really know if it is, only that it smells unpleasantly of the on-board toilet.  The carriage is mostly empty and surprisingly seems devoid of Brentford fans.  Gary joins me at the first station stop and we talk of nothing much in particular, although the polar bears of Wherstead inspire a brief conversation about whatever happened to the soft drink known as ‘Cresta’, a beverage which was possibly at the height of its popularity in1978.   The fur of one of the polar bears looks very clean today and we speculate briefly about polar bears and shampoo.

In Ipswich, we head for ‘the Arb’ as quickly as Gary’s dawdling gait will allow, pausing only to buy a programme each (£3.50) at one of the booths that look as though they might also sell ice creams. As ever, I am disappointed that they don’t and that the programme seller doesn’t wish me ‘bon match’.   Today’s front cover design, which is not the front cover of the programme thanks to the evil capitalists of the Umbro sportswear company, is an ITFC version of Peter Blake’s sleeve design for The Beatles’ Sgt Pepper album.  You can’t beat a bit of Pop Art, and for a moment I find myself daydreaming of seeing Ray Crawford, Ted Phillips or Sir Alf Ramsey as they might have been portrayed by Andy Warhol, Pauline Boty or Roy Lichtenstein.

At ‘the Arb’, there is literally a queue at the bar, which I think I succeed in jumping because in my world people don’t queue at pub bars because the bar staff always know who’s next.  Happily, it’s not long before Gary and I are soon in the beer garden clutching pints of Lager 43 and Mauldon’s Suffolk Pride (£9 something for the two with Camra discount) and looking for a place to sit. Mick appears from the back gate and while he is getting himself a pint of Suffolk Pride, Gary and I share a table with a man and a woman and two small dogs who are on a pub crawl of Ipswich’s dog friendly pubs; they’ve already been to the Woolpack and the Greyhound and have five more pubs to visit, when the dogs will qualify for ‘free’ bandanas.   I take their photo for them to record the event for their Facebook friends, and reminisce about visiting numerous Tolly Cobbold pubs in the early 1980’s in order to acquire a ‘free’ T-shirt advertising Tolly ‘Original’.

After Gary has bought a further round of drinks and Mick has promised that it will definitely be his round next time, we eventually find ourselves with empty glasses and nothing else to do but head downhill to Portman Road and the afternoon of delights that awaits us.  I bid Gary and Mick farewell somewhere near the statue of Sir Alf Ramsey, which isn’t in the Pop Art style, and this is probably a good thing.  The queues at the turnstiles to the Sir Alf Ramsey stand are short, but it still takes longer than expected to gain entry because of zealous use of scanners by the security staff, although I get the impression that they are losing heart because no one seems to be trying to smuggle in firearms or explosives; it can’t be good for their morale never discovering anything.

By the time I am reacquainting myself with Pat from Clacton, Fiona, the man from Stowmarket (Paul), ever-present Phil who never misses a game, and his son Elwood, the teams are on the pitch, balls of flame have burst into the sky, and a pall of smoke is drifting across the pitch as if all the explosives the security staff had hoped to find, but hadn’t,  had been let off at once.  The excitable young stadium announcer, whose grey suit looks as if he’s only just got it back from Sketchley’s reads out the teams and I bawl the Town players’ surnames as if I was in the tribunes of the Stade du Moustoir, Lorient or Stade Gabriel-Montpied, Clermont Ferrand.

Ipswich, sporting their usual blue shirts and white shorts get first go with the ball and are mostly trying to kick it towards the goal just in front of me and my fellow ultras.  Meanwhile, Brentford sport their traditional red and white striped shirts and black shorts, although closer inspection reveals that the black of the shorts bleeds into the red of the stripes and there are black bits underneath the armpits of the shirts too, as if the players were all using an experimental pitch or creosote-based under arm deodorant.

The game has only just begun, but already I’m thinking that Conor Chaplin is looking different today.  At first I think it must be his haircut, but then decide he has a beard, although such thoughts are suddenly swept away as Omari Hutchinson crosses and Liam Delap heads towards the goal, but Mark Flekken the Brentford goalkeeper, who is Dutch but has a French tri-colour against his name on the back of the programme makes a neat but not overly difficult save.  ‘Edison House Group’ reads the electronic billboard at the far end of the ground, and although I try not to, I hear ‘Love grows where my Rosemary goes’ playing in my head.

Ten minutes pass and Brentford begin to hog the ball, and then they win the game’s first corner.  “Football in a library” sing the Brentford fans perhaps expecting us to cheer their corner, and Pat asks who the well-known Brentford players are so she can photograph them.  But Fiona and I don’t really think any of them are well-known, although Fiona has heard of Mark Flekken.  I tell Pat I expect they’re well-known in Brentford.  With fifteen minutes up, the referee Mr Barrott, whose surname pleasingly rhymes with carrot decides it’s time Brentford scored from a corner and keeps giving them corners until they do.  Part way through the catalogue of corners the match is paused for VAR to check for a possible penalty due to over-enthusiastic grappling. “Place your bets” I tell Fiona and Pat from Clacton, but surprisingly no penalty is awarded, although Jack Taylor and Christian Norgaard are both booked.    From the next corner however, Brentford score as Kevin Schade, who in his spare time also plays for  Germany, rises unopposed at the near post and heads just inside the far post.

Ten minutes elapse after we rapidly come to terms with the likelihood of another home defeat, and Town then win a corner of their own.  “Come On You Blues” I bellow, hopefully, but the ball doesn’t even get past the first Brentford defender, who is stood at the near post. “Gotta beat the first man” says the bloke behind me censoriously.  The familiar sound of ironic cheers follows two minutes later as Omari Hutchinson wins a rare free kick for Town,  but two minutes later Brentford have the ball back and Alex Palmer is making a decent save to prevent a goal.

