Ipswich Town 0 Watford 0

As the football season begins to draw to its close, I sometimes start to look ahead and see what few fixtures are left, conscious that all of this will soon be over and when it returns summer will be almost gone too.  Since last weekend I have therefore occasionally thought of Watford,

As far as I can remember, I have only ever known three Watford FC supporters.  The first one I knew for just a fortnight back in 1982, when I worked for the Department of Health and Social Security  and was sent on a course to distant Stockton-On -Tees.  He was what might commonly be called a bit of a ‘Jack the lad’ and he had driven up north in a small saloon car with go faster stripes and a tinted windscreen, which might even have had his name printed on a sun strip across the top.  He was the sort of bloke who wore white socks and loafers and had a small moustache.  I worked with and occasionally played five a-side football with the other two, both of whom I would describe as suburban; they both had neat hair and doubtless still have.  That’s how I think of Watford, suburban.

I first saw Ipswich play Watford in a League Cup quarter final tie in January of 1982. It was the first time the two clubs had met since Boxing Day 1956, and a factor in this is that it had taken Watford from 1920 until 1969 to even get into the Second Division.  The Observer’s book of Association Football describes how in 1969 Watford were promoted as Champions and simultaneously earned a reputation as a Cup team, by drawing at Old Trafford and then the following season beating Bolton, Stoke and Liverpool. “But…” says the pocket-sized book “…second division life was hard”, which I think is a veiled reference to two seasons in the bottom five followed by relegation in 1972.   But that was over fifty years ago and a club that once fielded players called Roy Sinclair, Ray Lugg and  Barry Endean is now home to Edo Kayembe, Mileta Rjovic and and Vakoun Bayo.

When I talk of Watford to my wife Paulene she recalls what, judging by the pained expression on her face, was one of the worst nights of her life, when in about 1977 she was taken to a nightclub called Bailey’s.   It was full of Stag and Hen parties she recalls, and the headline act for the night was ‘comedian’ and children’s TV presenter (Runaround) Mike Reid, who picked on her because she wasn’t laughing.  She’s not been laughing ever since, except when I fell in the garden pond a few summers ago.

It’s now a cool, drafty, grey evening. After fulfilling my filial duty and visiting my surviving aged parent, I am now as ever in ‘the Arb’, stood amongst a knot of people at the bar , some of whom seem to be trying to form a queue.  When did people start queueing at bars in pubs?   As I say to the bloke next to me “It’s a free for all”, policed only by the bartender’s uncanny and yet unerring ability to know who’s next.  Eventually,  with a pint of Mauldon’s Suffolk Pride (£3.78 with Camra discount) in hand, I repair to the beer garden and wait for a bowl of “Very French, French Fries” for which, now looking back, I think was ludicrously overcharged,   because I paid about £13.00 for the chips and the beer.  Perhaps it’s Karma for jumping the imaginary queue.

I sit and flick through the match programme (£3.50) that I bought earlier.  I only paid £3.10 for the programme today because I had an impressive 40 pence worth of loyalty points amassed from previous purchases from the club shop, which I am now beginning to think of as being a bit like the Co-op.  After drinking my pint and eating my chips I buy a second pint and listen to the conversation on the next table, where three old blokes denigrate the oeuvre of Taylor Swift, questioning whether her work will in fifty years’ time compare to that of The Eagles, Paul Simon and Elton John, all of whom are heard travelling through time via the speakers above our heads. 

By and by I am the only person left in the garden who is going to the match, and so in order not to miss kick off I leave too.  Portman Road and the back of the Sir Alf Ramsey stand are busy with queues for the turnstiles and by the time I reach my seat the teams are already on the pitch and Murphy the stadium announcer is beginning to announce the teams as I say good evening to Pat from Clacton, Fiona, the man from Stowmarket (Paul), and check on the presence of ever-present Phil who never misses a game, and his son Elwood.  Murphy completes his hat-trick by synchronising for the third match in succession his reading out of the Town team with their names appearing on the scoreboard, allowing at least Phil and myself to behave like Frenchmen and bawl out their surnames as he announces them.

