Aberystwyth

Shrewsbury Town 0 Ipswich Town 3

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My first encounter with the ancient town of Shrewsbury was in the August of 1969 when on a family holiday to Aberystwyth.  Shrewsbury was a convenient overnight stopover on our coast-to coast journey and I recall peering through the rain-streaked rear window of the family Ford Cortina as we arrived in the evening rush hour in Shropshire’s county town and sought out the bed and breakfast recommended in the AA guide; I think it was named after a local priory or abbey.  Thirteen years later my father and I returned by coach to see Ipswich dumped out of the FA Cup at Gay Meadow. We did the same again two years later.  My last visit to Shrewsbury was almost 35 years ago to the day, on 22nd August 1987, to witness a goalless draw in the Second Division. Today my return will re-kindle old memories and reveal the delights of the ‘New Meadow’.

I spent last night at a hotel in nearby Telford, where I drank a pint of Camden Pale Ale, a beer that tasted so heavily of citrus my mouth felt all evening as if I’d eaten a whole tub of lemon sorbet.  This morning I take a short walk from my hotel after breakfast and decide that if the residents of Telford were true to the architecture of their town, they would still all have big hair, shoulder pads and the sleeves on their jackets would be rolled up.  I didn’t much like the 1980’s and I am happy to quickly make the short hop to Shrewsbury having first filled up the petrol tank of my trusty Citroen C3 and discovered that fuel is 5p per litre cheaper at Sainsbury’s in Telford than it was on Thursday in Ipswich.  At the Meole Brace Park and Ride site near New Meadow, it costs a fiver to park and then walk to the football ground.  If you pay £2 to ride the bus into Shrewsbury and back however, the parking is free, and you get to ride on a bus, twice.  With an eye for a bargain and a bus trip, I arrive early and catch the bus.

Shrewsbury is a fine town to roam around for a couple of hours, with scores of fab buildings to see, I particularly liked the stained-glass windows of St Mary’s church, the ‘new’ market hall and the ‘cosmic egg’ as well as street names such as Mardol, Dogpole, Grope Lane and Bear Steps.  At the castle I look down upon the site where Gay Meadow used to be.  On Mardol I drink a pint of Castle Eden Golden Harvest Ale (£3.80) in the King’s Head pub, where the bar maid shows me the medieval wall paintings and even takes me out into the street to show me the interpretive signage telling the history of the neighbourhood and how in the sixteenth century it used to be the red-light district.  Oddly she also tells me that her name is Maggie May after the Rod Stewart song and that Maggie May was a prostitute; sadly, I don’t get the opportunity to tell her that Maggie May was in truth just an ’older woman’; although the Maggie Mae that the Beatles sang about on the ‘Let It Be’ album was a prostitute.

My mind swimming with the delights of Shrewsbury Town centre, which as medieval towns go really only tops Ipswich due to more exciting topography, I catch the bus back to Meole Brace from where I will walk to the football ground.  The New Meadow can be seen across fields from the road outside the Park and Ride and again, after a stroll through a retail park, from a nearby railway bridge; it’s not an architectural gem of a football ground but the cantilever steelwork has a certain appeal.  The club shop beckons as I have instructions to purchase a cuddly gnome to add to my wife’s collection of football club soft toys. The shop is much, much, smaller than I had anticipated and with its modest display of replica kits on hangers it has the feel of a walk-in wardrobe. I find the necessary gnome (£9.00) and a match programme (£3.00) and make my purchases.  Placing the chosen gnome in a plastic bag, the woman in the shop explains, as she rolls her eyes, that she won’t put my programme in the bag too because she knows that some people like to keep their programmes flat.

