Ipswich Town 5 ABBA 5

The football season is over save for the silly play-offs, and now it’s the height of Spring,  and with little else to occupy him a young man’s fancy lightly turns to thoughts of the Eurovision Song Contest;  or maybe not.  But last week’s transmission of the bizarre, annual , musical  television ritual extravaganza was inevitably accompanied by the airing of a clip show on BBC4 of past performances by the competition’s only notable success, Abba.  I have never bought, stolen, borrowed or owned an Abba record, tape, download or CD, but I will admit to being unable to suppress a smile when I hear one played.    Equally, I couldn’t resist watching that clip show and felt rewarded when it brought back memories of a road trip I made in the summer of 1995, which took me and my then girlfriend via Parkeston Quay, DFDS Seaways ferry, Gothenburg, Stockholm, Uppsala and Sundsvall to Pitea in northern Sweden, where we stayed with my girlfriend’s pen friend and her husband.  It was a very long drive for which the soundtrack for several stages of the journey came courtesy of a CD of Abba Gold belonging to my girlfriend.

The experience of listening to Abba on that road trip has stayed with me and it led to an article in the erstwhile Ipswich Town fanzine A Load of Cobbolds.  Now, in the spirit of nostalgia inspired by the fortieth anniversary of Ipswich Town’s UEFA Cup win and  in the absence of anything better to do I have reproduced that article below, updating it to modern times where necessary:

When you’re an eleven or twelve year-old football and pop music loom large as pre-pubescent priorities.   I bought my first record (Happy Christmas (War Is Over) by John Lennon & Yoko Ono) in 1971,  the same year that I started watching Ipswich Town, and I  soon began to feel that footie and pop music were somehow inextricably linked. The late Sixties and early Seventies was a time when it was easy to confuse footballers with pop stars and my two worlds satisfyingly collided.  The fashion for any bloke who aspired to being hip and trendy was an enormous thatch of hair coupled with equally vast sideburns.  Squeezed into a pair of bollock-hugging, crushed-velvet flairs and sporting a deafeningly loud shirt,  Ian Collard or Rod Belfitt might have been members of The Hollies, or Kevin Beattie a member of Nazareth.

The similarities in the appearance of pop stars and footballers subsided a bit as the Seventies wore on and sadly, sartorially Punk Rock never seemed to catch on with any footballers at all.  There were however still some startling lookalikes within the ranks of the PFA, I thought.  It could have just been my addled perception, but I always felt that Arsenal’s Frank Stapleton and Shakin’ Stevens were the same bloke.  Moving on into the 1980’s the separation at birth of Oldham Athletic’s Andy Ritchie and Jimmy Somerville was ‘well documented’ at the time, but less well-known is the fact that Roy Keane and Sinead O’Connor were also twins.

More amazing than these superficial similarities, which admittedly are largely the invention of my fevered imagination, is the very precise correlation between the success of one particular football club during the 1970’s and early 1980’s and a particular pop group.  Both were at their peak between 1973 and 1982. The football club of course was Ipswich Town and the pop group was Abba.

If you take time to trawl through the collected works of the famous Swedish songsters, as Dave Allard might have called them, you will not only enjoy a richly rewarding aural experience, but you will soon reach the conclusion that the fact that Town and Abba were both at the peak of their powers over precisely the same period of time is no coincidence.   Listen carefully to the lyrics and you will be able to trace the history of the Town’s success through that glorious era.  You will find that listening to Abba Gold (Greatest Hits) is as close to a religious experience as you can hope to get;  something akin to an Ipswich Town Dreamtime, harking back to an epoch when Portman Road was inhabited by ancestral figures of heroic proportions who possessed supernatural powers.   In the film Muriel’s Wedding the eponymous Muriel says that Abba’s songs are better than real life.  Now, as we sit in the murky depths of the third division and look back at Town’s glorious past you too will believe this is true.