Predictably, kick-off soon follows a stirring rendition of Hey Jude and Town, in traditional blue and white, get first go with the ball, sending it hopefully towards the goal just in front of me and my fellow ultras. Watford meanwhile are in yellow shirts and black shorts, although their shirts appear to have been daubed with black paint across the front or dragged across a tray of soot. It’s one of those kits that exposes the folly of having a new kit every season because after not very long the good people of Puma, Hummel, Juma and Kelme clearly ran out of ideas and possibly motivation;  and who wouldn’t, a polyester shirt is after all just a polyester shirt.

“Blue Army, Blue Army” chant the militaristic Sir Bobby Robson standers and I am struck by how few Watford supporters are here given that it’s only 150 kilometres away.  “Wo-oh…” sing the Watfordians that are here, followed by something unintelligible  before chanting what sounds like  “Oh when the horns go marching in” . Above us the sky turns bluey grey as darkness descends.  In front of us I notice the Watford goalkeeper has the name Bachmann across his shoulders and I wonder if in fifty-years’ time the live performances of Taylor Swift will be remembered like those of Bachman Turner Overdrive.

Ten minutes pass and Keiffer Moore heads a Kayden Jackson cross disappointingly high and wide.  AT the far end of the ground “Ole, Ole, Ole” is the refrain after the bit that goes “We support the Ipswich, and that’s the way we like it…”. I don’t know the tune but don’t think it’s by Taylor Swift. Another five minutes pass and after the evening’s first particularly good outbreak of passing Town sadly earn no more than a throw in. From the top tier of the  Cobbold Stand it sounds like the Watford fans are singing “Alternate Steve, Alternate Steve”  which makes very little sense but sounds like a plausible nickname for that Watford fan I met in Stockton On Tees in 1982.   My reverie is broken by a Nathan Broadhead shot which Bachmann must dive on to deny us the pleasure of a goal.

Nearly twenty minutes pass and Watford win the game’s first corner, but thereafter it is Town who  begin to dominate. Omari Hutchinson makes a fabulous jinking run in to the penalty area before squaring the ball to a Watford defender and Kayden Jackson darts down the wing, crosses the ball and Keiffer Moore imperiously side foots it into an empty space on the un-netted side of Bachmann’s left goal post. “We forgot that you were ear” sing the Watford fans puzzlingly, but  to the tune of Cwm Rhondda, which is nice if you’re Welsh.  Watford’s number four Wesley Hoedt then kicks his own goalkeeper and referee Mr Barrot (like Carrot or Parrot but with a ‘B’) gives them a free-kick.  I count eleven seagulls stood on the girder above the Sir Bobby Robson stand.

There are only ten minutes until half-time now and Nathan Broadhead turns neatly, glides towards goal and shoots,  at Bachmann, but the way he moved across the turf was a beautiful sight. A minute later Broadhead shoots again. This time, his shot goes beyond a diving Bachmann and I begin to rise from my seat to celebrate the inevitable goal, but for a moment the laws of physics are seemingly suspended and the angle of incidence no longer equals the angle of reflection as the shot hits the inside of the goal post,  but then curls out across the face of the goal instead of deflecting into the net as  science and natural justice insists it should have.

The last five minutes of the half witness Sam Morsy shooting at Bachman and then a Harry Clarke cross is headed powerfully down into the net by Keiffer Moore but Bachmann’s reactions go into overdrive and he pushes the ball away hurriedly for a corner before ball and net can be united.  Two minutes of added on time follow repeated chants of “Come On You Blues “ from me and ever-present Phil before the corner as like the chorus in a Greek play Pat from Clacton repeats her mantra of “two of us singing, there’s only two of use singing”.  Drums beat in the far end of the Cobbold Stand and I’m struck by how smart Mr Barrot and his assistants look in their orange shirts with black shorts; if I were a Watford player I think I might see if he’d be willing to swap at the end of the game.

With the half-time break I chat to the man from Stowmarket before speaking briefly with Dave the steward, Ray, and his grandson Harrison. At nine minutes to nine the game resumes with prophetic chants of “Come on Watford, Come on Watford, Come on Watford” , and they do as they begin to dominate possession and run around like someone’s cracked open the anti-depressants and they’ve all been slipped a few ‘bennies’ with the half-time tea.  On the hour almost, and Vaclav Hladky makes his first save of the night as a fierce snap shot hits him in the chest and goes off for a corner, and then they get another.