With time still to spare until kick-off I watch Town fans watching the team alight from the team bus, and then eat two Marks & Spencer chicken and ham sandwiches (£3.50) that I bought in the retail park. It starts to rain, and I shelter behind a brick wall. Happily, it was just a shower and after enjoying a poster of a former Shrewsbury player called Ken Mulhearn, whose fantastically coiffured hair looks like he may have modelled 1970’s knitting patterns,  I take a look at the ‘Fanzone’ which, showing how enlightened Shropshire is, is available to both home and away supporters. Music plays, it’s a song by the Smith’s and I think how it is somehow from a different 1980’s to the one in central Telford.  Fans queue for fizzy beer, there is a ‘festival atmosphere’ and in a converted shipping container at one end of the Fanzone an elderly man in replica shirt sits behind a desk, whilst another man in late middle age with a blue and yellow scarf wrapped around his neck announces the result of a prize draw; a woman holding a beer and a man with very poor posture look on; I feel as if I’m at a village fete.

Eventually, I make my way to turnstile 18 and after seeing ever-present Phil who never misses a game, in the toilet,  and bumping into a man named John and another called Ray, neither of whom I have seen for at least three years, I take my place in row M seat 18.  “Shrewsbury‘s a shit hole I want to go home” chant some Ipswich fans across the aisle from me to the tune of the Beach Boys’ ‘Sloop John B’.  I can only assume they have recently discovered irony, because I have found Shrewsbury to be a smashing little place.  In the corner between the main stand and the away end I see house martins swooping and diving, I love our summer visitors but sadly have seen very few this year at home.  In due course, the game begins, with Town having first go with the ball and for the first time wearing this season’s red and black striped away shirt. Shrewsbury Town meanwhile sport yellow and blue striped shirts with blue shorts, as does their lion mascot who unimaginatively is called Lenny.  Ipswich are playing towards something called the Salop Leisure Stand, whilst Shrewsbury are aiming towards the DMOS People North Stand, where I and my fellow Ipswich fans are spending the afternoon.

Town quickly win a corner and it is the Tractor Boys who are making all the noise with someone banging a drum and a child behind me shouting in an ear-hurting high pitch, as children do. Kane Vincent-Young takes the ball around the goalkeeper and looks set to score but is apparently tackled fairly, although those around me believe otherwise and bay for a penalty. “You’re Welsh and you know you are” chant Town fans to the Shrewsbury fans presumably implying that there is something wrong with being Welsh rather than just providing an insight into the number of people in the local telephone directory with surnames such as Davis and Pugh.  It is racism, but the English, Welsh and Scots have a reciprocal agreement on abuse enshrined in the Act of Union of 1707.  Marcus Harness has a low shot saved at the near post by Shrewsbury ‘keeper Marko Marosi.

On the touchline Kieron McKenna is wearing what from a distance looks like a white cardigan, it’s not to my taste but it shouldn’t affect the result, I hope, although Town are living dangerously at times at the back by insisting on drawing Shrewsbury on to them with daring passes between defenders in our own penalty area.  “Your ground’s too big for you” chant my accomplices in the DMOS People North Stand having quickly totted up that there are a good 2,319 empty seats in the 9,875 capacity stadium.

I look at my watch, it’s only a quarter past three, it feels like it’s later.  Perhaps to help the passage of time the town fans air a new song to the tune of The Dave Clark Five’s 1964 hit ‘Glad All Over’, which celebrates the fact that. “we’ve got; Marcus Harness”.  Sam Morsy gets booked for an unnecessary and at worst petulant kick or trip on Tom Bayliss.  Like many third division teams, Shrewsbury’s approach is physical and bullying, but Ipswich are possibly the bigger bullies so far today. But all of sudden, like the sun streaming through the clouds that play across the Shropshire countryside, some superior skill shines through as Tyreece John-Jules slaloms past a defender and scores in to the bottom right hand corner of the Shrewsbury goal; Ipswich Town lead 1-0 and it’s a bit beyond twenty past three.  Town are the better team but are now proving it and continue to do so by preventing Shrewsbury from getting anywhere close to the Ipswich goal.