The final seven minutes of the half witness corners to both sides, more chants of “football in a library” from the Brentford supporters, Jack Taylor shooting wide of the goal and Pat from Clacton complains about the bloke behind her constantly talking (and swearing), most weeks as Pat tells us, there’s a “…nice, quiet older man sitting there”. 

After two minutes of added on time, half-time arrives as expected and the disappointments of the first half are forgotten as I go to the front of the stand to talk to Ray and his grandson Harrison, applaud the promotion winning women’s team, see Harrison’s 21st birthday announced on the big screen  and finally  enjoy a Polish Przy Piatczku chocolate wafer bar courtesy of  the World Foods aisle in Sainsbury’s.  Unfortunately, the chocolate on one side of the wafer has melted in the warmth of the afternoon, and through being in my pocket , so after I’ve eaten it I have to ask Fiona if I’ve got any chocolate around my mouth; I haven’t and I think she’s pleased she’s not going to have to dab anything off with a hanky as if she were my mum.  

The second half brings the usual misleading, renewed hope, and after ten minutes Jack Clarke, or “Jack Claaarke” as the excitable young announcer calls him replaces Conor Chaplin.  Pat from Clacton shifts her attention away from the constant talking of the bloke behind her to the Brentford manager Thomas Frank, who apparently is “always chewing” and with his mouth open too, yuck.   More substitutions follow just five minutes later as Jens Cajuste and George Hirst replace Jack Taylor and Liam Delap.   Alarmingly, George Hirst has dyed his hair blond and now looks like a cross between a Midwich cuckoo and Sick Boy in the film of Trainspotting.

The game is a little more than two-thirds over and I’m beginning to feel a bit annoyed like Pat from Clacton, but my irritation isn’t down to talking and chewing, but down to the Brentford players who, when not charging at the Town players ( I think it’s called ‘pressing’), seem a whingy, whiny lot who are constantly running to the referee, ‘pressing’ him to give them free-kicks.  I begin to wonder if Brentford aren’t called The Bees because they’re always buzzing around the referee, although having grown up in the country I’d be tempted to liken them more to flies around a cow’s arse.   

Another Brentford corner brings another VAR check for a possible penalty, which is again turned down, this time with the explanation that there had been ‘mutual holding’,  which in the privacy of one’s own home sounds quite appealing and probably explains why no one was booked this time. Less appealing is a somewhat reckless overhead kick by Yoane Wissa which makes contact not with the ball, but with Jacob Greaves’ face, although fortunately he is not hurt and manfully he carries on despite the taste of dubbing.

The closing fifteen minutes of the match play out in a way that cruelly allows Town fans to retain hope of an equaliser,  which of course never comes.  Sam Morsy shoots over, George Hirst bursts through and shoots powerfully wide, Omari Hutchinson shoots beyond a far post too and Town win more corners.   Today’s attendance is announced by the now unctuous sounding but still excitable young stadium announcer as 29,511, of whom 2,953 are here for ‘the Brentford’ and indeed “You’re only here for the Brentford” is what they touchingly sing to one other.  Five minutes of added on time produce another shot on goal for Town which I think is saved, but before it was it had me off my seat almost thinking it was a goal.

The final whistle is greeted with applause for the Town players today and the realisation that with a bit more luck we might have got a draw and we would have deserved it, and so perhaps, like the season as a whole, it hasn’t been a complete waste of time.

Ipswich Town 6 Sheffield Wednesday 0

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Although I began watching football in 1971, it took until September 1984 for me to first see Sheffield Wednesday play Ipswich Town.  This was largely because, despite an illustrious past back in the days of Arthur Balfour and then Ramsay McDonald,  Sheffield Wednesday were until 1984 bobbing about in the second division and then even visiting the likes of Layer Road, Colchester rather than Portman Road.  Indeed, I had first seen Wednesday five years before when they played out a thrilling goalless draw at Layer Road in what was only my third ever visit to the then home of our pauper cousins from over the border in Essex. That first encounter with Ipswich ended in a draw also, but four goals were shared that late summer or early autumn day, I honestly don’t remember which it was. Since then, I have seen Town play Sheffield Wednesday a further twenty-four times and of those games Ipswich have won a paltry six, with Sheffield winning an indecent eleven, including a five-nil embarrassment at Hillsborough in April 1994 and a relegation confirming one-nil defeat in May of 1986.  So, with this record in mind I feel I have good reason to bear Sheffield Wednesday a degree of ill-will, and on the morning of our latest encounter I hope for retribution, vengeance and other things Jesus wouldn’t have approved of.

It’s been a beautiful, bright spring morning; I had awoken to sunlight streaming into the bedroom and birds chirruping from the branches of the tree outside my window, in spite of the world of pain beyond.  After a hearty breakfast and a morning of garden tidying and playing at being Andy Warhol with photos of Ray Crawford and Ted Phillips, I leave my wife watching people in lycra cycling round Italy, to catch the train to Ipswich.  The train arrives on time, but leaves late. I sit opposite an elderly Town fan who I recognise from previous journeys to the match.  He tells me how watching football has been “…a way of life” for him, and how he would travel on the train to watch Sudbury Town when he was at Earls Colne Grammar school.  He asks me if I remember certain players like he does, they all have names like Len and Reg, Syd and Larry.  He’s seen them all he tells me, but the best player he thinks he ever saw was Ipswich’s Billy Baxter.  I ask him how old he is; he’s eighty-seven, and every other Saturday his daughter buys him a match ticket and a train ticket and puts him on the train to Ipswich.  I hope I’m still doing this when I’m eighty-seven, I think to myself.