As you might expect from Europe’s foremost supergroup many of the songs make reference to Town’s European campaigns of that era in the UEFA and European Cup Winners’ cups.  It is likely that it was through Town’s exploits on the continent that the talented Swedes first became Town supporters, although we were actually only drawn against Swedish opposition  once when in 1977 we met Landskrona Bois and most inconveniently The Stranglers played the Ipswich Gaumont on the very same night as the home leg.  Naturally, I missed The Stranglers concert and sadly never got a second opportunity to see them.    There is clearly a reference to Town’s UEFA Cup triumph over Lazio in the title of the number one hit ‘Mamma Mia!’, a song which also contains a lyric that suggests one of Abba had perhaps had a brief flirtation with a Town player or supporter and may explain the uncanny connection between Abba and the mighty Blues;

“Yes, I’ve been broken hearted, Blue since the day we parted.”

The moving ballad ‘Fernando’ is sung to an imaginary Spanish fan and recalls those sultry September and cooler autumn evenings when we entertained Iberian opposition from Real Madrid, Las Palmas and Barcelona.

“There was something in the air that night, the stars were bright, Fernando….

Though we never thought that we could lose, there’s no regrets. If I had to do the same again I would, my friend Fernando”

That last line referred to the fact that Town were twice drawn to play Barcelona, whilst the line  before that refers to our having lost both ties despite being confident after winning the first leg.  Another song, ‘Super Trouper’, whilst still referencing games played under floodlight, perhaps because of the lack of daylight hours in Sweden during the English football season, refers to an individual player and employs little-known Swedish rhyming slang in a thinly disguised paean to goalkeeper Paul Cooper.

“Super Trouper lights are gonna find me shining like the sun, Smiling having fun feeling like a number one”

In the 1978 Abba hit “Take a chance on me”   the subtle Swedish Blues fans reveal the little known story of how Frans Thijssen successfully pleaded with Bobby Robson to let him join his compatriot Arnold Muhren at Portman Road and to try his luck in English football. 

Honey I’m still free, take a chance on me. If you need me let me know and I’ll be around. Gonna do my very best and it ain’t no lie, if you put me to the test, if you let me try”.

Although those days were such wonderful times for Town, not every song described a happy or uplifting event.  There were sad days too at Portman Road back in the Seventies and hard decisions had to be made for the good of the team.  The 1977 ‘Number One’ hit ‘Knowing Me, Knowing You’ was about the departure of former Portman Road favourite David Johnson, the one-time ‘King of Portman Road’, who left Town to join rivals Liverpool.  In the song, the reflective Scouser looks back on the good times he has had at Portman Road since his move to Town from Everton four years earlier.

  “Memories, good days, bad days, they’ll be with me, always”

David appreciates however that his recent form has not been good and in the circumstances a move is the best thing for everyone.

  “Knowing me, knowing you, there is nothing we can do, we just have to face it this time we’re through; Breaking up is never easy I know but I had to go, Knowing me, knowing you it’s the best I could do”.

Back in the Seventies, money wasn’t the driving force in football that it is today.  Nevertheless, the spending power of clubs such as Manchester United, who were able to make expensive signings virtually every season despite being rubbish, rankled with Bobby Robson and he longed to be able to make big signings for Town.  Abba’s “Money, Money, Money” was a song about his frustration. 

“In my dreams I have a plan, if I got me a wealthy man…  “

”All the things I could do if I had a little money…”

“Money, money, money, always sunny in a rich man’s world”

Both ‘Knowing Me, Knowing You’ and ‘Money, Money, Money’ showed something of the downside of those glory years and as we look back on those days from the fag-end of the first quarter of the miserable twenty-first century a melancholy aura pervades our memories, in part because ultimately Town failed to win the League Championship that we deserved, but perhaps also because even at the time we knew it all had to end one day, and when Bobby Robson left to manage England in 1982 we secretly knew it had.  Abba knew it too and two of their hits put these feelings in to sharp perspective.  The haunting melody of ‘Winner takes it all’ explores the pain that looking back on the good times would bring; it begins:

 “I don’t want to talk about things we’ve gone through, though it’s hurting me now it’s history”

Abba’s last big hit ‘Thank you for the music’ is sung from the perspective of our legendary club captain Mick Mills who reminisces, having regretfully left Town for Southampton, about the joy and beauty of those days between 1973 and 1982.  If you’ve listened to the slightly dull monotone of Mick’s summaries as he sits alongside commentator Brenner Woolley on BBC Radio Suffolk, you will appreciate the opening lines to this song; 