Tyreece John-Jules looks like he is through again on goal but is called offside and the home fans are so quiet the Ipswich supporters dare to chant “Na-na-na, football in a library”, which is something that I would frown upon.  As the first half draws to a close Cameron Burgess gives Shrewsbury the gift of a corner kick with an inelegant  sky-high clearance, but despite bouts of all in wrestling between opposing players Ipswich manage to clear the ball up field.  Two minutes of added on time ensue, which the PA announcer tells us are sponsored by Reece Media, “designed to deliver”.  I wonder to myself if the sponsors pay more depending on the amount of time that is to be added on; a first-half with lots of stoppages could potentially end up with spectators thinking of Reece Media for minutes on end.  The closing act of the half is Ipswich winning a corner, but as so often happens, nothing comes of it .

I pass half-time eating most of a Nature Valley Oats and Honey Crunchy bar but then I spot a man called Richard who is eating a hot dog at the front of the stand. Richard and I have previously journeyed together to such exciting locations as Coventry, Sunderland, Blackpool and Nottingham and he even wrote this blog once when I was in a coma.  We catch up on the intervening years and whilst we do so a large, probably overweight, young man walks by on chubby legs and vomits, and as he does so he mystifyingly appears to try and catch the vomit as it is propelled from his mouth.  “Why would you try and catch it?” asks Richard rhetorically. 

I threaten to contact Richard about possible future away trips and as drops of rain begin to fall we part, eager to forget what we have just witnessed.  At five past four the football resumes and Shrewsbury quickly win a free-kick which leads to an unsightly melee in the Ipswich penalty area, but we are strong today and successfully out muscle the home team.  Above the Salop Leisure Stand a small murmuration of starlings swoops and pulses like a weird flying muscle and Tom Bayliss levels up the score for yellow cards after he fouls Lee Evans.  In the next sixty seconds a fine move down the left to Leif Davis allows him to send a square ball to Conor Chaplin who shoots from at least 20 metres out with his left foot into the bottom righ hand corner of Marosi’s goal.   Ipswich lead 2-0 and it’s another fine goal which Shrewsbury came nowhere near preventing. There could never be another Eric Gates,  but if in the inevitable dystopian future our Tory overlords decree for reasons of insane political dogma that there has to be one, I’d like it to be Conor Chaplin.  Eric’s goals of course went more top corner than bottom corner.

Town go close to scoring again. Leif Davis is getting loads of space on the left. Kane Vincent-Young gets to one of Leif’s crosses but that’s all, and the ball orbits up and over the away supporters. “ Two-nil to the Tractor Boys” we sing and the noise carries on but without too much very interesting happening on the pitch.  Then it changes, and Town dominate, and Sam Morsy shoots over the cross bar from 25 metres. Cameron Burgess receives a head injury and dons a dark bandage, he’s big enough to be our third division Terry Butcher.

It’s gone half past four and Shrewsbury make substitutions because they have to do something; Caton and Bowman for Udoh and Pyke, and Bloxham for Da Costa.  Ipswich quickly follow suit. Jackson and Ladapo for Vincent-Young and John-Jules, but not because we have to, just because we can. Kayden  Jackson soon wins a corner and  Lee Evans heads wide.   Harness and Chaplin who have been magnificent are replaced by Edwards and Aluko.  Shrewsbury win a rare corner but it’s just a platform for Ipswich to break away up field and win another corner of our own.  Above the Salop Leisure Stand the mini murmuration of starlings reappears and settles on the two floodlights that project from the roof of the stand and look down on the pitch.  In the same way that twitchers gather to see rare birds, it seems that Shropshire starlings gather to watch decent football.   A lone house martin swoops and dives above the pitch, picking off the insects Sam Morsy hasn’t already crushed.