Approaching the next stop, I remember I had arranged to meet Gary on the train, but I’ve been so busy talking about football in the 1950’s I have forgotten to text him to tell him which carriage I’m in.  Fortuitously, my carriage pulls up against the platform just where a slightly perplexed looking Gary is standing.  I leave my seat and walk over to the door as it opens so Gary can see me.  Unfortunately, I have lost my seat by the man from the 1950’s, but I’ll look out for him next time. Arriving in Ipswich, Gary and I head for ‘the Arb’ pausing only so that I can buy an ice cream in Portman Road, but as usual I come away with just a programme (£3.50).   At the bottom of Lady Lane an odd-looking man on an electric scooter covered in stickers weaves his way past us with a mobile phone pressed up against his ear.  Gary and I look at one another and burst out laughing.  I tell him I often see strange things in this part of town, but then, Lady Lane was the site of a medieval Catholic shrine.

Once at ‘the Arb’ I buy Gary a pint of Lager 43 and myself a pint of Maldon’s Suffolk Pride (£8 something with Camra discount) before we repair to the beer garden where all the seats at tables are taken and we have to sit on a park bench next to the back gate.   We talk of people we worked with in the 1990’s,  how Gary’s season ticket is next to someone who is a close relative of a friend of my sister, and discover that Gary has forgotten that we have tickets to see Stewart Lee at Chelmsford Civic Theatre next Friday.  Gary buys another pint of Lager 43, and another pint of Suffolk Pride for me and has spotted a free table which we then occupy.   Soon we are the only people left in the beer garden and it’s not even twenty to three; belatedly we join the herd.

Having bid Gary farewell within earshot of Sir Alf Ramsey’s statue, it’s not long before I’m queuing at turnstile 62 and then shuffling past Pat from Clacton and Fiona to my seat, next but one to the man rom Stowmarket (Paul) and two rows behind ever-present Phil who never misses a game, and his son Elwood.  As usual, my arrival has pretty-much coincided with the appearance of the teams and I joke with the man from Stowmarket that this is because I have in fact just left the dressing room having given the team talk.  On the pitch one of today’s mascots is wearing a Town shirt and pink party dress, I hope the kit designers at Umbro are taking notes. Murphy the stadium announcer reads out the teams, and as if in a French football crowd ever-present Phil and I shout out the surnames.  As usual, the first few names appear on the scoreboard and Murphy is in time with them, but it doesn’t usually continue like that . The names keep appearing and Murphy keeps on reading and the names keep appearing and Murphy keeps on reading and I’m still waiting for the two to fall out of sync, but we’ve reached the substitutes and they haven’t.  Ever-present Phil turns around wide-eyed and incredulous, we can’t believe what we’ve witnessed, Murphy has only gone and done it!  He’s read out the team in sync with the names appearing on the scoreboard.  “Crikey” I think to myself “We must be going to win by seven or eight today”.

The game begins, Sheffield Wednesday getting first go with the ball and pointing it mostly in the general direction of the Co-op on Norwich Road, Castle Hill and Whitton Sports Centre.  Sheffield wear a smart but not eye-catching kit of white shirts and black shorts, like Germany or Port Vale.  As ever, Town are in their signature blue and white. “Hi-Ho, Sheffield Wednesday” sing the visiting fans to the tune of Jeff Beck’s ‘Hi-Ho Silver Lining’, although Wikipedia tells us that the song was first released by a band called The Attack a few days before Beck’s version in March 1967.  Weirdly, the Wednesday fans only sing those four words, as if they couldn’t think up any other lyrics, but liked the tune anyway.  The net effect is like a musical version of driving into a cul de sac, but there’s no harm in it and they soon move on to April of 1967 with a fuller rendition of Frankie Valli’s ‘You’re just to good to be true’ .  Their efforts deservedly earn Wednesday a corner after just four minutes, which is a full six minutes before Ipswich ‘s first corner and my first chance to bellow “Come On You Blues”, but to no avail .  “Not comfortable at the back” says the bloke behind me of Sheffield Wednesday.  “Don’t like pressure do they?” adds his sidekick.

Fourteen minutes pass. “Football in a library, do-do-do”.  So far, so ordinary, then Wes Burns crosses the ball from the right. The ball is played to Omari Hutchinson, he turns and in a perfect impersonation of Conor Chaplin accurately places a not unnecessarily hard shot inside a post and into the net. Town lead one-nil.  “Aye Aye Ippy Ippy Town, Singing Aye Aye Ippy Ippy Town” I sing, hoping to encourage a new craze of referring to Ipswich as “Ippy” because it sounds appropriately hip and happening.

Eighteen minutes gone and Town win another corner and I bawl again,  and then a minute later,  mysteriously six people in black anoraks arrive and sit down just over the gangway from us. “Men in black” says the bloke behind me. “Is there a funeral?” I ask Fiona.   Nobody knows, but with the half, half over Axel Tuanzebe earns another Town corner. “Come On You Blues” chant our tiny band of Ultras.    But it’s soon Vaclav Hladky who is being applauded as he has to make a diving save and Sheffield have a corner of their own before Town win another and as Sheffield threaten to breakaway, Omari Hutchinson is booked by the uncharacteristically tall referee Mr Leigh Doughty for nothing more than a playful shove.

There are ten minutes until half-time and disaster strikes as despite having won yet another corner for Town, Wes Burns is down on the pitch clutching his leg and has to go off; the only good thing being that he only had a short walk to the players’ tunnel, although I don’t suppose players generally think to themselves “I don’t mind getting injured as long as I don’t have to walk far back to the players’ tunnel”.