It feels like we’ve just been waiting for a respectable amount of time to elapse before making substitutions and so it proves as in the sixty-third minute Luongo, Chaplin and Sarmiento  move in at the expense of Taylor, Jackson and Broadhead. “Jeremy Sarmiento, he’s magic you know” sing the Sir Bobby standers to a tune I don’t know, but which could be by Taylor Swift.

Twenty minutes remain of normal time remain. “Over and in” says Pat from Clacton quietly coaching the team before rooting through her purse for a lucky charm that will work some magic. She picks out Ganesh with his elephant head and four arms, who could be useful at corners, although he’d probably like to see a few Hindus in the team before he promises too much.  There are currently no seagulls on the roof of the Sir Bobby Robson stand.  Pat’s prospects of winning the ‘predict the score’ draw on the Clacton supporters bus seems slim, she’s drawn two-all. But as Fiona says, with Ipswich this season you never know.  Murphy announces the attendance as  being 28,589, but mysteriously doesn’t tell us how many are from Watford as if perhaps we wouldn’t believe him.  He nevertheless thanks us for our ”continued support”, although I’m getting bored with him saying that every single week and think he should just tell us how really lovely it is to see us all again.

The final twenty minutes don’t see Town really come close to scoring, despite Ganesh, and Watford win a couple of corners as I wonder about Mr Q, which is the sponsor’s name on the front of the Watford shirts. I think of Mr Plow (Plough in English), in series four of The Simpsons  and Mr Potato Head in Toy Story,  but hope Mr Q is a second hand car dealer or industrial cleaner somewhere on a Watford industrial estate; he sounds like one.  Then George Edmundson is kicked on the ankle and has to be replaced by Luke Woolfenden and our chances of bringing on a late attacking substitute who would be bound to score are dashed.  Despite two corners, chants of “Blue and White Army, Blue and White Army” , and four minutes of added time Town fail to score at home for just the second time this season and for the first time in 2024.  But just to remind us how lucky we really are a freakish punt at goal from the half way line has to be batted away by a desperately back-peddling Vaclav Hladky in the dying seconds. There were days when that would have gone in.

Just like when we played  Grimsby on an April night in 1992  on the way to winning the Second Division Championship, the game has finished goalless.   It’s not what we wanted,  but at least it’ll stop me thinking about Watford. 

Ipswich Town 5 ABBA 5

The football season is over save for the silly play-offs, and now it’s the height of Spring,  and with little else to occupy him a young man’s fancy lightly turns to thoughts of the Eurovision Song Contest;  or maybe not.  But last week’s transmission of the bizarre, annual , musical  television ritual extravaganza was inevitably accompanied by the airing of a clip show on BBC4 of past performances by the competition’s only notable success, Abba.  I have never bought, stolen, borrowed or owned an Abba record, tape, download or CD, but I will admit to being unable to suppress a smile when I hear one played.    Equally, I couldn’t resist watching that clip show and felt rewarded when it brought back memories of a road trip I made in the summer of 1995, which took me and my then girlfriend via Parkeston Quay, DFDS Seaways ferry, Gothenburg, Stockholm, Uppsala and Sundsvall to Pitea in northern Sweden, where we stayed with my girlfriend’s pen friend and her husband.  It was a very long drive for which the soundtrack for several stages of the journey came courtesy of a CD of Abba Gold belonging to my girlfriend.

The experience of listening to Abba on that road trip has stayed with me and it led to an article in the erstwhile Ipswich Town fanzine A Load of Cobbolds.  Now, in the spirit of nostalgia inspired by the fortieth anniversary of Ipswich Town’s UEFA Cup win and  in the absence of anything better to do I have reproduced that article below, updating it to modern times where necessary:

When you’re an eleven or twelve year-old football and pop music loom large as pre-pubescent priorities.   I bought my first record (Happy Christmas (War Is Over) by John Lennon & Yoko Ono) in 1971,  the same year that I started watching Ipswich Town, and I  soon began to feel that footie and pop music were somehow inextricably linked. The late Sixties and early Seventies was a time when it was easy to confuse footballers with pop stars and my two worlds satisfyingly collided.  The fashion for any bloke who aspired to being hip and trendy was an enormous thatch of hair coupled with equally vast sideburns.  Squeezed into a pair of bollock-hugging, crushed-velvet flairs and sporting a deafeningly loud shirt,  Ian Collard or Rod Belfitt might have been members of The Hollies, or Kevin Beattie a member of Nazareth.