“I’m nothing special in fact I’m a bit of a bore, If I tell a joke, you’ve probably heard it before…”

But Mick’s talent was as full-back and captain of the greatest Ipswich Town side ever and this was the ‘music’ referred to in the title of this most moving of Abba songs.  This was a song from the heart of ‘Mr Ipswich Town’, Mick Mills, and it is truly uncanny how Mick with his blond locks and luxurious facial hair even looks like a bit like a composite of Bjorn Ulvaeus and Benny Anderson the song’s composers.  This song is the ultimate celebration of those ten seasons at the top in which Mick thanks fate for the glorious hand he was dealt.

“I’ve been so lucky, I am the girl with golden hair

I want to sing it out to everybody

What a joy, what a life, what a chance

So I say Thank You for the music

The songs I’m singing

Thank you for the joy they’re bringing…”

The songs of Abba define and encapsulate a golden period in the story of the twentieth century and the time before Thatcherism and neo-liberalism destroyed your innocence.  Abba’s songs, their success and the glory of Ipswich Town, the nicest professional football club the world had ever known did not happen together by coincidence.  The proof is in the lyrics of the songs, and shows that cosmic forces were at work.  Those of us who lived through the 1970’s were truly blessed to have experienced the music of Abba as it happened, but we are doubly blessed to have been Ipswich Town supporters too.

Thank you for the music Bobby Robson and Mick and all the lads who played for us between 1973 and 1982 , and thank you for the music Agnetha Faltskog, Benny Anderson, Bjorn Ulvaeus and Anni-Frid Lyngstad.

Bury Town 0 Waltham Abbey 0

It’s a thirty-five minute train ride from Ipswich to Bury St Edmunds (£7.20 return with a Gold Card) stopping at Needham Market, Stowmarket, Elmswell and Thurston, which for a 25 mile journey by train seems quite a long time. But whilst it’s not one of the fastest train rides in the world, it’s pleasant enough and there’s a busyness and hum about it due to the churn of passengers at each of the four stops.
I board the 1320 and sit at a table seat where just before departure I am joined by three blokes in their thirties who seem to be part of a larger group on a stag weekend, but they also seem to be Margate supporters heading the nine miles down the track to today’s match at Needham Market; an interesting combination that beats paintballing in Dublin. At Stowmarket the train fills up again and pulls away from the station passing the Green Meadow ground, where later this afternoon Stowmarket Town will beat Ipswich Wanderers 3-0. Three well-turned out women in their forties apologetically take up the empty seats around me, asking if I mind if they sit there. “As long as you behave yourselves” I say and they reply that they can’t promise anything but they’ve only had one drink so far today. They’re heading for the bright lights of Bury St Edmunds to celebrate a birthday and they natter constantly throughout the journey about all of life’s trials. “Oooh, I can’t get on with public transport” says one “You know that striped carpet we’ve got” says another “ …had to have it re-laid twice, they got it all wrong on the stairs” . “I don’t go shopping anymore” says the third “Just do click and collect”. “Same with me” replies one “But I just buy baked potatoes”. Then one talks at length about the problems with parking outside her house and an intimidating little bloke in a Range Rover who’s got four cars and a bike, but there’s only him and his wife living there. She doesn’t know what they’re going to do when Annabel gets a car.
Arriving at five to two at Bury St Edmunds’ beautiful red brick railway station, the