When the corner is eventually taken, Keiffer Moore heads the ball against the cross bar, it drops down, isn’t cleared and Cameron Burgess wellies it into the net from inside the six-yard box.  Town lead 2-0 and Cameron’s goal possesses the blunt, messy ugliness that has us reminiscing about the days of Mick McCarthy.  Kayden Jackson replaces Wes Burns and Portman Road is very nearly reverberating to the sound of chants of “Blue and White Army, Blue and White Army”.  For pretty much the first time in the game the Sheffield fans have fallen silent.  “Ipswich Town, Ipswich Town FC, The finest football team the world has ever seen” sing the Sir Bobby Robson Stand digging into their stash of Irish folk songs.

Another Town corner comes and goes before Wednesday’s number thirty-six, Ian Poveda runs worryingly at the Town defence.  “Don’t stand off ‘im Wolfie” calls the bloke behind me not expecting his advice to be taken. “As soon as he lets him get in the box he’s fucked” says his sidekick.  But happily disaster is averted, nothing unfortunate happens to Wolfie  and with three minutes of injury time announced Kayden Jackson sprints down the right, crosses low towards the goal and Nathan Broadhead subtly clips the ball into the goal from close range to give Town a 3-0 lead. It’s the best goal so far and makes half-time a time to kick back, relax and hope for another three goals in the second half, which is what I tell Dave the steward and Ray.

No sooner have I eaten a Nature Valley Oats and Honey Crunchy bar than the second half is upon us and Sheffield have substituted their star player, Barry Bannan, which is a shame because players called Barry are a rarity.  Omari Hutchinson quickly shoots over the cross-bar before there is a minute’s applause for another recently deceased Town fan, someone myself, Fiona, Pat from Clacton and ever-present Phil all remember from our days twenty-odd years ago of travelling to away matches with the Clacton branch of the supporters’ club.  By beautiful coincidence and synchronisation worthy of  stadium announcer Murphy,   on the stroke of the minute ending,  Town score a fourth goal, Omari ‘Mbappe’ Hutchinson despatching a decisive shot after an equally decisive run and pass from Nathan Broadhead.  The goal provokes a dash for the exits from an indecently large  number of Sheffield Wednesday supporters who have either just remembered they have urgent appointments elsewhere or who feel unable to support their team when the going gets this tough.

Happily, I have never seen Town surrender a four goal lead and so I am now confident of victory.  Massimo Luongo is as confident as me it seems and shoot from almost the half way line to earn yet another corner. “E-i, E-i, E-i-o, Up the Football League We Go! “ Sing the Sir Bobby Robson Stand triumphantly and a substituted Sheffield Wednesday player walks grimly, head down, along the touchline to the tunnel, in a long black hooded coat, looking a bit like he’s lost his scythe.

The pre-match blue skies have now gone to be replaced by a glorious grey expanse , like one massive dull cloud that surrounds the stadium making it feel like a shining, green, floodlit  island within a becalmed sea of gloom.  I can’t imagine how the Sheffield supporters are feeling.  Keiffer Moore shoots over and Town win another corner as the first hour of the game recedes into recent history and Pat tells us that she’s off to Great Yarmouth next week to play whist.  All of a sudden, Sheffield unexpectedly break away and Ike Ugbo is bearing down on goal, but as he shoots Cameron Burgess whisks the ball away for a corner “He came from nowhere” says the bloke beside me,  exaggerating very little.

“ We love you Wednesday, we do” sing the Wednesdayites admirably, before reprising “You’re just too good to be true” and then going on the offensive with the oddly familiar chant of “ Your support is fucking shit”, which despite occasional outbursts of passion is a mostly a fair point, well made.   If Ipswich has a distinct ‘fan culture’ it is one of stoic reticence. “Four-nil and you still don’t sing” chant the Wednesdayites providing the evidence to back up their earlier assertions.

But oddly, the game has gone a bit flat. “Come On Town” calls the bloke behind me echoing my inner dialogue and right on cue Kieran Mckenna, like someone brandishing a carton of Shake n’Vac,  makes the substitutions needed to put the  freshness  back.  Jeremy Sarmiento and Ali Al-Hamadi replace Nathan Broadhead and Keiffer Moore, and Murphy tells us that collectively we are 29,325 with 1,945 from Sheffield.  “Thank you for your continued support” he adds, like a man fully capable of reading out the team names as they appear on the scoreboard.

Sixteen minutes of the future still to look forward to and Al-Hamadi runs and shoots, but embarrassingly wide. To make Ali feel better about himself, Kayden Jackson then fluffs a volley with equal aplomb.  “Football in a library, do-do-do” chant the Wednesdayites again, reliving one of their early triumphs of the first half before revisiting the well-worn path of our support being faecal and the familiar and satisfying rhyming couplet of “No noise from the Tractor Boys”.  The Wednesday fans are sounding increasingly angry at the Town fans for being so quiet, as if it is almost an affront to them, which it probably is. I can imagine them sitting in the Cobbold Stand saying “These Ipswich fans, 4-0 up, they don’t know they’re born. Back in my day we’d be thirty-four nil down at half time, with ten players sent off, and we’d have all had our heads cut off by over zealous stewards and we’d still be singing.”

But now the final ten minutes are here, the time when in popular fan culture Ipswich are lucky because they score goals and win the game.  Today of course we’re all ready 4-0 up so it’s just for old times sake that Omari Hutchinson runs, Jeremy Sarmento shoots and Ali Al-Hamadi taps in the rebound after the Wednesday goal keeper only parries Sarmiento’s shot.  It’s 5-0 to Ipswich and more Wednesday fans remember urgent appointments.  “We want six” I chant.   “Stand up if you’re five-nil up” chant lots of Town fans and we have to stand up or else we can’t see anything. Why can’t we just do something like “Go Weeee” if we’re five-nil up, why is it always the standing up?  