The similarities in the appearance of pop stars and footballers subsided a bit as the Seventies wore on and sadly, sartorially Punk Rock never seemed to catch on with any footballers at all.  There were however still some startling lookalikes within the ranks of the PFA, I thought.  It could have just been my addled perception, but I always felt that Arsenal’s Frank Stapleton and Shakin’ Stevens were the same bloke.  Moving on into the 1980’s the separation at birth of Oldham Athletic’s Andy Ritchie and Jimmy Somerville was ‘well documented’ at the time, but less well-known is the fact that Roy Keane and Sinead O’Connor were also twins.

More amazing than these superficial similarities, which admittedly are largely the invention of my fevered imagination, is the very precise correlation between the success of one particular football club during the 1970’s and early 1980’s and a particular pop group.  Both were at their peak between 1973 and 1982. The football club of course was Ipswich Town and the pop group was Abba.

If you take time to trawl through the collected works of the famous Swedish songsters, as Dave Allard might have called them, you will not only enjoy a richly rewarding aural experience, but you will soon reach the conclusion that the fact that Town and Abba were both at the peak of their powers over precisely the same period of time is no coincidence.   Listen carefully to the lyrics and you will be able to trace the history of the Town’s success through that glorious era.  You will find that listening to Abba Gold (Greatest Hits) is as close to a religious experience as you can hope to get;  something akin to an Ipswich Town Dreamtime, harking back to an epoch when Portman Road was inhabited by ancestral figures of heroic proportions who possessed supernatural powers.   In the film Muriel’s Wedding the eponymous Muriel says that Abba’s songs are better than real life.  Now, as we sit in the murky depths of the third division and look back at Town’s glorious past you too will believe this is true.

As you might expect from Europe’s foremost supergroup many of the songs make reference to Town’s European campaigns of that era in the UEFA and European Cup Winners’ cups.  It is likely that it was through Town’s exploits on the continent that the talented Swedes first became Town supporters, although we were actually only drawn against Swedish opposition  once when in 1977 we met Landskrona Bois and most inconveniently The Stranglers played the Ipswich Gaumont on the very same night as the home leg.  Naturally, I missed The Stranglers concert and sadly never got a second opportunity to see them.    There is clearly a reference to Town’s UEFA Cup triumph over Lazio in the title of the number one hit ‘Mamma Mia!’, a song which also contains a lyric that suggests one of Abba had perhaps had a brief flirtation with a Town player or supporter and may explain the uncanny connection between Abba and the mighty Blues;

“Yes, I’ve been broken hearted, Blue since the day we parted.”

The moving ballad ‘Fernando’ is sung to an imaginary Spanish fan and recalls those sultry September and cooler autumn evenings when we entertained Iberian opposition from Real Madrid, Las Palmas and Barcelona.

“There was something in the air that night, the stars were bright, Fernando….

Though we never thought that we could lose, there’s no regrets. If I had to do the same again I would, my friend Fernando”

That last line referred to the fact that Town were twice drawn to play Barcelona, whilst the line  before that refers to our having lost both ties despite being confident after winning the first leg.  Another song, ‘Super Trouper’, whilst still referencing games played under floodlight, perhaps because of the lack of daylight hours in Sweden during the English football season, refers to an individual player and employs little-known Swedish rhyming slang in a thinly disguised paean to goalkeeper Paul Cooper.

“Super Trouper lights are gonna find me shining like the sun, Smiling having fun feeling like a number one”

In the 1978 Abba hit “Take a chance on me”   the subtle Swedish Blues fans reveal the little known story of how Frans Thijssen successfully pleaded with Bobby Robson to let him join his compatriot Arnold Muhren at Portman Road and to try his luck in English football. 