The attendance is announced as being 6,556.  “Here for the Ipswich, you’re only here for the Ipswich” chant the now gloating Ipswich fans whilst also being simultaneously and illogically scornful of the ‘small’ crowd.   Full-time approaches and after another slick passing move Freddie Ladapo side foots weakly into Morosi’s grateful arms.  Six minutes of added on time are announced and after just two, more approach play down the flanks finds Morsy in the middle. Morsy shoots; his shot appears to be going in but is blocked on the goal line,  but the ball rebounds to Kayden Jackson whose leg is in the perfect position by accident or design to place the ball perfectly between Shrewsbury defenders and into the net. Three-nil to Ipswich and there’s barely time for Shrewsbury to have their consolation ‘only shot of the game’ which Matthew Pennington helpfully boots directly at Christian Walton.  “Head for the corner” shouts an excited and deranged looking young man dancing on the steps in front of me, who clearly has a view on the way to ‘see the game out’.  He needn’t have worried. It’s Ipswich who finish the game with another corner kick just to sum up their domination of this fixture.

Euphoria reigns in the DMOS People North Stand as elsewhere the stands empty in silence.  It’s a love-in at our end of the ground. Importantly, I get to see that Kieran McKenna isn’t wearing a white cardigan, although I’m not sure what it is, a sweatshirt perhaps?  Brimming with the happiness only a 3-0 away win can induce, I head back to the Meole Brace Park & Ride unaware that I wont get out of the car park until 6 o’clock.

Ipswich Town 1 Plymouth Argyle 0

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The ritual of every other Saturday from late summer to mid-spring has come round again, predictably after just a fortnight, but today I have broken free from the shackles of totally repetitive behaviour by making a pre-match visit to see my mother.  As ever, she has more to say about my beard and the length of my hair than much else, and when I think I’ve successfully got her reminiscing about trolleybuses or a family holiday in Aberystwyth or her mother filling the copper from the garden well on wash days, she somehow, out of the blue, asks me when I’m getting my hair cut.  To her credit however she does re-iterate her dis-like of Mothers’ Day, telling me that children have no reason to be grateful to their mothers; they didn’t ask to be brought here.   I tell her that it’s only for one day a year though, and we both laugh.  After an hour of such conversation, it’s time for her to eat her lunch and so after we’ve said our goodbyes and she’s told me to be good, even though she says she doesn’t believe I can be, I climb back into my trusty Citroen C3 and head back across town to resume the fortnightly ritual.

The sun is shining, it’s a beautiful day.  Walking through Gippeswyk Park I hear a snippet of conversation from inside the tennis court, “I’ve got probation at 11:30”, says a voice. A little further on, three scruffy looking blokes with cans of lager and tattooed necks lurk expectantly behind a hedge; I feel the urge to start singing Lou Reed’s “I’m waiting for the man” from his Velvet Underground & Nico album with cover design by Andy Warhol, which coincidentally was released almost exactly fifty-five years ago (12th March 1967 to be precise).  Meanwhile, a dog that looks like a bear sniffs the grass and a chubby youth takes a swig from a plastic bottle and then holds the bottle up to the light as if he can’t quite believe what he’s drinking.  At the Station Hotel on Burrell Road, Plymouth Argyle supporters enjoy the delights of its riverside garden, and Portman Road is already busy with eager supporters chewing on factory produced bread and mechanically reclaimed meat products. I attempt to purchase a match day programme in the up-to-date cashless manner, but the smilingly apologetic programme seller tells me from within her booth that the wireless gadget has stopped working. I delve into my pocket for the four coins that will make up £3.50 and place them in her hand. Still smiling, the programme seller hands over a programme and wishes me an enjoyable afternoon.

In the Arboretum pub (now known as the Arbor House) I have to queue for a pint of Mauldon’s Suffolk Pride (£3.80) and the beer garden is busy with drinkers, some of whom will clearly be Portman Road bound.  Mick won’t be joining me today as he is in London meeting a friend who is over from Germany and so I thumb through my programme, which on its front cover has a picture of Paul Mariner drawn in a sort of cartoon style; it’s probably what Paul would have looked like if he’d appeared in the opening credits to BBC tv’s Grange Hill.  Later at home, my wife will tell me she thinks the picture looks creepy.  My view is that I think Roy Lichtenstein or Hanna and Barbera might have done it better.