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women alight and thank me for letting them sit with me, I tell them it was my pleasure, and it was. Stepping onto the platform I immediately breathe in the sweet smell of the local sugar beet factory, a smell that transports me back to the school playing fields of Ipswich in the 1970’s. It’s not exactly a pleasant smell because it’s thick and cloying, but it’s always at its strongest on clear, bright, cold days like today when the wind is in the east and the sky is a frigid blue, and for that reason I can’t help but like it. The sugar beet factory is a thing of beauty with its grey concrete silos and billowing trail of white steam belching and then dissipating into that blue sky. I feel glad to be alive, but it’ll pass.
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Heading for the town centre I turn to admire the railway station with its pair of ‘minarets’ and then set-off along Northgate Street before turning into Cannon Street and stopping at the Old Cannon Brewery, hotel and bistro. Most of the people in here are eating and it doesnt have the ambience of a pre-match boozer, but I just have a pint of Black Pig (£3.50) and sit at a small table facing the shiny brewing vessels to read the football pages of the Bury Free Press. The headline story concerns Walsham le Willows FC who apparently are being threatened with relegation from the Eastern Counties Premier League if they don’t resolve some health and safety issues at their ground in Summer Lane. I worry why the League considers relegation would resolve the issue, unless the view is that in Division One some injury and possible death is to be expected.
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I wrestle with the idea of having another pint, but decide to head for Bury Town’s ground because it’s now twenty five past two and I’m not sure exactly how far it is or what delights await me at Ram Meadow. I am surprised at how quickly and easily I find the ground considering that I last came here in February 1989. The approach is across the adjacent municipal surface car park (£1.80 for three hours) and is not very imposing; there is no sense of arrival, just a close board wooden fence and three advert hoardings with a single gate. If there was a queue at the turnstile people could be mown down by small men in Range Rovers desperate to park.

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I pay my entrance money (£9) and step around the turnstile to stand in what looks like a queue to buy a programme (£2), but it’s not, it’s just old blokes talking; so I step around them explaining to the programme seller that I thought they were a queue. The layout of Ram Meadow is a lot like that of King’s Meadow in Sudbury with the main stand and club house on the west side. The club house at Ram Meadow is new and tacked onto the end of it is a conservatory which is the members’ lounge.
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Through the glass I can see people scoffing plates of boiled potatoes and pies. By the side of the conservatory is the club shop, it’s the sort of structure that the occupiers of suburban bungalows call a ‘garden room’. I love a club shop; this one is pedalling the usual shirts, scarves and woolly hats but also bears and dinosaurs in Bury Town t-shirts.I head for the bar.

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The club house at Ram Meadow is quite new having opened in September 2016; it’s a very plain building but I forgive this because there’s a hand pump on the bar, although the barmaid doesn’t know what it’s serving, just that it isn’t what it says on the pump clip. I buy a pint (£3.40) and have pricked the barmaid’s curiosity; she has to find out what the beer is, but returns to say she’s none the wiser and the barrel just says SX SW Pale Ale. I take a seat at the side of the room near where the Bury Town Under 10’s are getting ready to be mascots; there is cake on a table and a mother stands with a plate of chips with a look of ‘do you want any more of these?” on her face.
Two blokes next to me are talking about the match. “So where is Waltham Abbey then?” asks one. “Down near Harlow by the M25” says the second, looking it up on his ‘phone. “They’re all fucking down there, these clubs” is the reply. They speak not in Suffolk accents but as though they really should know where Waltham Abbey is. The beer is good and is quickly gone so I step back out into the cold afternoon. It’s not long until kick-off so I think about where is going to be a good spot to watch the game. I wander back round to the corner of the ground by the turnstiles and the teams are just coming onto the pitch when a voice says “Allo Martin”. It’s Dave, the man with whom I used to write the ‘A Load of Cobbolds’ fanzine back in the 1990’s. In his day Dave was every bit as dedicated to watching Ipswich Town as ever-present Phil who never misses a game is now. I will be eternally jealous of Dave because in 1981 he was in a minibus that went to St Etienne to see Ipswich win 4-1 in Ipswich Town’s greatest performance ever. But Dave became disillusioned and did something about it, he stopped going. But Dave can’t give up football and now has a Bury Town season ticket.
Dave and I walk round to where he sits every week, in the Jimmy Rattle stand with two old codgers who like to just sit and moan. The Jimmy Rattle stand is a long low, multi-stanchioned structure with just a few rows of lovely, warm, wooden bench seats. A scaffolding tower adds interest in the centre, from where each match is filmed.
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The game begins with Waltham Abbey, in green and white hooped shirts and green shorts, kicking towards Bury St Edmunds cathedral, and Bury Town, in all blue, kicking towards the sugar beet factory and its plume of white steam. If I had to choose ends, I’d choose the sugar beet factory.
The pitch is soft and muddy and the colourful kits and clear blue sky make a beautiful scene. Dave updates me on family life; his eldest daughter who I met as a toddler in 1992 is now head of history at a school in Cambridge; I remember her being able to say “We are top of the league; we are top of the league”. Dave says how his younger daughter is less academic and her idea of preparing for an exam was to do her make-up and hair. She has a boyfriend who plays for Bury Town. Dave likens his children to Lisa and Bart Simpson and clearly enjoys that they are so different.
Meanwhile, on the pitch the game is entertaining whilst being of rather poor quality in terms of skill and well organised football. My attention is mostly taken by a Waltham Abbey player who looks as if his kit is a size too large for him
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and the Bury right-back for whom the opposite is true.