Six minutes left and we haven’t scored enough goals in the final ten minutes yet, so the remainder of the midfield is replaced.  “You’re fucking shit, you’re fucking shit, you’re fucking shit” chant the Sir Bobby Robson Stand uncharitably to the visitors, but no doubt finally confident that with less than five minutes to go Town shouldn’t lose now, before optimistically asking “ Can we play you every week?”.  The final minute arrives and we still need another goal to fully avenge that 5-0 defeat in 1994. Omari Hutchinson runs, he shoots or may be crosses the ball and Al-Hamadi taps in again, and Town will win six nil for the third time in twelve months. “We want seven” I chant greedily, but three minutes of added on time evaporates and I have to make do with six.

With the final whistle, Pat and Fiona are quickly away into the early evening. I linger to applaud the team and Kieran McKenna and reflect on a day of perfect timings.  I shall be cracking open the Cremant tonight.

Robyn Hitchcock 17 Norwich 0

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When I win a large amount of money on the Premium Bonds and the biographical film of my life comes to be made, many of the best bits of the soundtrack will be to the music of Robyn Hitchcock who has provided much of the soundtrack to my adult life.  When my good friend Mr Goold told me therefore that Robyn would be performing at Norwich Puppet Theatre, a venue a mere 24 kilometres from Mr Goold’s abode, I was obviously quick, well in truth not that quick, to buy a ticket (£18, plus £2.30 to anonymous middle men) and invite myself to sleep on my good friend’s floor for the night.  My other good friend Pete decided he would also like to come along on what his consumption of American popular culture and resultant outlook on life told him would be a road trip in the style of Hunter S Thompson.

It’s a dreamy drive through the Norfolk countryside on a September evening in Mr Goold’s golden 2004 Nissan Micra, the sun is setting to our left casting long shadows.  Reaching Norwich, having been driven for the first time in my life through Poringland, I am struck by how much like a proper city Norwich is, from its riverside roadways, medieval cathedral and monumental County Council building to its elevated four lane highway; a pity about its football club. Mr Goold’s Nissan Micra comes to rest in Magdalen car park in the shadow of a concrete flyover, our ultimate destination less than 200 metres away.  We walk through the fading light to the 15th/16th century church of St James the Less, now re-purposed as the Norwich Puppet Theatre.  I muse on St James the Less being appropriate given that puppets are like miniature people. At my behest Pete poses with the cathedral as a backdrop; I photograph him but fail to make the spire give him the appearance of a man wearing a tall, pointed hat; I can’t helping thinking that it’s an opportunity missed.  My life is full of regrets.

Inside the theatre we drink at the bar, Mr Goold drinks coffee, Pete drinks Adnams Ghostship, I down Adnam’s Broadside. We check out our fellow audience members; people in late middle age like us, Norwich’s arty set and younger people dragged along by their elders against their will. I make assumptions about people.  Eager to get ‘good seats’, when we see the first people departing the room we follow, hoping we’re not just pursuing them into the toilet. The auditorium has been dropped neatly into the nave of the church, and the interweb tells me it has over 150 seats, my eyes tell me these are split either side of a central gangway; it is steep giving a good view of the stage.

At 8 o’clock the support act, Jessica Lee Morgan and Christian Thomas play a set of unfortunately forgettable songs very competently indeed and they seem very nice.  Jessica is the daughter of Mary Hopkin and Tony Visconti and she tells us so in case we didn’t know.  After the set, as we wait for Robyn Hitchcock to appear I tell Mr Goold that from now on I might begin telling people that my mother is Daphne Brooks and Reg Brooks was my father.  In spite of the snidey implications of the previous sentence the support act are alright.

At nine o’clock Robyn Hitchcock appears, being helped onto the stage and to a seat at a Clavinova digital piano, a product of the Yamaha company.  Robyn explains that the previous evening he fell over and whilst not damaged in terms of breakages to bone and sinew, he is clearly in pain and standing up and moving about is a problem for him.  In an unfortunate way however, this is a good thing for his paying audience as we receive the rare treat of hearing Robyn playing piano and sounding not unlike the Plastic Ono band.  I can’t now wholly remember which four songs are played, but ‘Ted, Woody and Junior’, a song about three men lathering each other with soap is one, and by way of an apparent insight into this song Robyn tells us about his grandma’s Ray-Bans, which were comparable in a competitive way to those owned by Andy Warhol, and how her wearing them at home on the Isle of Wight was concomitant to and therefore related to the meeting of Andy Warhol, Bob Dylan and Brian Jones in New York.  Many of Robyn’s songs are about moments in time such as this.

After four songs on the piano, Robyn shuffles out from behind it to a stool, where he is handed his acoustic guitar by Chris Thomas of the support act who has been pressed into the role, hopefully only temporarily, of carer.   Again, the audience is in luck as a less than satisfactory pick-up on the guitar causes Robyn to come to the very front of the stage to perform un-plugged and un-miked.

The first of five songs Robyn plays on his acoustic guitar is ‘I’ve got the hots for you’, a tune dating back to 1980 when Robyn existed in a previous incarnation as member of the Soft Boys, but still wrote excellent songs.     ‘Hots’ as I have stupidly decided to call it here for the sake of brevity, although these words of explanation have of course taken longer to type and read than the full title is on the life-enhancing LP ‘Underwater Moonlight’, and is a song of which I have always been especially fond. My fondness for ‘Hots’ is in a good part due its reference near the end of the song to “a piece of Hake”.  I have always enjoyed this lyric, ‘Hake’ being such a fine word and few artists ever mention fish in their songs. Tonight this song has extra poignancy as I have recently returned from Brittany where I had a particularly good time watching FC Lorient, a football team who call themselves Les Merlus, and have a mascot called Merlux; Merlu is the French word for Hake and Merlux therefore translates approximately as Hakey.  Incidentally, Lorient beat FC Nantes, a team known as the Canaries just like the local team in Norwich. I don’t think Robyn has any knowledge whatsoever of football or its mascots, but it’s as if he knew. It’s a situation not unlike that of Andy Warhol and Robyn’s grandmother.