By twenty-five past two I have drained my glass of beer and with little else to do I decide  to take a gentle stroll down to Portman Road, which gives me time as I pass Ipswich Museum to admire the elaborate terracotta mouldings above the ground floor windows, it really is a magnificent building, another of Ipswich’s architectural gems; but ignorant people will still tell you the town is a dump and that “The Council” have demolished all the ‘lovely old buildings’.

Back in Portman Road supporters head purposefully for ‘their turnstile’ or mill about waiting for friends; some queue for more last minute mechanically re-claimed meat products; on the grass of Alderman Road rec others recline, soaking up the sun as if this was the Cote d’Azur.  I make my way between the assembled supporters’ coaches of Whincop, C & J and Tendring to the Constantine Road entrance.  Passing through turnstile number 60, I thank the operator who smiles and says rather gushingly “Enjoy the football, have a lovely time.”  This in the week in which I answered a club questionnaire about human inter-action with stewards and turnstile operators.

After making use of the toilet facilities to a soundtrack of Deep Purple’s ‘Smoke on the water’ playing over the PA system, I arrive on the lower tier of the Sir Alf Ramsey Stand, where ever-present Phil who never misses a game is of course present, with his young son Elwood, and I can see Harrison, his dad and his grandfather Ray ‘down the front’.  Pat from Clacton soon arrives, and we prepare to wave the polythene flags that have been left on our seats to celebrate Paul Mariner day.  The PA system has stopped playing the rock music that Paul Mariner was a fan of and ramps up the music designed to make us feel excited and full of expectation. “Exciting isn’t it” says the bloke who sits next to me.  “It is, I just hope I can last out until kick-off” I tell him. At the North Stand end of the ground banners read “Mariner” and “A fire in the sky”; the latter words an extract from the lyrics of “Smoke on the Water” that was playing in the toilet earlier.  Apart from Paul’s liking for Deep Purple, I don’t really get the connection as the song was about a casino burning down in Montreux in Switzerland and Town only ever played in Zurich ( versus Grasshoppers), and that’s over 200 kilometres away from Montreux. 

With the parade on to the pitch of the teams, we wave our flags for all we’re worth, like a host of Liberties or Mariannes leading the people in Delacroix’s painting; but unlike her we all keep our tops on.  Finally, with the first flush of excitement over, the game begins, although I don’t even notice who got first go with the ball, only that Town are kicking towards me, Pat from Clacton, Elwood and Phil, whilst Plymouth are wearing a rather attractive kit of all white with a green band across the chest bearing the name Ginster’s . Who, apart from my grain and lactose intolerant wife, doesn’t love a beef and pastry-based snack, even if much of Cornwall will tell you that a Ginster’s pasty is not a pasty at all, but a vile abomination?  Diverting our attention from this controversy, the Argyle fans attempt a new World record by singing “Is this a library?” with just fifty-three seconds on the clock, which is an admirable effort by anyone’s standards and smacks of their knowing they would be singing it sooner or later so why not just start with it.  I have much admiration for Plymouth supporters and their endless travelling. London is much the same distance (342 km) from both Plymouth and Paris, but whilst it takes about two and half hours to get from London to Paris by train, it takes three and a quarter to get to Plymouth. 

Quickly, Town are on the attack and after a fine interplay of passes in front of the Cobbold Stand, Sone Aluko sends a shot just behind the goalpost into the side netting of the Plymouth goal, and Pat from Clacton tells me that she won £43.75 playing whist last week in Great Yarmouth; she had to pay £2.00 to play extra games, but reckons she came out on top by about £10 overall.  Just as I’m thinking how well Cameron Burgess is playing, the bloke behind me says “Tell you what, Burgess has done well since he’s come in”. Cameron immediately passes to a Plymouth player. “ Apart from that “ says the bloke next to the bloke behind me.