Honey I’m still free, take a chance on me. If you need me let me know and I’ll be around. Gonna do my very best and it ain’t no lie, if you put me to the test, if you let me try”.

Although those days were such wonderful times for Town, not every song described a happy or uplifting event.  There were sad days too at Portman Road back in the Seventies and hard decisions had to be made for the good of the team.  The 1977 ‘Number One’ hit ‘Knowing Me, Knowing You’ was about the departure of former Portman Road favourite David Johnson, the one-time ‘King of Portman Road’, who left Town to join rivals Liverpool.  In the song, the reflective Scouser looks back on the good times he has had at Portman Road since his move to Town from Everton four years earlier.

  “Memories, good days, bad days, they’ll be with me, always”

David appreciates however that his recent form has not been good and in the circumstances a move is the best thing for everyone.

  “Knowing me, knowing you, there is nothing we can do, we just have to face it this time we’re through; Breaking up is never easy I know but I had to go, Knowing me, knowing you it’s the best I could do”.

Back in the Seventies, money wasn’t the driving force in football that it is today.  Nevertheless, the spending power of clubs such as Manchester United, who were able to make expensive signings virtually every season despite being rubbish, rankled with Bobby Robson and he longed to be able to make big signings for Town.  Abba’s “Money, Money, Money” was a song about his frustration. 

“In my dreams I have a plan, if I got me a wealthy man…  “

”All the things I could do if I had a little money…”

“Money, money, money, always sunny in a rich man’s world”

Both ‘Knowing Me, Knowing You’ and ‘Money, Money, Money’ showed something of the downside of those glory years and as we look back on those days from the fag-end of the first quarter of the miserable twenty-first century a melancholy aura pervades our memories, in part because ultimately Town failed to win the League Championship that we deserved, but perhaps also because even at the time we knew it all had to end one day, and when Bobby Robson left to manage England in 1982 we secretly knew it had.  Abba knew it too and two of their hits put these feelings in to sharp perspective.  The haunting melody of ‘Winner takes it all’ explores the pain that looking back on the good times would bring; it begins:

 “I don’t want to talk about things we’ve gone through, though it’s hurting me now it’s history”

Abba’s last big hit ‘Thank you for the music’ is sung from the perspective of our legendary club captain Mick Mills who reminisces, having regretfully left Town for Southampton, about the joy and beauty of those days between 1973 and 1982.  If you’ve listened to the slightly dull monotone of Mick’s summaries as he sits alongside commentator Brenner Woolley on BBC Radio Suffolk, you will appreciate the opening lines to this song; 

“I’m nothing special in fact I’m a bit of a bore, If I tell a joke, you’ve probably heard it before…”

But Mick’s talent was as full-back and captain of the greatest Ipswich Town side ever and this was the ‘music’ referred to in the title of this most moving of Abba songs.  This was a song from the heart of ‘Mr Ipswich Town’, Mick Mills, and it is truly uncanny how Mick with his blond locks and luxurious facial hair even looks like a bit like a composite of Bjorn Ulvaeus and Benny Anderson the song’s composers.  This song is the ultimate celebration of those ten seasons at the top in which Mick thanks fate for the glorious hand he was dealt.

“I’ve been so lucky, I am the girl with golden hair

I want to sing it out to everybody

What a joy, what a life, what a chance

So I say Thank You for the music

The songs I’m singing

Thank you for the joy they’re bringing…”

The songs of Abba define and encapsulate a golden period in the story of the twentieth century and the time before Thatcherism and neo-liberalism destroyed your innocence.  Abba’s songs, their success and the glory of Ipswich Town, the nicest professional football club the world had ever known did not happen together by coincidence.  The proof is in the lyrics of the songs, and shows that cosmic forces were at work.  Those of us who lived through the 1970’s were truly blessed to have experienced the music of Abba as it happened, but we are doubly blessed to have been Ipswich Town supporters too.

Thank you for the music Bobby Robson and Mick and all the lads who played for us between 1973 and 1982 , and thank you for the music Agnetha Faltskog, Benny Anderson, Bjorn Ulvaeus and Anni-Frid Lyngstad.