Also within the acoustic set, Robyn plays a new song entitled ‘I am this thing’, a song which has appeared on-line but is so new it has not been played live before.  Robyn tells us that this song has been requested this evening and after the show Mr Goold tells Pete and me how he was particularly taken with the track when hearing it on-line, and it was he who had asked that Robyn play it tonight. Whilst secretly grateful to Mr Goold, we don’t let on too much and I admit to thinking the song sounds a bit like another of Robyn’s songs, although typically I can’t remember which one, but obviously it’s a good one.

After the five acoustic tunes, Robyn hobbles back to be handed his electric guitar on which he plays four more songs including a reverberating version of ‘I often dream of trains’ and the almost-title track from his new album Shufflemania, which is entitled ‘The Shuffleman’.  Robyn remarks how his fall has resulted in his becoming the Shuffleman himself, although alternatively, given the venue, his movements could be said to be puppet-like , as if Thunderbirds had had a member of the International Rescue team who just sat about and rescued people by playing groovy music.

The final quarter of the gig sees Robyn joined on stage by Jessica and Chris for another four songs, with Robyn managing to stand up to play his electric guitar. After a beautiful rendition of ‘Queen of Eyes’, which almost brings a tear to my eye as it again takes me back to 1980 and my lost youth, Robyn advises that these songs are the encores, which whilst disappointing is understandable unless Robyn can somehow be magically lifted up from the stage and then set down on it again like some sort of over age Peter Pan.  The ‘encore’ also comprises the stonking ‘Brenda’s Iron Sledge’ which includes the lyric “Please don’t call me Reg, It’s not my name”, the galloping ‘Oceanside’ and finally ‘Airscape’, probably a favourite of Robyn himself.  

Applause for Robyn and his band is not thunderous, because there aren’t enough of us in the puppet theatre for that, but it is heartfelt and enthusiastic and barely ends before the lights go up confirming that that was indeed the encore. It has been a fabulous evening and possibly a unique one, what with Robyn both playing piano and going doubly unplugged.

As a final act before departing the puppet theatre, which has been an excellent venue, I purchase a copy of a seven-inch single entitled ‘Mr President’, which I like for the picture on the cover of Robyn on the telephone against a back drop of overhead trolleybus or tram wires.  Such records and CDs along with his weekly shows on-line will now have to suffice until we can see Robyn play live again, and driving back to Mr Goold’s abode our happy reminiscences of the evening inspire us to resolve to get tickets for Robyn’s seventieth birthday concert at the Alexandra Palace next February. 

Ipswich Town 1 Plymouth Argyle 0

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The ritual of every other Saturday from late summer to mid-spring has come round again, predictably after just a fortnight, but today I have broken free from the shackles of totally repetitive behaviour by making a pre-match visit to see my mother.  As ever, she has more to say about my beard and the length of my hair than much else, and when I think I’ve successfully got her reminiscing about trolleybuses or a family holiday in Aberystwyth or her mother filling the copper from the garden well on wash days, she somehow, out of the blue, asks me when I’m getting my hair cut.  To her credit however she does re-iterate her dis-like of Mothers’ Day, telling me that children have no reason to be grateful to their mothers; they didn’t ask to be brought here.   I tell her that it’s only for one day a year though, and we both laugh.  After an hour of such conversation, it’s time for her to eat her lunch and so after we’ve said our goodbyes and she’s told me to be good, even though she says she doesn’t believe I can be, I climb back into my trusty Citroen C3 and head back across town to resume the fortnightly ritual.

The sun is shining, it’s a beautiful day.  Walking through Gippeswyk Park I hear a snippet of conversation from inside the tennis court, “I’ve got probation at 11:30”, says a voice. A little further on, three scruffy looking blokes with cans of lager and tattooed necks lurk expectantly behind a hedge; I feel the urge to start singing Lou Reed’s “I’m waiting for the man” from his Velvet Underground & Nico album with cover design by Andy Warhol, which coincidentally was released almost exactly fifty-five years ago (12th March 1967 to be precise).  Meanwhile, a dog that looks like a bear sniffs the grass and a chubby youth takes a swig from a plastic bottle and then holds the bottle up to the light as if he can’t quite believe what he’s drinking.  At the Station Hotel on Burrell Road, Plymouth Argyle supporters enjoy the delights of its riverside garden, and Portman Road is already busy with eager supporters chewing on factory produced bread and mechanically reclaimed meat products. I attempt to purchase a match day programme in the up-to-date cashless manner, but the smilingly apologetic programme seller tells me from within her booth that the wireless gadget has stopped working. I delve into my pocket for the four coins that will make up £3.50 and place them in her hand. Still smiling, the programme seller hands over a programme and wishes me an enjoyable afternoon.

In the Arboretum pub (now known as the Arbor House) I have to queue for a pint of Mauldon’s Suffolk Pride (£3.80) and the beer garden is busy with drinkers, some of whom will clearly be Portman Road bound.  Mick won’t be joining me today as he is in London meeting a friend who is over from Germany and so I thumb through my programme, which on its front cover has a picture of Paul Mariner drawn in a sort of cartoon style; it’s probably what Paul would have looked like if he’d appeared in the opening credits to BBC tv’s Grange Hill.  Later at home, my wife will tell me she thinks the picture looks creepy.  My view is that I think Roy Lichtenstein or Hanna and Barbera might have done it better.

By twenty-five past two I have drained my glass of beer and with little else to do I decide  to take a gentle stroll down to Portman Road, which gives me time as I pass Ipswich Museum to admire the elaborate terracotta mouldings above the ground floor windows, it really is a magnificent building, another of Ipswich’s architectural gems; but ignorant people will still tell you the town is a dump and that “The Council” have demolished all the ‘lovely old buildings’.