“Stand up if you love the greens” sing the Plymouth fans to the tune of the Pet Shop Boys’ ‘Go West’ as they promote the eating of broccoli, French beans, Brussels sprouts and cabbage with their pasties.   The same tune is then employed to chant “No noise from the Tractor Boys” to further goad us after their song about libraries failed to reduce anyone to tears. It’s the sixteenth minute and after Aluko tackles high up the pitch, the ball is swiftly moved to an overlapping Wes Burns who shoots across the face of the Plymouth goal.  With no goal attempts of their own the Plymothians go all Welsh and employing the tune Cwm Rhondda, tell us we’re supposed to be at home; ‘home’ being Portman Road rather than our individual home addresses I imagine. I think they’re goading us again.

The game is close and Pat from Clacton tells me how my last blog, for the Pompey game, was all wrong because Fiona  wasn’t on a cruise then, she was in the director’s box on a jolly, and today she is at her sister’s birthday party. Kindly, Pat hadn’t put anything on social media thinking it might make people think the blog was a load of inaccurate rubbish. There are a few isolated and short-lived bursts of chants from Town fans, but inexplicably the Plymouth fans respond with “Sit down shut up, Sit down shut up” chanted like the chimes of the Portsmouth Guildhall clock.  Do they want us to sing or not?  

“Hark now hear the Ipswich sing, the Norwich ran away” suddenly explodes from the North Stand, but peters out gently and the bloke behind me says “This ref is letting the game flow” just as I think the very same thing myself, probably because Mr Rock the referee doesn’t give a free-kick for a Sam Morsy ‘tackle’ that many referees would deem to be a foul.  Twenty-three minutes have gone forever and a shot from Plymouth’s Niall Ennis is blocked before the plain sounding James Bolton is replaced by Romony Crichlow, whose name sounds like it could have been that of a bit-part actress in a 1950’s Ealing comedy.

The opening act of the game is now over, and Town are taking control. Janoi Donacien gets behind the Plymouth defence to produce a low cross which no one can get to. Plymouth strike back briefly with a shot from Steven Sessegnon, who sounds French but isn’t, although he does have a cousin from Benin, which is a former French colony; they win their first corner and Sam Morsy earns his customary booking, this one for a foul on Niall Ennis, but then Bersant Celina wins a corner for Town, and a chipped cross leads to a strongly directed header from Wes Burns, but it’s  much too close to the Plymouth goalkeeper Mark Cooper who saves it without too much difficulty.  “No noise from the Tractor Boys” chant the Plymouth fans again as Town win another comer and I shout “ Come On You Blues, Come On You Blues” and ever-present Phil joins in.  “Two of you singing, there’s only two of us singing” sings Pat from Clacton softly, like the Chorus in an ancient Greek play.

Town should have scored by now, we’ve been brilliant; then the 38th minutes arrives. A ball over the top is pursued by James Norwood, he catches it up, controls it, shields it and then crosses low to the near post where Sam Morsy scores from what looks no more than 2 metres from the goal.  The roar from the home crowd is part celebration, but feels mostly like relief; we can score, we have scored, at last.  “Sing when you’re winning, you only sing when you’re winning” chant the Plymouth fans employing a Cuban folk vibe whilst also stating the obvious.   A minute later and Norwood shoots over the cross bar from 20 metres out and then a superb dribble from Sone Aluko sends Norwood to the goal line only for him to get over excited and launch the ball into orbit instead of laying on a second goal or scoring himself.   In the executive boxes of the Cobbold stand four fat bellies of men enjoying hospitality are illuminated as if under spotlights by the afternoon sun.  Three minutes of time added on are played before the team leave the field to warm applause. It’s been a great half of football, as good as we’ve seen at Portman Road in many years.