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Bury are expected to win as they sit 10th in the Bostik League North Division table, whilst Waltham Abbey are 13th and have lost most of their last eight or nine games. Very little happens near the goals and most time is spent ploughing through the muddy turf of the congested midfield. But near the end of the half Waltham Abbey twice break free and although their number ten looks certain to score he contrarily hits each post and then a short while later another player carelessly boots a third good chance wide.
We buy a fifty-fifty draw ticket each (£1.00) from a lady called Maureen and the half soon

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ends. With half-time I return to the club house to catch up on the half-time scores, and to celebrate that Ipswich are winning I buy another pint of the mystery pale ale. With my beer in a plastic cup I am free to wander outside and explore, and as I do so my beer gets colder and colder as the sun sinks low in the west. At the sugar beet factory end of the ground is a an advertisement board for The Suffolk Pest Control Comp[any Ltd , which features a silhouette of a Suffolk Punch horse; I didn’t know
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these animals were considered pests, but can well imagine that an infestation of them would be a bit of a bugger. But it does account for why the Suffolk Punch is a rare breed.
As the game resumes I visit the outside toilet, in which very weirdly I think I can detect a faint smell of Christmas pudding. I pass the ‘Home and Away Directors box’ and wonder if there are other TV Soap themed directors’ boxes around the country or whether this is the only one. I wander back past the clubhouse where the faces of men holding pint glasses peer out through the double glazing, watching the game from the warmth of an alcoholic haze. As with most non-league or local football, the crowd is mostly made up of middle-aged men and older, and the occasional dog.
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There should be more dogs at football matches.

The most passionate Bury fans have now re-located to the Cathedral end and pinned

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their flags to the high quality close board wooden fence that encloses the ground. “BTFC. Suffolk Is Ours” boasts one flag somewhat incomprehensibly. It smacks of the same conceit that sees the town of Bury St Edmunds label itself “a jewel in the crown of Suffolk”.
Back on the Jimmy Rattle side of the ground I meet Andrew, a fellow public sector employee who is here with his young son who points out that the Waltham Abbey substitute has an interesting hairstyle. Indeed, he looks like he is from a 1970’s

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discotheque and as we watch, the ball comes to him inside the Bury Town penalty area, he aims a kick and misses the ball completely.
By and by I return to sit again with Dave and the game carries on much as before, but Bury are the more dominant team now without ever really looking like scoring; it’s a lot like watching the Championship, but cheaper and more fun. We talk a little bit of politics and how even the Labour Party supporters are Tories in Bury St Edmunds. The game is drawing to a close and Bury hit a post, but even before the three minutes of added on time is announced people are drifting away, beating the imagined rush of 274 people all simultaneously trying to get through the one little gate in that wooden fence. “Have you had enough entertainment for one afternoon?” asks Dave of the old boy who was sat next to him as he toddles off home.
The three minutes elapse and I reflect that I have enjoyed a wonderful afternoon’s entertainment. I say good bye to Dave as I head once again to see if I can still smell Christmas pudding and Dave goes round the corner to pop in on his mother-in-law. Before I finally leave Ram Meadow I check on the full-time score at Preston where Ipswich have won. On the walk back to the railway station I phone my wife and as the camera pans away from my afternoon Lou Reed’s ‘Perfect Day’ can be heard.
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