Back in Portman Road supporters head purposefully for ‘their turnstile’ or mill about waiting for friends; some queue for more last minute mechanically re-claimed meat products; on the grass of Alderman Road rec others recline, soaking up the sun as if this was the Cote d’Azur.  I make my way between the assembled supporters’ coaches of Whincop, C & J and Tendring to the Constantine Road entrance.  Passing through turnstile number 60, I thank the operator who smiles and says rather gushingly “Enjoy the football, have a lovely time.”  This in the week in which I answered a club questionnaire about human inter-action with stewards and turnstile operators.

After making use of the toilet facilities to a soundtrack of Deep Purple’s ‘Smoke on the water’ playing over the PA system, I arrive on the lower tier of the Sir Alf Ramsey Stand, where ever-present Phil who never misses a game is of course present, with his young son Elwood, and I can see Harrison, his dad and his grandfather Ray ‘down the front’.  Pat from Clacton soon arrives, and we prepare to wave the polythene flags that have been left on our seats to celebrate Paul Mariner day.  The PA system has stopped playing the rock music that Paul Mariner was a fan of and ramps up the music designed to make us feel excited and full of expectation. “Exciting isn’t it” says the bloke who sits next to me.  “It is, I just hope I can last out until kick-off” I tell him. At the North Stand end of the ground banners read “Mariner” and “A fire in the sky”; the latter words an extract from the lyrics of “Smoke on the Water” that was playing in the toilet earlier.  Apart from Paul’s liking for Deep Purple, I don’t really get the connection as the song was about a casino burning down in Montreux in Switzerland and Town only ever played in Zurich ( versus Grasshoppers), and that’s over 200 kilometres away from Montreux. 

With the parade on to the pitch of the teams, we wave our flags for all we’re worth, like a host of Liberties or Mariannes leading the people in Delacroix’s painting; but unlike her we all keep our tops on.  Finally, with the first flush of excitement over, the game begins, although I don’t even notice who got first go with the ball, only that Town are kicking towards me, Pat from Clacton, Elwood and Phil, whilst Plymouth are wearing a rather attractive kit of all white with a green band across the chest bearing the name Ginster’s . Who, apart from my grain and lactose intolerant wife, doesn’t love a beef and pastry-based snack, even if much of Cornwall will tell you that a Ginster’s pasty is not a pasty at all, but a vile abomination?  Diverting our attention from this controversy, the Argyle fans attempt a new World record by singing “Is this a library?” with just fifty-three seconds on the clock, which is an admirable effort by anyone’s standards and smacks of their knowing they would be singing it sooner or later so why not just start with it.  I have much admiration for Plymouth supporters and their endless travelling. London is much the same distance (342 km) from both Plymouth and Paris, but whilst it takes about two and half hours to get from London to Paris by train, it takes three and a quarter to get to Plymouth. 

Quickly, Town are on the attack and after a fine interplay of passes in front of the Cobbold Stand, Sone Aluko sends a shot just behind the goalpost into the side netting of the Plymouth goal, and Pat from Clacton tells me that she won £43.75 playing whist last week in Great Yarmouth; she had to pay £2.00 to play extra games, but reckons she came out on top by about £10 overall.  Just as I’m thinking how well Cameron Burgess is playing, the bloke behind me says “Tell you what, Burgess has done well since he’s come in”. Cameron immediately passes to a Plymouth player. “ Apart from that “ says the bloke next to the bloke behind me.

“Stand up if you love the greens” sing the Plymouth fans to the tune of the Pet Shop Boys’ ‘Go West’ as they promote the eating of broccoli, French beans, Brussels sprouts and cabbage with their pasties.   The same tune is then employed to chant “No noise from the Tractor Boys” to further goad us after their song about libraries failed to reduce anyone to tears. It’s the sixteenth minute and after Aluko tackles high up the pitch, the ball is swiftly moved to an overlapping Wes Burns who shoots across the face of the Plymouth goal.  With no goal attempts of their own the Plymothians go all Welsh and employing the tune Cwm Rhondda, tell us we’re supposed to be at home; ‘home’ being Portman Road rather than our individual home addresses I imagine. I think they’re goading us again.

The game is close and Pat from Clacton tells me how my last blog, for the Pompey game, was all wrong because Fiona  wasn’t on a cruise then, she was in the director’s box on a jolly, and today she is at her sister’s birthday party. Kindly, Pat hadn’t put anything on social media thinking it might make people think the blog was a load of inaccurate rubbish. There are a few isolated and short-lived bursts of chants from Town fans, but inexplicably the Plymouth fans respond with “Sit down shut up, Sit down shut up” chanted like the chimes of the Portsmouth Guildhall clock.  Do they want us to sing or not?  

“Hark now hear the Ipswich sing, the Norwich ran away” suddenly explodes from the North Stand, but peters out gently and the bloke behind me says “This ref is letting the game flow” just as I think the very same thing myself, probably because Mr Rock the referee doesn’t give a free-kick for a Sam Morsy ‘tackle’ that many referees would deem to be a foul.  Twenty-three minutes have gone forever and a shot from Plymouth’s Niall Ennis is blocked before the plain sounding James Bolton is replaced by Romony Crichlow, whose name sounds like it could have been that of a bit-part actress in a 1950’s Ealing comedy.