After eating a Nature Valley chocolate and peanut protein bar I join Ray and Harrison to talk of forthcoming concerts at the Regent theatre and other venues, and the pre-1973 recordings of Pink Floyd.  Half-time passes quickly and I’m soon back next to Pat from Clacton; at seven minutes past four the game resumes.  Town don’t immediately regain their rhythm from the first half and Plymouth enjoy a bit of possession and even a corner kick, although it goes straight to Christian Walton in the middle of the Town goal.  Today’s attendance is announced as 23,256 of whom 1291 are Janners, as Plymothians and other country folk with thick accents are known in Devon and Cornwall.  The guess the crowd competition on the Clacton supporters coach is won by Callum who isn’t even on the coach today, but his wife has had a go on his behalf.

Plymouth’s substitutes are trotting up and down the touchline and in their red tops with green sleeves Elwood thinks they look like Robin, Batman’s sidekick.  If this had been a Christmas fixture he might have thought they also looked like Elf.  Town are returning to form again. Sam Morsy crosses the ball; we wait to see who might get on the end of it; “Is there anybody there?” asks Pat from Clacton hopefully, and sounding as if she’s at a séance. Conor Chaplin and the oddly named Macauley Bonne replace Sone Aluko and James Norwood.  Sixty-seven minutes have passed and the North Stand start to chant Paul Mariner’s name, but most of them are doubtless too young to know of Paul’s own song which we would sing to the tune of Al Jolson’s Mammy. “Mariner, Mariner, I’d walk a million miles for one of your goals, Paul Mariner”.  Pat sings it to me quietly for old times’ sake.

Fifteen minutes of normal time remain; Jordon Garrick replaces Ryan Hardie for Plymouth and Romony Crichlow is booked after cynically tugging back Macauley Bonne.  It’s a pale blue afternoon with a cloudless sky above the North Stand and the sun now casts a shadow across the whole pitch.  Ten minutes remain. “Here we are, over and in” pleads Pat from Clacton as Town move forward again. The ball reaches Conor Chaplin who twists and turns, finds crucial space and places a shot beyond the far post.   Plymouth are getting desperate; their run of six consecutive victories is looking like it might end very soon indeed.  “Careful” says Pat as a Plymouth cross drops in the Town penalty area.  In the shadow of the West Stand the bright lime and lemon kits of the two goal keepers stand out as if they’re luminous.

Five minutes of normal time remain; Pat tells me she’s having Marks & Spencer prawn salad and a baked potato for her tea; I’m having fish and chips, I tell her. It’s the final minute of normal time and Plymouth win a corner; but Town clear it easily and Celina races away up field; he passes to Macualey Bonne who passes to Wes Burns who closes in on goal and shoots; past the far post.  If that had gone in we would have been guaranteed the win. We’re now into five minutes injury time and Plymouth break down the right and the Ealing studios starlet wins a free-kick. Luminous lime green Mark Cooper joins the Plymouth attack and every player is within thirty-five metres of the Ipswich goal.  The free-kick comes to nothing but the ball falls to Conor Chaplin; he shoots at the empty Plymouth goal and the occupants of the Sir Alf Ramsey Stand and the North Stand witness the painful arc of the ball drifting wide of the near post.

Happily, full-time follows soon after, and those who haven’t dashed away in the traditional post-match hurry to get home for tea applaud the teams and some of an Ipswich persuasion, including me and the bloke behind me join in with a few choruses of “Nana-Nana Ipswich” to the tune of The Beatles’ ‘Hey Jude.’  It’s been a fabulous afternoon’s football and I feel like the operator of turnstile number 60 must have known something when she said “Enjoy the football, have a lovely time” because I did and I have had,  and I like to think that it  had something to do with it being Paul Mariner day.  Paul Mariner was easily the best forward I’ve ever seen play for the Town and probably one of the top five in any position. I loved the way he moved, I loved that he sometimes wore his shirt outside his shorts, I loved his floppy mullet, I loved that he never got his hair cut.  I don’t believe in having ‘favourite ever players’ but if I had to choose one on pain of death or something worse I’d choose him.….or Frans Thijssen, or may be Arnold Muhren, or possibly Eric Gates…or…nah, I’d choose Paul Mariner.