The opening act of the game is now over, and Town are taking control. Janoi Donacien gets behind the Plymouth defence to produce a low cross which no one can get to. Plymouth strike back briefly with a shot from Steven Sessegnon, who sounds French but isn’t, although he does have a cousin from Benin, which is a former French colony; they win their first corner and Sam Morsy earns his customary booking, this one for a foul on Niall Ennis, but then Bersant Celina wins a corner for Town, and a chipped cross leads to a strongly directed header from Wes Burns, but it’s  much too close to the Plymouth goalkeeper Mark Cooper who saves it without too much difficulty.  “No noise from the Tractor Boys” chant the Plymouth fans again as Town win another comer and I shout “ Come On You Blues, Come On You Blues” and ever-present Phil joins in.  “Two of you singing, there’s only two of us singing” sings Pat from Clacton softly, like the Chorus in an ancient Greek play.

Town should have scored by now, we’ve been brilliant; then the 38th minutes arrives. A ball over the top is pursued by James Norwood, he catches it up, controls it, shields it and then crosses low to the near post where Sam Morsy scores from what looks no more than 2 metres from the goal.  The roar from the home crowd is part celebration, but feels mostly like relief; we can score, we have scored, at last.  “Sing when you’re winning, you only sing when you’re winning” chant the Plymouth fans employing a Cuban folk vibe whilst also stating the obvious.   A minute later and Norwood shoots over the cross bar from 20 metres out and then a superb dribble from Sone Aluko sends Norwood to the goal line only for him to get over excited and launch the ball into orbit instead of laying on a second goal or scoring himself.   In the executive boxes of the Cobbold stand four fat bellies of men enjoying hospitality are illuminated as if under spotlights by the afternoon sun.  Three minutes of time added on are played before the team leave the field to warm applause. It’s been a great half of football, as good as we’ve seen at Portman Road in many years.

After eating a Nature Valley chocolate and peanut protein bar I join Ray and Harrison to talk of forthcoming concerts at the Regent theatre and other venues, and the pre-1973 recordings of Pink Floyd.  Half-time passes quickly and I’m soon back next to Pat from Clacton; at seven minutes past four the game resumes.  Town don’t immediately regain their rhythm from the first half and Plymouth enjoy a bit of possession and even a corner kick, although it goes straight to Christian Walton in the middle of the Town goal.  Today’s attendance is announced as 23,256 of whom 1291 are Janners, as Plymothians and other country folk with thick accents are known in Devon and Cornwall.  The guess the crowd competition on the Clacton supporters coach is won by Callum who isn’t even on the coach today, but his wife has had a go on his behalf.

Plymouth’s substitutes are trotting up and down the touchline and in their red tops with green sleeves Elwood thinks they look like Robin, Batman’s sidekick.  If this had been a Christmas fixture he might have thought they also looked like Elf.  Town are returning to form again. Sam Morsy crosses the ball; we wait to see who might get on the end of it; “Is there anybody there?” asks Pat from Clacton hopefully, and sounding as if she’s at a séance. Conor Chaplin and the oddly named Macauley Bonne replace Sone Aluko and James Norwood.  Sixty-seven minutes have passed and the North Stand start to chant Paul Mariner’s name, but most of them are doubtless too young to know of Paul’s own song which we would sing to the tune of Al Jolson’s Mammy. “Mariner, Mariner, I’d walk a million miles for one of your goals, Paul Mariner”.  Pat sings it to me quietly for old times’ sake.

Fifteen minutes of normal time remain; Jordon Garrick replaces Ryan Hardie for Plymouth and Romony Crichlow is booked after cynically tugging back Macauley Bonne.  It’s a pale blue afternoon with a cloudless sky above the North Stand and the sun now casts a shadow across the whole pitch.  Ten minutes remain. “Here we are, over and in” pleads Pat from Clacton as Town move forward again. The ball reaches Conor Chaplin who twists and turns, finds crucial space and places a shot beyond the far post.   Plymouth are getting desperate; their run of six consecutive victories is looking like it might end very soon indeed.  “Careful” says Pat as a Plymouth cross drops in the Town penalty area.  In the shadow of the West Stand the bright lime and lemon kits of the two goal keepers stand out as if they’re luminous.

Five minutes of normal time remain; Pat tells me she’s having Marks & Spencer prawn salad and a baked potato for her tea; I’m having fish and chips, I tell her. It’s the final minute of normal time and Plymouth win a corner; but Town clear it easily and Celina races away up field; he passes to Macualey Bonne who passes to Wes Burns who closes in on goal and shoots; past the far post.  If that had gone in we would have been guaranteed the win. We’re now into five minutes injury time and Plymouth break down the right and the Ealing studios starlet wins a free-kick. Luminous lime green Mark Cooper joins the Plymouth attack and every player is within thirty-five metres of the Ipswich goal.  The free-kick comes to nothing but the ball falls to Conor Chaplin; he shoots at the empty Plymouth goal and the occupants of the Sir Alf Ramsey Stand and the North Stand witness the painful arc of the ball drifting wide of the near post.

Happily, full-time follows soon after, and those who haven’t dashed away in the traditional post-match hurry to get home for tea applaud the teams and some of an Ipswich persuasion, including me and the bloke behind me join in with a few choruses of “Nana-Nana Ipswich” to the tune of The Beatles’ ‘Hey Jude.’  It’s been a fabulous afternoon’s football and I feel like the operator of turnstile number 60 must have known something when she said “Enjoy the football, have a lovely time” because I did and I have had,  and I like to think that it  had something to do with it being Paul Mariner day.  Paul Mariner was easily the best forward I’ve ever seen play for the Town and probably one of the top five in any position. I loved the way he moved, I loved that he sometimes wore his shirt outside his shorts, I loved his floppy mullet, I loved that he never got his hair cut.  I don’t believe in having ‘favourite ever players’ but if I had to choose one on pain of death or something worse I’d choose him.….or Frans Thijssen, or may be Arnold Muhren, or possibly Eric Gates…or…nah, I’d choose Paul Mariner.